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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8DC92 it is the complementary color #17236D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8DC92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8DC92 shade: #EDDC8D, #FEEEA0, #FFFFB3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8DC92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8DC92 shade: #E8DC92, #D7CA7F, #C6B86C, #B5A659 and #A49446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8DC92 shade: #E8DC92, #E8C592, #E8AD92, #E89692 and #E89292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8DC92 shade: #E8DC92, #DDE892, #C5E892, #AEE892 and #97E892

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8DC92 shade matches the following richer shades: #E8DC92, #F3E487 and #FDEB7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8DC92 shade: #E8DC92, #DDD49C, #D2CCA7, #C8C5B2 and #BDBDBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8DC92 shade: #E8AD92, #E8C492, #E8DB92, #DEE892 and #C7E892

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8DC92 shade: #D9C64E, #E1D170, #E8DC92, #EFE7B4 and #F6F2D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8DC92 shade: #E8DC92, #92E896 and #B892E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8DC92 shade: #E8DC92, #92E8DB and #DB92E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8DC92 shade: #E8DC92, #92E896, #929FE8 and #E892E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8DC92 shade: #E8DC92, #92E8B0, #929FE8 and #E892CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 37 / 9

HEX #E8DC92

RGB 232 220 146

HSL 51.63, 0.65%, 0.74%

LAB 87.2, -6.45, 37.85

 

Complementary color

CMYK 79 / 68 / 0 / 57

HEX #17236D

RGB 23 35 109

HSL 231.63, 0.65%, 0.26%

LAB 17.87, 23.71, -44.33

 

CMYK 0 / 7 / 41 / 7

HEX #EDDC8D

RGB 237 220 141

HSL 49.38, 0.73%, 0.74%

LAB 87.54, -5.04, 40.89

 

CMYK 0 / 6 / 37 / 0

HEX #FEEEA0

RGB 254 238 160

HSL 49.79, 0.98%, 0.81%

LAB 93.78, -5.48, 39.73

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 5 / 37 / 9

HEX #E8DC92

RGB 232 220 146

HSL 51.63, 0.65%, 0.74%

LAB 87.2, -6.45, 37.85

 

CMYK 0 / 6 / 41 / 16

HEX #D7CA7F

RGB 215 202 127

HSL 51.14, 0.52%, 0.67%

LAB 80.86, -6.02, 39.03

 

CMYK 0 / 7 / 45 / 22

HEX #C6B86C

RGB 198 184 108

HSL 50.67, 0.44%, 0.6%

LAB 74.43, -5.52, 40.25

 

CMYK 0 / 8 / 51 / 29

HEX #B5A659

RGB 181 166 89

HSL 50.22, 0.38%, 0.53%

LAB 67.89, -4.93, 41.49

 

CMYK 0 / 10 / 57 / 36

HEX #A49446

RGB 164 148 70

HSL 49.79, 0.4%, 0.46%

LAB 61.23, -4.2, 42.72

 

CMYK 0 / 5 / 37 / 9

HEX #E8DC92

RGB 232 220 146

HSL 51.63, 0.65%, 0.74%

LAB 87.2, -6.45, 37.85

 

CMYK 0 / 15 / 37 / 9

HEX #E8C592

RGB 232 197 146

HSL 35.58, 0.65%, 0.74%

LAB 81.38, 5.4, 30.2

 

CMYK 0 / 25 / 37 / 9

HEX #E8AD92

RGB 232 173 146

HSL 18.84, 0.65%, 0.74%

LAB 75.52, 18.1, 22.3

 

CMYK 0 / 35 / 37 / 9

HEX #E89692

RGB 232 150 146

HSL 2.79, 0.65%, 0.74%

LAB 70.21, 30.35, 14.95

 

CMYK 0 / 37 / 37 / 9

HEX #E89292

RGB 232 146 146

HSL 0, 0.65%, 0.74%

LAB 69.32, 32.47, 13.71

 

CMYK 0 / 5 / 37 / 9

HEX #E8DC92

RGB 232 220 146

HSL 51.63, 0.65%, 0.74%

LAB 87.2, -6.45, 37.85

 

CMYK 5 / 0 / 37 / 9

HEX #DDE892

RGB 221 232 146

HSL 67.67, 0.65%, 0.74%

LAB 89.47, -16.67, 40.62

 

CMYK 15 / 0 / 37 / 9

HEX #C5E892

RGB 197 232 146

HSL 84.42, 0.65%, 0.74%

LAB 87.8, -25.61, 38.14

 

CMYK 25 / 0 / 37 / 9

HEX #AEE892

RGB 174 232 146

HSL 100.47, 0.65%, 0.74%

LAB 86.4, -33.75, 36.04

 

CMYK 35 / 0 / 37 / 9

HEX #97E892

RGB 151 232 146

HSL 116.51, 0.65%, 0.74%

LAB 85.18, -41.29, 34.22

 

CMYK 0 / 5 / 37 / 9

HEX #E8DC92

RGB 232 220 146

HSL 51.63, 0.65%, 0.74%

LAB 87.2, -6.45, 37.85

 

CMYK 0 / 6 / 44 / 5

HEX #F3E487

RGB 243 228 135

HSL 51.67, 0.82%, 0.74%

LAB 89.99, -7.33, 47.05

 

CMYK 0 / 7 / 51 / 1

HEX #FDEB7C

RGB 253 235 124

HSL 51.63, 0.97%, 0.74%

LAB 92.47, -7.85, 55.5

 

CMYK 0 / 5 / 37 / 9

HEX #E8DC92

RGB 232 220 146

HSL 51.63, 0.65%, 0.74%

LAB 87.2, -6.45, 37.85

 

CMYK 0 / 4 / 29 / 13

HEX #DDD49C

RGB 221 212 156

HSL 51.69, 0.49%, 0.74%

LAB 84.41, -5.41, 28.88

 

CMYK 0 / 3 / 20 / 18

HEX #D2CCA7

RGB 210 204 167

HSL 51.63, 0.32%, 0.74%

LAB 81.66, -3.93, 19.22

 

CMYK 0 / 1 / 11 / 22

HEX #C8C5B2

RGB 200 197 178

HSL 51.82, 0.17%, 0.74%

LAB 79.29, -2.25, 9.9

 

CMYK 0 / 0 / 0 / 26

HEX #BDBDBD

RGB 189 189 189

HSL 0, 0%, 0.74%

LAB 76.61, 0, -0.01

 

CMYK 0 / 25 / 37 / 9

HEX #E8AD92

RGB 232 173 146

HSL 18.84, 0.65%, 0.74%

LAB 75.52, 18.1, 22.3

 

CMYK 0 / 16 / 37 / 9

HEX #E8C492

RGB 232 196 146

HSL 34.88, 0.65%, 0.74%

LAB 81.13, 5.93, 29.87

 

CMYK 0 / 6 / 37 / 9

HEX #E8DB92

RGB 232 219 146

HSL 50.93, 0.65%, 0.74%

LAB 86.94, -5.94, 37.52

 

CMYK 4 / 0 / 37 / 9

HEX #DEE892

RGB 222 232 146

HSL 66.98, 0.65%, 0.74%

LAB 89.54, -16.29, 40.73

 

CMYK 14 / 0 / 37 / 9

HEX #C7E892

RGB 199 232 146

HSL 83.02, 0.65%, 0.74%

LAB 87.94, -24.88, 38.33

 

CMYK 0 / 9 / 64 / 15

HEX #D9C64E

RGB 217 198 78

HSL 51.8, 0.65%, 0.58%

LAB 79.44, -7.24, 60.54

 

CMYK 0 / 7 / 50 / 12

HEX #E1D170

RGB 225 209 112

HSL 51.5, 0.65%, 0.66%

LAB 83.33, -7.03, 49.68

 

CMYK 0 / 5 / 37 / 9

HEX #E8DC92

RGB 232 220 146

HSL 51.63, 0.65%, 0.74%

LAB 87.2, -6.45, 37.85

 

CMYK 0 / 3 / 25 / 6

HEX #EFE7B4

RGB 239 231 180

HSL 51.86, 0.65%, 0.82%

LAB 91.14, -5.16, 25.86

 

CMYK 0 / 2 / 13 / 4

HEX #F6F2D6

RGB 246 242 214

HSL 52.5, 0.64%, 0.9%

LAB 95.14, -3.27, 13.99

 

CMYK 0 / 5 / 37 / 9

HEX #E8DC92

RGB 232 220 146

HSL 51.63, 0.65%, 0.74%

LAB 87.2, -6.45, 37.85

 

CMYK 37 / 0 / 35 / 9

HEX #92E896

RGB 146 232 150

HSL 122.79, 0.65%, 0.74%

LAB 85.01, -42.21, 31.92

 

CMYK 21 / 37 / 0 / 9

HEX #B892E8

RGB 184 146 232

HSL 266.51, 0.65%, 0.74%

LAB 66.96, 31, -38.23

 

CMYK 0 / 5 / 37 / 9

HEX #E8DC92

RGB 232 220 146

HSL 51.63, 0.65%, 0.74%

LAB 87.2, -6.45, 37.85

 

CMYK 37 / 0 / 6 / 9

HEX #92E8DB

RGB 146 232 219

HSL 170.93, 0.65%, 0.74%

LAB 86.47, -28.87, -1.9

 

CMYK 6 / 37 / 0 / 9

HEX #DB92E8

RGB 219 146 232

HSL 290.93, 0.65%, 0.74%

LAB 70.49, 41.48, -32.47

 

CMYK 0 / 5 / 37 / 9

HEX #E8DC92

RGB 232 220 146

HSL 51.63, 0.65%, 0.74%

LAB 87.2, -6.45, 37.85

 

CMYK 37 / 0 / 35 / 9

HEX #92E896

RGB 146 232 150

HSL 122.79, 0.65%, 0.74%

LAB 85.01, -42.21, 31.92

 

CMYK 37 / 31 / 0 / 9

HEX #929FE8

RGB 146 159 232

HSL 230.93, 0.65%, 0.74%

LAB 67.08, 12.88, -38.27

 

CMYK 0 / 37 / 2 / 9

HEX #E892E3

RGB 232 146 227

HSL 303.49, 0.65%, 0.74%

LAB 71.73, 44.54, -27.69

 

CMYK 0 / 5 / 37 / 9

HEX #E8DC92

RGB 232 220 146

HSL 51.63, 0.65%, 0.74%

LAB 87.2, -6.45, 37.85

 

CMYK 37 / 0 / 24 / 9

HEX #92E8B0

RGB 146 232 176

HSL 140.93, 0.65%, 0.74%

LAB 85.48, -37.75, 19.2

 

CMYK 37 / 31 / 0 / 9

HEX #929FE8

RGB 146 159 232

HSL 230.93, 0.65%, 0.74%

LAB 67.08, 12.88, -38.27

 

CMYK 0 / 37 / 13 / 9

HEX #E892CA

RGB 232 146 202

HSL 320.93, 0.65%, 0.74%

LAB 70.86, 40.3, -15.23

 

Description

Color code: HEX #E8DC92 | qconv.com Color code: HEX #E8DC92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 220 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 220 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 37 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 37% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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