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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9487ACE it is the complementary color #16B785CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9487ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9487ACE shade: #EE4875CE, #FF5A88CE, #FF6C9BCE, #FF7EAECE and #FF90C1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9487ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9487ACE shade: #E9487ACE, #D83667CE, #C72454CE, #B61241CE and #A5002ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9487ACE shade: #EA487A, #EA484F and #EA4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9487ACE shade: #EA487A, #EA48A6, #EA48D1, #D648EA and #AB48EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9487ACE shade matches the following richer shades: #EA487A and #FA3874

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9487ACE shade: #EA487A, #D95981, #C96987, #B87A8D and #A88A93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9487ACE shade: #EA48D1, #EA48A6, #EA487B, #EA4850 and #EA6B48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9487ACE shade: #C8174E, #E52360, #EA487A, #EE6D95 and #F292B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9487ACE shade: #E9487A, #EAD748 and #48BCEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9487ACE shade: #E9487A, #7BEA48 and #487BEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9487ACE shade: #E9487A, #EAD748, #48EAB7 and #485BEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9487ACE shade: #E9487A, #CCEA48, #48EAB7 and #6648EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 39 / 7

HEX #E9487ACE

RGBA 233 72 122 0.81

HSLA 341.37, 0.79%, 0.6%, 0.81

LABA 55.44, 64.97, 7.91, 0.81

 

Complementary color

CMYK 71 / 0 / 22 / 23

HEX #16B785CE

RGBA 22 183 133 0.81

HSLA 161.37, 0.79%, 0.4%, 0.81

LABA 66.31, -50.16, 14.81, 0.81

 

CMYK 0 / 56 / 41 / 5

HEX #EE4875CE

RGBA 238 72 117 0.81

HSLA 343.73, 0.83%, 0.61%, 0.81

LABA 56.18, 66, 12.05, 0.81

 

CMYK 0 / 52 / 38 / 0

HEX #FF5A88CE

RGBA 255 90 136 0.81

HSLA 343.27, 1%, 0.68%, 0.81

LABA 61.95, 65.83, 9.46, 0.81

 

CMYK 0 / 47 / 32 / 0

HEX #FF6C9BCE

RGBA 255 108 155 0.81

HSLA 340.82, 1%, 0.71%, 0.81

LABA 65.24, 60.12, 3.23, 0.81

 

CMYK 0 / 41 / 26 / 0

HEX #FF7EAECE

RGBA 255 126 174 0.81

HSLA 337.67, 1%, 0.75%, 0.81

LABA 68.92, 53.97, -2.17, 0.81

 

CMYK 0 / 35 / 20 / 0

HEX #FF90C1CE

RGBA 255 144 193 0.81

HSLA 333.51, 1%, 0.78%, 0.81

LABA 72.93, 47.59, -6.86, 0.81

 

CMYK 0 / 56 / 39 / 7

HEX #E9487ACE

RGBA 233 72 122 0.81

HSLA 341.37, 0.79%, 0.6%, 0.81

LABA 55.44, 64.97, 7.91, 0.81

 

CMYK 0 / 61 / 42 / 12

HEX #D83667CE

RGBA 216 54 103 0.81

HSLA 341.85, 0.68%, 0.53%, 0.81

LABA 49.76, 64.71, 10.88, 0.81

 

CMYK 0 / 66 / 47 / 18

HEX #C72454CE

RGBA 199 36 84 0.81

HSLA 342.33, 0.69%, 0.46%, 0.81

LABA 44.3, 63.78, 14.51, 0.81

 

CMYK 0 / 73 / 52 / 23

HEX #B61241CE

RGBA 182 18 65 0.81

HSLA 342.8, 0.82%, 0.39%, 0.81

LABA 39.17, 61.86, 19.02, 0.81

 

CMYK 0 / 81 / 58 / 29

HEX #A5002ECE

RGBA 165 0 46 0.81

HSLA 343.27, 1%, 0.32%, 0.81

LABA 34.39, 58.94, 24.38, 0.81

 

CMYK 0 / 69 / 48 / 8

HEX #EA487A

RGB 234 72 122

HSL 341.48, 0.79%, 0.6%

LAB 55.62, 65.26, 8.18

 

CMYK 0 / 69 / 66 / 8

HEX #EA484F

RGB 234 72 79

HSL 357.41, 0.79%, 0.6%

LAB 54.75, 62.27, 32.38

 

CMYK 0 / 69 / 69 / 8

HEX #EA4848

RGB 234 72 72

HSL 0, 0.79%, 0.6%

LAB 54.65, 61.92, 36.27

 

CMYK 0 / 69 / 48 / 8

HEX #EA487A

RGB 234 72 122

HSL 341.48, 0.79%, 0.6%

LAB 55.62, 65.26, 8.18

 

CMYK 0 / 69 / 29 / 8

HEX #EA48A6

RGB 234 72 166

HSL 325.19, 0.79%, 0.6%

LAB 56.96, 69.75, -15.76

 

CMYK 0 / 69 / 11 / 8

HEX #EA48D1

RGB 234 72 209

HSL 309.26, 0.79%, 0.6%

LAB 58.72, 75.41, -37.79

 

CMYK 9 / 69 / 0 / 8

HEX #D648EA

RGB 214 72 234

HSL 292.59, 0.79%, 0.6%

LAB 56.95, 74.97, -54.9

 

CMYK 27 / 69 / 0 / 8

HEX #AB48EA

RGB 171 72 234

HSL 276.67, 0.79%, 0.6%

LAB 50.96, 66.19, -64.85

 

CMYK 0 / 69 / 48 / 8

HEX #EA487A

RGB 234 72 122

HSL 341.48, 0.79%, 0.6%

LAB 55.62, 65.26, 8.18

 

CMYK 0 / 78 / 54 / 2

HEX #FA3874

RGB 250 56 116

HSL 341.44, 0.95%, 0.6%

LAB 56.5, 74.27, 13.4

 

CMYK 0 / 69 / 48 / 8

HEX #EA487A

RGB 234 72 122

HSL 341.48, 0.79%, 0.6%

LAB 55.62, 65.26, 8.18

 

CMYK 0 / 59 / 41 / 15

HEX #D95981

RGB 217 89 129

HSL 341.25, 0.63%, 0.6%

LAB 55.56, 53.8, 3.6

 

CMYK 0 / 48 / 33 / 21

HEX #C96987

RGB 201 105 135

HSL 341.25, 0.47%, 0.6%

LAB 56.36, 41.35, 0.93

 

CMYK 0 / 34 / 23 / 28

HEX #B87A8D

RGB 184 122 141

HSL 341.61, 0.3%, 0.6%

LAB 58.07, 26.88, -0.33

 

CMYK 0 / 18 / 13 / 34

HEX #A88A93

RGB 168 138 147

HSL 342, 0.15%, 0.6%

LAB 60.43, 12.87, -0.52

 

CMYK 0 / 69 / 11 / 8

HEX #EA48D1

RGB 234 72 209

HSL 309.26, 0.79%, 0.6%

LAB 58.72, 75.41, -37.79

 

CMYK 0 / 69 / 29 / 8

HEX #EA48A6

RGB 234 72 166

HSL 325.19, 0.79%, 0.6%

LAB 56.96, 69.75, -15.76

 

CMYK 0 / 69 / 47 / 8

HEX #EA487B

RGB 234 72 123

HSL 341.11, 0.79%, 0.6%

LAB 55.64, 65.34, 7.62

 

CMYK 0 / 69 / 66 / 8

HEX #EA4850

RGB 234 72 80

HSL 357.04, 0.79%, 0.6%

LAB 54.77, 62.32, 31.82

 

CMYK 0 / 54 / 69 / 8

HEX #EA6B48

RGB 234 107 72

HSL 12.96, 0.79%, 0.6%

LAB 60.32, 46.86, 42.87

 

CMYK 0 / 89 / 61 / 22

HEX #C8174E

RGB 200 23 78

HSL 341.36, 0.79%, 0.44%

LAB 43.42, 66.36, 17.11

 

CMYK 0 / 85 / 58 / 10

HEX #E52360

RGB 229 35 96

HSL 341.13, 0.79%, 0.52%

LAB 50.34, 72.52, 16.33

 

CMYK 0 / 69 / 48 / 8

HEX #EA487A

RGB 234 72 122

HSL 341.48, 0.79%, 0.6%

LAB 55.62, 65.26, 8.18

 

CMYK 0 / 54 / 37 / 7

HEX #EE6D95

RGB 238 109 149

HSL 341.4, 0.79%, 0.68%

LAB 62.75, 53.57, 2.74

 

CMYK 0 / 40 / 27 / 5

HEX #F292B0

RGB 242 146 176

HSL 341.25, 0.79%, 0.76%

LAB 71.26, 39.85, -0.06

 

CMYK 0 / 69 / 48 / 9

HEX #E9487A

RGB 233 72 122

HSL 341.37, 0.79%, 0.6%

LAB 55.44, 64.97, 7.91

 

CMYK 0 / 8 / 69 / 8

HEX #EAD748

RGB 234 215 72

HSL 52.96, 0.79%, 0.6%

LAB 85.28, -9.07, 69.42

 

CMYK 69 / 20 / 0 / 8

HEX #48BCEA

RGB 72 188 234

HSL 197.04, 0.79%, 0.6%

LAB 71.75, -18.12, -32.38

 

CMYK 0 / 69 / 48 / 9

HEX #E9487A

RGB 233 72 122

HSL 341.37, 0.79%, 0.6%

LAB 55.44, 64.97, 7.91

 

CMYK 47 / 0 / 69 / 8

HEX #7BEA48

RGB 123 234 72

HSL 101.11, 0.79%, 0.6%

LAB 83.72, -59.03, 65.62

 

CMYK 69 / 47 / 0 / 8

HEX #487BEA

RGB 72 123 234

HSL 221.11, 0.79%, 0.6%

LAB 53.48, 19.21, -61.2

 

CMYK 0 / 69 / 48 / 9

HEX #E9487A

RGB 233 72 122

HSL 341.37, 0.79%, 0.6%

LAB 55.44, 64.97, 7.91

 

CMYK 0 / 8 / 69 / 8

HEX #EAD748

RGB 234 215 72

HSL 52.96, 0.79%, 0.6%

LAB 85.28, -9.07, 69.42

 

CMYK 69 / 0 / 22 / 8

HEX #48EAB7

RGB 72 234 183

HSL 161.11, 0.79%, 0.6%

LAB 83.78, -53.39, 12.81

 

CMYK 69 / 61 / 0 / 8

HEX #485BEA

RGB 72 91 234

HSL 232.96, 0.79%, 0.6%

LAB 45.36, 39.06, -74.36

 

CMYK 0 / 69 / 48 / 9

HEX #E9487A

RGB 233 72 122

HSL 341.37, 0.79%, 0.6%

LAB 55.44, 64.97, 7.91

 

CMYK 13 / 0 / 69 / 8

HEX #CCEA48

RGB 204 234 72

HSL 71.11, 0.79%, 0.6%

LAB 88.04, -30.55, 71.41

 

CMYK 69 / 0 / 22 / 8

HEX #48EAB7

RGB 72 234 183

HSL 161.11, 0.79%, 0.6%

LAB 83.78, -53.39, 12.81

 

CMYK 56 / 69 / 0 / 8

HEX #6648EA

RGB 102 72 234

HSL 251.11, 0.79%, 0.6%

LAB 43.36, 54.12, -77.55

 

Description

Color code: HEX #E9487ACE | qconv.com Color code: HEX #E9487ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 72 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 72 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 39 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 39% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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