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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E94C97 it is the complementary color #16B368. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E94C97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E94C97 shade: #EE4C92, #FF5EA5, #FF70B8, #FF82CB and #FF94DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E94C97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E94C97 shade: #E94C97, #D83A84, #C72871, #B6165E and #A5044B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E94C97 shade: #E94E98, #E94E6E and #E94E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E94C97 shade: #E94E98, #E94EC2, #E64EE9, #BD4EE9 and #934EE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E94C97 shade matches the following richer shades: #E94E98 and #F93E97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E94C97 shade: #E94E98, #D95E99, #C96E9A, #B97E9A and #A98E9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E94C97 shade: #E74EE9, #E94EC2, #E94E99, #E94E70 and #E9564E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E94C97 shade: #CB196E, #E52983, #E94E98, #EE73AD and #F297C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E94C97 shade: #E94C97, #E9BD4E and #4ED7E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E94C97 shade: #E94C97, #99E94E and #4E99E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E94C97 shade: #E94C97, #E9BD4E, #4EE99E and #4E7AE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E94C97 shade: #E94C97, #E7E94E, #4EE99E and #514EE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 35 / 9

HEX #E94C97

RGB 233 76 151

HSL 331.34, 0.78%, 0.61%

LAB 56.81, 66.33, -7.23

 

Complementary color

CMYK 88 / 0 / 42 / 30

HEX #16B368

RGB 22 179 104

HSL 151.34, 0.78%, 0.39%

LAB 64.49, -54.85, 27.91

 

CMYK 0 / 68 / 39 / 7

HEX #EE4C92

RGB 238 76 146

HSL 334.07, 0.83%, 0.62%

LAB 57.48, 67.19, -3.2

 

CMYK 0 / 63 / 35 / 0

HEX #FF5EA5

RGB 255 94 165

HSL 333.54, 1%, 0.68%

LAB 63.33, 67.1, -5.3

 

CMYK 0 / 56 / 28 / 0

HEX #FF70B8

RGB 255 112 184

HSL 329.79, 1%, 0.72%

LAB 66.76, 61.68, -11.02

 

CMYK 0 / 49 / 20 / 0

HEX #FF82CB

RGB 255 130 203

HSL 324.96, 1%, 0.75%

LAB 70.55, 55.86, -15.97

 

CMYK 0 / 42 / 13 / 0

HEX #FF94DE

RGB 255 148 222

HSL 318.5, 1%, 0.79%

LAB 74.64, 49.84, -20.26

 

CMYK 0 / 67 / 35 / 9

HEX #E94C97

RGB 233 76 151

HSL 331.34, 0.78%, 0.61%

LAB 56.81, 66.33, -7.23

 

CMYK 0 / 73 / 39 / 15

HEX #D83A84

RGB 216 58 132

HSL 331.9, 0.67%, 0.54%

LAB 51.03, 66.02, -4.85

 

CMYK 0 / 80 / 43 / 22

HEX #C72871

RGB 199 40 113

HSL 332.45, 0.67%, 0.47%

LAB 45.43, 65.08, -1.89

 

CMYK 0 / 88 / 48 / 29

HEX #B6165E

RGB 182 22 94

HSL 333, 0.78%, 0.4%

LAB 40.13, 63.19, 1.85

 

CMYK 0 / 98 / 55 / 35

HEX #A5044B

RGB 165 4 75

HSL 333.54, 0.95%, 0.33%

LAB 35.19, 60.12, 6.54

 

CMYK 0 / 67 / 35 / 9

HEX #E94E98

RGB 233 78 152

HSL 331.35, 0.78%, 0.61%

LAB 57.11, 65.68, -7.36

 

CMYK 0 / 67 / 53 / 9

HEX #E94E6E

RGB 233 78 110

HSL 347.61, 0.78%, 0.61%

LAB 55.99, 61.72, 15.79

 

CMYK 0 / 67 / 67 / 9

HEX #E94E4E

RGB 233 78 78

HSL 0, 0.78%, 0.61%

LAB 55.4, 59.61, 33.72

 

CMYK 0 / 67 / 35 / 9

HEX #E94E98

RGB 233 78 152

HSL 331.35, 0.78%, 0.61%

LAB 57.11, 65.68, -7.36

 

CMYK 0 / 67 / 17 / 9

HEX #E94EC2

RGB 233 78 194

HSL 315.1, 0.78%, 0.61%

LAB 58.67, 70.92, -29.34

 

CMYK 1 / 67 / 0 / 9

HEX #E64EE9

RGB 230 78 233

HSL 298.84, 0.78%, 0.61%

LAB 60.03, 76.09, -49.3

 

CMYK 19 / 67 / 0 / 9

HEX #BD4EE9

RGB 189 78 233

HSL 282.97, 0.78%, 0.61%

LAB 54.19, 67.16, -58.96

 

CMYK 37 / 67 / 0 / 9

HEX #934EE9

RGB 147 78 233

HSL 266.71, 0.78%, 0.61%

LAB 48.93, 58.54, -67.71

 

CMYK 0 / 67 / 35 / 9

HEX #E94E98

RGB 233 78 152

HSL 331.35, 0.78%, 0.61%

LAB 57.11, 65.68, -7.36

 

CMYK 0 / 75 / 39 / 2

HEX #F93E97

RGB 249 62 151

HSL 331.44, 0.94%, 0.61%

LAB 57.87, 75.24, -5.36

 

CMYK 0 / 67 / 35 / 9

HEX #E94E98

RGB 233 78 152

HSL 331.35, 0.78%, 0.61%

LAB 57.11, 65.68, -7.36

 

CMYK 0 / 57 / 29 / 15

HEX #D95E99

RGB 217 94 153

HSL 331.22, 0.62%, 0.61%

LAB 57.13, 54.31, -8.19

 

CMYK 0 / 45 / 23 / 21

HEX #C96E9A

RGB 201 110 154

HSL 330.99, 0.46%, 0.61%

LAB 57.94, 41.34, -7.8

 

CMYK 0 / 32 / 17 / 27

HEX #B97E9A

RGB 185 126 154

HSL 331.53, 0.3%, 0.61%

LAB 59.5, 27.07, -5.7

 

CMYK 0 / 16 / 8 / 34

HEX #A98E9B

RGB 169 142 155

HSL 331.11, 0.14%, 0.61%

LAB 61.78, 12.4, -3.09

 

CMYK 1 / 67 / 0 / 9

HEX #E74EE9

RGB 231 78 233

HSL 299.23, 0.78%, 0.61%

LAB 60.18, 76.32, -49.06

 

CMYK 0 / 67 / 17 / 9

HEX #E94EC2

RGB 233 78 194

HSL 315.1, 0.78%, 0.61%

LAB 58.67, 70.92, -29.34

 

CMYK 0 / 67 / 34 / 9

HEX #E94E99

RGB 233 78 153

HSL 330.97, 0.78%, 0.61%

LAB 57.15, 65.79, -7.9

 

CMYK 0 / 67 / 52 / 9

HEX #E94E70

RGB 233 78 112

HSL 346.84, 0.78%, 0.61%

LAB 56.03, 61.87, 14.66

 

CMYK 0 / 63 / 67 / 9

HEX #E9564E

RGB 233 86 78

HSL 3.1, 0.78%, 0.61%

LAB 56.61, 56.34, 35.19

 

CMYK 0 / 88 / 46 / 20

HEX #CB196E

RGB 203 25 110

HSL 331.35, 0.78%, 0.45%

LAB 44.97, 69.08, -0.62

 

CMYK 0 / 82 / 43 / 10

HEX #E52983

RGB 229 41 131

HSL 331.28, 0.78%, 0.53%

LAB 51.7, 73.92, -2.98

 

CMYK 0 / 67 / 35 / 9

HEX #E94E98

RGB 233 78 152

HSL 331.35, 0.78%, 0.61%

LAB 57.11, 65.68, -7.36

 

CMYK 0 / 52 / 27 / 7

HEX #EE73AD

RGB 238 115 173

HSL 331.71, 0.78%, 0.69%

LAB 64.53, 53.63, -8.36

 

CMYK 0 / 38 / 19 / 5

HEX #F297C3

RGB 242 151 195

HSL 330.99, 0.78%, 0.77%

LAB 72.86, 39.95, -8.24

 

CMYK 0 / 67 / 35 / 9

HEX #E94C97

RGB 233 76 151

HSL 331.34, 0.78%, 0.61%

LAB 56.81, 66.33, -7.23

 

CMYK 0 / 19 / 67 / 9

HEX #E9BD4E

RGB 233 189 78

HSL 42.97, 0.78%, 0.61%

LAB 78.62, 4.16, 60.12

 

CMYK 67 / 8 / 0 / 9

HEX #4ED7E9

RGB 78 215 233

HSL 186.97, 0.78%, 0.61%

LAB 79.67, -31.09, -19.7

 

CMYK 0 / 67 / 35 / 9

HEX #E94C97

RGB 233 76 151

HSL 331.34, 0.78%, 0.61%

LAB 56.81, 66.33, -7.23

 

CMYK 34 / 0 / 67 / 9

HEX #99E94E

RGB 153 233 78

HSL 90.97, 0.78%, 0.61%

LAB 84.79, -48.68, 64.9

 

CMYK 67 / 34 / 0 / 9

HEX #4E99E9

RGB 78 153 233

HSL 210.97, 0.78%, 0.61%

LAB 61.9, 1.76, -47.2

 

CMYK 0 / 67 / 35 / 9

HEX #E94C97

RGB 233 76 151

HSL 331.34, 0.78%, 0.61%

LAB 56.81, 66.33, -7.23

 

CMYK 0 / 19 / 67 / 9

HEX #E9BD4E

RGB 233 189 78

HSL 42.97, 0.78%, 0.61%

LAB 78.62, 4.16, 60.12

 

CMYK 67 / 0 / 32 / 9

HEX #4EE99E

RGB 78 233 158

HSL 150.97, 0.78%, 0.61%

LAB 83.11, -57.39, 24.87

 

CMYK 67 / 48 / 0 / 9

HEX #4E7AE9

RGB 78 122 233

HSL 222.97, 0.78%, 0.61%

LAB 53.41, 20.37, -60.74

 

CMYK 0 / 67 / 35 / 9

HEX #E94C97

RGB 233 76 151

HSL 331.34, 0.78%, 0.61%

LAB 56.81, 66.33, -7.23

 

CMYK 1 / 0 / 67 / 9

HEX #E7E94E

RGB 231 233 78

HSL 60.77, 0.78%, 0.61%

LAB 89.77, -18.89, 71.6

 

CMYK 67 / 0 / 32 / 9

HEX #4EE99E

RGB 78 233 158

HSL 150.97, 0.78%, 0.61%

LAB 83.11, -57.39, 24.87

 

CMYK 65 / 67 / 0 / 9

HEX #514EE9

RGB 81 78 233

HSL 241.16, 0.78%, 0.61%

LAB 42.89, 47.62, -77.82

 

Description

Color code: HEX #E94C97 | qconv.com Color code: HEX #E94C97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 76 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 76 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 35 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 35% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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