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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E86C17 it is the complementary color #1793E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E86C17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E86C17 shade: #ED6C12, #FE7E25, #FF9038, #FFA24B and #FFB45E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E86C17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E86C17 shade: #E86C17, #D75A04, #C64800, #B53600 and #A42400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E86C17 shade: #E86B16, #E83316 and #E81616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E86C17 shade: #E86B16, #E8A416, #E8DC16, #BAE816 and #82E816

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E86C17 shade matches the following richer shades: #E86B16 and #FC6802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E86C17 shade: #E86B16, #D36F2B, #BE7340, #AA7754 and #957B69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E86C17 shade: #E81632, #E83216, #E86A16, #E8A216 and #E8DA16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E86C17 shade: #9C490F, #C25A13, #E86B16, #EB833C and #EF9B62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E86C17 shade: #E86C17, #6AE816 and #1616E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E86C17 shade: #E86C17, #16E86A and #6A16E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E86C17 shade: #E86C17, #6AE816, #1694E8 and #9416E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E86C17 shade: #E86C17, #2BE816, #1694E8 and #D316E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 90 / 9

HEX #E86C17

RGB 232 108 23

HSL 24.4, 0.82%, 0.5%

LAB 59.84, 44.01, 63.4

 

Complementary color

CMYK 90 / 37 / 0 / 9

HEX #1793E8

RGB 23 147 232

HSL 204.4, 0.82%, 0.5%

LAB 58.86, -0.81, -51.55

 

CMYK 0 / 54 / 92 / 7

HEX #ED6C12

RGB 237 108 18

HSL 24.66, 0.86%, 0.5%

LAB 60.58, 45.84, 65.57

 

CMYK 0 / 50 / 85 / 0

HEX #FE7E25

RGB 254 126 37

HSL 24.61, 0.99%, 0.57%

LAB 66.62, 43.91, 65.67

 

CMYK 0 / 44 / 78 / 0

HEX #FF9038

RGB 255 144 56

HSL 26.53, 1%, 0.61%

LAB 70.52, 35.82, 62.01

 

CMYK 0 / 36 / 71 / 0

HEX #FFA24B

RGB 255 162 75

HSL 29, 1%, 0.65%

LAB 74.58, 27.32, 57.88

 

CMYK 0 / 29 / 63 / 0

HEX #FFB45E

RGB 255 180 94

HSL 32.05, 1%, 0.68%

LAB 78.87, 18.98, 53.79

 

CMYK 0 / 53 / 90 / 9

HEX #E86C17

RGB 232 108 23

HSL 24.4, 0.82%, 0.5%

LAB 59.84, 44.01, 63.4

 

CMYK 0 / 58 / 98 / 16

HEX #D75A04

RGB 215 90 4

HSL 24.45, 0.96%, 0.43%

LAB 53.78, 45.98, 62.38

 

CMYK 0 / 64 / 100 / 22

HEX #C64800

RGB 198 72 0

HSL 21.82, 1%, 0.39%

LAB 47.8, 47.91, 58.48

 

CMYK 0 / 70 / 100 / 29

HEX #B53600

RGB 181 54 0

HSL 17.9, 1%, 0.35%

LAB 41.94, 49.5, 53.82

 

CMYK 0 / 78 / 100 / 36

HEX #A42400

RGB 164 36 0

HSL 13.17, 1%, 0.32%

LAB 36.28, 50.39, 49.29

 

CMYK 0 / 54 / 91 / 9

HEX #E86B16

RGB 232 107 22

HSL 24.29, 0.83%, 0.5%

LAB 59.64, 44.48, 63.53

 

CMYK 0 / 78 / 91 / 9

HEX #E83316

RGB 232 51 22

HSL 8.29, 0.83%, 0.5%

LAB 51.36, 66.69, 57.71

 

CMYK 0 / 91 / 91 / 9

HEX #E81616

RGB 232 22 22

HSL 0, 0.83%, 0.5%

LAB 49.24, 72.73, 56.28

 

CMYK 0 / 54 / 91 / 9

HEX #E86B16

RGB 232 107 22

HSL 24.29, 0.83%, 0.5%

LAB 59.64, 44.48, 63.53

 

CMYK 0 / 29 / 91 / 9

HEX #E8A416

RGB 232 164 22

HSL 40.57, 0.83%, 0.5%

LAB 72.07, 14.93, 72.71

 

CMYK 0 / 5 / 91 / 9

HEX #E8DC16

RGB 232 220 22

HSL 56.57, 0.83%, 0.5%

LAB 86.21, -13.98, 83.49

 

CMYK 20 / 0 / 91 / 9

HEX #BAE816

RGB 186 232 22

HSL 73.14, 0.83%, 0.5%

LAB 86.11, -38.53, 81.99

 

CMYK 44 / 0 / 91 / 9

HEX #82E816

RGB 130 232 22

HSL 89.14, 0.83%, 0.5%

LAB 83.19, -58.52, 78.4

 

CMYK 0 / 54 / 91 / 9

HEX #E86B16

RGB 232 107 22

HSL 24.29, 0.83%, 0.5%

LAB 59.64, 44.48, 63.53

 

CMYK 0 / 59 / 99 / 1

HEX #FC6802

RGB 252 104 2

HSL 24.48, 0.98%, 0.5%

LAB 62.17, 53.07, 70.66

 

CMYK 0 / 54 / 91 / 9

HEX #E86B16

RGB 232 107 22

HSL 24.29, 0.83%, 0.5%

LAB 59.64, 44.48, 63.53

 

CMYK 0 / 47 / 80 / 17

HEX #D36F2B

RGB 211 111 43

HSL 24.29, 0.66%, 0.5%

LAB 57.46, 34.75, 52.95

 

CMYK 0 / 39 / 66 / 25

HEX #BE7340

RGB 190 115 64

HSL 24.29, 0.5%, 0.5%

LAB 55.66, 24.95, 40.1

 

CMYK 0 / 30 / 51 / 33

HEX #AA7754

RGB 170 119 84

HSL 24.42, 0.34%, 0.5%

LAB 54.43, 15.83, 27.16

 

CMYK 0 / 17 / 30 / 42

HEX #957B69

RGB 149 123 105

HSL 24.55, 0.17%, 0.5%

LAB 53.57, 7.24, 13.61

 

CMYK 0 / 91 / 78 / 9

HEX #E81632

RGB 232 22 50

HSL 352, 0.83%, 0.5%

LAB 49.45, 73.33, 42.76

 

CMYK 0 / 78 / 91 / 9

HEX #E83216

RGB 232 50 22

HSL 8, 0.83%, 0.5%

LAB 51.26, 66.97, 57.64

 

CMYK 0 / 54 / 91 / 9

HEX #E86A16

RGB 232 106 22

HSL 24, 0.83%, 0.5%

LAB 59.45, 44.97, 63.4

 

CMYK 0 / 30 / 91 / 9

HEX #E8A216

RGB 232 162 22

HSL 40, 0.83%, 0.5%

LAB 71.59, 15.99, 72.35

 

CMYK 0 / 6 / 91 / 9

HEX #E8DA16

RGB 232 218 22

HSL 56, 0.83%, 0.5%

LAB 85.68, -12.99, 83.09

 

CMYK 0 / 53 / 90 / 39

HEX #9C490F

RGB 156 73 15

HSL 24.68, 0.82%, 0.34%

LAB 41, 31.39, 46.5

 

CMYK 0 / 54 / 90 / 24

HEX #C25A13

RGB 194 90 19

HSL 24.34, 0.82%, 0.42%

LAB 50.49, 38.09, 55.05

 

CMYK 0 / 54 / 91 / 9

HEX #E86B16

RGB 232 107 22

HSL 24.29, 0.83%, 0.5%

LAB 59.64, 44.48, 63.53

 

CMYK 0 / 44 / 74 / 8

HEX #EB833C

RGB 235 131 60

HSL 24.34, 0.81%, 0.58%

LAB 65.14, 34.68, 54.07

 

CMYK 0 / 35 / 59 / 6

HEX #EF9B62

RGB 239 155 98

HSL 24.26, 0.82%, 0.66%

LAB 71.33, 25.9, 42.5

 

CMYK 0 / 53 / 90 / 9

HEX #E86C17

RGB 232 108 23

HSL 24.4, 0.82%, 0.5%

LAB 59.84, 44.01, 63.4

 

CMYK 54 / 0 / 91 / 9

HEX #6AE816

RGB 106 232 22

HSL 96, 0.83%, 0.5%

LAB 82.29, -65.47, 77.29

 

CMYK 91 / 91 / 0 / 9

HEX #1616E8

RGB 22 22 232

HSL 240, 0.83%, 0.5%

LAB 30.81, 69.54, -97.34

 

CMYK 0 / 53 / 90 / 9

HEX #E86C17

RGB 232 108 23

HSL 24.4, 0.82%, 0.5%

LAB 59.84, 44.01, 63.4

 

CMYK 91 / 0 / 54 / 9

HEX #16E86A

RGB 22 232 106

HSL 144, 0.83%, 0.5%

LAB 81.25, -72.11, 47.99

 

CMYK 54 / 91 / 0 / 9

HEX #6A16E8

RGB 106 22 232

HSL 264, 0.83%, 0.5%

LAB 36.86, 73.43, -87.1

 

CMYK 0 / 53 / 90 / 9

HEX #E86C17

RGB 232 108 23

HSL 24.4, 0.82%, 0.5%

LAB 59.84, 44.01, 63.4

 

CMYK 54 / 0 / 91 / 9

HEX #6AE816

RGB 106 232 22

HSL 96, 0.83%, 0.5%

LAB 82.29, -65.47, 77.29

 

CMYK 91 / 36 / 0 / 9

HEX #1694E8

RGB 22 148 232

HSL 204, 0.83%, 0.5%

LAB 59.14, -1.45, -51.11

 

CMYK 36 / 91 / 0 / 9

HEX #9416E8

RGB 148 22 232

HSL 276, 0.83%, 0.5%

LAB 42.3, 77.65, -77.95

 

CMYK 0 / 53 / 90 / 9

HEX #E86C17

RGB 232 108 23

HSL 24.4, 0.82%, 0.5%

LAB 59.84, 44.01, 63.4

 

CMYK 81 / 0 / 91 / 9

HEX #2BE816

RGB 43 232 22

HSL 114, 0.83%, 0.5%

LAB 80.9, -77.24, 75.56

 

CMYK 91 / 36 / 0 / 9

HEX #1694E8

RGB 22 148 232

HSL 204, 0.83%, 0.5%

LAB 59.14, -1.45, -51.11

 

CMYK 9 / 91 / 0 / 9

HEX #D316E8

RGB 211 22 232

HSL 294, 0.83%, 0.5%

LAB 52.12, 86.37, -61.55

 

Description

Color code: HEX #E86C17 | qconv.com Color code: HEX #E86C17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 108 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 108 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 90 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 90% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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