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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8987F it is the complementary color #176780. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8987F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8987F shade: #ED987A, #FEAA8D, #FFBCA0, #FFCEB3 and #FFE0C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8987F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8987F shade: #E8987F, #D7866C, #C67459, #B56246 and #A45033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8987F shade: #E8967D and #E87D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8987F shade: #E8967D, #E8B37D, #E8D07D, #E3E87D and #C6E87D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8987F shade matches the following richer shades: #E8967D and #F49071

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8987F shade: #E8967D, #DC9D89, #CFA396, #C3AAA2 and #B7B0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8987F shade: #E87D9D, #E87D81, #E8967D, #E8B37D and #E8CF7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8987F shade: #DC5E37, #E27A5A, #E8967D, #EEB3A0 and #F4CFC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8987F shade: #E8987F, #BAE87D and #7D8FE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8987F shade: #E8987F, #7DE896 and #967DE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8987F shade: #E8987F, #BAE87D, #7DCFE8 and #AB7DE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8987F shade: #E8987F, #9AE87D, #7DCFE8 and #CB7DE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 45 / 9

HEX #E8987F

RGB 232 152 127

HSL 14.29, 0.7%, 0.7%

LAB 70.28, 27.22, 25.52

 

Complementary color

CMYK 82 / 20 / 0 / 50

HEX #176780

RGB 23 103 128

HSL 194.29, 0.7%, 0.3%

LAB 40.31, -14, -20.53

 

CMYK 0 / 36 / 49 / 7

HEX #ED987A

RGB 237 152 122

HSL 15.65, 0.76%, 0.7%

LAB 70.78, 28.68, 29.01

 

CMYK 0 / 33 / 44 / 0

HEX #FEAA8D

RGB 254 170 141

HSL 15.4, 0.98%, 0.77%

LAB 77.13, 27.64, 27.56

 

CMYK 0 / 26 / 37 / 0

HEX #FFBCA0

RGB 255 188 160

HSL 17.68, 1%, 0.81%

LAB 81.71, 20.63, 23.65

 

CMYK 0 / 19 / 30 / 0

HEX #FFCEB3

RGB 255 206 179

HSL 21.32, 1%, 0.85%

LAB 86.33, 13.53, 19.97

 

CMYK 0 / 12 / 22 / 0

HEX #FFE0C6

RGB 255 224 198

HSL 27.37, 1%, 0.89%

LAB 91.08, 6.77, 16.65

 

CMYK 0 / 34 / 45 / 9

HEX #E8987F

RGB 232 152 127

HSL 14.29, 0.7%, 0.7%

LAB 70.28, 27.22, 25.52

 

CMYK 0 / 38 / 50 / 16

HEX #D7866C

RGB 215 134 108

HSL 14.58, 0.57%, 0.63%

LAB 63.82, 28.31, 27.03

 

CMYK 0 / 41 / 55 / 22

HEX #C67459

RGB 198 116 89

HSL 14.86, 0.49%, 0.56%

LAB 57.29, 29.53, 28.72

 

CMYK 0 / 46 / 61 / 29

HEX #B56246

RGB 181 98 70

HSL 15.14, 0.44%, 0.49%

LAB 50.69, 30.88, 30.63

 

CMYK 0 / 51 / 69 / 36

HEX #A45033

RGB 164 80 51

HSL 15.4, 0.53%, 0.42%

LAB 44.04, 32.39, 32.78

 

CMYK 0 / 35 / 46 / 9

HEX #E8967D

RGB 232 150 125

HSL 14.02, 0.7%, 0.7%

LAB 69.79, 28.08, 25.96

 

CMYK 0 / 46 / 46 / 9

HEX #E87D7D

RGB 232 125 125

HSL 0, 0.7%, 0.7%

LAB 64.41, 41.13, 18.67

 

CMYK 0 / 35 / 46 / 9

HEX #E8967D

RGB 232 150 125

HSL 14.02, 0.7%, 0.7%

LAB 69.79, 28.08, 25.96

 

CMYK 0 / 23 / 46 / 9

HEX #E8B37D

RGB 232 179 125

HSL 30.28, 0.7%, 0.7%

LAB 76.6, 12.65, 34.91

 

CMYK 0 / 10 / 46 / 9

HEX #E8D07D

RGB 232 208 125

HSL 46.54, 0.7%, 0.7%

LAB 83.83, -2.51, 44.09

 

CMYK 2 / 0 / 46 / 9

HEX #E3E87D

RGB 227 232 125

HSL 62.8, 0.7%, 0.7%

LAB 89.64, -16.55, 51.14

 

CMYK 15 / 0 / 46 / 9

HEX #C6E87D

RGB 198 232 125

HSL 79.07, 0.7%, 0.7%

LAB 87.58, -27.69, 48.16

 

CMYK 0 / 35 / 46 / 9

HEX #E8967D

RGB 232 150 125

HSL 14.02, 0.7%, 0.7%

LAB 69.79, 28.08, 25.96

 

CMYK 0 / 41 / 54 / 4

HEX #F49071

RGB 244 144 113

HSL 14.2, 0.86%, 0.7%

LAB 69.73, 34.79, 32.69

 

CMYK 0 / 35 / 46 / 9

HEX #E8967D

RGB 232 150 125

HSL 14.02, 0.7%, 0.7%

LAB 69.79, 28.08, 25.96

 

CMYK 0 / 29 / 38 / 14

HEX #DC9D89

RGB 220 157 137

HSL 14.46, 0.54%, 0.7%

LAB 70.27, 20.95, 19.8

 

CMYK 0 / 21 / 28 / 19

HEX #CFA396

RGB 207 163 150

HSL 13.68, 0.37%, 0.7%

LAB 70.64, 14.33, 12.95

 

CMYK 0 / 13 / 17 / 24

HEX #C3AAA2

RGB 195 170 162

HSL 14.55, 0.22%, 0.7%

LAB 71.53, 7.75, 7.45

 

CMYK 0 / 4 / 5 / 28

HEX #B7B0AE

RGB 183 176 174

HSL 13.33, 0.06%, 0.7%

LAB 72.34, 2.13, 1.9

 

CMYK 0 / 46 / 32 / 9

HEX #E87D9D

RGB 232 125 157

HSL 342.06, 0.7%, 0.7%

LAB 65.17, 44.68, 1.58

 

CMYK 0 / 46 / 44 / 9

HEX #E87D81

RGB 232 125 129

HSL 357.76, 0.7%, 0.7%

LAB 64.49, 41.53, 16.52

 

CMYK 0 / 35 / 46 / 9

HEX #E8967D

RGB 232 150 125

HSL 14.02, 0.7%, 0.7%

LAB 69.79, 28.08, 25.96

 

CMYK 0 / 23 / 46 / 9

HEX #E8B37D

RGB 232 179 125

HSL 30.28, 0.7%, 0.7%

LAB 76.6, 12.65, 34.91

 

CMYK 0 / 11 / 46 / 9

HEX #E8CF7D

RGB 232 207 125

HSL 45.98, 0.7%, 0.7%

LAB 83.58, -2, 43.77

 

CMYK 0 / 57 / 75 / 14

HEX #DC5E37

RGB 220 94 55

HSL 14.18, 0.7%, 0.54%

LAB 55.58, 47.12, 45.87

 

CMYK 0 / 46 / 60 / 11

HEX #E27A5A

RGB 226 122 90

HSL 14.12, 0.7%, 0.62%

LAB 62.36, 37.46, 35.36

 

CMYK 0 / 35 / 46 / 9

HEX #E8967D

RGB 232 150 125

HSL 14.02, 0.7%, 0.7%

LAB 69.79, 28.08, 25.96

 

CMYK 0 / 25 / 33 / 7

HEX #EEB3A0

RGB 238 179 160

HSL 14.62, 0.7%, 0.78%

LAB 77.85, 18.91, 18.05

 

CMYK 0 / 15 / 20 / 4

HEX #F4CFC3

RGB 244 207 195

HSL 14.69, 0.69%, 0.86%

LAB 85.91, 11.14, 10.78

 

CMYK 0 / 34 / 45 / 9

HEX #E8987F

RGB 232 152 127

HSL 14.29, 0.7%, 0.7%

LAB 70.28, 27.22, 25.52

 

CMYK 20 / 0 / 46 / 9

HEX #BAE87D

RGB 186 232 125

HSL 85.79, 0.7%, 0.7%

LAB 86.82, -32.13, 47.04

 

CMYK 46 / 38 / 0 / 9

HEX #7D8FE8

RGB 125 143 232

HSL 229.91, 0.7%, 0.7%

LAB 61.51, 16.78, -47.11

 

CMYK 0 / 34 / 45 / 9

HEX #E8987F

RGB 232 152 127

HSL 14.29, 0.7%, 0.7%

LAB 70.28, 27.22, 25.52

 

CMYK 46 / 0 / 35 / 9

HEX #7DE896

RGB 125 232 150

HSL 134.02, 0.7%, 0.7%

LAB 84.11, -48.21, 30.56

 

CMYK 35 / 46 / 0 / 9

HEX #967DE8

RGB 150 125 232

HSL 254.02, 0.7%, 0.7%

LAB 58.95, 33.51, -51.04

 

CMYK 0 / 34 / 45 / 9

HEX #E8987F

RGB 232 152 127

HSL 14.29, 0.7%, 0.7%

LAB 70.28, 27.22, 25.52

 

CMYK 20 / 0 / 46 / 9

HEX #BAE87D

RGB 186 232 125

HSL 85.79, 0.7%, 0.7%

LAB 86.82, -32.13, 47.04

 

CMYK 46 / 11 / 0 / 9

HEX #7DCFE8

RGB 125 207 232

HSL 194.02, 0.7%, 0.7%

LAB 78.93, -18.53, -20.14

 

CMYK 26 / 46 / 0 / 9

HEX #AB7DE8

RGB 171 125 232

HSL 265.79, 0.7%, 0.7%

LAB 60.91, 39.04, -47.81

 

CMYK 0 / 34 / 45 / 9

HEX #E8987F

RGB 232 152 127

HSL 14.29, 0.7%, 0.7%

LAB 70.28, 27.22, 25.52

 

CMYK 34 / 0 / 46 / 9

HEX #9AE87D

RGB 154 232 125

HSL 103.74, 0.7%, 0.7%

LAB 85.03, -43.23, 44.43

 

CMYK 46 / 11 / 0 / 9

HEX #7DCFE8

RGB 125 207 232

HSL 194.02, 0.7%, 0.7%

LAB 78.93, -18.53, -20.14

 

CMYK 13 / 46 / 0 / 9

HEX #CB7DE8

RGB 203 125 232

HSL 283.74, 0.7%, 0.7%

LAB 64.31, 47.88, -42.22

 

Description

Color code: HEX #E8987F | qconv.com Color code: HEX #E8987F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 152 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 152 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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