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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E88922 it is the complementary color #1776DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E88922. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E88922 shade: #ED891D, #FE9B30, #FFAD43, #FFBF56 and #FFD169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E88922. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E88922 shade: #E88922, #D7770F, #C66500, #B55300 and #A44100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E88922 shade: #E88921, #E85321 and #E82121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E88922 shade: #E88921, #E8BE21, #DCE821, #A6E821 and #71E821

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E88922 shade matches the following richer shades: #E88921 and #FC890E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E88922 shade: #E88921, #D48835, #C08749, #AC865D and #998571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E88922 shade: #E82125, #E85321, #E88821, #E8BD21 and #DEE821

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E88922 shade: #A55E11, #CB7415, #E88921, #EC9D47 and #F0B16C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E88922 shade: #E88922, #5AE821 and #3921E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E88922 shade: #E88922, #21E888 and #8821E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E88922 shade: #E88922, #5AE821, #2181E8 and #B021E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E88922 shade: #E88922, #21E825, #2181E8 and #E821E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 85 / 9

HEX #E88922

RGB 232 137 34

HSL 31.21, 0.81%, 0.52%

LAB 65.88, 29.47, 64.8

 

Complementary color

CMYK 90 / 47 / 0 / 13

HEX #1776DD

RGB 23 118 221

HSL 211.21, 0.81%, 0.48%

LAB 49.93, 12.64, -59.68

 

CMYK 0 / 42 / 88 / 7

HEX #ED891D

RGB 237 137 29

HSL 31.15, 0.85%, 0.52%

LAB 66.51, 31.42, 67.07

 

CMYK 0 / 39 / 81 / 0

HEX #FE9B30

RGB 254 155 48

HSL 31.17, 0.99%, 0.59%

LAB 72.71, 29.5, 67.04

 

CMYK 0 / 32 / 74 / 0

HEX #FFAD43

RGB 255 173 67

HSL 33.83, 1%, 0.63%

LAB 77.01, 21.22, 63.83

 

CMYK 0 / 25 / 66 / 0

HEX #FFBF56

RGB 255 191 86

HSL 37.28, 1%, 0.67%

LAB 81.4, 12.76, 60.26

 

CMYK 0 / 18 / 59 / 0

HEX #FFD169

RGB 255 209 105

HSL 41.6, 1%, 0.71%

LAB 85.95, 4.65, 56.73

 

CMYK 0 / 41 / 85 / 9

HEX #E88922

RGB 232 137 34

HSL 31.21, 0.81%, 0.52%

LAB 65.88, 29.47, 64.8

 

CMYK 0 / 45 / 93 / 16

HEX #D7770F

RGB 215 119 15

HSL 31.2, 0.87%, 0.45%

LAB 59.59, 31.54, 64.05

 

CMYK 0 / 49 / 100 / 22

HEX #C66500

RGB 198 101 0

HSL 30.61, 1%, 0.39%

LAB 53.29, 33.8, 61.57

 

CMYK 0 / 54 / 100 / 29

HEX #B55300

RGB 181 83 0

HSL 27.51, 1%, 0.35%

LAB 46.99, 36.19, 56.52

 

CMYK 0 / 60 / 100 / 36

HEX #A44100

RGB 164 65 0

HSL 23.78, 1%, 0.32%

LAB 40.69, 38.45, 51.49

 

CMYK 0 / 41 / 86 / 9

HEX #E88921

RGB 232 137 33

HSL 31.36, 0.81%, 0.52%

LAB 65.87, 29.45, 65.11

 

CMYK 0 / 64 / 86 / 9

HEX #E85321

RGB 232 83 33

HSL 15.08, 0.81%, 0.52%

LAB 55.54, 55.58, 56.66

 

CMYK 0 / 86 / 86 / 9

HEX #E82121

RGB 232 33 33

HSL 0, 0.81%, 0.52%

LAB 49.92, 71.13, 52.04

 

CMYK 0 / 41 / 86 / 9

HEX #E88921

RGB 232 137 33

HSL 31.36, 0.81%, 0.52%

LAB 65.87, 29.45, 65.11

 

CMYK 0 / 18 / 86 / 9

HEX #E8BE21

RGB 232 190 33

HSL 47.34, 0.81%, 0.52%

LAB 78.52, 1.46, 75.38

 

CMYK 5 / 0 / 86 / 9

HEX #DCE821

RGB 220 232 33

HSL 63.62, 0.81%, 0.52%

LAB 88.47, -24.62, 83.05

 

CMYK 28 / 0 / 86 / 9

HEX #A6E821

RGB 166 232 33

HSL 79.9, 0.81%, 0.52%

LAB 84.96, -45.89, 78.72

 

CMYK 51 / 0 / 86 / 9

HEX #71E821

RGB 113 232 33

HSL 95.88, 0.81%, 0.52%

LAB 82.56, -63.25, 75.71

 

CMYK 0 / 41 / 86 / 9

HEX #E88921

RGB 232 137 33

HSL 31.36, 0.81%, 0.52%

LAB 65.87, 29.45, 65.11

 

CMYK 0 / 46 / 94 / 1

HEX #FC890E

RGB 252 137 14

HSL 31.01, 0.98%, 0.52%

LAB 68.47, 37.27, 72.72

 

CMYK 0 / 41 / 86 / 9

HEX #E88921

RGB 232 137 33

HSL 31.36, 0.81%, 0.52%

LAB 65.87, 29.45, 65.11

 

CMYK 0 / 36 / 75 / 17

HEX #D48835

RGB 212 136 53

HSL 31.32, 0.65%, 0.52%

LAB 63.23, 22.25, 54.29

 

CMYK 0 / 30 / 62 / 25

HEX #C08749

RGB 192 135 73

HSL 31.26, 0.49%, 0.52%

LAB 60.8, 15.38, 41.46

 

CMYK 0 / 22 / 46 / 33

HEX #AC865D

RGB 172 134 93

HSL 31.14, 0.32%, 0.52%

LAB 58.61, 9.15, 27.6

 

CMYK 0 / 13 / 26 / 40

HEX #998571

RGB 153 133 113

HSL 30, 0.16%, 0.52%

LAB 56.82, 4.35, 13.58

 

CMYK 0 / 86 / 84 / 9

HEX #E82125

RGB 232 33 37

HSL 358.79, 0.81%, 0.52%

LAB 49.95, 71.21, 50.13

 

CMYK 0 / 64 / 86 / 9

HEX #E85321

RGB 232 83 33

HSL 15.08, 0.81%, 0.52%

LAB 55.54, 55.58, 56.66

 

CMYK 0 / 41 / 86 / 9

HEX #E88821

RGB 232 136 33

HSL 31.06, 0.81%, 0.52%

LAB 65.65, 29.97, 64.93

 

CMYK 0 / 19 / 86 / 9

HEX #E8BD21

RGB 232 189 33

HSL 47.04, 0.81%, 0.52%

LAB 78.26, 1.98, 75.18

 

CMYK 4 / 0 / 86 / 9

HEX #DEE821

RGB 222 232 33

HSL 63.02, 0.81%, 0.52%

LAB 88.62, -23.79, 83.24

 

CMYK 0 / 43 / 90 / 35

HEX #A55E11

RGB 165 94 17

HSL 31.22, 0.81%, 0.36%

LAB 47.03, 23.81, 51.14

 

CMYK 0 / 43 / 90 / 20

HEX #CB7415

RGB 203 116 21

HSL 31.32, 0.81%, 0.44%

LAB 57.31, 28.22, 60.2

 

CMYK 0 / 41 / 86 / 9

HEX #E88921

RGB 232 137 33

HSL 31.36, 0.81%, 0.52%

LAB 65.87, 29.45, 65.11

 

CMYK 0 / 33 / 70 / 7

HEX #EC9D47

RGB 236 157 71

HSL 31.27, 0.81%, 0.6%

LAB 71.15, 21.95, 55.37

 

CMYK 0 / 26 / 55 / 6

HEX #F0B16C

RGB 240 177 108

HSL 31.36, 0.81%, 0.68%

LAB 76.71, 15.43, 43.97

 

CMYK 0 / 41 / 85 / 9

HEX #E88922

RGB 232 137 34

HSL 31.21, 0.81%, 0.52%

LAB 65.88, 29.47, 64.8

 

CMYK 61 / 0 / 86 / 9

HEX #5AE821

RGB 90 232 33

HSL 102.81, 0.81%, 0.52%

LAB 81.84, -69.06, 74.8

 

CMYK 75 / 86 / 0 / 9

HEX #3921E8

RGB 57 33 232

HSL 247.24, 0.81%, 0.52%

LAB 33.53, 67.1, -92.76

 

CMYK 0 / 41 / 85 / 9

HEX #E88922

RGB 232 137 34

HSL 31.21, 0.81%, 0.52%

LAB 65.88, 29.47, 64.8

 

CMYK 86 / 0 / 41 / 9

HEX #21E888

RGB 33 232 136

HSL 151.06, 0.81%, 0.52%

LAB 81.74, -66.6, 34.1

 

CMYK 41 / 86 / 0 / 9

HEX #8821E8

RGB 136 33 232

HSL 271.06, 0.81%, 0.52%

LAB 41.45, 73.85, -79.41

 

CMYK 0 / 41 / 85 / 9

HEX #E88922

RGB 232 137 34

HSL 31.21, 0.81%, 0.52%

LAB 65.88, 29.47, 64.8

 

CMYK 61 / 0 / 86 / 9

HEX #5AE821

RGB 90 232 33

HSL 102.81, 0.81%, 0.52%

LAB 81.84, -69.06, 74.8

 

CMYK 86 / 44 / 0 / 9

HEX #2181E8

RGB 33 129 232

HSL 211.06, 0.81%, 0.52%

LAB 53.87, 10.62, -59.52

 

CMYK 24 / 86 / 0 / 9

HEX #B021E8

RGB 176 33 232

HSL 283.12, 0.81%, 0.52%

LAB 47.16, 79.22, -69.84

 

CMYK 0 / 41 / 85 / 9

HEX #E88922

RGB 232 137 34

HSL 31.21, 0.81%, 0.52%

LAB 65.88, 29.47, 64.8

 

CMYK 86 / 0 / 84 / 9

HEX #21E825

RGB 33 232 37

HSL 121.21, 0.81%, 0.52%

LAB 80.83, -77.64, 72.67

 

CMYK 86 / 44 / 0 / 9

HEX #2181E8

RGB 33 129 232

HSL 211.06, 0.81%, 0.52%

LAB 53.87, 10.62, -59.52

 

CMYK 0 / 86 / 2 / 9

HEX #E821E4

RGB 232 33 228

HSL 301.21, 0.81%, 0.52%

LAB 55.93, 87.64, -52.99

 

Description

Color code: HEX #E88922 | qconv.com Color code: HEX #E88922 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 137 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 137 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 85 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 85% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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