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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8D404 it is the complementary color #172BFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8D404. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8D404 shade: #EDD400, #FEE612, #FFF825, #FFFF38 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8D404. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8D404 shade: #E8D404, #D7C200, #C6B000, #B59E00 and #A48C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8D404 shade: #E7D304, #E79604, #E75804, #E71B04 and #E70404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8D404 shade: #E7D304, #BEE704, #80E704, #43E704 and #06E704

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8D404 shade matches the following richer shades: #E7D304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8D404 shade: #E7D304, #D4C316, #C1B429, #AEA43C and #9B954F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8D404 shade: #E75704, #E79404, #E7D004, #C1E704 and #84E704

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8D404 shade: #968902, #BEAE03, #E7D304, #FBE818 and #FCEC41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8D404 shade: #E8D404, #04E71A and #7504E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8D404 shade: #E8D404, #04E7D0 and #D004E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8D404 shade: #E8D404, #04E71A, #041AE7 and #E704D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8D404 shade: #E8D404, #04E75F, #041AE7 and #E7048C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 98 / 9

HEX #E8D404

RGB 232 212 4

HSL 54.74, 0.97%, 0.46%

LAB 84.1, -10.19, 83.81

 

Complementary color

CMYK 91 / 83 / 0 / 2

HEX #172BFB

RGB 23 43 251

HSL 234.74, 0.97%, 0.54%

LAB 35.74, 67.41, -99.86

 

CMYK 0 / 11 / 100 / 7

HEX #EDD400

RGB 237 212 0

HSL 53.67, 1%, 0.46%

LAB 84.53, -8.09, 84.68

 

CMYK 0 / 9 / 93 / 0

HEX #FEE612

RGB 254 230 18

HSL 53.9, 0.99%, 0.53%

LAB 90.65, -9.71, 88.2

 

CMYK 0 / 3 / 85 / 0

HEX #FFF825

RGB 255 248 37

HSL 58.07, 1%, 0.57%

LAB 95.38, -17.77, 89.03

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 9 / 98 / 9

HEX #E8D404

RGB 232 212 4

HSL 54.74, 0.97%, 0.46%

LAB 84.1, -10.19, 83.81

 

CMYK 0 / 10 / 100 / 16

HEX #D7C200

RGB 215 194 0

HSL 54.14, 1%, 0.42%

LAB 77.89, -8.44, 79.03

 

CMYK 0 / 11 / 100 / 22

HEX #C6B000

RGB 198 176 0

HSL 53.33, 1%, 0.39%

LAB 71.59, -6.6, 73.81

 

CMYK 0 / 13 / 100 / 29

HEX #B59E00

RGB 181 158 0

HSL 52.38, 1%, 0.35%

LAB 65.18, -4.71, 68.51

 

CMYK 0 / 15 / 100 / 36

HEX #A48C00

RGB 164 140 0

HSL 51.22, 1%, 0.32%

LAB 58.65, -2.74, 63.1

 

CMYK 0 / 9 / 98 / 9

HEX #E7D304

RGB 231 211 4

HSL 54.71, 0.97%, 0.46%

LAB 83.75, -10.11, 83.52

 

CMYK 0 / 35 / 98 / 9

HEX #E79604

RGB 231 150 4

HSL 38.59, 0.97%, 0.46%

LAB 68.61, 21.73, 72.89

 

CMYK 0 / 62 / 98 / 9

HEX #E75804

RGB 231 88 4

HSL 22.2, 0.97%, 0.46%

LAB 56.06, 52.7, 65.07

 

CMYK 0 / 88 / 98 / 9

HEX #E71B04

RGB 231 27 4

HSL 6.08, 0.97%, 0.46%

LAB 49.23, 71.56, 61.63

 

CMYK 0 / 98 / 98 / 9

HEX #E70404

RGB 231 4 4

HSL 0, 0.97%, 0.46%

LAB 48.37, 74.05, 61.26

 

CMYK 0 / 9 / 98 / 9

HEX #E7D304

RGB 231 211 4

HSL 54.71, 0.97%, 0.46%

LAB 83.75, -10.11, 83.52

 

CMYK 18 / 0 / 98 / 9

HEX #BEE704

RGB 190 231 4

HSL 70.84, 0.97%, 0.46%

LAB 86.06, -36.74, 83.86

 

CMYK 45 / 0 / 98 / 9

HEX #80E704

RGB 128 231 4

HSL 87.22, 0.97%, 0.46%

LAB 82.78, -59.06, 79.9

 

CMYK 71 / 0 / 98 / 9

HEX #43E704

RGB 67 231 4

HSL 103.35, 0.97%, 0.46%

LAB 80.94, -73.97, 77.66

 

CMYK 97 / 0 / 98 / 9

HEX #06E704

RGB 6 231 4

HSL 119.47, 0.97%, 0.46%

LAB 80.29, -79.71, 76.87

 

CMYK 0 / 9 / 98 / 9

HEX #E7D304

RGB 231 211 4

HSL 54.71, 0.97%, 0.46%

LAB 83.75, -10.11, 83.52

 

CMYK 0 / 9 / 98 / 9

HEX #E7D304

RGB 231 211 4

HSL 54.71, 0.97%, 0.46%

LAB 83.75, -10.11, 83.52

 

CMYK 0 / 8 / 90 / 17

HEX #D4C316

RGB 212 195 22

HSL 54.63, 0.81%, 0.46%

LAB 77.93, -9.99, 76.33

 

CMYK 0 / 7 / 79 / 24

HEX #C1B429

RGB 193 180 41

HSL 54.87, 0.65%, 0.46%

LAB 72.32, -10.06, 66.54

 

CMYK 0 / 6 / 66 / 32

HEX #AEA43C

RGB 174 164 60

HSL 54.74, 0.49%, 0.46%

LAB 66.42, -9.09, 53.29

 

CMYK 0 / 4 / 49 / 39

HEX #9B954F

RGB 155 149 79

HSL 55.26, 0.32%, 0.46%

LAB 60.81, -7.84, 37.49

 

CMYK 0 / 62 / 98 / 9

HEX #E75704

RGB 231 87 4

HSL 21.94, 0.97%, 0.46%

LAB 55.9, 53.13, 64.98

 

CMYK 0 / 36 / 98 / 9

HEX #E79404

RGB 231 148 4

HSL 38.06, 0.97%, 0.46%

LAB 68.15, 22.8, 72.58

 

CMYK 0 / 10 / 98 / 9

HEX #E7D004

RGB 231 208 4

HSL 53.92, 0.97%, 0.46%

LAB 82.97, -8.6, 82.95

 

CMYK 16 / 0 / 98 / 9

HEX #C1E704

RGB 193 231 4

HSL 70.04, 0.97%, 0.46%

LAB 86.25, -35.54, 84.09

 

CMYK 43 / 0 / 98 / 9

HEX #84E704

RGB 132 231 4

HSL 86.17, 0.97%, 0.46%

LAB 82.95, -57.79, 80.11

 

CMYK 0 / 9 / 99 / 41

HEX #968902

RGB 150 137 2

HSL 54.73, 0.97%, 0.3%

LAB 56.47, -7.54, 60.58

 

CMYK 0 / 8 / 98 / 25

HEX #BEAE03

RGB 190 174 3

HSL 54.87, 0.97%, 0.38%

LAB 70.33, -9.07, 72.22

 

CMYK 0 / 9 / 98 / 9

HEX #E7D304

RGB 231 211 4

HSL 54.71, 0.97%, 0.46%

LAB 83.75, -10.11, 83.52

 

CMYK 0 / 8 / 90 / 2

HEX #FBE818

RGB 251 232 24

HSL 54.98, 0.97%, 0.54%

LAB 90.91, -11.88, 87.52

 

CMYK 0 / 6 / 74 / 1

HEX #FCEC41

RGB 252 236 65

HSL 54.87, 0.97%, 0.62%

LAB 92.16, -12.34, 79

 

CMYK 0 / 9 / 98 / 9

HEX #E8D404

RGB 232 212 4

HSL 54.74, 0.97%, 0.46%

LAB 84.1, -10.19, 83.81

 

CMYK 98 / 0 / 89 / 9

HEX #04E71A

RGB 4 231 26

HSL 125.81, 0.97%, 0.46%

LAB 80.32, -79.3, 74.33

 

CMYK 49 / 98 / 0 / 9

HEX #7504E7

RGB 117 4 231

HSL 269.87, 0.97%, 0.46%

LAB 37.19, 76.83, -85.96

 

CMYK 0 / 9 / 98 / 9

HEX #E8D404

RGB 232 212 4

HSL 54.74, 0.97%, 0.46%

LAB 84.1, -10.19, 83.81

 

CMYK 98 / 0 / 10 / 9

HEX #04E7D0

RGB 4 231 208

HSL 173.92, 0.97%, 0.46%

LAB 82.77, -51.01, -1.89

 

CMYK 10 / 98 / 0 / 9

HEX #D004E7

RGB 208 4 231

HSL 293.92, 0.97%, 0.46%

LAB 51, 87.4, -62.82

 

CMYK 0 / 9 / 98 / 9

HEX #E8D404

RGB 232 212 4

HSL 54.74, 0.97%, 0.46%

LAB 84.1, -10.19, 83.81

 

CMYK 98 / 0 / 89 / 9

HEX #04E71A

RGB 4 231 26

HSL 125.81, 0.97%, 0.46%

LAB 80.32, -79.3, 74.33

 

CMYK 98 / 89 / 0 / 9

HEX #041AE7

RGB 4 26 231

HSL 234.19, 0.97%, 0.46%

LAB 30.72, 67.87, -96.92

 

CMYK 0 / 98 / 10 / 9

HEX #E704D0

RGB 231 4 208

HSL 306.08, 0.97%, 0.46%

LAB 53.63, 87.77, -45.28

 

CMYK 0 / 9 / 98 / 9

HEX #E8D404

RGB 232 212 4

HSL 54.74, 0.97%, 0.46%

LAB 84.1, -10.19, 83.81

 

CMYK 98 / 0 / 59 / 9

HEX #04E75F

RGB 4 231 95

HSL 144.05, 0.97%, 0.46%

LAB 80.74, -73.96, 52.34

 

CMYK 98 / 89 / 0 / 9

HEX #041AE7

RGB 4 26 231

HSL 234.19, 0.97%, 0.46%

LAB 30.72, 67.87, -96.92

 

CMYK 0 / 98 / 39 / 9

HEX #E7048C

RGB 231 4 140

HSL 324.05, 0.97%, 0.46%

LAB 50.65, 80.19, -9.93

 

Description

Color code: HEX #E8D404 | qconv.com Color code: HEX #E8D404 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 212 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 212 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 98 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 98% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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