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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E88B8C it is the complementary color #177473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E88B8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E88B8C shade: #ED8B87, #FE9D9A, #FFAFAD, #FFC1C0 and #FFD3D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E88B8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E88B8C shade: #E88B8C, #D77979, #C66766, #B55553 and #A44340

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E88B8C shade: #E88C8D and #E88C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E88B8C shade: #E88C8D, #E88CA5, #E88CBE, #E88CD7 and #E08CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E88B8C shade matches the following richer shades: #E88C8D, #F38082 and #FE7577

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E88B8C shade: #E88C8D, #DD9797, #D1A2A2, #C6ADAD and #BBB8B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E88B8C shade: #E88CBE, #E88CA6, #E88C8D, #E8A38C and #E8BB8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E88B8C shade: #DA4748, #E1696A, #E88C8D, #EFAEAF and #F5D0D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E88B8C shade: #E88B8C, #D7E88C and #8CB2E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E88B8C shade: #E88B8C, #8DE88C and #8C8DE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E88B8C shade: #E88B8C, #D7E88C, #8CE8E6 and #9C8CE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E88B8C shade: #E88B8C, #BBE88C, #8CE8E6 and #B88CE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 40 / 9

HEX #E88B8C

RGB 232 139 140

HSL 359.35, 0.67%, 0.73%

LAB 67.66, 35.46, 14.74

 

Complementary color

CMYK 80 / 0 / 1 / 55

HEX #177473

RGB 23 116 115

HSL 179.35, 0.67%, 0.27%

LAB 44.1, -25.47, -6.93

 

CMYK 0 / 41 / 43 / 7

HEX #ED8B87

RGB 237 139 135

HSL 2.35, 0.74%, 0.73%

LAB 68.18, 36.78, 18.35

 

CMYK 0 / 38 / 39 / 0

HEX #FE9D9A

RGB 254 157 154

HSL 1.8, 0.98%, 0.8%

LAB 74.52, 35.78, 16.95

 

CMYK 0 / 31 / 32 / 0

HEX #FFAFAD

RGB 255 175 173

HSL 1.46, 1%, 0.84%

LAB 79.01, 29, 12.91

 

CMYK 0 / 24 / 25 / 0

HEX #FFC1C0

RGB 255 193 192

HSL 0.95, 1%, 0.88%

LAB 83.55, 22.06, 9.15

 

CMYK 0 / 17 / 17 / 0

HEX #FFD3D3

RGB 255 211 211

HSL 0, 1%, 0.91%

LAB 88.23, 15.39, 5.78

 

CMYK 0 / 40 / 40 / 9

HEX #E88B8C

RGB 232 139 140

HSL 359.35, 0.67%, 0.73%

LAB 67.66, 35.46, 14.74

 

CMYK 0 / 44 / 44 / 16

HEX #D77979

RGB 215 121 121

HSL 0, 0.54%, 0.66%

LAB 61.22, 36.5, 16.2

 

CMYK 0 / 48 / 48 / 22

HEX #C66766

RGB 198 103 102

HSL 0.62, 0.46%, 0.59%

LAB 54.73, 37.6, 17.88

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 0 / 59 / 61 / 36

HEX #A44340

RGB 164 67 64

HSL 1.8, 0.44%, 0.45%

LAB 41.65, 39.91, 22.22

 

CMYK 0 / 40 / 39 / 9

HEX #E88C8D

RGB 232 140 141

HSL 359.35, 0.67%, 0.73%

LAB 67.9, 35.05, 14.51

 

CMYK 0 / 40 / 40 / 9

HEX #E88C8C

RGB 232 140 140

HSL 0, 0.67%, 0.73%

LAB 67.88, 34.94, 15.04

 

CMYK 0 / 40 / 39 / 9

HEX #E88C8D

RGB 232 140 141

HSL 359.35, 0.67%, 0.73%

LAB 67.9, 35.05, 14.51

 

CMYK 0 / 40 / 29 / 9

HEX #E88CA5

RGB 232 140 165

HSL 343.7, 0.67%, 0.73%

LAB 68.48, 37.99, 1.89

 

CMYK 0 / 40 / 18 / 9

HEX #E88CBE

RGB 232 140 190

HSL 327.39, 0.67%, 0.73%

LAB 69.2, 41.55, -11.04

 

CMYK 0 / 40 / 7 / 9

HEX #E88CD7

RGB 232 140 215

HSL 311.09, 0.67%, 0.73%

LAB 70.05, 45.56, -23.66

 

CMYK 3 / 40 / 0 / 9

HEX #E08CE8

RGB 224 140 232

HSL 294.78, 0.67%, 0.73%

LAB 69.77, 46.14, -33.53

 

CMYK 0 / 40 / 39 / 9

HEX #E88C8D

RGB 232 140 141

HSL 359.35, 0.67%, 0.73%

LAB 67.9, 35.05, 14.51

 

CMYK 0 / 47 / 47 / 5

HEX #F38082

RGB 243 128 130

HSL 358.96, 0.83%, 0.73%

LAB 66.6, 44.09, 19.1

 

CMYK 0 / 54 / 53 / 0

HEX #FE7577

RGB 254 117 119

HSL 359.12, 0.99%, 0.73%

LAB 65.85, 52.35, 24.53

 

CMYK 0 / 40 / 39 / 9

HEX #E88C8D

RGB 232 140 141

HSL 359.35, 0.67%, 0.73%

LAB 67.9, 35.05, 14.51

 

CMYK 0 / 32 / 32 / 13

HEX #DD9797

RGB 221 151 151

HSL 0, 0.51%, 0.73%

LAB 69.28, 26.3, 10.69

 

CMYK 0 / 22 / 22 / 18

HEX #D1A2A2

RGB 209 162 162

HSL 0, 0.34%, 0.73%

LAB 70.87, 17.35, 6.69

 

CMYK 0 / 13 / 13 / 22

HEX #C6ADAD

RGB 198 173 173

HSL 0, 0.18%, 0.73%

LAB 72.83, 9.02, 3.32

 

CMYK 0 / 2 / 2 / 27

HEX #BBB8B8

RGB 187 184 184

HSL 0, 0.02%, 0.73%

LAB 75.02, 1.06, 0.36

 

CMYK 0 / 40 / 18 / 9

HEX #E88CBE

RGB 232 140 190

HSL 327.39, 0.67%, 0.73%

LAB 69.2, 41.55, -11.04

 

CMYK 0 / 40 / 28 / 9

HEX #E88CA6

RGB 232 140 166

HSL 343.04, 0.67%, 0.73%

LAB 68.51, 38.13, 1.36

 

CMYK 0 / 40 / 39 / 9

HEX #E88C8D

RGB 232 140 141

HSL 359.35, 0.67%, 0.73%

LAB 67.9, 35.05, 14.51

 

CMYK 0 / 30 / 40 / 9

HEX #E8A38C

RGB 232 163 140

HSL 15, 0.67%, 0.73%

LAB 73.05, 22.75, 22.18

 

CMYK 0 / 19 / 40 / 9

HEX #E8BB8C

RGB 232 187 140

HSL 30.65, 0.67%, 0.73%

LAB 78.8, 9.98, 29.92

 

CMYK 0 / 67 / 67 / 15

HEX #DA4748

RGB 218 71 72

HSL 359.59, 0.67%, 0.57%

LAB 51.7, 57.24, 32.05

 

CMYK 0 / 53 / 53 / 12

HEX #E1696A

RGB 225 105 106

HSL 359.5, 0.67%, 0.65%

LAB 59.11, 46.84, 22.16

 

CMYK 0 / 40 / 39 / 9

HEX #E88C8D

RGB 232 140 141

HSL 359.35, 0.67%, 0.73%

LAB 67.9, 35.05, 14.51

 

CMYK 0 / 27 / 27 / 6

HEX #EFAEAF

RGB 239 174 175

HSL 359.08, 0.67%, 0.81%

LAB 77.11, 23.9, 8.9

 

CMYK 0 / 15 / 15 / 4

HEX #F5D0D1

RGB 245 208 209

HSL 358.38, 0.65%, 0.89%

LAB 86.57, 13.1, 4.32

 

CMYK 0 / 40 / 40 / 9

HEX #E88B8C

RGB 232 139 140

HSL 359.35, 0.67%, 0.73%

LAB 67.66, 35.46, 14.74

 

CMYK 7 / 0 / 40 / 9

HEX #D7E88C

RGB 215 232 140

HSL 71.09, 0.67%, 0.73%

LAB 88.95, -19.63, 42.83

 

CMYK 40 / 23 / 0 / 9

HEX #8CB2E8

RGB 140 178 232

HSL 215.22, 0.67%, 0.73%

LAB 71.72, 0.61, -31.1

 

CMYK 0 / 40 / 40 / 9

HEX #E88B8C

RGB 232 139 140

HSL 359.35, 0.67%, 0.73%

LAB 67.66, 35.46, 14.74

 

CMYK 39 / 0 / 40 / 9

HEX #8DE88C

RGB 141 232 140

HSL 119.35, 0.67%, 0.73%

LAB 84.62, -45.25, 36.4

 

CMYK 40 / 39 / 0 / 9

HEX #8C8DE8

RGB 140 141 232

HSL 239.35, 0.67%, 0.73%

LAB 62.04, 21.67, -46.2

 

CMYK 0 / 40 / 40 / 9

HEX #E88B8C

RGB 232 139 140

HSL 359.35, 0.67%, 0.73%

LAB 67.66, 35.46, 14.74

 

CMYK 7 / 0 / 40 / 9

HEX #D7E88C

RGB 215 232 140

HSL 71.09, 0.67%, 0.73%

LAB 88.95, -19.63, 42.83

 

CMYK 40 / 0 / 1 / 9

HEX #8CE8E6

RGB 140 232 230

HSL 178.7, 0.67%, 0.73%

LAB 86.5, -27.83, -7.67

 

CMYK 33 / 40 / 0 / 9

HEX #9C8CE8

RGB 156 140 232

HSL 250.43, 0.67%, 0.73%

LAB 63.05, 26.48, -44.52

 

CMYK 0 / 40 / 40 / 9

HEX #E88B8C

RGB 232 139 140

HSL 359.35, 0.67%, 0.73%

LAB 67.66, 35.46, 14.74

 

CMYK 19 / 0 / 40 / 9

HEX #BBE88C

RGB 187 232 140

HSL 89.35, 0.67%, 0.73%

LAB 87.08, -29.98, 40.07

 

CMYK 40 / 0 / 1 / 9

HEX #8CE8E6

RGB 140 232 230

HSL 178.7, 0.67%, 0.73%

LAB 86.5, -27.83, -7.67

 

CMYK 21 / 40 / 0 / 9

HEX #B88CE8

RGB 184 140 232

HSL 268.7, 0.67%, 0.73%

LAB 65.57, 34.34, -40.39

 

Description

Color code: HEX #E88B8C | qconv.com Color code: HEX #E88B8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 139 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 139 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 40 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 40% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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