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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8997B it is the complementary color #176684. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8997B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8997B shade: #ED9976, #FEAB89, #FFBD9C, #FFCFAF and #FFE1C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8997B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8997B shade: #E8997B, #D78768, #C67555, #B56342 and #A4512F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8997B shade: #E89A7D, #E87E7D and #E87D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8997B shade: #E89A7D, #E8B77D, #E8D47D, #DFE87D and #C2E87D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8997B shade matches the following richer shades: #E89A7D and #F49571

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8997B shade: #E89A7D, #DCA089, #CFA696, #C3ABA2 and #B7B1AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8997B shade: #E87D9A, #E87D7D, #E89A7D, #E8B67D and #E8D37D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8997B shade: #DC6437, #E27F5A, #E89A7D, #EEB6A0 and #F4D1C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8997B shade: #E8997B, #B6E87D and #7D8BE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8997B shade: #E8997B, #7DE89A and #9A7DE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8997B shade: #E8997B, #B6E87D, #7DCBE8 and #AF7DE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8997B shade: #E8997B, #96E87D, #7DCBE8 and #CF7DE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 47 / 9

HEX #E8997B

RGB 232 153 123

HSL 16.51, 0.7%, 0.7%

LAB 70.43, 26.29, 27.91

 

Complementary color

CMYK 83 / 23 / 0 / 48

HEX #176684

RGB 23 102 132

HSL 196.51, 0.7%, 0.3%

LAB 40.17, -11.94, -23.19

 

CMYK 0 / 35 / 50 / 7

HEX #ED9976

RGB 237 153 118

HSL 17.65, 0.77%, 0.7%

LAB 70.94, 27.79, 31.38

 

CMYK 0 / 33 / 46 / 0

HEX #FEAB89

RGB 254 171 137

HSL 17.44, 0.98%, 0.77%

LAB 77.28, 26.72, 29.91

 

CMYK 0 / 26 / 39 / 0

HEX #FFBD9C

RGB 255 189 156

HSL 20, 1%, 0.81%

LAB 81.87, 19.66, 25.98

 

CMYK 0 / 19 / 31 / 0

HEX #FFCFAF

RGB 255 207 175

HSL 24, 1%, 0.84%

LAB 86.49, 12.5, 22.3

 

CMYK 0 / 12 / 24 / 0

HEX #FFE1C2

RGB 255 225 194

HSL 30.49, 1%, 0.88%

LAB 91.24, 5.7, 18.96

 

CMYK 0 / 34 / 47 / 9

HEX #E8997B

RGB 232 153 123

HSL 16.51, 0.7%, 0.7%

LAB 70.43, 26.29, 27.91

 

CMYK 0 / 37 / 52 / 16

HEX #D78768

RGB 215 135 104

HSL 16.76, 0.58%, 0.63%

LAB 63.98, 27.41, 29.45

 

CMYK 0 / 41 / 57 / 22

HEX #C67555

RGB 198 117 85

HSL 16.99, 0.5%, 0.55%

LAB 57.45, 28.66, 31.16

 

CMYK 0 / 45 / 64 / 29

HEX #B56342

RGB 181 99 66

HSL 17.22, 0.47%, 0.48%

LAB 50.85, 30.06, 33.07

 

CMYK 0 / 51 / 71 / 36

HEX #A4512F

RGB 164 81 47

HSL 17.44, 0.55%, 0.41%

LAB 44.21, 31.63, 35.18

 

CMYK 0 / 34 / 46 / 9

HEX #E89A7D

RGB 232 154 125

HSL 16.26, 0.7%, 0.7%

LAB 70.7, 25.96, 27.17

 

CMYK 0 / 46 / 46 / 9

HEX #E87E7D

RGB 232 126 125

HSL 0.56, 0.7%, 0.7%

LAB 64.61, 40.62, 18.95

 

CMYK 0 / 46 / 46 / 9

HEX #E87D7D

RGB 232 125 125

HSL 0, 0.7%, 0.7%

LAB 64.41, 41.13, 18.67

 

CMYK 0 / 34 / 46 / 9

HEX #E89A7D

RGB 232 154 125

HSL 16.26, 0.7%, 0.7%

LAB 70.7, 25.96, 27.17

 

CMYK 0 / 21 / 46 / 9

HEX #E8B77D

RGB 232 183 125

HSL 32.52, 0.7%, 0.7%

LAB 77.58, 10.53, 36.17

 

CMYK 0 / 9 / 46 / 9

HEX #E8D47D

RGB 232 212 125

HSL 48.79, 0.7%, 0.7%

LAB 84.86, -4.56, 45.36

 

CMYK 4 / 0 / 46 / 9

HEX #DFE87D

RGB 223 232 125

HSL 65.05, 0.7%, 0.7%

LAB 89.34, -18.11, 50.7

 

CMYK 16 / 0 / 46 / 9

HEX #C2E87D

RGB 194 232 125

HSL 81.31, 0.7%, 0.7%

LAB 87.32, -29.18, 47.78

 

CMYK 0 / 34 / 46 / 9

HEX #E89A7D

RGB 232 154 125

HSL 16.26, 0.7%, 0.7%

LAB 70.7, 25.96, 27.17

 

CMYK 0 / 39 / 54 / 4

HEX #F49571

RGB 244 149 113

HSL 16.49, 0.86%, 0.7%

LAB 70.82, 32.19, 34.08

 

CMYK 0 / 34 / 46 / 9

HEX #E89A7D

RGB 232 154 125

HSL 16.26, 0.7%, 0.7%

LAB 70.7, 25.96, 27.17

 

CMYK 0 / 27 / 38 / 14

HEX #DCA089

RGB 220 160 137

HSL 16.63, 0.54%, 0.7%

LAB 70.98, 19.34, 20.78

 

CMYK 0 / 20 / 28 / 19

HEX #CFA696

RGB 207 166 150

HSL 16.84, 0.37%, 0.7%

LAB 71.38, 12.7, 13.99

 

CMYK 0 / 12 / 17 / 24

HEX #C3ABA2

RGB 195 171 162

HSL 16.36, 0.22%, 0.7%

LAB 71.78, 7.21, 7.81

 

CMYK 0 / 3 / 5 / 28

HEX #B7B1AE

RGB 183 177 174

HSL 20, 0.06%, 0.7%

LAB 72.61, 1.59, 2.28

 

CMYK 0 / 46 / 34 / 9

HEX #E87D9A

RGB 232 125 154

HSL 343.74, 0.7%, 0.7%

LAB 65.09, 44.32, 3.17

 

CMYK 0 / 46 / 46 / 9

HEX #E87D7D

RGB 232 125 125

HSL 0, 0.7%, 0.7%

LAB 64.41, 41.13, 18.67

 

CMYK 0 / 34 / 46 / 9

HEX #E89A7D

RGB 232 154 125

HSL 16.26, 0.7%, 0.7%

LAB 70.7, 25.96, 27.17

 

CMYK 0 / 22 / 46 / 9

HEX #E8B67D

RGB 232 182 125

HSL 31.96, 0.7%, 0.7%

LAB 77.34, 11.06, 35.86

 

CMYK 0 / 9 / 46 / 9

HEX #E8D37D

RGB 232 211 125

HSL 48.22, 0.7%, 0.7%

LAB 84.6, -4.05, 45.04

 

CMYK 0 / 55 / 75 / 14

HEX #DC6437

RGB 220 100 55

HSL 16.36, 0.7%, 0.54%

LAB 56.69, 44.25, 47.03

 

CMYK 0 / 44 / 60 / 11

HEX #E27F5A

RGB 226 127 90

HSL 16.32, 0.7%, 0.62%

LAB 63.41, 34.87, 36.66

 

CMYK 0 / 34 / 46 / 9

HEX #E89A7D

RGB 232 154 125

HSL 16.26, 0.7%, 0.7%

LAB 70.7, 25.96, 27.17

 

CMYK 0 / 24 / 33 / 7

HEX #EEB6A0

RGB 238 182 160

HSL 16.92, 0.7%, 0.78%

LAB 78.56, 17.32, 19.04

 

CMYK 0 / 14 / 20 / 4

HEX #F4D1C3

RGB 244 209 195

HSL 17.14, 0.69%, 0.86%

LAB 86.39, 10.1, 11.47

 

CMYK 0 / 34 / 47 / 9

HEX #E8997B

RGB 232 153 123

HSL 16.51, 0.7%, 0.7%

LAB 70.43, 26.29, 27.91

 

CMYK 22 / 0 / 46 / 9

HEX #B6E87D

RGB 182 232 125

HSL 88.04, 0.7%, 0.7%

LAB 86.57, -33.58, 46.69

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE8

RGB 125 139 232

HSL 232.15, 0.7%, 0.7%

LAB 60.47, 19.14, -48.75

 

CMYK 0 / 34 / 47 / 9

HEX #E8997B

RGB 232 153 123

HSL 16.51, 0.7%, 0.7%

LAB 70.43, 26.29, 27.91

 

CMYK 46 / 0 / 34 / 9

HEX #7DE89A

RGB 125 232 154

HSL 136.26, 0.7%, 0.7%

LAB 84.18, -47.52, 28.61

 

CMYK 34 / 46 / 0 / 9

HEX #9A7DE8

RGB 154 125 232

HSL 256.26, 0.7%, 0.7%

LAB 59.31, 34.54, -50.45

 

CMYK 0 / 34 / 47 / 9

HEX #E8997B

RGB 232 153 123

HSL 16.51, 0.7%, 0.7%

LAB 70.43, 26.29, 27.91

 

CMYK 22 / 0 / 46 / 9

HEX #B6E87D

RGB 182 232 125

HSL 88.04, 0.7%, 0.7%

LAB 86.57, -33.58, 46.69

 

CMYK 46 / 13 / 0 / 9

HEX #7DCBE8

RGB 125 203 232

HSL 196.26, 0.7%, 0.7%

LAB 77.81, -16.48, -21.84

 

CMYK 25 / 46 / 0 / 9

HEX #AF7DE8

RGB 175 125 232

HSL 268.04, 0.7%, 0.7%

LAB 61.31, 40.12, -47.15

 

CMYK 0 / 34 / 47 / 9

HEX #E8997B

RGB 232 153 123

HSL 16.51, 0.7%, 0.7%

LAB 70.43, 26.29, 27.91

 

CMYK 35 / 0 / 46 / 9

HEX #96E87D

RGB 150 232 125

HSL 105.98, 0.7%, 0.7%

LAB 84.83, -44.53, 44.14

 

CMYK 46 / 13 / 0 / 9

HEX #7DCBE8

RGB 125 203 232

HSL 196.26, 0.7%, 0.7%

LAB 77.81, -16.48, -21.84

 

CMYK 11 / 46 / 0 / 9

HEX #CF7DE8

RGB 207 125 232

HSL 285.98, 0.7%, 0.7%

LAB 64.77, 49, -41.47

 

Description

Color code: HEX #E8997B | qconv.com Color code: HEX #E8997B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 153 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 153 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 47 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 47% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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