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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E93D3B it is the complementary color #16C2C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E93D3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E93D3B shade: #EE3D36, #FF4F49, #FF615C, #FF736F and #FF8582

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E93D3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E93D3B shade: #E93D3B, #D82B28, #C71915, #B60702 and #A50000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E93D3B shade: #E93C3A and #E93A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E93D3B shade: #E93C3A, #E96B3A, #E99A3A, #E9CA3A and #D9E93A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E93D3B shade matches the following richer shades: #E93C3A and #FB2A28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E93D3B shade: #E93C3A, #D74D4B, #C65E5D, #B4706F and #A28181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E93D3B shade: #E93A97, #E93A68, #E93A3A, #E9683A and #E9973A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E93D3B shade: #BB1715, #E01B19, #E93C3A, #ED605F and #F18584

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E93D3B shade: #E93D3B, #C6E93A and #3A80E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E93D3B shade: #E93D3B, #3AE93A and #3A3AE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E93D3B shade: #E93D3B, #C6E93A, #3AE9E9 and #5D3AE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E93D3B shade: #E93D3B, #91E93A, #3AE9E9 and #913AE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 75 / 9

HEX #E93D3B

RGB 233 61 59

HSL 0.69, 0.8%, 0.57%

LAB 52.92, 64.89, 41.54

 

Complementary color

CMYK 89 / 1 / 0 / 23

HEX #16C2C4

RGB 22 194 196

HSL 180.69, 0.8%, 0.43%

LAB 71.38, -37.77, -12.32

 

CMYK 0 / 74 / 77 / 7

HEX #EE3D36

RGB 238 61 54

HSL 2.28, 0.84%, 0.57%

LAB 53.79, 66.19, 45.46

 

CMYK 0 / 69 / 71 / 0

HEX #FF4F49

RGB 255 79 73

HSL 1.98, 1%, 0.64%

LAB 59.28, 65.9, 42.05

 

CMYK 0 / 62 / 64 / 0

HEX #FF615C

RGB 255 97 92

HSL 1.84, 1%, 0.68%

LAB 62.15, 59.77, 34.95

 

CMYK 0 / 55 / 56 / 0

HEX #FF736F

RGB 255 115 111

HSL 1.67, 1%, 0.72%

LAB 65.49, 53.02, 28.58

 

CMYK 0 / 48 / 49 / 0

HEX #FF8582

RGB 255 133 130

HSL 1.44, 1%, 0.75%

LAB 69.22, 45.92, 22.94

 

CMYK 0 / 74 / 75 / 9

HEX #E93D3B

RGB 233 61 59

HSL 0.69, 0.8%, 0.57%

LAB 52.92, 64.89, 41.54

 

CMYK 0 / 80 / 81 / 15

HEX #D82B28

RGB 216 43 40

HSL 1.02, 0.69%, 0.5%

LAB 47.6, 64.65, 45.28

 

CMYK 0 / 87 / 89 / 22

HEX #C71915

RGB 199 25 21

HSL 1.35, 0.81%, 0.43%

LAB 42.6, 63.6, 48.88

 

CMYK 0 / 96 / 99 / 29

HEX #B60702

RGB 182 7 2

HSL 1.67, 0.98%, 0.36%

LAB 38.02, 61.42, 51.46

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 74 / 75 / 9

HEX #E93C3A

RGB 233 60 58

HSL 0.69, 0.8%, 0.57%

LAB 52.8, 65.17, 41.95

 

CMYK 0 / 75 / 75 / 9

HEX #E93A3A

RGB 233 58 58

HSL 0, 0.8%, 0.57%

LAB 52.57, 65.8, 41.7

 

CMYK 0 / 74 / 75 / 9

HEX #E93C3A

RGB 233 60 58

HSL 0.69, 0.8%, 0.57%

LAB 52.8, 65.17, 41.95

 

CMYK 0 / 54 / 75 / 9

HEX #E96B3A

RGB 233 107 58

HSL 16.8, 0.8%, 0.57%

LAB 60.02, 45.85, 49.64

 

CMYK 0 / 34 / 75 / 9

HEX #E99A3A

RGB 233 154 58

HSL 32.91, 0.8%, 0.57%

LAB 69.99, 21.68, 59.73

 

CMYK 0 / 13 / 75 / 9

HEX #E9CA3A

RGB 233 202 58

HSL 49.37, 0.8%, 0.57%

LAB 81.77, -3.53, 71.01

 

CMYK 7 / 0 / 75 / 9

HEX #D9E93A

RGB 217 233 58

HSL 65.49, 0.8%, 0.57%

LAB 88.61, -25.54, 76.89

 

CMYK 0 / 74 / 75 / 9

HEX #E93C3A

RGB 233 60 58

HSL 0.69, 0.8%, 0.57%

LAB 52.8, 65.17, 41.95

 

CMYK 0 / 83 / 84 / 2

HEX #FB2A28

RGB 251 42 40

HSL 0.57, 0.96%, 0.57%

LAB 54.36, 74.49, 53.98

 

CMYK 0 / 74 / 75 / 9

HEX #E93C3A

RGB 233 60 58

HSL 0.69, 0.8%, 0.57%

LAB 52.8, 65.17, 41.95

 

CMYK 0 / 64 / 65 / 16

HEX #D74D4B

RGB 215 77 75

HSL 0.86, 0.64%, 0.57%

LAB 52.13, 53.97, 30.73

 

CMYK 0 / 53 / 53 / 22

HEX #C65E5D

RGB 198 94 93

HSL 0.57, 0.48%, 0.57%

LAB 52.73, 41.38, 20.46

 

CMYK 0 / 38 / 38 / 29

HEX #B4706F

RGB 180 112 111

HSL 0.87, 0.32%, 0.57%

LAB 54.49, 26.81, 11.93

 

CMYK 0 / 20 / 20 / 36

HEX #A28181

RGB 162 129 129

HSL 0, 0.15%, 0.57%

LAB 57.04, 12.67, 4.82

 

CMYK 0 / 75 / 35 / 9

HEX #E93A97

RGB 233 58 151

HSL 328.11, 0.8%, 0.57%

LAB 54.64, 72.39, -10.47

 

CMYK 0 / 75 / 55 / 9

HEX #E93A68

RGB 233 58 104

HSL 344.23, 0.8%, 0.57%

LAB 53.33, 68.26, 15.7

 

CMYK 0 / 75 / 75 / 9

HEX #E93A3A

RGB 233 58 58

HSL 0, 0.8%, 0.57%

LAB 52.57, 65.8, 41.7

 

CMYK 0 / 55 / 75 / 9

HEX #E9683A

RGB 233 104 58

HSL 15.77, 0.8%, 0.57%

LAB 59.46, 47.29, 49.06

 

CMYK 0 / 35 / 75 / 9

HEX #E9973A

RGB 233 151 58

HSL 31.89, 0.8%, 0.57%

LAB 69.3, 23.28, 59.04

 

CMYK 0 / 88 / 89 / 27

HEX #BB1715

RGB 187 23 21

HSL 0.72, 0.8%, 0.41%

LAB 39.97, 60.72, 45.79

 

CMYK 0 / 88 / 89 / 12

HEX #E01B19

RGB 224 27 25

HSL 0.6, 0.8%, 0.49%

LAB 47.88, 69.96, 53.35

 

CMYK 0 / 74 / 75 / 9

HEX #E93C3A

RGB 233 60 58

HSL 0.69, 0.8%, 0.57%

LAB 52.8, 65.17, 41.95

 

CMYK 0 / 59 / 60 / 7

HEX #ED605F

RGB 237 96 95

HSL 0.42, 0.8%, 0.65%

LAB 59.16, 54.38, 28.86

 

CMYK 0 / 45 / 45 / 5

HEX #F18584

RGB 241 133 132

HSL 0.55, 0.8%, 0.73%

LAB 67.38, 41.04, 19.01

 

CMYK 0 / 74 / 75 / 9

HEX #E93D3B

RGB 233 61 59

HSL 0.69, 0.8%, 0.57%

LAB 52.92, 64.89, 41.54

 

CMYK 15 / 0 / 75 / 9

HEX #C6E93A

RGB 198 233 58

HSL 72, 0.8%, 0.57%

LAB 87.28, -33.16, 75.19

 

CMYK 75 / 45 / 0 / 9

HEX #3A80E9

RGB 58 128 233

HSL 216, 0.8%, 0.57%

LAB 54.26, 13.93, -59.41

 

CMYK 0 / 74 / 75 / 9

HEX #E93D3B

RGB 233 61 59

HSL 0.69, 0.8%, 0.57%

LAB 52.92, 64.89, 41.54

 

CMYK 75 / 0 / 75 / 9

HEX #3AE93A

RGB 58 233 58

HSL 120, 0.8%, 0.57%

LAB 81.56, -73.95, 67.7

 

CMYK 75 / 75 / 0 / 9

HEX #3A3AE9

RGB 58 58 233

HSL 240, 0.8%, 0.57%

LAB 37.5, 56.36, -86.75

 

CMYK 0 / 74 / 75 / 9

HEX #E93D3B

RGB 233 61 59

HSL 0.69, 0.8%, 0.57%

LAB 52.92, 64.89, 41.54

 

CMYK 15 / 0 / 75 / 9

HEX #C6E93A

RGB 198 233 58

HSL 72, 0.8%, 0.57%

LAB 87.28, -33.16, 75.19

 

CMYK 75 / 0 / 0 / 9

HEX #3AE9E9

RGB 58 233 233

HSL 180, 0.8%, 0.57%

LAB 84.51, -41.86, -12.46

 

CMYK 60 / 75 / 0 / 9

HEX #5D3AE9

RGB 93 58 233

HSL 252, 0.8%, 0.57%

LAB 39.98, 59.72, -82.57

 

CMYK 0 / 74 / 75 / 9

HEX #E93D3B

RGB 233 61 59

HSL 0.69, 0.8%, 0.57%

LAB 52.92, 64.89, 41.54

 

CMYK 38 / 0 / 75 / 9

HEX #91E93A

RGB 145 233 58

HSL 90.17, 0.8%, 0.57%

LAB 84.28, -52.67, 71.28

 

CMYK 75 / 0 / 0 / 9

HEX #3AE9E9

RGB 58 233 233

HSL 180, 0.8%, 0.57%

LAB 84.51, -41.86, -12.46

 

CMYK 38 / 75 / 0 / 9

HEX #913AE9

RGB 145 58 233

HSL 269.83, 0.8%, 0.57%

LAB 45.54, 67.04, -73.24

 

Description

Color code: HEX #E93D3B | qconv.com Color code: HEX #E93D3B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 61 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 61 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 75 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 75% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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