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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E877AD it is the complementary color #178852. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E877AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E877AD shade: #ED77A8, #FE89BB, #FF9BCE, #FFADE1 and #FFBFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E877AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E877AD shade: #E877AD, #D7659A, #C65387, #B54174 and #A42F61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E877AD shade: #E878AD, #E8788F and #E87878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E877AD shade: #E878AD, #E878CC, #E678E8, #C878E8 and #AA78E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E877AD shade matches the following richer shades: #E878AD and #F56BAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E877AD shade: #E878AD, #DB85AE, #CE91AF, #C29EAF and #B5ABB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E877AD shade: #E678E8, #E878CC, #E878AE, #E87890 and #E87D78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E877AD shade: #DC3183, #E25598, #E878AD, #EE9BC3 and #F4BED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E877AD shade: #E877AD, #E8C878 and #78DBE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E877AD shade: #E877AD, #AEE878 and #78AEE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E877AD shade: #E877AD, #E8C878, #78E8B2 and #7898E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E877AD shade: #E877AD, #E6E878, #78E8B2 and #7A78E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 25 / 9

HEX #E877AD

RGB 232 119 173

HSL 331.33, 0.71%, 0.69%

LAB 64.46, 49.76, -8.56

 

Complementary color

CMYK 83 / 0 / 40 / 47

HEX #178852

RGB 23 136 82

HSL 151.33, 0.71%, 0.31%

LAB 49.98, -43.11, 20.69

 

CMYK 0 / 50 / 29 / 7

HEX #ED77A8

RGB 237 119 168

HSL 335.08, 0.77%, 0.7%

LAB 64.98, 50.73, -4.86

 

CMYK 0 / 46 / 26 / 0

HEX #FE89BB

RGB 254 137 187

HSL 334.36, 0.98%, 0.77%

LAB 71.25, 49.94, -6.03

 

CMYK 0 / 39 / 19 / 0

HEX #FF9BCE

RGB 255 155 206

HSL 329.4, 1%, 0.8%

LAB 75.55, 43.87, -10.13

 

CMYK 0 / 32 / 12 / 0

HEX #FFADE1

RGB 255 173 225

HSL 321.95, 1%, 0.84%

LAB 79.94, 37.49, -13.9

 

CMYK 0 / 25 / 4 / 0

HEX #FFBFF4

RGB 255 191 244

HSL 310.31, 1%, 0.87%

LAB 84.51, 31.25, -17.23

 

CMYK 0 / 49 / 25 / 9

HEX #E877AD

RGB 232 119 173

HSL 331.33, 0.71%, 0.69%

LAB 64.46, 49.76, -8.56

 

CMYK 0 / 53 / 28 / 16

HEX #D7659A

RGB 215 101 154

HSL 332.11, 0.59%, 0.62%

LAB 58.12, 50.5, -7.33

 

CMYK 0 / 58 / 32 / 22

HEX #C65387

RGB 198 83 135

HSL 332.87, 0.5%, 0.55%

LAB 51.77, 51.15, -5.87

 

CMYK 0 / 64 / 36 / 29

HEX #B54174

RGB 181 65 116

HSL 333.62, 0.47%, 0.48%

LAB 45.45, 51.6, -4.07

 

CMYK 0 / 71 / 41 / 36

HEX #A42F61

RGB 164 47 97

HSL 334.36, 0.55%, 0.41%

LAB 39.22, 51.66, -1.78

 

CMYK 0 / 48 / 25 / 9

HEX #E878AD

RGB 232 120 173

HSL 331.61, 0.71%, 0.69%

LAB 64.65, 49.27, -8.27

 

CMYK 0 / 48 / 38 / 9

HEX #E8788F

RGB 232 120 143

HSL 347.68, 0.71%, 0.69%

LAB 63.81, 45.54, 7.6

 

CMYK 0 / 48 / 48 / 9

HEX #E87878

RGB 232 120 120

HSL 0, 0.71%, 0.69%

LAB 63.3, 43.18, 19.99

 

CMYK 0 / 48 / 25 / 9

HEX #E878AD

RGB 232 120 173

HSL 331.61, 0.71%, 0.69%

LAB 64.65, 49.27, -8.27

 

CMYK 0 / 48 / 12 / 9

HEX #E878CC

RGB 232 120 204

HSL 315, 0.71%, 0.69%

LAB 65.71, 53.83, -24.17

 

CMYK 1 / 48 / 0 / 9

HEX #E678E8

RGB 230 120 232

HSL 298.93, 0.71%, 0.69%

LAB 66.58, 57.94, -38.44

 

CMYK 14 / 48 / 0 / 9

HEX #C878E8

RGB 200 120 232

HSL 282.86, 0.71%, 0.69%

LAB 62.96, 49.65, -44.37

 

CMYK 27 / 48 / 0 / 9

HEX #AA78E8

RGB 170 120 232

HSL 266.79, 0.71%, 0.69%

LAB 59.71, 41.54, -49.72

 

CMYK 0 / 48 / 25 / 9

HEX #E878AD

RGB 232 120 173

HSL 331.61, 0.71%, 0.69%

LAB 64.65, 49.27, -8.27

 

CMYK 0 / 56 / 29 / 4

HEX #F56BAD

RGB 245 107 173

HSL 331.3, 0.87%, 0.69%

LAB 64.12, 59.52, -8.87

 

CMYK 0 / 48 / 25 / 9

HEX #E878AD

RGB 232 120 173

HSL 331.61, 0.71%, 0.69%

LAB 64.65, 49.27, -8.27

 

CMYK 0 / 39 / 21 / 14

HEX #DB85AE

RGB 219 133 174

HSL 331.4, 0.54%, 0.69%

LAB 65.66, 38.39, -7.5

 

CMYK 0 / 30 / 15 / 19

HEX #CE91AF

RGB 206 145 175

HSL 330.49, 0.38%, 0.69%

LAB 66.88, 27.55, -6.43

 

CMYK 0 / 19 / 10 / 24

HEX #C29EAF

RGB 194 158 175

HSL 331.67, 0.23%, 0.69%

LAB 68.76, 16.12, -3.78

 

CMYK 0 / 6 / 3 / 29

HEX #B5ABB0

RGB 181 171 176

HSL 330, 0.06%, 0.69%

LAB 70.93, 4.49, -1.29

 

CMYK 1 / 48 / 0 / 9

HEX #E678E8

RGB 230 120 232

HSL 298.93, 0.71%, 0.69%

LAB 66.58, 57.94, -38.44

 

CMYK 0 / 48 / 12 / 9

HEX #E878CC

RGB 232 120 204

HSL 315, 0.71%, 0.69%

LAB 65.71, 53.83, -24.17

 

CMYK 0 / 48 / 25 / 9

HEX #E878AE

RGB 232 120 174

HSL 331.07, 0.71%, 0.69%

LAB 64.68, 49.4, -8.79

 

CMYK 0 / 48 / 38 / 9

HEX #E87890

RGB 232 120 144

HSL 347.14, 0.71%, 0.69%

LAB 63.84, 45.65, 7.07

 

CMYK 0 / 46 / 48 / 9

HEX #E87D78

RGB 232 125 120

HSL 2.68, 0.71%, 0.69%

LAB 64.31, 40.65, 21.36

 

CMYK 0 / 78 / 40 / 14

HEX #DC3183

RGB 220 49 131

HSL 331.23, 0.71%, 0.53%

LAB 50.75, 69.69, -4.58

 

CMYK 0 / 62 / 33 / 11

HEX #E25598

RGB 226 85 152

HSL 331.49, 0.71%, 0.61%

LAB 57.01, 60.87, -7.64

 

CMYK 0 / 48 / 25 / 9

HEX #E878AD

RGB 232 120 173

HSL 331.61, 0.71%, 0.69%

LAB 64.65, 49.27, -8.27

 

CMYK 0 / 35 / 18 / 7

HEX #EE9BC3

RGB 238 155 195

HSL 331.08, 0.71%, 0.77%

LAB 73.26, 36.49, -7.7

 

CMYK 0 / 22 / 11 / 4

HEX #F4BED8

RGB 244 190 216

HSL 331.11, 0.71%, 0.85%

LAB 82.39, 23.36, -5.53

 

CMYK 0 / 49 / 25 / 9

HEX #E877AD

RGB 232 119 173

HSL 331.33, 0.71%, 0.69%

LAB 64.46, 49.76, -8.56

 

CMYK 0 / 14 / 48 / 9

HEX #E8C878

RGB 232 200 120

HSL 42.86, 0.71%, 0.69%

LAB 81.74, 1.15, 43.97

 

CMYK 48 / 6 / 0 / 9

HEX #78DBE8

RGB 120 219 232

HSL 186.96, 0.71%, 0.69%

LAB 82.1, -25.66, -15.38

 

CMYK 0 / 49 / 25 / 9

HEX #E877AD

RGB 232 119 173

HSL 331.33, 0.71%, 0.69%

LAB 64.46, 49.76, -8.56

 

CMYK 25 / 0 / 48 / 9

HEX #AEE878

RGB 174 232 120

HSL 91.07, 0.71%, 0.69%

LAB 86.04, -37, 48.31

 

CMYK 48 / 25 / 0 / 9

HEX #78AEE8

RGB 120 174 232

HSL 211.07, 0.71%, 0.69%

LAB 69.53, -2.14, -34.57

 

CMYK 0 / 49 / 25 / 9

HEX #E877AD

RGB 232 119 173

HSL 331.33, 0.71%, 0.69%

LAB 64.46, 49.76, -8.56

 

CMYK 0 / 14 / 48 / 9

HEX #E8C878

RGB 232 200 120

HSL 42.86, 0.71%, 0.69%

LAB 81.74, 1.15, 43.97

 

CMYK 48 / 0 / 23 / 9

HEX #78E8B2

RGB 120 232 178

HSL 151.07, 0.71%, 0.69%

LAB 84.44, -44.29, 16.55

 

CMYK 48 / 34 / 0 / 9

HEX #7898E8

RGB 120 152 232

HSL 222.86, 0.71%, 0.69%

LAB 63.57, 10.35, -43.88

 

CMYK 0 / 49 / 25 / 9

HEX #E877AD

RGB 232 119 173

HSL 331.33, 0.71%, 0.69%

LAB 64.46, 49.76, -8.56

 

CMYK 1 / 0 / 48 / 9

HEX #E6E878

RGB 230 232 120

HSL 61.07, 0.71%, 0.69%

LAB 89.81, -15.83, 53.75

 

CMYK 48 / 0 / 23 / 9

HEX #78E8B2

RGB 120 232 178

HSL 151.07, 0.71%, 0.69%

LAB 84.44, -44.29, 16.55

 

CMYK 47 / 48 / 0 / 9

HEX #7A78E8

RGB 122 120 232

HSL 241.07, 0.71%, 0.69%

LAB 55.48, 29.7, -56.72

 

Description

Color code: HEX #E877AD | qconv.com Color code: HEX #E877AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 119 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 119 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 25 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 25% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Clicks - Your Pharma...
Link: http://www.clicks.co.za

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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