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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E93CC6 it is the complementary color #16C339. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E93CC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E93CC6 shade: #EE3CC1, #FF4ED4, #FF60E7, #FF72FA and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E93CC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E93CC6 shade: #E93CC6, #D82AB3, #C718A0, #B6068D and #A5007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E93CC6 shade: #E93AC6, #E93A96, #E93A67 and #E93A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E93CC6 shade: #E93AC6, #DD3AE9, #AE3AE9, #7F3AE9 and #4F3AE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E93CC6 shade matches the following richer shades: #E93AC6 and #FB28D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E93CC6 shade: #E93AC6, #D74BBB, #C65DB0, #B46FA6 and #A2819B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E93CC6 shade: #AF3AE9, #DD3AE9, #E93AC6, #E93A97 and #E93A68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E93CC6 shade: #BB159A, #E019B8, #E93AC6, #ED5FD0 and #F184DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E93CC6 shade: #E93CC6, #E9803A and #3AE9C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E93CC6 shade: #E93CC6, #C6E93A and #3AC6E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E93CC6 shade: #E93CC6, #E9803A, #3AE95D and #3AA3E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E93CC6 shade: #E93CC6, #E9B43A, #3AE95D and #3A6EE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 15 / 9

HEX #E93CC6

RGB 233 60 198

HSL 312.14, 0.8%, 0.57%

LAB 56.72, 77.46, -34.67

 

Complementary color

CMYK 89 / 0 / 71 / 24

HEX #16C339

RGB 22 195 57

HSL 132.14, 0.8%, 0.43%

LAB 69.11, -66.59, 55.29

 

CMYK 0 / 75 / 19 / 7

HEX #EE3CC1

RGB 238 60 193

HSL 315.17, 0.84%, 0.58%

LAB 57.33, 77.92, -30.78

 

CMYK 0 / 69 / 17 / 0

HEX #FF4ED4

RGB 255 78 212

HSL 314.58, 1%, 0.65%

LAB 62.9, 78.72, -32.73

 

CMYK 0 / 62 / 9 / 0

HEX #FF60E7

RGB 255 96 231

HSL 309.06, 1%, 0.69%

LAB 66.06, 74.87, -38.45

 

CMYK 0 / 55 / 2 / 0

HEX #FF72FA

RGB 255 114 250

HSL 302.13, 1%, 0.72%

LAB 69.61, 70.41, -43.37

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 74 / 15 / 9

HEX #E93CC6

RGB 233 60 198

HSL 312.14, 0.8%, 0.57%

LAB 56.72, 77.46, -34.67

 

CMYK 0 / 81 / 17 / 15

HEX #D82AB3

RGB 216 42 179

HSL 312.76, 0.69%, 0.51%

LAB 51.28, 76.02, -32.37

 

CMYK 0 / 88 / 20 / 22

HEX #C718A0

RGB 199 24 160

HSL 313.37, 0.78%, 0.44%

LAB 46.09, 73.66, -29.46

 

CMYK 0 / 97 / 23 / 29

HEX #B6068D

RGB 182 6 141

HSL 313.98, 0.94%, 0.37%

LAB 41.21, 70.14, -25.82

 

CMYK 0 / 100 / 26 / 35

HEX #A5007A

RGB 165 0 122

HSL 315.64, 1%, 0.32%

LAB 36.75, 65.13, -21.25

 

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

CMYK 0 / 75 / 36 / 9

HEX #E93A96

RGB 233 58 150

HSL 328.46, 0.8%, 0.57%

LAB 54.61, 72.28, -9.93

 

CMYK 0 / 75 / 56 / 9

HEX #E93A67

RGB 233 58 103

HSL 344.57, 0.8%, 0.57%

LAB 53.31, 68.19, 16.27

 

CMYK 0 / 75 / 75 / 9

HEX #E93A3A

RGB 233 58 58

HSL 0, 0.8%, 0.57%

LAB 52.57, 65.8, 41.7

 

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

CMYK 5 / 75 / 0 / 9

HEX #DD3AE9

RGB 221 58 233

HSL 295.89, 0.8%, 0.57%

LAB 56.37, 80.74, -55.21

 

CMYK 25 / 75 / 0 / 9

HEX #AE3AE9

RGB 174 58 233

HSL 279.77, 0.8%, 0.57%

LAB 49.38, 71.98, -66.81

 

CMYK 45 / 75 / 0 / 9

HEX #7F3AE9

RGB 127 58 233

HSL 263.66, 0.8%, 0.57%

LAB 43.39, 64.25, -76.83

 

CMYK 66 / 75 / 0 / 9

HEX #4F3AE9

RGB 79 58 233

HSL 247.2, 0.8%, 0.57%

LAB 38.85, 58.2, -84.47

 

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

CMYK 0 / 84 / 17 / 2

HEX #FB28D0

RGB 251 40 208

HSL 312.23, 0.96%, 0.57%

LAB 58.58, 87.26, -37.24

 

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

CMYK 0 / 65 / 13 / 16

HEX #D74BBB

RGB 215 75 187

HSL 312, 0.64%, 0.57%

LAB 55.14, 66.51, -31.01

 

CMYK 0 / 53 / 11 / 22

HEX #C65DB0

RGB 198 93 176

HSL 312.57, 0.48%, 0.57%

LAB 55.04, 52.31, -25

 

CMYK 0 / 38 / 8 / 29

HEX #B46FA6

RGB 180 111 166

HSL 312.17, 0.32%, 0.57%

LAB 55.91, 35.64, -18.07

 

CMYK 0 / 20 / 4 / 36

HEX #A2819B

RGB 162 129 155

HSL 312.73, 0.15%, 0.57%

LAB 57.8, 17.22, -9.07

 

CMYK 25 / 75 / 0 / 9

HEX #AF3AE9

RGB 175 58 233

HSL 280.11, 0.8%, 0.57%

LAB 49.52, 72.16, -66.58

 

CMYK 5 / 75 / 0 / 9

HEX #DD3AE9

RGB 221 58 233

HSL 295.89, 0.8%, 0.57%

LAB 56.37, 80.74, -55.21

 

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

CMYK 0 / 75 / 35 / 9

HEX #E93A97

RGB 233 58 151

HSL 328.11, 0.8%, 0.57%

LAB 54.64, 72.39, -10.47

 

CMYK 0 / 75 / 55 / 9

HEX #E93A68

RGB 233 58 104

HSL 344.23, 0.8%, 0.57%

LAB 53.33, 68.26, 15.7

 

CMYK 0 / 89 / 18 / 27

HEX #BB159A

RGB 187 21 154

HSL 311.93, 0.8%, 0.41%

LAB 43.41, 70.95, -30.21

 

CMYK 0 / 89 / 18 / 12

HEX #E019B8

RGB 224 25 184

HSL 312.06, 0.8%, 0.49%

LAB 51.84, 81.46, -34.31

 

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

CMYK 0 / 60 / 12 / 7

HEX #ED5FD0

RGB 237 95 208

HSL 312.25, 0.8%, 0.65%

LAB 62.29, 67.25, -31.63

 

CMYK 0 / 45 / 9 / 5

HEX #F184DB

RGB 241 132 219

HSL 312.11, 0.8%, 0.73%

LAB 69.7, 53.04, -26.31

 

CMYK 0 / 74 / 15 / 9

HEX #E93CC6

RGB 233 60 198

HSL 312.14, 0.8%, 0.57%

LAB 56.72, 77.46, -34.67

 

CMYK 0 / 45 / 75 / 9

HEX #E9803A

RGB 233 128 58

HSL 24, 0.8%, 0.57%

LAB 64.22, 35.34, 53.96

 

CMYK 75 / 0 / 15 / 9

HEX #3AE9C6

RGB 58 233 198

HSL 168, 0.8%, 0.57%

LAB 83.58, -51.18, 4.61

 

CMYK 0 / 74 / 15 / 9

HEX #E93CC6

RGB 233 60 198

HSL 312.14, 0.8%, 0.57%

LAB 56.72, 77.46, -34.67

 

CMYK 15 / 0 / 75 / 9

HEX #C6E93A

RGB 198 233 58

HSL 72, 0.8%, 0.57%

LAB 87.28, -33.16, 75.19

 

CMYK 75 / 15 / 0 / 9

HEX #3AC6E9

RGB 58 198 233

HSL 192, 0.8%, 0.57%

LAB 74.3, -25.3, -27.93

 

CMYK 0 / 74 / 15 / 9

HEX #E93CC6

RGB 233 60 198

HSL 312.14, 0.8%, 0.57%

LAB 56.72, 77.46, -34.67

 

CMYK 0 / 45 / 75 / 9

HEX #E9803A

RGB 233 128 58

HSL 24, 0.8%, 0.57%

LAB 64.22, 35.34, 53.96

 

CMYK 75 / 0 / 60 / 9

HEX #3AE95D

RGB 58 233 93

HSL 132, 0.8%, 0.57%

LAB 81.82, -70.72, 54.59

 

CMYK 75 / 30 / 0 / 9

HEX #3AA3E9

RGB 58 163 233

HSL 204, 0.8%, 0.57%

LAB 64.14, -6.72, -43.71

 

CMYK 0 / 74 / 15 / 9

HEX #E93CC6

RGB 233 60 198

HSL 312.14, 0.8%, 0.57%

LAB 56.72, 77.46, -34.67

 

CMYK 0 / 23 / 75 / 9

HEX #E9B43A

RGB 233 180 58

HSL 41.83, 0.8%, 0.57%

LAB 76.24, 7.91, 65.78

 

CMYK 75 / 0 / 60 / 9

HEX #3AE95D

RGB 58 233 93

HSL 132, 0.8%, 0.57%

LAB 81.82, -70.72, 54.59

 

CMYK 75 / 53 / 0 / 9

HEX #3A6EE9

RGB 58 110 233

HSL 222.17, 0.8%, 0.57%

LAB 49.42, 25.16, -67.22

 

Description

Color code: HEX #E93CC6 | qconv.com Color code: HEX #E93CC6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 60 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 60 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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