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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8F992 it is the complementary color #17066D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8F992. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8F992 shade: #EDF98D, #FEFFA0, #FFFFB3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8F992. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8F992 shade: #E8F992, #D7E77F, #C6D56C, #B5C359 and #A4B146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8F992 shade: #E8F990, #F9EE90, #F9D290, #F9B590 and #F99990

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8F992 shade: #E8F990, #CBF990, #AFF990, #92F990 and #90F9A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8F992 shade matches the following richer shades: #E8F990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8F992 shade: #E8F990, #E1F099, #DBE6A3, #D5DDAC and #CED3B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8F992 shade: #F9D190, #F9ED90, #E9F990, #CDF990 and #B1F990

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8F992 shade: #D7F541, #E0F768, #E8F990, #F0FBB7 and #F8FDDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8F992 shade: #E8F992, #90F9B5 and #DF90F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8F992 shade: #E8F992, #90E9F9 and #F990E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8F992 shade: #E8F992, #90F9B5, #9F90F9 and #F990D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8F992 shade: #E8F992, #90F9D4, #9F90F9 and #F990B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 41 / 2

HEX #E8F992

RGB 232 249 146

HSL 69.9, 0.9%, 0.77%

LAB 94.73, -20.77, 47.47

 

Complementary color

CMYK 79 / 94 / 0 / 57

HEX #17066D

RGB 23 6 109

HSL 249.9, 0.9%, 0.23%

LAB 12.07, 40.11, -53.91

 

CMYK 5 / 0 / 43 / 2

HEX #EDF98D

RGB 237 249 141

HSL 66.67, 0.9%, 0.76%

LAB 95.03, -19.4, 50.31

 

CMYK 0 / 0 / 37 / 0

HEX #FEFFA0

RGB 254 255 160

HSL 60.63, 1%, 0.81%

LAB 98.09, -13.87, 45.28

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 7 / 0 / 41 / 2

HEX #E8F992

RGB 232 249 146

HSL 69.9, 0.9%, 0.77%

LAB 94.73, -20.77, 47.47

 

CMYK 7 / 0 / 45 / 9

HEX #D7E77F

RGB 215 231 127

HSL 69.23, 0.68%, 0.7%

LAB 88.51, -20.53, 48.6

 

CMYK 7 / 0 / 49 / 16

HEX #C6D56C

RGB 198 213 108

HSL 68.57, 0.56%, 0.63%

LAB 82.2, -20.24, 49.73

 

CMYK 7 / 0 / 54 / 24

HEX #B5C359

RGB 181 195 89

HSL 67.92, 0.47%, 0.56%

LAB 75.81, -19.86, 50.82

 

CMYK 7 / 0 / 60 / 31

HEX #A4B146

RGB 164 177 70

HSL 67.29, 0.43%, 0.48%

LAB 69.31, -19.39, 51.79

 

CMYK 7 / 0 / 42 / 2

HEX #E8F990

RGB 232 249 144

HSL 69.71, 0.9%, 0.77%

LAB 94.7, -20.98, 48.4

 

CMYK 0 / 4 / 42 / 2

HEX #F9EE90

RGB 249 238 144

HSL 53.71, 0.9%, 0.77%

LAB 93.15, -9.09, 46.72

 

CMYK 0 / 16 / 42 / 2

HEX #F9D290

RGB 249 210 144

HSL 37.71, 0.9%, 0.77%

LAB 86.13, 5.1, 37.76

 

CMYK 0 / 27 / 42 / 2

HEX #F9B590

RGB 249 181 144

HSL 21.14, 0.9%, 0.77%

LAB 79.16, 20.24, 28.58

 

CMYK 0 / 39 / 42 / 2

HEX #F99990

RGB 249 153 144

HSL 5.14, 0.9%, 0.77%

LAB 72.85, 34.92, 20.03

 

CMYK 7 / 0 / 42 / 2

HEX #E8F990

RGB 232 249 144

HSL 69.71, 0.9%, 0.77%

LAB 94.7, -20.98, 48.4

 

CMYK 18 / 0 / 42 / 2

HEX #CBF990

RGB 203 249 144

HSL 86.29, 0.9%, 0.77%

LAB 92.78, -31.68, 45.57

 

CMYK 30 / 0 / 42 / 2

HEX #AFF990

RGB 175 249 144

HSL 102.29, 0.9%, 0.77%

LAB 91.18, -41.35, 43.21

 

CMYK 41 / 0 / 42 / 2

HEX #92F990

RGB 146 249 144

HSL 118.86, 0.9%, 0.77%

LAB 89.8, -50.37, 41.17

 

CMYK 42 / 0 / 32 / 2

HEX #90F9A9

RGB 144 249 169

HSL 134.29, 0.9%, 0.77%

LAB 90.11, -47.03, 29.12

 

CMYK 7 / 0 / 42 / 2

HEX #E8F990

RGB 232 249 144

HSL 69.71, 0.9%, 0.77%

LAB 94.7, -20.98, 48.4

 

CMYK 7 / 0 / 42 / 2

HEX #E8F990

RGB 232 249 144

HSL 69.71, 0.9%, 0.77%

LAB 94.7, -20.98, 48.4

 

CMYK 6 / 0 / 36 / 6

HEX #E1F099

RGB 225 240 153

HSL 70.34, 0.74%, 0.77%

LAB 91.97, -18.26, 40.42

 

CMYK 5 / 0 / 29 / 10

HEX #DBE6A3

RGB 219 230 163

HSL 69.85, 0.57%, 0.77%

LAB 89.06, -14.34, 31.5

 

CMYK 4 / 0 / 22 / 13

HEX #D5DDAC

RGB 213 221 172

HSL 69.8, 0.42%, 0.77%

LAB 86.42, -10.8, 23.21

 

CMYK 2 / 0 / 14 / 17

HEX #CED3B6

RGB 206 211 182

HSL 70.34, 0.25%, 0.77%

LAB 83.49, -6.71, 13.79

 

CMYK 0 / 16 / 42 / 2

HEX #F9D190

RGB 249 209 144

HSL 37.14, 0.9%, 0.77%

LAB 85.88, 5.62, 37.44

 

CMYK 0 / 5 / 42 / 2

HEX #F9ED90

RGB 249 237 144

HSL 53.14, 0.9%, 0.77%

LAB 92.89, -8.59, 46.4

 

CMYK 6 / 0 / 42 / 2

HEX #E9F990

RGB 233 249 144

HSL 69.14, 0.9%, 0.77%

LAB 94.78, -20.61, 48.51

 

CMYK 18 / 0 / 42 / 2

HEX #CDF990

RGB 205 249 144

HSL 85.14, 0.9%, 0.77%

LAB 92.9, -30.96, 45.75

 

CMYK 29 / 0 / 42 / 2

HEX #B1F990

RGB 177 249 144

HSL 101.14, 0.9%, 0.77%

LAB 91.28, -40.69, 43.37

 

CMYK 12 / 0 / 73 / 4

HEX #D7F541

RGB 215 245 65

HSL 70, 0.9%, 0.61%

LAB 91.74, -31.65, 77.61

 

CMYK 9 / 0 / 58 / 3

HEX #E0F768

RGB 224 247 104

HSL 69.65, 0.9%, 0.69%

LAB 93.18, -26.71, 64.66

 

CMYK 7 / 0 / 42 / 2

HEX #E8F990

RGB 232 249 144

HSL 69.71, 0.9%, 0.77%

LAB 94.7, -20.98, 48.4

 

CMYK 4 / 0 / 27 / 2

HEX #F0FBB7

RGB 240 251 183

HSL 69.71, 0.89%, 0.85%

LAB 96.38, -14.35, 31.46

 

CMYK 2 / 0 / 12 / 1

HEX #F8FDDE

RGB 248 253 222

HSL 69.68, 0.89%, 0.93%

LAB 98.23, -6.84, 14.28

 

CMYK 7 / 0 / 41 / 2

HEX #E8F992

RGB 232 249 146

HSL 69.9, 0.9%, 0.77%

LAB 94.73, -20.77, 47.47

 

CMYK 42 / 0 / 27 / 2

HEX #90F9B5

RGB 144 249 181

HSL 141.14, 0.9%, 0.77%

LAB 90.33, -44.92, 23.32

 

CMYK 10 / 42 / 0 / 2

HEX #DF90F9

RGB 223 144 249

HSL 285.14, 0.9%, 0.77%

LAB 71.2, 47.04, -40.63

 

CMYK 7 / 0 / 41 / 2

HEX #E8F992

RGB 232 249 146

HSL 69.9, 0.9%, 0.77%

LAB 94.73, -20.77, 47.47

 

CMYK 42 / 6 / 0 / 2

HEX #90E9F9

RGB 144 233 249

HSL 189.14, 0.9%, 0.77%

LAB 87.51, -22.69, -16.13

 

CMYK 0 / 42 / 6 / 2

HEX #F990E9

RGB 249 144 233

HSL 309.14, 0.9%, 0.77%

LAB 73.53, 51.78, -28.05

 

CMYK 7 / 0 / 41 / 2

HEX #E8F992

RGB 232 249 146

HSL 69.9, 0.9%, 0.77%

LAB 94.73, -20.77, 47.47

 

CMYK 42 / 0 / 27 / 2

HEX #90F9B5

RGB 144 249 181

HSL 141.14, 0.9%, 0.77%

LAB 90.33, -44.92, 23.32

 

CMYK 36 / 42 / 0 / 2

HEX #9F90F9

RGB 159 144 249

HSL 248.57, 0.9%, 0.77%

LAB 65.09, 29.41, -50.66

 

CMYK 0 / 42 / 15 / 2

HEX #F990D4

RGB 249 144 212

HSL 321.14, 0.9%, 0.77%

LAB 72.79, 48.41, -17.65

 

CMYK 7 / 0 / 41 / 2

HEX #E8F992

RGB 232 249 146

HSL 69.9, 0.9%, 0.77%

LAB 94.73, -20.77, 47.47

 

CMYK 42 / 0 / 15 / 2

HEX #90F9D4

RGB 144 249 212

HSL 158.86, 0.9%, 0.77%

LAB 90.98, -38.82, 8.28

 

CMYK 36 / 42 / 0 / 2

HEX #9F90F9

RGB 159 144 249

HSL 248.57, 0.9%, 0.77%

LAB 65.09, 29.41, -50.66

 

CMYK 0 / 42 / 27 / 2

HEX #F990B5

RGB 249 144 181

HSL 338.86, 0.9%, 0.77%

LAB 71.84, 43.96, -1.89

 

Description

Color code: HEX #E8F992 | qconv.com Color code: HEX #E8F992 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 249 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 249 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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