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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E91D7B it is the complementary color #16E284. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E91D7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E91D7B shade: #EE1D76, #FF2F89, #FF419C, #FF53AF and #FF65C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E91D7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E91D7B shade: #E91D7B, #D80B68, #C70055, #B60042 and #A5002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E91D7B shade: #E91C7A, #E91C43 and #E91C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E91D7B shade: #E91C7A, #E91CB1, #E81CE9, #B11CE9 and #7A1CE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E91D7B shade matches the following richer shades: #E91C7A and #FD0778

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E91D7B shade: #E91C7A, #D4307C, #C0447D, #AC587F and #986C80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E91D7B shade: #E91CE9, #E91CB2, #E91C7B, #E91C45 and #E9291C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E91D7B shade: #A21053, #C71466, #E91C7A, #EC4190 and #F067A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E91D7B shade: #E91D7B, #E9B21C and #1CCDE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E91D7B shade: #E91D7B, #7BE91C and #1C7BE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E91D7B shade: #E91D7B, #E9B21C, #1CE989 and #1C52E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E91D7B shade: #E91D7B, #E2E91C, #1CE989 and #221CE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 47 / 9

HEX #E91D7B

RGB 233 29 123

HSL 332.35, 0.82%, 0.51%

LAB 51.42, 76.51, 1.53

 

Complementary color

CMYK 90 / 0 / 42 / 11

HEX #16E284

RGB 22 226 132

HSL 152.35, 0.82%, 0.49%

LAB 79.74, -65.97, 33.49

 

CMYK 0 / 88 / 50 / 7

HEX #EE1D76

RGB 238 29 118

HSL 334.45, 0.86%, 0.52%

LAB 52.25, 77.28, 5.87

 

CMYK 0 / 82 / 46 / 0

HEX #FF2F89

RGB 255 47 137

HSL 334.04, 1%, 0.59%

LAB 57.17, 79.35, 2

 

CMYK 0 / 75 / 39 / 0

HEX #FF419C

RGB 255 65 156

HSL 331.26, 1%, 0.63%

LAB 59.38, 76.36, -5.93

 

CMYK 0 / 67 / 31 / 0

HEX #FF53AF

RGB 255 83 175

HSL 327.91, 1%, 0.66%

LAB 62.12, 72.41, -12.85

 

CMYK 0 / 60 / 24 / 0

HEX #FF65C2

RGB 255 101 194

HSL 323.77, 1%, 0.7%

LAB 65.33, 67.69, -18.83

 

CMYK 0 / 88 / 47 / 9

HEX #E91D7B

RGB 233 29 123

HSL 332.35, 0.82%, 0.51%

LAB 51.42, 76.51, 1.53

 

CMYK 0 / 95 / 52 / 15

HEX #D80B68

RGB 216 11 104

HSL 332.78, 0.9%, 0.45%

LAB 46.76, 73.42, 6.02

 

CMYK 0 / 100 / 57 / 22

HEX #C70055

RGB 199 0 85

HSL 334.37, 1%, 0.39%

LAB 42.46, 69.21, 11.35

 

CMYK 0 / 100 / 64 / 29

HEX #B60042

RGB 182 0 66

HSL 338.24, 1%, 0.36%

LAB 38.44, 64.08, 17.42

 

CMYK 0 / 100 / 72 / 35

HEX #A5002F

RGB 165 0 47

HSL 342.91, 1%, 0.32%

LAB 34.41, 58.99, 23.75

 

CMYK 0 / 88 / 48 / 9

HEX #E91C7A

RGB 233 28 122

HSL 332.49, 0.82%, 0.51%

LAB 51.34, 76.59, 2.01

 

CMYK 0 / 88 / 71 / 9

HEX #E91C43

RGB 233 28 67

HSL 348.59, 0.82%, 0.51%

LAB 50.17, 73.29, 33.79

 

CMYK 0 / 88 / 88 / 9

HEX #E91C1C

RGB 233 28 28

HSL 0, 0.82%, 0.51%

LAB 49.78, 72.18, 54.28

 

CMYK 0 / 88 / 48 / 9

HEX #E91C7A

RGB 233 28 122

HSL 332.49, 0.82%, 0.51%

LAB 51.34, 76.59, 2.01

 

CMYK 0 / 88 / 24 / 9

HEX #E91CB1

RGB 233 28 177

HSL 316.39, 0.82%, 0.51%

LAB 53.31, 81.97, -27.81

 

CMYK 0 / 88 / 0 / 9

HEX #E81CE9

RGB 232 28 233

HSL 299.71, 0.82%, 0.51%

LAB 55.96, 89.12, -55.76

 

CMYK 24 / 88 / 0 / 9

HEX #B11CE9

RGB 177 28 233

HSL 283.61, 0.82%, 0.51%

LAB 47.05, 80.54, -70.57

 

CMYK 48 / 88 / 0 / 9

HEX #7A1CE9

RGB 122 28 233

HSL 267.51, 0.82%, 0.51%

LAB 39.33, 73.76, -83.53

 

CMYK 0 / 88 / 48 / 9

HEX #E91C7A

RGB 233 28 122

HSL 332.49, 0.82%, 0.51%

LAB 51.34, 76.59, 2.01

 

CMYK 0 / 97 / 53 / 1

HEX #FD0778

RGB 253 7 120

HSL 332.44, 0.98%, 0.51%

LAB 54.44, 83.1, 8.19

 

CMYK 0 / 88 / 48 / 9

HEX #E91C7A

RGB 233 28 122

HSL 332.49, 0.82%, 0.51%

LAB 51.34, 76.59, 2.01

 

CMYK 0 / 77 / 42 / 17

HEX #D4307C

RGB 212 48 124

HSL 332.2, 0.66%, 0.51%

LAB 48.97, 67.25, -3.14

 

CMYK 0 / 65 / 35 / 25

HEX #C0447D

RGB 192 68 125

HSL 332.42, 0.5%, 0.51%

LAB 48.03, 54.72, -5.51

 

CMYK 0 / 49 / 26 / 33

HEX #AC587F

RGB 172 88 127

HSL 332.14, 0.34%, 0.51%

LAB 48.61, 38.98, -6.19

 

CMYK 0 / 29 / 16 / 40

HEX #986C80

RGB 152 108 128

HSL 332.73, 0.18%, 0.51%

LAB 50.64, 20.72, -4.06

 

CMYK 0 / 88 / 0 / 9

HEX #E91CE9

RGB 233 28 233

HSL 300, 0.82%, 0.51%

LAB 56.13, 89.29, -55.48

 

CMYK 0 / 88 / 24 / 9

HEX #E91CB2

RGB 233 28 178

HSL 316.1, 0.82%, 0.51%

LAB 53.35, 82.08, -28.32

 

CMYK 0 / 88 / 47 / 9

HEX #E91C7B

RGB 233 28 123

HSL 332.2, 0.82%, 0.51%

LAB 51.36, 76.67, 1.45

 

CMYK 0 / 88 / 70 / 9

HEX #E91C45

RGB 233 28 69

HSL 348, 0.82%, 0.51%

LAB 50.2, 73.37, 32.63

 

CMYK 0 / 82 / 88 / 9

HEX #E9291C

RGB 233 41 28

HSL 3.8, 0.82%, 0.51%

LAB 50.68, 69.62, 54.96

 

CMYK 0 / 90 / 49 / 36

HEX #A21053

RGB 162 16 83

HSL 332.47, 0.82%, 0.35%

LAB 35.35, 58.4, 1.48

 

CMYK 0 / 90 / 49 / 22

HEX #C71466

RGB 199 20 102

HSL 332.51, 0.82%, 0.43%

LAB 43.66, 68.27, 2.36

 

CMYK 0 / 88 / 48 / 9

HEX #E91C7A

RGB 233 28 122

HSL 332.49, 0.82%, 0.51%

LAB 51.34, 76.59, 2.01

 

CMYK 0 / 72 / 39 / 7

HEX #EC4190

RGB 236 65 144

HSL 332.28, 0.82%, 0.59%

LAB 55.71, 70.27, -4.68

 

CMYK 0 / 57 / 31 / 6

HEX #F067A6

RGB 240 103 166

HSL 332.41, 0.82%, 0.67%

LAB 62.49, 58.93, -7.37

 

CMYK 0 / 88 / 47 / 9

HEX #E91D7B

RGB 233 29 123

HSL 332.35, 0.82%, 0.51%

LAB 51.42, 76.51, 1.53

 

CMYK 0 / 24 / 88 / 9

HEX #E9B21C

RGB 233 178 28

HSL 43.9, 0.82%, 0.51%

LAB 75.61, 8.06, 74.23

 

CMYK 88 / 12 / 0 / 9

HEX #1CCDE9

RGB 28 205 233

HSL 188.2, 0.82%, 0.51%

LAB 75.94, -31.16, -25.45

 

CMYK 0 / 88 / 47 / 9

HEX #E91D7B

RGB 233 29 123

HSL 332.35, 0.82%, 0.51%

LAB 51.42, 76.51, 1.53

 

CMYK 47 / 0 / 88 / 9

HEX #7BE91C

RGB 123 233 28

HSL 92.2, 0.82%, 0.51%

LAB 83.22, -60.88, 77.36

 

CMYK 88 / 47 / 0 / 9

HEX #1C7BE9

RGB 28 123 233

HSL 212.2, 0.82%, 0.51%

LAB 52.17, 14.41, -62.81

 

CMYK 0 / 88 / 47 / 9

HEX #E91D7B

RGB 233 29 123

HSL 332.35, 0.82%, 0.51%

LAB 51.42, 76.51, 1.53

 

CMYK 0 / 24 / 88 / 9

HEX #E9B21C

RGB 233 178 28

HSL 43.9, 0.82%, 0.51%

LAB 75.61, 8.06, 74.23

 

CMYK 88 / 0 / 41 / 9

HEX #1CE989

RGB 28 233 137

HSL 151.9, 0.82%, 0.51%

LAB 82.02, -67.09, 33.96

 

CMYK 88 / 65 / 0 / 9

HEX #1C52E9

RGB 28 82 233

HSL 224.2, 0.82%, 0.51%

LAB 41.48, 40.47, -80.22

 

CMYK 0 / 88 / 47 / 9

HEX #E91D7B

RGB 233 29 123

HSL 332.35, 0.82%, 0.51%

LAB 51.42, 76.51, 1.53

 

CMYK 3 / 0 / 88 / 9

HEX #E2E91C

RGB 226 233 28

HSL 62.05, 0.82%, 0.51%

LAB 89.17, -22.72, 84.69

 

CMYK 88 / 0 / 41 / 9

HEX #1CE989

RGB 28 233 137

HSL 151.9, 0.82%, 0.51%

LAB 82.02, -67.09, 33.96

 

CMYK 85 / 88 / 0 / 9

HEX #221CE9

RGB 34 28 233

HSL 241.76, 0.82%, 0.51%

LAB 31.93, 68.23, -96.03

 

Description

Color code: HEX #E91D7B | qconv.com Color code: HEX #E91D7B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 29 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 29 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 47 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 47% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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