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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E950AA it is the complementary color #16AF55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E950AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E950AA shade: #EE50A5, #FF62B8, #FF74CB, #FF86DE and #FF98F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E950AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E950AA shade: #E950AA, #D83E97, #C72C84, #B61A71 and #A5085E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E950AA shade: #E94EA9, #E94E7F, #E94E56 and #E94E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E950AA shade: #E94EA9, #E94ED3, #D54EE9, #AC4EE9 and #824EE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E950AA shade matches the following richer shades: #E94EA9 and #F93EAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E950AA shade: #E94EA9, #D95EA6, #C96EA4, #B97EA1 and #A98E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E950AA shade: #D44EE9, #E94ED4, #E94EAB, #E94E82 and #E94E58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E950AA shade: #CB1982, #E52997, #E94EA9, #EE73BB and #F297CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E950AA shade: #E950AA, #E9AB4E and #4EE9E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E950AA shade: #E950AA, #ABE94E and #4EABE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E950AA shade: #E950AA, #E9AB4E, #4EE98C and #4E8CE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E950AA shade: #E950AA, #E9DA4E, #4EE98C and #4E5DE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 27 / 9

HEX #E950AA

RGB 233 80 170

HSL 324.71, 0.78%, 0.61%

LAB 58, 67.02, -16.52

 

Complementary color

CMYK 87 / 0 / 51 / 31

HEX #16AF55

RGB 22 175 85

HSL 144.71, 0.78%, 0.39%

LAB 62.92, -56.79, 35.7

 

CMYK 0 / 66 / 31 / 7

HEX #EE50A5

RGB 238 80 165

HSL 327.72, 0.82%, 0.62%

LAB 58.63, 67.78, -12.59

 

CMYK 0 / 62 / 28 / 0

HEX #FF62B8

RGB 255 98 184

HSL 327.13, 1%, 0.69%

LAB 64.53, 67.67, -14.37

 

CMYK 0 / 55 / 20 / 0

HEX #FF74CB

RGB 255 116 203

HSL 322.45, 1%, 0.73%

LAB 68.07, 62.39, -19.73

 

CMYK 0 / 47 / 13 / 0

HEX #FF86DE

RGB 255 134 222

HSL 316.36, 1%, 0.76%

LAB 71.95, 56.74, -24.36

 

CMYK 0 / 40 / 5 / 0

HEX #FF98F1

RGB 255 152 241

HSL 308.16, 1%, 0.8%

LAB 76.11, 50.92, -28.38

 

CMYK 0 / 66 / 27 / 9

HEX #E950AA

RGB 233 80 170

HSL 324.71, 0.78%, 0.61%

LAB 58, 67.02, -16.52

 

CMYK 0 / 71 / 30 / 15

HEX #D83E97

RGB 216 62 151

HSL 325.32, 0.66%, 0.55%

LAB 52.15, 66.76, -14.51

 

CMYK 0 / 78 / 34 / 22

HEX #C72C84

RGB 199 44 132

HSL 325.94, 0.64%, 0.48%

LAB 46.46, 65.91, -12

 

CMYK 0 / 86 / 38 / 29

HEX #B61A71

RGB 182 26 113

HSL 326.54, 0.75%, 0.41%

LAB 41.02, 64.18, -8.8

 

CMYK 0 / 95 / 43 / 35

HEX #A5085E

RGB 165 8 94

HSL 327.13, 0.91%, 0.34%

LAB 35.95, 61.21, -4.68

 

CMYK 0 / 67 / 27 / 9

HEX #E94EA9

RGB 233 78 169

HSL 324.77, 0.78%, 0.61%

LAB 57.69, 67.66, -16.42

 

CMYK 0 / 67 / 45 / 9

HEX #E94E7F

RGB 233 78 127

HSL 341.03, 0.78%, 0.61%

LAB 56.39, 63.16, 6.3

 

CMYK 0 / 67 / 63 / 9

HEX #E94E56

RGB 233 78 86

HSL 356.9, 0.78%, 0.61%

LAB 55.53, 60.06, 29.26

 

CMYK 0 / 67 / 67 / 9

HEX #E94E4E

RGB 233 78 78

HSL 0, 0.78%, 0.61%

LAB 55.4, 59.61, 33.72

 

CMYK 0 / 67 / 27 / 9

HEX #E94EA9

RGB 233 78 169

HSL 324.77, 0.78%, 0.61%

LAB 57.69, 67.66, -16.42

 

CMYK 0 / 67 / 9 / 9

HEX #E94ED3

RGB 233 78 211

HSL 308.52, 0.78%, 0.61%

LAB 59.41, 73.36, -37.86

 

CMYK 9 / 67 / 0 / 9

HEX #D54EE9

RGB 213 78 233

HSL 292.26, 0.78%, 0.61%

LAB 57.54, 72.36, -53.41

 

CMYK 26 / 67 / 0 / 9

HEX #AC4EE9

RGB 172 78 233

HSL 276.39, 0.78%, 0.61%

LAB 51.95, 63.58, -62.67

 

CMYK 44 / 67 / 0 / 9

HEX #824EE9

RGB 130 78 233

HSL 260.13, 0.78%, 0.61%

LAB 47.08, 55.33, -70.8

 

CMYK 0 / 67 / 27 / 9

HEX #E94EA9

RGB 233 78 169

HSL 324.77, 0.78%, 0.61%

LAB 57.69, 67.66, -16.42

 

CMYK 0 / 75 / 31 / 2

HEX #F93EAC

RGB 249 62 172

HSL 324.71, 0.94%, 0.61%

LAB 58.57, 77.41, -16.58

 

CMYK 0 / 67 / 27 / 9

HEX #E94EA9

RGB 233 78 169

HSL 324.77, 0.78%, 0.61%

LAB 57.69, 67.66, -16.42

 

CMYK 0 / 57 / 24 / 15

HEX #D95EA6

RGB 217 94 166

HSL 324.88, 0.62%, 0.61%

LAB 57.57, 56.02, -15.09

 

CMYK 0 / 45 / 18 / 21

HEX #C96EA4

RGB 201 110 164

HSL 324.4, 0.46%, 0.61%

LAB 58.27, 42.84, -13.09

 

CMYK 0 / 32 / 13 / 27

HEX #B97EA1

RGB 185 126 161

HSL 324.41, 0.3%, 0.61%

LAB 59.72, 28.23, -9.4

 

CMYK 0 / 16 / 7 / 34

HEX #A98E9E

RGB 169 142 158

HSL 324.44, 0.14%, 0.61%

LAB 61.87, 12.94, -4.66

 

CMYK 9 / 67 / 0 / 9

HEX #D44EE9

RGB 212 78 233

HSL 291.87, 0.78%, 0.61%

LAB 57.39, 72.14, -53.65

 

CMYK 0 / 67 / 9 / 9

HEX #E94ED4

RGB 233 78 212

HSL 308.13, 0.78%, 0.61%

LAB 59.46, 73.51, -38.35

 

CMYK 0 / 67 / 27 / 9

HEX #E94EAB

RGB 233 78 171

HSL 324, 0.78%, 0.61%

LAB 57.76, 67.9, -17.47

 

CMYK 0 / 67 / 44 / 9

HEX #E94E82

RGB 233 78 130

HSL 339.87, 0.78%, 0.61%

LAB 56.47, 63.44, 4.64

 

CMYK 0 / 67 / 62 / 9

HEX #E94E58

RGB 233 78 88

HSL 356.13, 0.78%, 0.61%

LAB 55.56, 60.18, 28.14

 

CMYK 0 / 88 / 36 / 20

HEX #CB1982

RGB 203 25 130

HSL 324.61, 0.78%, 0.45%

LAB 45.64, 70.94, -11.94

 

CMYK 0 / 82 / 34 / 10

HEX #E52997

RGB 229 41 151

HSL 324.89, 0.78%, 0.53%

LAB 52.37, 75.85, -13.96

 

CMYK 0 / 67 / 27 / 9

HEX #E94EA9

RGB 233 78 169

HSL 324.77, 0.78%, 0.61%

LAB 57.69, 67.66, -16.42

 

CMYK 0 / 52 / 21 / 7

HEX #EE73BB

RGB 238 115 187

HSL 324.88, 0.78%, 0.69%

LAB 64.98, 55.53, -15.62

 

CMYK 0 / 38 / 15 / 5

HEX #F297CD

RGB 242 151 205

HSL 324.4, 0.78%, 0.77%

LAB 73.17, 41.47, -13.3

 

CMYK 0 / 66 / 27 / 9

HEX #E950AA

RGB 233 80 170

HSL 324.71, 0.78%, 0.61%

LAB 58, 67.02, -16.52

 

CMYK 0 / 27 / 67 / 9

HEX #E9AB4E

RGB 233 171 78

HSL 36, 0.78%, 0.61%

LAB 74.19, 13.64, 55.36

 

CMYK 67 / 0 / 0 / 9

HEX #4EE9E9

RGB 78 233 233

HSL 180, 0.78%, 0.61%

LAB 84.88, -39.49, -11.87

 

CMYK 0 / 66 / 27 / 9

HEX #E950AA

RGB 233 80 170

HSL 324.71, 0.78%, 0.61%

LAB 58, 67.02, -16.52

 

CMYK 27 / 0 / 67 / 9

HEX #ABE94E

RGB 171 233 78

HSL 84, 0.78%, 0.61%

LAB 85.75, -42.32, 66.19

 

CMYK 67 / 27 / 0 / 9

HEX #4EABE9

RGB 78 171 233

HSL 204, 0.78%, 0.61%

LAB 67, -8.42, -39.2

 

CMYK 0 / 66 / 27 / 9

HEX #E950AA

RGB 233 80 170

HSL 324.71, 0.78%, 0.61%

LAB 58, 67.02, -16.52

 

CMYK 0 / 27 / 67 / 9

HEX #E9AB4E

RGB 233 171 78

HSL 36, 0.78%, 0.61%

LAB 74.19, 13.64, 55.36

 

CMYK 67 / 0 / 40 / 9

HEX #4EE98C

RGB 78 233 140

HSL 144, 0.78%, 0.61%

LAB 82.8, -60.74, 33.62

 

CMYK 67 / 40 / 0 / 9

HEX #4E8CE9

RGB 78 140 233

HSL 216, 0.78%, 0.61%

LAB 58.28, 9.42, -52.94

 

CMYK 0 / 66 / 27 / 9

HEX #E950AA

RGB 233 80 170

HSL 324.71, 0.78%, 0.61%

LAB 58, 67.02, -16.52

 

CMYK 0 / 6 / 67 / 9

HEX #E9DA4E

RGB 233 218 78

HSL 54.19, 0.78%, 0.61%

LAB 86.01, -10.68, 67.83

 

CMYK 67 / 0 / 40 / 9

HEX #4EE98C

RGB 78 233 140

HSL 144, 0.78%, 0.61%

LAB 82.8, -60.74, 33.62

 

CMYK 67 / 60 / 0 / 9

HEX #4E5DE9

RGB 78 93 233

HSL 234.19, 0.78%, 0.61%

LAB 46.09, 38.29, -72.6

 

Description

Color code: HEX #E950AA | qconv.com Color code: HEX #E950AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 80 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 80 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 27% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - Grote Broek
Link: http://grotebroek-nieuw.squat.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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