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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8757F it is the complementary color #178A80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8757F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8757F shade: #ED757A, #FE878D, #FF99A0, #FFABB3 and #FFBDC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8757F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8757F shade: #E8757F, #D7636C, #C65159, #B53F46 and #A42D33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8757F shade: #E7737E and #E77373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8757F shade: #E7737E, #E7739D, #E773BC, #E773DB and #D473E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8757F shade matches the following richer shades: #E7737E and #F56673

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8757F shade: #E7737E, #DA8188, #CD8E93, #C09B9E and #B3A8A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8757F shade: #E773BD, #E7739E, #E7737F, #E78773 and #E7A673

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8757F shade: #DB2D3C, #E1505D, #E7737E, #ED979E and #F3BABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8757F shade: #E8757F, #DCE773 and #73ADE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8757F shade: #E8757F, #7FE773 and #737FE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8757F shade: #E8757F, #DCE773, #73E7DC and #7F73E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8757F shade: #E8757F, #B9E773, #73E7DC and #A273E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 45 / 9

HEX #E8757F

RGB 232 117 127

HSL 354.78, 0.71%, 0.68%

LAB 62.85, 45.35, 15.39

 

Complementary color

CMYK 83 / 0 / 7 / 46

HEX #178A80

RGB 23 138 128

HSL 174.78, 0.71%, 0.32%

LAB 51.74, -32.17, -3.28

 

CMYK 0 / 51 / 49 / 7

HEX #ED757A

RGB 237 117 122

HSL 357.5, 0.77%, 0.69%

LAB 63.45, 46.65, 19.18

 

CMYK 0 / 47 / 44 / 0

HEX #FE878D

RGB 254 135 141

HSL 356.97, 0.98%, 0.76%

LAB 69.7, 45.61, 17.44

 

CMYK 0 / 40 / 37 / 0

HEX #FF99A0

RGB 255 153 160

HSL 355.88, 1%, 0.8%

LAB 73.92, 38.88, 12.83

 

CMYK 0 / 33 / 30 / 0

HEX #FFABB3

RGB 255 171 179

HSL 354.29, 1%, 0.84%

LAB 78.25, 31.85, 8.58

 

CMYK 0 / 26 / 22 / 0

HEX #FFBDC6

RGB 255 189 198

HSL 351.82, 1%, 0.87%

LAB 82.77, 25, 4.82

 

CMYK 0 / 50 / 45 / 9

HEX #E8757F

RGB 232 117 127

HSL 354.78, 0.71%, 0.68%

LAB 62.85, 45.35, 15.39

 

CMYK 0 / 54 / 50 / 16

HEX #D7636C

RGB 215 99 108

HSL 355.34, 0.59%, 0.62%

LAB 56.54, 46.37, 17.26

 

CMYK 0 / 59 / 55 / 22

HEX #C65159

RGB 198 81 89

HSL 355.9, 0.51%, 0.55%

LAB 50.23, 47.35, 19.47

 

CMYK 0 / 65 / 61 / 29

HEX #B53F46

RGB 181 63 70

HSL 356.44, 0.48%, 0.48%

LAB 43.98, 48.2, 22.14

 

CMYK 0 / 73 / 69 / 36

HEX #A42D33

RGB 164 45 51

HSL 356.97, 0.57%, 0.41%

LAB 37.86, 48.71, 25.41

 

CMYK 0 / 50 / 45 / 9

HEX #E7737E

RGB 231 115 126

HSL 354.31, 0.71%, 0.68%

LAB 62.3, 45.89, 15.18

 

CMYK 0 / 50 / 50 / 9

HEX #E77373

RGB 231 115 115

HSL 0, 0.71%, 0.68%

LAB 62.07, 44.86, 21.14

 

CMYK 0 / 50 / 45 / 9

HEX #E7737E

RGB 231 115 126

HSL 354.31, 0.71%, 0.68%

LAB 62.3, 45.89, 15.18

 

CMYK 0 / 50 / 32 / 9

HEX #E7739D

RGB 231 115 157

HSL 338.28, 0.71%, 0.68%

LAB 63.08, 49.32, -1.48

 

CMYK 0 / 50 / 19 / 9

HEX #E773BC

RGB 231 115 188

HSL 322.24, 0.71%, 0.68%

LAB 64.06, 53.52, -17.67

 

CMYK 0 / 50 / 5 / 9

HEX #E773DB

RGB 231 115 219

HSL 306.21, 0.71%, 0.68%

LAB 65.25, 58.38, -33.28

 

CMYK 8 / 50 / 0 / 9

HEX #D473E7

RGB 212 115 231

HSL 290.17, 0.71%, 0.68%

LAB 63.37, 55.26, -43.08

 

CMYK 0 / 50 / 45 / 9

HEX #E7737E

RGB 231 115 126

HSL 354.31, 0.71%, 0.68%

LAB 62.3, 45.89, 15.18

 

CMYK 0 / 58 / 53 / 4

HEX #F56673

RGB 245 102 115

HSL 354.55, 0.88%, 0.68%

LAB 61.79, 55.86, 21.11

 

CMYK 0 / 50 / 45 / 9

HEX #E7737E

RGB 231 115 126

HSL 354.31, 0.71%, 0.68%

LAB 62.3, 45.89, 15.18

 

CMYK 0 / 41 / 38 / 15

HEX #DA8188

RGB 218 129 136

HSL 355.28, 0.55%, 0.68%

LAB 63.66, 35.07, 11.12

 

CMYK 0 / 31 / 28 / 20

HEX #CD8E93

RGB 205 142 147

HSL 355.24, 0.39%, 0.68%

LAB 65.3, 24.61, 7.02

 

CMYK 0 / 19 / 18 / 25

HEX #C09B9E

RGB 192 155 158

HSL 355.14, 0.23%, 0.68%

LAB 67.37, 14.21, 3.64

 

CMYK 0 / 6 / 6 / 30

HEX #B3A8A9

RGB 179 168 169

HSL 354.55, 0.07%, 0.68%

LAB 69.79, 4.14, 0.9

 

CMYK 0 / 50 / 18 / 9

HEX #E773BD

RGB 231 115 189

HSL 321.72, 0.71%, 0.68%

LAB 64.1, 53.66, -18.18

 

CMYK 0 / 50 / 32 / 9

HEX #E7739E

RGB 231 115 158

HSL 337.76, 0.71%, 0.68%

LAB 63.11, 49.45, -2.01

 

CMYK 0 / 50 / 45 / 9

HEX #E7737F

RGB 231 115 127

HSL 353.79, 0.71%, 0.68%

LAB 62.32, 45.99, 14.63

 

CMYK 0 / 42 / 50 / 9

HEX #E78773

RGB 231 135 115

HSL 10.34, 0.71%, 0.68%

LAB 66.18, 34.65, 26.64

 

CMYK 0 / 28 / 50 / 9

HEX #E7A673

RGB 231 166 115

HSL 26.38, 0.71%, 0.68%

LAB 73.22, 18.21, 35.79

 

CMYK 0 / 79 / 73 / 14

HEX #DB2D3C

RGB 219 45 60

HSL 354.83, 0.71%, 0.52%

LAB 48.59, 65.65, 35.36

 

CMYK 0 / 64 / 59 / 12

HEX #E1505D

RGB 225 80 93

HSL 354.62, 0.71%, 0.6%

LAB 54.59, 57.15, 23.7

 

CMYK 0 / 50 / 45 / 9

HEX #E7737E

RGB 231 115 126

HSL 354.31, 0.71%, 0.68%

LAB 62.3, 45.89, 15.18

 

CMYK 0 / 36 / 33 / 7

HEX #ED979E

RGB 237 151 158

HSL 355.12, 0.7%, 0.76%

LAB 71.29, 33.13, 9.9

 

CMYK 0 / 23 / 21 / 5

HEX #F3BABF

RGB 243 186 191

HSL 354.74, 0.7%, 0.84%

LAB 80.7, 21.25, 5.44

 

CMYK 0 / 50 / 45 / 9

HEX #E8757F

RGB 232 117 127

HSL 354.78, 0.71%, 0.68%

LAB 62.85, 45.35, 15.39

 

CMYK 5 / 0 / 50 / 9

HEX #DCE773

RGB 220 231 115

HSL 65.69, 0.71%, 0.68%

LAB 88.74, -19.72, 54.62

 

CMYK 50 / 25 / 0 / 9

HEX #73ADE7

RGB 115 173 231

HSL 210, 0.71%, 0.68%

LAB 68.97, -3.02, -34.92

 

CMYK 0 / 50 / 45 / 9

HEX #E8757F

RGB 232 117 127

HSL 354.78, 0.71%, 0.68%

LAB 62.85, 45.35, 15.39

 

CMYK 45 / 0 / 50 / 9

HEX #7FE773

RGB 127 231 115

HSL 113.79, 0.71%, 0.68%

LAB 83.39, -52.4, 46.92

 

CMYK 50 / 45 / 0 / 9

HEX #737FE7

RGB 115 127 231

HSL 233.79, 0.71%, 0.68%

LAB 56.68, 23.67, -54.27

 

CMYK 0 / 50 / 45 / 9

HEX #E8757F

RGB 232 117 127

HSL 354.78, 0.71%, 0.68%

LAB 62.85, 45.35, 15.39

 

CMYK 5 / 0 / 50 / 9

HEX #DCE773

RGB 220 231 115

HSL 65.69, 0.71%, 0.68%

LAB 88.74, -19.72, 54.62

 

CMYK 50 / 0 / 5 / 9

HEX #73E7DC

RGB 115 231 220

HSL 174.31, 0.71%, 0.68%

LAB 84.98, -35.52, -4.76

 

CMYK 45 / 50 / 0 / 9

HEX #7F73E7

RGB 127 115 231

HSL 246.21, 0.71%, 0.68%

LAB 54.6, 33.49, -57.54

 

CMYK 0 / 50 / 45 / 9

HEX #E8757F

RGB 232 117 127

HSL 354.78, 0.71%, 0.68%

LAB 62.85, 45.35, 15.39

 

CMYK 20 / 0 / 50 / 9

HEX #B9E773

RGB 185 231 115

HSL 83.79, 0.71%, 0.68%

LAB 86.36, -33.1, 51.21

 

CMYK 50 / 0 / 5 / 9

HEX #73E7DC

RGB 115 231 220

HSL 174.31, 0.71%, 0.68%

LAB 84.98, -35.52, -4.76

 

CMYK 30 / 50 / 0 / 9

HEX #A273E7

RGB 162 115 231

HSL 264.31, 0.71%, 0.68%

LAB 57.76, 41.98, -52.31

 

Description

Color code: HEX #E8757F | qconv.com Color code: HEX #E8757F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 117 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 117 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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