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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E92BB8 it is the complementary color #16D447. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E92BB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E92BB8 shade: #EE2BB3, #FF3DC6, #FF4FD9, #FF61EC and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E92BB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E92BB8 shade: #E92BB8, #D819A5, #C70792, #B6007F and #A5006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E92BB8 shade: #E92BB8, #E92B84, #E92B51 and #E92B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E92BB8 shade: #E92BB8, #E62BE9, #B32BE9, #802BE9 and #4D2BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E92BB8 shade matches the following richer shades: #E92BB8 and #FC18C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E92BB8 shade: #E92BB8, #D63EAF, #C351A5, #B0649C and #9D7793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E92BB8 shade: #B32BE9, #E62BE9, #E92BB9, #E92B87 and #E92B54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E92BB8 shade: #AF1286, #D416A3, #E92BB8, #ED50C4 and #F175D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E92BB8 shade: #E92BB8, #E9802B and #2BE9CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E92BB8 shade: #E92BB8, #B9E92B and #2BB9E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E92BB8 shade: #E92BB8, #E9802B, #2BE95A and #2B93E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E92BB8 shade: #E92BB8, #E9B92B, #2BE95A and #2B5AE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 21 / 9

HEX #E92BB8

RGB 233 43 184

HSL 315.47, 0.81%, 0.54%

LAB 54.57, 80.03, -29.93

 

Complementary color

CMYK 90 / 0 / 67 / 17

HEX #16D447

RGB 22 212 71

HSL 135.47, 0.81%, 0.46%

LAB 74.64, -70.29, 55.69

 

CMYK 0 / 82 / 25 / 7

HEX #EE2BB3

RGB 238 43 179

HSL 318.15, 0.85%, 0.55%

LAB 55.24, 80.5, -25.92

 

CMYK 0 / 76 / 22 / 0

HEX #FF3DC6

RGB 255 61 198

HSL 317.63, 1%, 0.62%

LAB 60.49, 82.09, -28.51

 

CMYK 0 / 69 / 15 / 0

HEX #FF4FD9

RGB 255 79 217

HSL 312.95, 1%, 0.65%

LAB 63.23, 79.06, -35.03

 

CMYK 0 / 62 / 7 / 0

HEX #FF61EC

RGB 255 97 236

HSL 307.22, 1%, 0.69%

LAB 66.42, 75.23, -40.66

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB8

RGB 233 43 184

HSL 315.47, 0.81%, 0.54%

LAB 54.57, 80.03, -29.93

 

CMYK 0 / 88 / 24 / 15

HEX #D819A5

RGB 216 25 165

HSL 316.02, 0.79%, 0.47%

LAB 49.51, 77.57, -26.88

 

CMYK 0 / 96 / 27 / 22

HEX #C70792

RGB 199 7 146

HSL 316.56, 0.93%, 0.4%

LAB 44.76, 74.01, -23.1

 

CMYK 0 / 100 / 30 / 29

HEX #B6007F

RGB 182 0 127

HSL 318.13, 1%, 0.36%

LAB 40.37, 69.14, -18.5

 

CMYK 0 / 100 / 35 / 35

HEX #A5006C

RGB 165 0 108

HSL 320.73, 1%, 0.32%

LAB 36.14, 63.57, -13.35

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB8

RGB 233 43 184

HSL 315.47, 0.81%, 0.54%

LAB 54.57, 80.03, -29.93

 

CMYK 0 / 82 / 43 / 9

HEX #E92B84

RGB 233 43 132

HSL 331.89, 0.81%, 0.54%

LAB 52.64, 74.52, -2.12

 

CMYK 0 / 82 / 65 / 9

HEX #E92B51

RGB 233 43 81

HSL 348, 0.81%, 0.54%

LAB 51.43, 70.94, 27

 

CMYK 0 / 82 / 82 / 9

HEX #E92B2B

RGB 233 43 43

HSL 0, 0.81%, 0.54%

LAB 50.95, 69.48, 48.09

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB8

RGB 233 43 184

HSL 315.47, 0.81%, 0.54%

LAB 54.57, 80.03, -29.93

 

CMYK 1 / 82 / 0 / 9

HEX #E62BE9

RGB 230 43 233

HSL 299.05, 0.81%, 0.54%

LAB 56.52, 86.15, -54.88

 

CMYK 23 / 82 / 0 / 9

HEX #B32BE9

RGB 179 43 233

HSL 282.95, 0.81%, 0.54%

LAB 48.5, 77.46, -68.2

 

CMYK 45 / 82 / 0 / 9

HEX #802BE9

RGB 128 43 233

HSL 266.84, 0.81%, 0.54%

LAB 41.53, 70.11, -79.88

 

CMYK 67 / 82 / 0 / 9

HEX #4D2BE9

RGB 77 43 233

HSL 250.74, 0.81%, 0.54%

LAB 36.35, 64.83, -88.61

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB8

RGB 233 43 184

HSL 315.47, 0.81%, 0.54%

LAB 54.57, 80.03, -29.93

 

CMYK 0 / 90 / 23 / 1

HEX #FC18C1

RGB 252 24 193

HSL 315.53, 0.97%, 0.54%

LAB 57.27, 88.07, -30.68

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB8

RGB 233 43 184

HSL 315.47, 0.81%, 0.54%

LAB 54.57, 80.03, -29.93

 

CMYK 0 / 71 / 18 / 16

HEX #D63EAF

RGB 214 62 175

HSL 315.39, 0.65%, 0.54%

LAB 52.77, 69.29, -27.73

 

CMYK 0 / 58 / 15 / 24

HEX #C351A5

RGB 195 81 165

HSL 315.79, 0.49%, 0.54%

LAB 52.07, 55.31, -23.2

 

CMYK 0 / 43 / 11 / 31

HEX #B0649C

RGB 176 100 156

HSL 315.79, 0.32%, 0.54%

LAB 52.67, 38.53, -17.23

 

CMYK 0 / 24 / 6 / 38

HEX #9D7793

RGB 157 119 147

HSL 315.79, 0.16%, 0.54%

LAB 54.52, 19.64, -9.39

 

CMYK 23 / 82 / 0 / 9

HEX #B32BE9

RGB 179 43 233

HSL 282.95, 0.81%, 0.54%

LAB 48.5, 77.46, -68.2

 

CMYK 1 / 82 / 0 / 9

HEX #E62BE9

RGB 230 43 233

HSL 299.05, 0.81%, 0.54%

LAB 56.52, 86.15, -54.88

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB9

RGB 233 43 185

HSL 315.16, 0.81%, 0.54%

LAB 54.61, 80.15, -30.45

 

CMYK 0 / 82 / 42 / 9

HEX #E92B87

RGB 233 43 135

HSL 330.95, 0.81%, 0.54%

LAB 52.73, 74.79, -3.79

 

CMYK 0 / 82 / 64 / 9

HEX #E92B54

RGB 233 43 84

HSL 347.05, 0.81%, 0.54%

LAB 51.49, 71.1, 25.26

 

CMYK 0 / 90 / 23 / 31

HEX #AF1286

RGB 175 18 134

HSL 315.67, 0.81%, 0.38%

LAB 40.03, 66.42, -23.47

 

CMYK 0 / 90 / 23 / 17

HEX #D416A3

RGB 212 22 163

HSL 315.47, 0.81%, 0.46%

LAB 48.53, 76.96, -27.27

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB8

RGB 233 43 184

HSL 315.47, 0.81%, 0.54%

LAB 54.57, 80.03, -29.93

 

CMYK 0 / 66 / 17 / 7

HEX #ED50C4

RGB 237 80 196

HSL 315.67, 0.81%, 0.62%

LAB 59.64, 71.46, -28.92

 

CMYK 0 / 51 / 13 / 5

HEX #F175D1

RGB 241 117 209

HSL 315.48, 0.82%, 0.7%

LAB 66.54, 58.71, -25.59

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB8

RGB 233 43 184

HSL 315.47, 0.81%, 0.54%

LAB 54.57, 80.03, -29.93

 

CMYK 0 / 45 / 82 / 9

HEX #E9802B

RGB 233 128 43

HSL 26.84, 0.81%, 0.54%

LAB 64.11, 34.81, 60.19

 

CMYK 82 / 0 / 12 / 9

HEX #2BE9CC

RGB 43 233 204

HSL 170.84, 0.81%, 0.54%

LAB 83.52, -51.08, 1.35

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB8

RGB 233 43 184

HSL 315.47, 0.81%, 0.54%

LAB 54.57, 80.03, -29.93

 

CMYK 21 / 0 / 82 / 9

HEX #B9E92B

RGB 185 233 43

HSL 75.16, 0.81%, 0.54%

LAB 86.39, -38.83, 78.19

 

CMYK 82 / 21 / 0 / 9

HEX #2BB9E9

RGB 43 185 233

HSL 195.16, 0.81%, 0.54%

LAB 70.24, -20.12, -34.21

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB8

RGB 233 43 184

HSL 315.47, 0.81%, 0.54%

LAB 54.57, 80.03, -29.93

 

CMYK 0 / 45 / 82 / 9

HEX #E9802B

RGB 233 128 43

HSL 26.84, 0.81%, 0.54%

LAB 64.11, 34.81, 60.19

 

CMYK 82 / 0 / 61 / 9

HEX #2BE95A

RGB 43 233 90

HSL 134.84, 0.81%, 0.54%

LAB 81.58, -72.85, 55.55

 

CMYK 82 / 37 / 0 / 9

HEX #2B93E9

RGB 43 147 233

HSL 207.16, 0.81%, 0.54%

LAB 59.22, 0.93, -51.52

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB8

RGB 233 43 184

HSL 315.47, 0.81%, 0.54%

LAB 54.57, 80.03, -29.93

 

CMYK 0 / 21 / 82 / 9

HEX #E9B92B

RGB 233 185 43

HSL 44.84, 0.81%, 0.54%

LAB 77.4, 4.75, 71.86

 

CMYK 82 / 0 / 61 / 9

HEX #2BE95A

RGB 43 233 90

HSL 134.84, 0.81%, 0.54%

LAB 81.58, -72.85, 55.55

 

CMYK 82 / 61 / 0 / 9

HEX #2B5AE9

RGB 43 90 233

HSL 225.16, 0.81%, 0.54%

LAB 43.81, 36.38, -76.37

 

Description

Color code: HEX #E92BB8 | qconv.com Color code: HEX #E92BB8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 43 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 43 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 21 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 21% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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