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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E91FE2 it is the complementary color #16E01D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E91FE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E91FE2 shade: #EE1FDD, #FF31F0, #FF43FF, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E91FE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E91FE2 shade: #E91FE2, #D80DCF, #C700BC, #B600A9 and #A50096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E91FE2 shade: #E920E2, #E920AC, #E92076, #E92040 and #E92020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E91FE2 shade: #E920E2, #BA20E9, #8420E9, #4E20E9 and #2020E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E91FE2 shade matches the following richer shades: #E920E2 and #FD0CF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E91FE2 shade: #E920E2, #D534D0, #C148BD, #AE5CAB and #9A6F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E91FE2 shade: #8520E9, #BA20E9, #E920E2, #E920AD and #E92077

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E91FE2 shade: #A610A1, #CC14C5, #E920E2, #ED46E7 and #F06BEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E91FE2 shade: #E91FE2, #E94F20 and #20E99F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E91FE2 shade: #E91FE2, #E2E920 and #20E2E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E91FE2 shade: #E91FE2, #E94F20, #20E927 and #20BAE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E91FE2 shade: #E91FE2, #E98B20, #20E927 and #207EE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 3 / 9

HEX #E91FE2

RGB 233 31 226

HSL 302.08, 0.82%, 0.52%

LAB 55.88, 87.84, -51.93

 

Complementary color

CMYK 90 / 0 / 87 / 12

HEX #16E01D

RGB 22 224 29

HSL 122.08, 0.82%, 0.48%

LAB 78.21, -76.55, 71.99

 

CMYK 0 / 87 / 7 / 7

HEX #EE1FDD

RGB 238 31 221

HSL 304.93, 0.86%, 0.53%

LAB 56.46, 88.03, -48.12

 

CMYK 0 / 81 / 6 / 0

HEX #FF31F0

RGB 255 49 240

HSL 304.37, 1%, 0.6%

LAB 61.44, 90.48, -50.73

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 87 / 3 / 9

HEX #E91FE2

RGB 233 31 226

HSL 302.08, 0.82%, 0.52%

LAB 55.88, 87.84, -51.93

 

CMYK 0 / 94 / 4 / 15

HEX #D80DCF

RGB 216 13 207

HSL 302.66, 0.89%, 0.45%

LAB 51.14, 84.43, -48.82

 

CMYK 0 / 100 / 6 / 22

HEX #C700BC

RGB 199 0 188

HSL 303.32, 1%, 0.39%

LAB 46.68, 79.95, -45.1

 

CMYK 0 / 100 / 7 / 29

HEX #B600A9

RGB 182 0 169

HSL 304.29, 1%, 0.36%

LAB 42.48, 74.4, -40.75

 

CMYK 0 / 100 / 9 / 35

HEX #A50096

RGB 165 0 150

HSL 305.45, 1%, 0.32%

LAB 38.2, 68.75, -36.28

 

CMYK 0 / 86 / 3 / 9

HEX #E920E2

RGB 233 32 226

HSL 302.09, 0.82%, 0.52%

LAB 55.93, 87.69, -51.84

 

CMYK 0 / 86 / 26 / 9

HEX #E920AC

RGB 233 32 172

HSL 318.21, 0.82%, 0.52%

LAB 53.31, 80.76, -24.87

 

CMYK 0 / 86 / 49 / 9

HEX #E92076

RGB 233 32 118

HSL 334.33, 0.82%, 0.52%

LAB 51.46, 75.61, 4.61

 

CMYK 0 / 86 / 73 / 9

HEX #E92040

RGB 233 32 64

HSL 350.45, 0.82%, 0.52%

LAB 50.37, 72.48, 35.79

 

CMYK 0 / 86 / 86 / 9

HEX #E92020

RGB 233 32 32

HSL 0, 0.82%, 0.52%

LAB 50.05, 71.56, 52.69

 

CMYK 0 / 86 / 3 / 9

HEX #E920E2

RGB 233 32 226

HSL 302.09, 0.82%, 0.52%

LAB 55.93, 87.69, -51.84

 

CMYK 20 / 86 / 0 / 9

HEX #BA20E9

RGB 186 32 233

HSL 285.97, 0.82%, 0.52%

LAB 48.7, 81.09, -67.83

 

CMYK 43 / 86 / 0 / 9

HEX #8420E9

RGB 132 32 233

HSL 269.85, 0.82%, 0.52%

LAB 40.93, 73.85, -80.85

 

CMYK 67 / 86 / 0 / 9

HEX #4E20E9

RGB 78 32 233

HSL 253.73, 0.82%, 0.52%

LAB 35.07, 68.92, -90.72

 

CMYK 86 / 86 / 0 / 9

HEX #2020E9

RGB 32 32 233

HSL 240, 0.82%, 0.52%

LAB 32.31, 66.81, -95.39

 

CMYK 0 / 86 / 3 / 9

HEX #E920E2

RGB 233 32 226

HSL 302.09, 0.82%, 0.52%

LAB 55.93, 87.69, -51.84

 

CMYK 0 / 95 / 4 / 1

HEX #FD0CF4

RGB 253 12 244

HSL 302.24, 0.98%, 0.52%

LAB 59.6, 95.72, -55.91

 

CMYK 0 / 86 / 3 / 9

HEX #E920E2

RGB 233 32 226

HSL 302.09, 0.82%, 0.52%

LAB 55.93, 87.69, -51.84

 

CMYK 0 / 76 / 2 / 16

HEX #D534D0

RGB 213 52 208

HSL 301.86, 0.66%, 0.52%

LAB 53.12, 76.93, -46.28

 

CMYK 0 / 63 / 2 / 24

HEX #C148BD

RGB 193 72 189

HSL 301.98, 0.49%, 0.52%

LAB 51.43, 62.5, -38.21

 

CMYK 0 / 47 / 2 / 32

HEX #AE5CAB

RGB 174 92 171

HSL 302.2, 0.34%, 0.52%

LAB 51.37, 44.78, -28.03

 

CMYK 0 / 28 / 1 / 40

HEX #9A6F98

RGB 154 111 152

HSL 302.79, 0.18%, 0.52%

LAB 52.4, 24.13, -15.53

 

CMYK 43 / 86 / 0 / 9

HEX #8520E9

RGB 133 32 233

HSL 270.15, 0.82%, 0.52%

LAB 41.06, 73.97, -80.63

 

CMYK 20 / 86 / 0 / 9

HEX #BA20E9

RGB 186 32 233

HSL 285.97, 0.82%, 0.52%

LAB 48.7, 81.09, -67.83

 

CMYK 0 / 86 / 3 / 9

HEX #E920E2

RGB 233 32 226

HSL 302.09, 0.82%, 0.52%

LAB 55.93, 87.69, -51.84

 

CMYK 0 / 86 / 26 / 9

HEX #E920AD

RGB 233 32 173

HSL 317.91, 0.82%, 0.52%

LAB 53.36, 80.87, -25.39

 

CMYK 0 / 86 / 49 / 9

HEX #E92077

RGB 233 32 119

HSL 334.03, 0.82%, 0.52%

LAB 51.48, 75.68, 4.04

 

CMYK 0 / 90 / 3 / 35

HEX #A610A1

RGB 166 16 161

HSL 302, 0.82%, 0.36%

LAB 39.67, 68.65, -40.6

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C5

RGB 204 20 197

HSL 302.28, 0.82%, 0.44%

LAB 48.72, 80.19, -47.03

 

CMYK 0 / 86 / 3 / 9

HEX #E920E2

RGB 233 32 226

HSL 302.09, 0.82%, 0.52%

LAB 55.93, 87.69, -51.84

 

CMYK 0 / 70 / 3 / 7

HEX #ED46E7

RGB 237 70 231

HSL 302.16, 0.82%, 0.6%

LAB 60.03, 80.02, -48.12

 

CMYK 0 / 55 / 2 / 6

HEX #F06BEC

RGB 240 107 236

HSL 301.8, 0.82%, 0.68%

LAB 65.82, 67.31, -41.74

 

CMYK 0 / 87 / 3 / 9

HEX #E91FE2

RGB 233 31 226

HSL 302.08, 0.82%, 0.52%

LAB 55.88, 87.84, -51.93

 

CMYK 0 / 66 / 86 / 9

HEX #E94F20

RGB 233 79 32

HSL 14.03, 0.82%, 0.52%

LAB 55.09, 57.53, 56.77

 

CMYK 86 / 0 / 32 / 9

HEX #20E99F

RGB 32 233 159

HSL 157.91, 0.82%, 0.52%

LAB 82.43, -62.51, 23.31

 

CMYK 0 / 87 / 3 / 9

HEX #E91FE2

RGB 233 31 226

HSL 302.08, 0.82%, 0.52%

LAB 55.88, 87.84, -51.93

 

CMYK 3 / 0 / 86 / 9

HEX #E2E920

RGB 226 233 32

HSL 62.09, 0.82%, 0.52%

LAB 89.18, -22.64, 84.01

 

CMYK 86 / 3 / 0 / 9

HEX #20E2E9

RGB 32 226 233

HSL 182.09, 0.82%, 0.52%

LAB 82.15, -40.73, -16.03

 

CMYK 0 / 87 / 3 / 9

HEX #E91FE2

RGB 233 31 226

HSL 302.08, 0.82%, 0.52%

LAB 55.88, 87.84, -51.93

 

CMYK 0 / 66 / 86 / 9

HEX #E94F20

RGB 233 79 32

HSL 14.03, 0.82%, 0.52%

LAB 55.09, 57.53, 56.77

 

CMYK 86 / 0 / 83 / 9

HEX #20E927

RGB 32 233 39

HSL 122.09, 0.82%, 0.52%

LAB 81.14, -77.91, 72.49

 

CMYK 86 / 20 / 0 / 9

HEX #20BAE9

RGB 32 186 233

HSL 194.03, 0.82%, 0.52%

LAB 70.39, -21.44, -33.99

 

CMYK 0 / 87 / 3 / 9

HEX #E91FE2

RGB 233 31 226

HSL 302.08, 0.82%, 0.52%

LAB 55.88, 87.84, -51.93

 

CMYK 0 / 40 / 86 / 9

HEX #E98B20

RGB 233 139 32

HSL 31.94, 0.82%, 0.52%

LAB 66.44, 28.79, 65.93

 

CMYK 86 / 0 / 83 / 9

HEX #20E927

RGB 32 233 39

HSL 122.09, 0.82%, 0.52%

LAB 81.14, -77.91, 72.49

 

CMYK 86 / 46 / 0 / 9

HEX #207EE9

RGB 32 126 233

HSL 211.94, 0.82%, 0.52%

LAB 53.07, 12.79, -61.36

 

Description

Color code: HEX #E91FE2 | qconv.com Color code: HEX #E91FE2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 31 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 31 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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