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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8DAEC it is the complementary color #172513. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8DAEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8DAEC shade: #EDDAE7, #FEECFA, #FFFEFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8DAEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8DAEC shade: #E8DAEC, #D7C8D9, #C6B6C6, #B5A4B3 and #A492A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8DAEC shade: #E8DAEC, #ECDAEB, #ECDAE6, #ECDAE1 and #ECDADD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8DAEC shade: #E8DAEC, #E3DAEC, #DEDAEC and #DADAEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8DAEC shade matches the following richer shades: #E8DAEC, #EAD5F0, #EDD1F5, #F0CCFA and #F2C8FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8DAEC shade: #E8DAEC, #E5DFE7, #E3E3E3, #E0E8DE and #DEECDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8DAEC shade: #DEDAEC, #E3DAEC, #E8DAEC, #ECDAEB and #ECDAE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8DAEC shade: #C6A4D0, #D7BFDE, #E8DAEC, #F9F5FA and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8DAEC shade: #E8DAEC, #ECDADB and #DAECE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8DAEC shade: #E8DAEC, #ECE8DA and #DAECE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8DAEC shade: #E8DAEC, #ECDADB, #DEECDA and #DAECEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8DAEC shade: #E8DAEC, #ECDFDA, #DEECDA and #DAE7EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

Complementary color

CMYK 38 / 0 / 49 / 85

HEX #172513

RGB 23 37 19

HSL 106.67, 0.32%, 0.11%

LAB 12.94, -10.53, 10.06

 

CMYK 0 / 8 / 3 / 7

HEX #EDDAE7

RGB 237 218 231

HSL 318.95, 0.35%, 0.89%

LAB 88.88, 8.76, -4

 

CMYK 0 / 7 / 2 / 0

HEX #FEECFA

RGB 254 236 250

HSL 313.33, 0.9%, 0.96%

LAB 95.15, 8.48, -4.56

 

CMYK 0 / 0 / 0 / 0

HEX #FFFEFF

RGB 255 254 255

HSL 300, 1%, 1%

LAB 99.75, 0.51, -0.37

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

CMYK 1 / 8 / 0 / 15

HEX #D7C8D9

RGB 215 200 217

HSL 292.94, 0.18%, 0.82%

LAB 82.25, 8.26, -6.56

 

CMYK 0 / 8 / 0 / 22

HEX #C6B6C6

RGB 198 182 198

HSL 300, 0.12%, 0.75%

LAB 75.79, 8.56, -6.03

 

CMYK 0 / 9 / 1 / 29

HEX #B5A4B3

RGB 181 164 179

HSL 307.06, 0.1%, 0.68%

LAB 69.2, 8.89, -5.48

 

CMYK 0 / 11 / 2 / 36

HEX #A492A0

RGB 164 146 160

HSL 313.33, 0.09%, 0.61%

LAB 62.5, 9.24, -4.92

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

CMYK 0 / 8 / 0 / 7

HEX #ECDAEB

RGB 236 218 235

HSL 303.33, 0.32%, 0.89%

LAB 88.91, 9.14, -6.08

 

CMYK 0 / 8 / 3 / 7

HEX #ECDAE6

RGB 236 218 230

HSL 320, 0.32%, 0.89%

LAB 88.78, 8.25, -3.64

 

CMYK 0 / 8 / 5 / 7

HEX #ECDAE1

RGB 236 218 225

HSL 336.67, 0.32%, 0.89%

LAB 88.64, 7.37, -1.2

 

CMYK 0 / 8 / 6 / 7

HEX #ECDADD

RGB 236 218 221

HSL 350, 0.32%, 0.89%

LAB 88.54, 6.69, 0.75

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

CMYK 4 / 8 / 0 / 7

HEX #E3DAEC

RGB 227 218 236

HSL 270, 0.32%, 0.89%

LAB 88.22, 6.32, -7.7

 

CMYK 6 / 8 / 0 / 7

HEX #DEDAEC

RGB 222 218 236

HSL 253.33, 0.32%, 0.89%

LAB 87.84, 4.68, -8.31

 

CMYK 8 / 8 / 0 / 7

HEX #DADAEC

RGB 218 218 236

HSL 240, 0.32%, 0.89%

LAB 87.54, 3.37, -8.8

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

CMYK 3 / 11 / 0 / 6

HEX #EAD5F0

RGB 234 213 240

HSL 286.67, 0.47%, 0.89%

LAB 87.67, 12.01, -10.58

 

CMYK 3 / 15 / 0 / 4

HEX #EDD1F5

RGB 237 209 245

HSL 286.67, 0.64%, 0.89%

LAB 87.09, 16.03, -14.05

 

CMYK 4 / 18 / 0 / 2

HEX #F0CCFA

RGB 240 204 250

HSL 286.96, 0.82%, 0.89%

LAB 86.31, 20.59, -17.84

 

CMYK 5 / 21 / 0 / 0

HEX #F2C8FE

RGB 242 200 254

HSL 286.67, 0.96%, 0.89%

LAB 85.68, 24.11, -20.9

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

CMYK 1 / 3 / 0 / 9

HEX #E5DFE7

RGB 229 223 231

HSL 285, 0.14%, 0.89%

LAB 89.49, 3.46, -3.19

 

CMYK 0 / 0 / 0 / 11

HEX #E3E3E3

RGB 227 227 227

HSL 0, 0%, 0.89%

LAB 90.24, 0, -0.01

 

CMYK 3 / 0 / 4 / 9

HEX #E0E8DE

RGB 224 232 222

HSL 108, 0.18%, 0.89%

LAB 91.16, -4.46, 3.92

 

CMYK 6 / 0 / 8 / 7

HEX #DEECDA

RGB 222 236 218

HSL 106.67, 0.32%, 0.89%

LAB 91.95, -7.86, 7.12

 

CMYK 6 / 8 / 0 / 7

HEX #DEDAEC

RGB 222 218 236

HSL 253.33, 0.32%, 0.89%

LAB 87.84, 4.68, -8.31

 

CMYK 4 / 8 / 0 / 7

HEX #E3DAEC

RGB 227 218 236

HSL 270, 0.32%, 0.89%

LAB 88.22, 6.32, -7.7

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

CMYK 0 / 8 / 0 / 7

HEX #ECDAEB

RGB 236 218 235

HSL 303.33, 0.32%, 0.89%

LAB 88.91, 9.14, -6.08

 

CMYK 0 / 8 / 2 / 7

HEX #ECDAE7

RGB 236 218 231

HSL 316.67, 0.32%, 0.89%

LAB 88.8, 8.42, -4.13

 

CMYK 5 / 21 / 0 / 18

HEX #C6A4D0

RGB 198 164 208

HSL 286.36, 0.32%, 0.73%

LAB 71.63, 20.32, -17.72

 

CMYK 3 / 14 / 0 / 13

HEX #D7BFDE

RGB 215 191 222

HSL 286.45, 0.32%, 0.81%

LAB 80.17, 14.01, -12.34

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

CMYK 0 / 2 / 0 / 2

HEX #F9F5FA

RGB 249 245 250

HSL 288, 0.33%, 0.97%

LAB 96.96, 2.21, -1.94

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

CMYK 0 / 8 / 7 / 7

HEX #ECDADB

RGB 236 218 219

HSL 356.67, 0.32%, 0.89%

LAB 88.49, 6.35, 1.73

 

CMYK 8 / 0 / 5 / 7

HEX #DAECE1

RGB 218 236 225

HSL 143.33, 0.32%, 0.89%

LAB 91.83, -7.96, 3.28

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

CMYK 0 / 2 / 8 / 7

HEX #ECE8DA

RGB 236 232 218

HSL 46.67, 0.32%, 0.89%

LAB 91.96, -1.04, 7.27

 

CMYK 8 / 0 / 2 / 7

HEX #DAECE8

RGB 218 236 232

HSL 166.67, 0.32%, 0.89%

LAB 92.01, -6.67, -0.11

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

CMYK 0 / 8 / 7 / 7

HEX #ECDADB

RGB 236 218 219

HSL 356.67, 0.32%, 0.89%

LAB 88.49, 6.35, 1.73

 

CMYK 6 / 0 / 8 / 7

HEX #DEECDA

RGB 222 236 218

HSL 106.67, 0.32%, 0.89%

LAB 91.95, -7.86, 7.12

 

CMYK 8 / 0 / 0 / 7

HEX #DAECEB

RGB 218 236 235

HSL 176.67, 0.32%, 0.89%

LAB 92.08, -6.11, -1.56

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAEC

RGB 232 218 236

HSL 286.67, 0.32%, 0.89%

LAB 88.62, 7.98, -7.07

 

CMYK 0 / 6 / 8 / 7

HEX #ECDFDA

RGB 236 223 218

HSL 16.67, 0.32%, 0.89%

LAB 89.71, 3.59, 4.02

 

CMYK 6 / 0 / 8 / 7

HEX #DEECDA

RGB 222 236 218

HSL 106.67, 0.32%, 0.89%

LAB 91.95, -7.86, 7.12

 

CMYK 8 / 2 / 0 / 7

HEX #DAE7EC

RGB 218 231 236

HSL 196.67, 0.32%, 0.89%

LAB 90.83, -3.36, -3.93

 

Description

Color code: HEX #E8DAEC | qconv.com Color code: HEX #E8DAEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 218 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 218 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 8 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 8% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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