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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8BCB2 it is the complementary color #17434D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8BCB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8BCB2 shade: #EDBCAD, #FECEC0, #FFE0D3, #FFF2E6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8BCB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8BCB2 shade: #E8BCB2, #D7AA9F, #C6988C, #B58679 and #A47466

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8BCB2 shade: #E8BBB0 and #E8B0B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8BCB2 shade: #E8BBB0, #E8CAB0, #E8D8B0, #E8E7B0 and #D9E8B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8BCB2 shade matches the following richer shades: #E8BBB0, #F0B5A8 and #F8B0A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8BCB2 shade: #E8BBB0, #DFC0B9, #D7C5C1, #CFCAC9 and #C7CFD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8BCB2 shade: #E8B0C4, #E8B0B5, #E8BBB0, #E8C9B0 and #E8D8B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8BCB2 shade: #D58371, #DE9F91, #E8BBB0, #F1D6D0 and #FBF2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8BCB2 shade: #E8BCB2, #D2E8B0 and #B0BCE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8BCB2 shade: #E8BCB2, #B0E8BB and #BBB0E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8BCB2 shade: #E8BCB2, #D2E8B0, #B0DDE8 and #C6B0E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8BCB2 shade: #E8BCB2, #C2E8B0, #B0DDE8 and #D6B0E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 23 / 9

HEX #E8BCB2

RGB 232 188 178

HSL 11.11, 0.54%, 0.8%

LAB 79.81, 14.29, 11.02

 

Complementary color

CMYK 70 / 13 / 0 / 70

HEX #17434D

RGB 23 67 77

HSL 191.11, 0.54%, 0.2%

LAB 25.96, -11.4, -10.51

 

CMYK 0 / 21 / 27 / 7

HEX #EDBCAD

RGB 237 188 173

HSL 14.06, 0.64%, 0.8%

LAB 80.17, 15.45, 14.29

 

CMYK 0 / 19 / 24 / 0

HEX #FECEC0

RGB 254 206 192

HSL 13.55, 0.97%, 0.87%

LAB 86.51, 14.89, 13.35

 

CMYK 0 / 12 / 17 / 0

HEX #FFE0D3

RGB 255 224 211

HSL 17.73, 1%, 0.91%

LAB 91.36, 8.65, 10.27

 

CMYK 0 / 5 / 10 / 0

HEX #FFF2E6

RGB 255 242 230

HSL 28.8, 1%, 0.95%

LAB 96.19, 2.39, 7.34

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 19 / 23 / 9

HEX #E8BCB2

RGB 232 188 178

HSL 11.11, 0.54%, 0.8%

LAB 79.81, 14.29, 11.02

 

CMYK 0 / 21 / 26 / 16

HEX #D7AA9F

RGB 215 170 159

HSL 11.79, 0.41%, 0.73%

LAB 73.35, 14.85, 11.95

 

CMYK 0 / 23 / 29 / 22

HEX #C6988C

RGB 198 152 140

HSL 12.41, 0.34%, 0.66%

LAB 66.79, 15.48, 12.95

 

CMYK 0 / 26 / 33 / 29

HEX #B58679

RGB 181 134 121

HSL 13, 0.29%, 0.59%

LAB 60.12, 16.2, 14.04

 

CMYK 0 / 29 / 38 / 36

HEX #A47466

RGB 164 116 102

HSL 13.55, 0.25%, 0.52%

LAB 53.32, 17.02, 15.26

 

CMYK 0 / 19 / 24 / 9

HEX #E8BBB0

RGB 232 187 176

HSL 11.79, 0.55%, 0.8%

LAB 79.52, 14.53, 11.68

 

CMYK 0 / 24 / 24 / 9

HEX #E8B0B0

RGB 232 176 176

HSL 0, 0.55%, 0.8%

LAB 76.89, 20.39, 7.93

 

CMYK 0 / 19 / 24 / 9

HEX #E8BBB0

RGB 232 187 176

HSL 11.79, 0.55%, 0.8%

LAB 79.52, 14.53, 11.68

 

CMYK 0 / 13 / 24 / 9

HEX #E8CAB0

RGB 232 202 176

HSL 27.86, 0.55%, 0.8%

LAB 83.2, 6.61, 16.87

 

CMYK 0 / 7 / 24 / 9

HEX #E8D8B0

RGB 232 216 176

HSL 42.86, 0.55%, 0.8%

LAB 86.7, -0.66, 21.74

 

CMYK 0 / 0 / 24 / 9

HEX #E8E7B0

RGB 232 231 176

HSL 58.93, 0.55%, 0.8%

LAB 90.52, -8.29, 26.98

 

CMYK 6 / 0 / 24 / 9

HEX #D9E8B0

RGB 217 232 176

HSL 76.07, 0.55%, 0.8%

LAB 89.67, -14.28, 25.64

 

CMYK 0 / 19 / 24 / 9

HEX #E8BBB0

RGB 232 187 176

HSL 11.79, 0.55%, 0.8%

LAB 79.52, 14.53, 11.68

 

CMYK 0 / 25 / 30 / 6

HEX #F0B5A8

RGB 240 181 168

HSL 10.83, 0.71%, 0.8%

LAB 78.69, 19.62, 14.95

 

CMYK 0 / 29 / 35 / 3

HEX #F8B0A0

RGB 248 176 160

HSL 10.91, 0.86%, 0.8%

LAB 78.2, 24.28, 18.69

 

CMYK 0 / 19 / 24 / 9

HEX #E8BBB0

RGB 232 187 176

HSL 11.79, 0.55%, 0.8%

LAB 79.52, 14.53, 11.68

 

CMYK 0 / 14 / 17 / 13

HEX #DFC0B9

RGB 223 192 185

HSL 11.05, 0.37%, 0.8%

LAB 80.12, 9.89, 7.59

 

CMYK 0 / 8 / 10 / 16

HEX #D7C5C1

RGB 215 197 193

HSL 10.91, 0.22%, 0.8%

LAB 80.87, 5.63, 4.28

 

CMYK 0 / 2 / 3 / 19

HEX #CFCAC9

RGB 207 202 201

HSL 10, 0.06%, 0.8%

LAB 81.69, 1.55, 1.1

 

CMYK 5 / 1 / 0 / 18

HEX #C7CFD1

RGB 199 207 209

HSL 192, 0.1%, 0.8%

LAB 82.58, -2.34, -1.95

 

CMYK 0 / 24 / 16 / 9

HEX #E8B0C4

RGB 232 176 196

HSL 338.57, 0.55%, 0.8%

LAB 77.4, 23.39, -2.21

 

CMYK 0 / 24 / 22 / 9

HEX #E8B0B5

RGB 232 176 181

HSL 354.64, 0.55%, 0.8%

LAB 77.01, 21.11, 5.39

 

CMYK 0 / 19 / 24 / 9

HEX #E8BBB0

RGB 232 187 176

HSL 11.79, 0.55%, 0.8%

LAB 79.52, 14.53, 11.68

 

CMYK 0 / 13 / 24 / 9

HEX #E8C9B0

RGB 232 201 176

HSL 26.79, 0.55%, 0.8%

LAB 82.95, 7.14, 16.52

 

CMYK 0 / 7 / 24 / 9

HEX #E8D8B0

RGB 232 216 176

HSL 42.86, 0.55%, 0.8%

LAB 86.7, -0.66, 21.74

 

CMYK 0 / 38 / 47 / 16

HEX #D58371

RGB 213 131 113

HSL 10.8, 0.54%, 0.64%

LAB 62.99, 29.61, 23.09

 

CMYK 0 / 28 / 35 / 13

HEX #DE9F91

RGB 222 159 145

HSL 10.91, 0.54%, 0.72%

LAB 71.13, 21.61, 16.62

 

CMYK 0 / 19 / 24 / 9

HEX #E8BBB0

RGB 232 187 176

HSL 11.79, 0.55%, 0.8%

LAB 79.52, 14.53, 11.68

 

CMYK 0 / 11 / 14 / 5

HEX #F1D6D0

RGB 241 214 208

HSL 10.91, 0.54%, 0.88%

LAB 87.65, 8.39, 6.37

 

CMYK 0 / 4 / 4 / 2

HEX #FBF2F0

RGB 251 242 240

HSL 10.91, 0.58%, 0.96%

LAB 96.12, 2.67, 2.02

 

CMYK 0 / 19 / 23 / 9

HEX #E8BCB2

RGB 232 188 178

HSL 11.11, 0.54%, 0.8%

LAB 79.81, 14.29, 11.02

 

CMYK 9 / 0 / 24 / 9

HEX #D2E8B0

RGB 210 232 176

HSL 83.57, 0.55%, 0.8%

LAB 89.18, -16.79, 24.89

 

CMYK 24 / 19 / 0 / 9

HEX #B0BCE8

RGB 176 188 232

HSL 227.14, 0.55%, 0.8%

LAB 76.69, 5.31, -23.27

 

CMYK 0 / 19 / 23 / 9

HEX #E8BCB2

RGB 232 188 178

HSL 11.11, 0.54%, 0.8%

LAB 79.81, 14.29, 11.02

 

CMYK 24 / 0 / 19 / 9

HEX #B0E8BB

RGB 176 232 187

HSL 131.79, 0.55%, 0.8%

LAB 87.26, -26.58, 16.19

 

CMYK 19 / 24 / 0 / 9

HEX #BBB0E8

RGB 187 176 232

HSL 251.79, 0.55%, 0.8%

LAB 74.47, 15.23, -26.59

 

CMYK 0 / 19 / 23 / 9

HEX #E8BCB2

RGB 232 188 178

HSL 11.11, 0.54%, 0.8%

LAB 79.81, 14.29, 11.02

 

CMYK 9 / 0 / 24 / 9

HEX #D2E8B0

RGB 210 232 176

HSL 83.57, 0.55%, 0.8%

LAB 89.18, -16.79, 24.89

 

CMYK 24 / 5 / 0 / 9

HEX #B0DDE8

RGB 176 221 232

HSL 191.79, 0.55%, 0.8%

LAB 85.39, -12.12, -10.18

 

CMYK 15 / 24 / 0 / 9

HEX #C6B0E8

RGB 198 176 232

HSL 263.57, 0.55%, 0.8%

LAB 75.38, 18.65, -25.13

 

CMYK 0 / 19 / 23 / 9

HEX #E8BCB2

RGB 232 188 178

HSL 11.11, 0.54%, 0.8%

LAB 79.81, 14.29, 11.02

 

CMYK 16 / 0 / 24 / 9

HEX #C2E8B0

RGB 194 232 176

HSL 100.71, 0.55%, 0.8%

LAB 88.12, -22.42, 23.26

 

CMYK 24 / 5 / 0 / 9

HEX #B0DDE8

RGB 176 221 232

HSL 191.79, 0.55%, 0.8%

LAB 85.39, -12.12, -10.18

 

CMYK 8 / 24 / 0 / 9

HEX #D6B0E8

RGB 214 176 232

HSL 280.71, 0.55%, 0.8%

LAB 76.78, 23.74, -22.85

 

Description

Color code: HEX #E8BCB2 | qconv.com Color code: HEX #E8BCB2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 188 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 188 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 23 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 23% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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