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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8BC18 it is the complementary color #1743E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8BC18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8BC18 shade: #EDBC13, #FECE26, #FFE039, #FFF24C and #FFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8BC18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8BC18 shade: #E8BC18, #D7AA05, #C69800, #B58600 and #A47400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8BC18 shade: #E8BC17, #E88317, #E84B17 and #E81717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8BC18 shade: #E8BC17, #DCE817, #A4E817, #6BE817 and #33E817

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8BC18 shade matches the following richer shades: #E8BC17 and #FDC802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8BC18 shade: #E8BC17, #D3B02C, #BFA440, #AA9855 and #968C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8BC18 shade: #E84B17, #E88317, #E8BB17, #DEE817 and #A6E817

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8BC18 shade: #9D7F10, #C39D13, #E8BC17, #ECC73C and #EFD262

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8BC18 shade: #E8BC18, #1AE817 and #6717E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8BC18 shade: #E8BC18, #17E8BB and #BB17E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8BC18 shade: #E8BC18, #1AE817, #1744E8 and #E517E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8BC18 shade: #E8BC18, #17E852, #1744E8 and #E817AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 90 / 9

HEX #E8BC18

RGB 232 188 24

HSL 47.31, 0.82%, 0.5%

LAB 77.99, 2.32, 76.84

 

Complementary color

CMYK 90 / 71 / 0 / 9

HEX #1743E7

RGB 23 67 231

HSL 227.31, 0.82%, 0.5%

LAB 37.78, 48.7, -85.18

 

CMYK 0 / 21 / 92 / 7

HEX #EDBC13

RGB 237 188 19

HSL 46.51, 0.86%, 0.5%

LAB 78.47, 4.4, 78.26

 

CMYK 0 / 19 / 85 / 0

HEX #FECE26

RGB 254 206 38

HSL 46.67, 0.99%, 0.57%

LAB 84.67, 2.73, 80.1

 

CMYK 0 / 12 / 78 / 0

HEX #FFE039

RGB 255 224 57

HSL 50.61, 1%, 0.61%

LAB 89.33, -5.43, 78.99

 

CMYK 0 / 5 / 70 / 0

HEX #FFF24C

RGB 255 242 76

HSL 55.64, 1%, 0.65%

LAB 94.01, -13.58, 77.16

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 19 / 90 / 9

HEX #E8BC18

RGB 232 188 24

HSL 47.31, 0.82%, 0.5%

LAB 77.99, 2.32, 76.84

 

CMYK 0 / 21 / 98 / 16

HEX #D7AA05

RGB 215 170 5

HSL 47.14, 0.95%, 0.43%

LAB 71.7, 4.12, 74.06

 

CMYK 0 / 23 / 100 / 22

HEX #C69800

RGB 198 152 0

HSL 46.06, 1%, 0.39%

LAB 65.33, 6.17, 69.41

 

CMYK 0 / 26 / 100 / 29

HEX #B58600

RGB 181 134 0

HSL 44.42, 1%, 0.35%

LAB 58.86, 8.36, 64.09

 

CMYK 0 / 29 / 100 / 36

HEX #A47400

RGB 164 116 0

HSL 42.44, 1%, 0.32%

LAB 52.27, 10.65, 58.68

 

CMYK 0 / 19 / 90 / 9

HEX #E8BC17

RGB 232 188 23

HSL 47.37, 0.82%, 0.5%

LAB 77.98, 2.3, 77.01

 

CMYK 0 / 44 / 90 / 9

HEX #E88317

RGB 232 131 23

HSL 31, 0.82%, 0.5%

LAB 64.52, 32.39, 66.85

 

CMYK 0 / 68 / 90 / 9

HEX #E84B17

RGB 232 75 23

HSL 14.93, 0.82%, 0.5%

LAB 54.29, 58.62, 59.4

 

CMYK 0 / 90 / 90 / 9

HEX #E81717

RGB 232 23 23

HSL 0, 0.82%, 0.5%

LAB 49.29, 72.61, 55.92

 

CMYK 0 / 19 / 90 / 9

HEX #E8BC17

RGB 232 188 23

HSL 47.37, 0.82%, 0.5%

LAB 77.98, 2.3, 77.01

 

CMYK 5 / 0 / 90 / 9

HEX #DCE817

RGB 220 232 23

HSL 63.44, 0.82%, 0.5%

LAB 88.44, -24.81, 84.68

 

CMYK 29 / 0 / 90 / 9

HEX #A4E817

RGB 164 232 23

HSL 79.52, 0.82%, 0.5%

LAB 84.83, -46.87, 80.27

 

CMYK 54 / 0 / 90 / 9

HEX #6BE817

RGB 107 232 23

HSL 95.89, 0.82%, 0.5%

LAB 82.33, -65.18, 77.18

 

CMYK 78 / 0 / 90 / 9

HEX #33E817

RGB 51 232 23

HSL 111.96, 0.82%, 0.5%

LAB 81, -76.27, 75.54

 

CMYK 0 / 19 / 90 / 9

HEX #E8BC17

RGB 232 188 23

HSL 47.37, 0.82%, 0.5%

LAB 77.98, 2.3, 77.01

 

CMYK 0 / 21 / 99 / 1

HEX #FDC802

RGB 253 200 2

HSL 47.33, 0.98%, 0.5%

LAB 83.02, 4.9, 84.12

 

CMYK 0 / 19 / 90 / 9

HEX #E8BC17

RGB 232 188 23

HSL 47.37, 0.82%, 0.5%

LAB 77.98, 2.3, 77.01

 

CMYK 0 / 17 / 79 / 17

HEX #D3B02C

RGB 211 176 44

HSL 47.43, 0.65%, 0.5%

LAB 72.95, -0.01, 66.8

 

CMYK 0 / 14 / 66 / 25

HEX #BFA440

RGB 191 164 64

HSL 47.24, 0.5%, 0.5%

LAB 68.02, -1.44, 53.72

 

CMYK 0 / 11 / 50 / 33

HEX #AA9855

RGB 170 152 85

HSL 47.29, 0.33%, 0.5%

LAB 63.06, -2.45, 37.44

 

CMYK 0 / 7 / 30 / 41

HEX #968C69

RGB 150 140 105

HSL 46.67, 0.18%, 0.5%

LAB 58.28, -1.95, 20.08

 

CMYK 0 / 68 / 90 / 9

HEX #E84B17

RGB 232 75 23

HSL 14.93, 0.82%, 0.5%

LAB 54.29, 58.62, 59.4

 

CMYK 0 / 44 / 90 / 9

HEX #E88317

RGB 232 131 23

HSL 31, 0.82%, 0.5%

LAB 64.52, 32.39, 66.85

 

CMYK 0 / 19 / 90 / 9

HEX #E8BB17

RGB 232 187 23

HSL 47.08, 0.82%, 0.5%

LAB 77.73, 2.82, 76.82

 

CMYK 4 / 0 / 90 / 9

HEX #DEE817

RGB 222 232 23

HSL 62.87, 0.82%, 0.5%

LAB 88.59, -23.98, 84.86

 

CMYK 28 / 0 / 90 / 9

HEX #A6E817

RGB 166 232 23

HSL 78.95, 0.82%, 0.5%

LAB 84.94, -46.13, 80.4

 

CMYK 0 / 19 / 90 / 38

HEX #9D7F10

RGB 157 127 16

HSL 47.23, 0.82%, 0.34%

LAB 54.43, 1.48, 56.81

 

CMYK 0 / 19 / 90 / 24

HEX #C39D13

RGB 195 157 19

HSL 47.05, 0.82%, 0.42%

LAB 66.34, 2.38, 67.18

 

CMYK 0 / 19 / 90 / 9

HEX #E8BC17

RGB 232 188 23

HSL 47.37, 0.82%, 0.5%

LAB 77.98, 2.3, 77.01

 

CMYK 0 / 16 / 75 / 7

HEX #ECC73C

RGB 236 199 60

HSL 47.39, 0.82%, 0.58%

LAB 81.29, -0.63, 69.98

 

CMYK 0 / 12 / 59 / 6

HEX #EFD262

RGB 239 210 98

HSL 47.66, 0.82%, 0.66%

LAB 84.65, -2.91, 58.06

 

CMYK 0 / 19 / 90 / 9

HEX #E8BC18

RGB 232 188 24

HSL 47.31, 0.82%, 0.5%

LAB 77.99, 2.32, 76.84

 

CMYK 89 / 0 / 90 / 9

HEX #1AE817

RGB 26 232 23

HSL 119.14, 0.82%, 0.5%

LAB 80.74, -78.67, 75.21

 

CMYK 56 / 90 / 0 / 9

HEX #6717E8

RGB 103 23 232

HSL 262.97, 0.82%, 0.5%

LAB 36.6, 72.97, -87.55

 

CMYK 0 / 19 / 90 / 9

HEX #E8BC18

RGB 232 188 24

HSL 47.31, 0.82%, 0.5%

LAB 77.99, 2.32, 76.84

 

CMYK 90 / 0 / 19 / 9

HEX #17E8BB

RGB 23 232 187

HSL 167.08, 0.82%, 0.5%

LAB 82.64, -56.24, 9

 

CMYK 19 / 90 / 0 / 9

HEX #BB17E8

RGB 187 23 232

HSL 287.08, 0.82%, 0.5%

LAB 48.26, 82.62, -67.97

 

CMYK 0 / 19 / 90 / 9

HEX #E8BC18

RGB 232 188 24

HSL 47.31, 0.82%, 0.5%

LAB 77.99, 2.32, 76.84

 

CMYK 89 / 0 / 90 / 9

HEX #1AE817

RGB 26 232 23

HSL 119.14, 0.82%, 0.5%

LAB 80.74, -78.67, 75.21

 

CMYK 90 / 71 / 0 / 9

HEX #1744E8

RGB 23 68 232

HSL 227.08, 0.82%, 0.5%

LAB 38.1, 48.46, -85.23

 

CMYK 1 / 90 / 0 / 9

HEX #E517E8

RGB 229 23 232

HSL 299.14, 0.82%, 0.5%

LAB 55.17, 89.13, -56.48

 

CMYK 0 / 19 / 90 / 9

HEX #E8BC18

RGB 232 188 24

HSL 47.31, 0.82%, 0.5%

LAB 77.99, 2.32, 76.84

 

CMYK 90 / 0 / 65 / 9

HEX #17E852

RGB 23 232 82

HSL 136.94, 0.82%, 0.5%

LAB 81.02, -75, 58.21

 

CMYK 90 / 71 / 0 / 9

HEX #1744E8

RGB 23 68 232

HSL 227.08, 0.82%, 0.5%

LAB 38.1, 48.46, -85.23

 

CMYK 0 / 90 / 25 / 9

HEX #E817AD

RGB 232 23 173

HSL 316.94, 0.82%, 0.5%

LAB 52.71, 82, -26.4

 

Description

Color code: HEX #E8BC18 | qconv.com Color code: HEX #E8BC18 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 188 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 188 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 90 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 90% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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