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Color name
HEX #E92122

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E92122 it is the complementary color #16DEDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E92122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E92122 shade: #EE211D, #FF3330, #FF4543, #FF5756 and #FF6969

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E92122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E92122 shade: #E92122, #D80F0F, #C70000, #B60000 and #A50000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E92122 shade: #E92021 and #E92020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E92122 shade: #E92021, #E92057, #E9208D, #E920C4 and #D820E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E92122 shade matches the following richer shades: #E92021 and #FD0C0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E92122 shade: #E92021, #D53435, #C14848, #AE5C5C and #9A6F70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E92122 shade: #E9208F, #E92059, #E92024, #E95220 and #E98820

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E92122 shade: #A61011, #CC1415, #E92021, #ED4647 and #F06B6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E92122 shade: #E92122, #C4E920 and #2074E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E92122 shade: #E92122, #24E920 and #2024E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E92122 shade: #E92122, #C4E920, #20E9E6 and #4520E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E92122 shade: #E92122, #88E920, #20E9E6 and #8120E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 85 / 9

HEX #E92122

RGB 233 33 34

HSL 359.7, 0.82%, 0.52%

LAB 50.13, 71.41, 51.82

 

Complementary color

CMYK 90 / 0 / 0 / 13

HEX #16DEDD

RGB 22 222 221

HSL 179.7, 0.82%, 0.48%

LAB 80.53, -42.96, -12.09

 

CMYK 0 / 86 / 88 / 7

HEX #EE211D

RGB 238 33 29

HSL 1.15, 0.86%, 0.52%

LAB 51.1, 72.63, 55.29

 

CMYK 0 / 80 / 81 / 0

HEX #FF3330

RGB 255 51 48

HSL 0.87, 1%, 0.59%

LAB 55.93, 73.67, 51.76

 

CMYK 0 / 73 / 74 / 0

HEX #FF4543

RGB 255 69 67

HSL 0.64, 1%, 0.63%

LAB 57.96, 69.1, 43.84

 

CMYK 0 / 66 / 66 / 0

HEX #FF5756

RGB 255 87 86

HSL 0.36, 1%, 0.67%

LAB 60.56, 63.5, 36.35

 

CMYK 0 / 59 / 59 / 0

HEX #FF6969

RGB 255 105 105

HSL 0, 1%, 0.71%

LAB 63.66, 57.13, 29.56

 

CMYK 0 / 86 / 85 / 9

HEX #E92122

RGB 233 33 34

HSL 359.7, 0.82%, 0.52%

LAB 50.13, 71.41, 51.82

 

CMYK 0 / 93 / 93 / 15

HEX #D80F0F

RGB 216 15 15

HSL 0, 0.87%, 0.45%

LAB 45.6, 69.44, 54.92

 

CMYK 0 / 100 / 100 / 22

HEX #C70000

RGB 199 0 0

HSL 0, 1%, 0.39%

LAB 41.44, 66.47, 55.77

 

CMYK 0 / 100 / 100 / 29

HEX #B60000

RGB 182 0 0

HSL 0, 1%, 0.36%

LAB 37.74, 62.19, 52.16

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 86 / 86 / 9

HEX #E92021

RGB 233 32 33

HSL 359.7, 0.82%, 0.52%

LAB 50.06, 71.58, 52.23

 

CMYK 0 / 86 / 86 / 9

HEX #E92020

RGB 233 32 32

HSL 0, 0.82%, 0.52%

LAB 50.05, 71.56, 52.69

 

CMYK 0 / 86 / 86 / 9

HEX #E92021

RGB 233 32 33

HSL 359.7, 0.82%, 0.52%

LAB 50.06, 71.58, 52.23

 

CMYK 0 / 86 / 63 / 9

HEX #E92057

RGB 233 32 87

HSL 343.58, 0.82%, 0.52%

LAB 50.74, 73.56, 22.48

 

CMYK 0 / 86 / 39 / 9

HEX #E9208D

RGB 233 32 141

HSL 327.46, 0.82%, 0.52%

LAB 52.15, 77.56, -8.24

 

CMYK 0 / 86 / 16 / 9

HEX #E920C4

RGB 233 32 196

HSL 311.04, 0.82%, 0.52%

LAB 54.39, 83.64, -37.16

 

CMYK 7 / 86 / 0 / 9

HEX #D820E9

RGB 216 32 233

HSL 294.93, 0.82%, 0.52%

LAB 53.51, 85.84, -59.83

 

CMYK 0 / 86 / 86 / 9

HEX #E92021

RGB 233 32 33

HSL 359.7, 0.82%, 0.52%

LAB 50.06, 71.58, 52.23

 

CMYK 0 / 95 / 94 / 1

HEX #FD0C0E

RGB 253 12 14

HSL 359.5, 0.98%, 0.52%

LAB 53.14, 78.9, 63.47

 

CMYK 0 / 86 / 86 / 9

HEX #E92021

RGB 233 32 33

HSL 359.7, 0.82%, 0.52%

LAB 50.06, 71.58, 52.23

 

CMYK 0 / 76 / 75 / 16

HEX #D53435

RGB 213 52 53

HSL 359.63, 0.66%, 0.52%

LAB 48.08, 61.59, 38.5

 

CMYK 0 / 63 / 63 / 24

HEX #C14848

RGB 193 72 72

HSL 0, 0.49%, 0.52%

LAB 47.55, 48.49, 25.93

 

CMYK 0 / 47 / 47 / 32

HEX #AE5C5C

RGB 174 92 92

HSL 0, 0.34%, 0.52%

LAB 48.79, 33.27, 15.12

 

CMYK 0 / 28 / 27 / 40

HEX #9A6F70

RGB 154 111 112

HSL 358.6, 0.18%, 0.52%

LAB 51.16, 17.2, 6.19

 

CMYK 0 / 86 / 39 / 9

HEX #E9208F

RGB 233 32 143

HSL 326.87, 0.82%, 0.52%

LAB 52.22, 77.75, -9.34

 

CMYK 0 / 86 / 62 / 9

HEX #E92059

RGB 233 32 89

HSL 342.99, 0.82%, 0.52%

LAB 50.78, 73.67, 21.31

 

CMYK 0 / 86 / 85 / 9

HEX #E92024

RGB 233 32 36

HSL 358.81, 0.82%, 0.52%

LAB 50.08, 71.64, 50.81

 

CMYK 0 / 65 / 86 / 9

HEX #E95220

RGB 233 82 32

HSL 14.93, 0.82%, 0.52%

LAB 55.55, 56.31, 57.14

 

CMYK 0 / 42 / 86 / 9

HEX #E98820

RGB 233 136 32

HSL 31.04, 0.82%, 0.52%

LAB 65.78, 30.36, 65.4

 

CMYK 0 / 90 / 90 / 35

HEX #A61011

RGB 166 16 17

HSL 359.6, 0.82%, 0.36%

LAB 35.04, 56.15, 41.93

 

CMYK 0 / 90 / 90 / 20

HEX #CC1415

RGB 204 20 21

HSL 359.67, 0.82%, 0.44%

LAB 43.35, 65.77, 49.89

 

CMYK 0 / 86 / 86 / 9

HEX #E92021

RGB 233 32 33

HSL 359.7, 0.82%, 0.52%

LAB 50.06, 71.58, 52.23

 

CMYK 0 / 70 / 70 / 7

HEX #ED4647

RGB 237 70 71

HSL 359.64, 0.82%, 0.6%

LAB 54.91, 63.52, 37.27

 

CMYK 0 / 55 / 55 / 6

HEX #F06B6C

RGB 240 107 108

HSL 359.55, 0.82%, 0.68%

LAB 61.76, 51.32, 24.94

 

CMYK 0 / 86 / 85 / 9

HEX #E92122

RGB 233 33 34

HSL 359.7, 0.82%, 0.52%

LAB 50.13, 71.41, 51.82

 

CMYK 16 / 0 / 86 / 9

HEX #C4E920

RGB 196 233 32

HSL 71.04, 0.82%, 0.52%

LAB 87.05, -34.83, 81.39

 

CMYK 86 / 50 / 0 / 9

HEX #2074E9

RGB 32 116 233

HSL 214.93, 0.82%, 0.52%

LAB 50.31, 19.06, -65.81

 

CMYK 0 / 86 / 85 / 9

HEX #E92122

RGB 233 33 34

HSL 359.7, 0.82%, 0.52%

LAB 50.13, 71.41, 51.82

 

CMYK 85 / 0 / 86 / 9

HEX #24E920

RGB 36 233 32

HSL 118.81, 0.82%, 0.52%

LAB 81.16, -77.87, 74.03

 

CMYK 86 / 85 / 0 / 9

HEX #2024E9

RGB 32 36 233

HSL 238.81, 0.82%, 0.52%

LAB 32.81, 65.29, -94.55

 

CMYK 0 / 86 / 85 / 9

HEX #E92122

RGB 233 33 34

HSL 359.7, 0.82%, 0.52%

LAB 50.13, 71.41, 51.82

 

CMYK 16 / 0 / 86 / 9

HEX #C4E920

RGB 196 233 32

HSL 71.04, 0.82%, 0.52%

LAB 87.05, -34.83, 81.39

 

CMYK 86 / 0 / 1 / 9

HEX #20E9E6

RGB 32 233 230

HSL 179.1, 0.82%, 0.52%

LAB 84.12, -44.71, -11.5

 

CMYK 70 / 86 / 0 / 9

HEX #4520E9

RGB 69 32 233

HSL 251.04, 0.82%, 0.52%

LAB 34.36, 68.35, -91.93

 

CMYK 0 / 86 / 85 / 9

HEX #E92122

RGB 233 33 34

HSL 359.7, 0.82%, 0.52%

LAB 50.13, 71.41, 51.82

 

CMYK 42 / 0 / 86 / 9

HEX #88E920

RGB 136 233 32

HSL 88.96, 0.82%, 0.52%

LAB 83.77, -56.73, 77.3

 

CMYK 86 / 0 / 1 / 9

HEX #20E9E6

RGB 32 233 230

HSL 179.1, 0.82%, 0.52%

LAB 84.12, -44.71, -11.5

 

CMYK 45 / 86 / 0 / 9

HEX #8120E9

RGB 129 32 233

HSL 268.96, 0.82%, 0.52%

LAB 40.55, 73.51, -81.5

 

Description

Color code: HEX #E92122 | qconv.com Color code: HEX #E92122 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 33 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 33 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 85 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 85% 9% C M Y K

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Provide designers and agencies with accurate color values.

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