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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E862E3 it is the complementary color #179D1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E862E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E862E3 shade: #ED62DE, #FE74F1, #FF86FF, #FF98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E862E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E862E3 shade: #E862E3, #D750D0, #C63EBD, #B52CAA and #A41A97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E862E3 shade: #E763E2, #E763BF, #E7639B, #E76378 and #E76363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E862E3 shade: #E763E2, #C963E7, #A563E7, #8163E7 and #6363E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E862E3 shade matches the following richer shades: #E763E2 and #F655F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E862E3 shade: #E763E2, #D972D5, #CA80C8, #BC8FBA and #AE9DAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E862E3 shade: #A563E7, #C863E7, #E763E3, #E763C0 and #E7639C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E862E3 shade: #D820D1, #E23FDC, #E763E2, #ED87E9 and #F2ABEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E862E3 shade: #E862E3, #E78263 and #63E7B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E862E3 shade: #E862E3, #E3E763 and #63E3E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E862E3 shade: #E862E3, #E78263, #63E768 and #63C8E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E862E3 shade: #E862E3, #E7AA63, #63E768 and #63A1E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 2 / 9

HEX #E862E3

RGB 232 98 227

HSL 302.24, 0.74%, 0.65%

LAB 62.88, 67.68, -41.44

 

Complementary color

CMYK 85 / 0 / 82 / 38

HEX #179D1C

RGB 23 157 28

HSL 122.24, 0.74%, 0.35%

LAB 56.47, -57.27, 52.66

 

CMYK 0 / 59 / 6 / 7

HEX #ED62DE

RGB 237 98 222

HSL 306.47, 0.79%, 0.66%

LAB 63.35, 68.14, -37.84

 

CMYK 0 / 54 / 5 / 0

HEX #FE74F1

RGB 254 116 241

HSL 305.65, 0.99%, 0.73%

LAB 69.41, 67.81, -38.76

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 58 / 2 / 9

HEX #E862E3

RGB 232 98 227

HSL 302.24, 0.74%, 0.65%

LAB 62.88, 67.68, -41.44

 

CMYK 0 / 63 / 3 / 16

HEX #D750D0

RGB 215 80 208

HSL 303.11, 0.63%, 0.58%

LAB 56.82, 67.8, -40.42

 

CMYK 0 / 69 / 5 / 22

HEX #C63EBD

RGB 198 62 189

HSL 303.97, 0.54%, 0.51%

LAB 50.83, 67.54, -39.1

 

CMYK 0 / 76 / 6 / 29

HEX #B52CAA

RGB 181 44 170

HSL 304.82, 0.61%, 0.44%

LAB 44.98, 66.7, -37.38

 

CMYK 0 / 84 / 8 / 36

HEX #A41A97

RGB 164 26 151

HSL 305.65, 0.73%, 0.37%

LAB 39.35, 64.95, -35.07

 

CMYK 0 / 57 / 2 / 9

HEX #E763E2

RGB 231 99 226

HSL 302.27, 0.73%, 0.65%

LAB 62.85, 66.83, -40.94

 

CMYK 0 / 57 / 17 / 9

HEX #E763BF

RGB 231 99 191

HSL 318.18, 0.73%, 0.65%

LAB 61.37, 61.38, -23.48

 

CMYK 0 / 57 / 33 / 9

HEX #E7639B

RGB 231 99 155

HSL 334.55, 0.73%, 0.65%

LAB 60.14, 56.64, -4.66

 

CMYK 0 / 57 / 48 / 9

HEX #E76378

RGB 231 99 120

HSL 350.45, 0.73%, 0.65%

LAB 59.22, 52.96, 14.36

 

CMYK 0 / 57 / 57 / 9

HEX #E76363

RGB 231 99 99

HSL 0, 0.73%, 0.65%

LAB 58.8, 51.24, 25.93

 

CMYK 0 / 57 / 2 / 9

HEX #E763E2

RGB 231 99 226

HSL 302.27, 0.73%, 0.65%

LAB 62.85, 66.83, -40.94

 

CMYK 13 / 57 / 0 / 9

HEX #C963E7

RGB 201 99 231

HSL 286.36, 0.73%, 0.65%

LAB 59.08, 60.15, -49.95

 

CMYK 29 / 57 / 0 / 9

HEX #A563E7

RGB 165 99 231

HSL 270, 0.73%, 0.65%

LAB 54.75, 51.36, -57.09

 

CMYK 44 / 57 / 0 / 9

HEX #8163E7

RGB 129 99 231

HSL 253.64, 0.73%, 0.65%

LAB 51.11, 43.2, -63.15

 

CMYK 57 / 57 / 0 / 9

HEX #6363E7

RGB 99 99 231

HSL 240, 0.73%, 0.65%

LAB 48.69, 37.32, -67.17

 

CMYK 0 / 57 / 2 / 9

HEX #E763E2

RGB 231 99 226

HSL 302.27, 0.73%, 0.65%

LAB 62.85, 66.83, -40.94

 

CMYK 0 / 65 / 2 / 4

HEX #F655F0

RGB 246 85 240

HSL 302.24, 0.9%, 0.65%

LAB 63.66, 78.26, -47.31

 

CMYK 0 / 57 / 2 / 9

HEX #E763E2

RGB 231 99 226

HSL 302.27, 0.73%, 0.65%

LAB 62.85, 66.83, -40.94

 

CMYK 0 / 47 / 2 / 15

HEX #D972D5

RGB 217 114 213

HSL 302.33, 0.58%, 0.65%

LAB 63, 53.85, -33.55

 

CMYK 0 / 37 / 1 / 21

HEX #CA80C8

RGB 202 128 200

HSL 301.62, 0.41%, 0.65%

LAB 63.48, 39.77, -25.66

 

CMYK 0 / 24 / 1 / 26

HEX #BC8FBA

RGB 188 143 186

HSL 302.67, 0.25%, 0.65%

LAB 64.87, 24.32, -15.81

 

CMYK 0 / 10 / 1 / 32

HEX #AE9DAD

RGB 174 157 173

HSL 303.53, 0.09%, 0.65%

LAB 66.62, 9.15, -6.04

 

CMYK 29 / 57 / 0 / 9

HEX #A563E7

RGB 165 99 231

HSL 270, 0.73%, 0.65%

LAB 54.75, 51.36, -57.09

 

CMYK 13 / 57 / 0 / 9

HEX #C863E7

RGB 200 99 231

HSL 285.91, 0.73%, 0.65%

LAB 58.95, 59.9, -50.16

 

CMYK 0 / 57 / 2 / 9

HEX #E763E3

RGB 231 99 227

HSL 301.82, 0.73%, 0.65%

LAB 62.89, 66.99, -41.42

 

CMYK 0 / 57 / 17 / 9

HEX #E763C0

RGB 231 99 192

HSL 317.73, 0.73%, 0.65%

LAB 61.41, 61.53, -23.99

 

CMYK 0 / 57 / 32 / 9

HEX #E7639C

RGB 231 99 156

HSL 334.09, 0.73%, 0.65%

LAB 60.17, 56.75, -5.19

 

CMYK 0 / 85 / 3 / 15

HEX #D820D1

RGB 216 32 209

HSL 302.28, 0.74%, 0.49%

LAB 52.1, 82.22, -48.44

 

CMYK 0 / 72 / 3 / 11

HEX #E23FDC

RGB 226 63 220

HSL 302.21, 0.74%, 0.57%

LAB 56.97, 78.21, -46.88

 

CMYK 0 / 57 / 2 / 9

HEX #E763E2

RGB 231 99 226

HSL 302.27, 0.73%, 0.65%

LAB 62.85, 66.83, -40.94

 

CMYK 0 / 43 / 2 / 7

HEX #ED87E9

RGB 237 135 233

HSL 302.35, 0.74%, 0.73%

LAB 70.33, 52.72, -33.1

 

CMYK 0 / 29 / 1 / 5

HEX #F2ABEF

RGB 242 171 239

HSL 302.54, 0.73%, 0.81%

LAB 78.6, 36.71, -23.63

 

CMYK 0 / 58 / 2 / 9

HEX #E862E3

RGB 232 98 227

HSL 302.24, 0.74%, 0.65%

LAB 62.88, 67.68, -41.44

 

CMYK 0 / 44 / 57 / 9

HEX #E78263

RGB 231 130 99

HSL 14.09, 0.73%, 0.65%

LAB 64.85, 35.92, 33.71

 

CMYK 57 / 0 / 21 / 9

HEX #63E7B7

RGB 99 231 183

HSL 158.18, 0.73%, 0.65%

LAB 83.56, -47.49, 12.59

 

CMYK 0 / 58 / 2 / 9

HEX #E862E3

RGB 232 98 227

HSL 302.24, 0.74%, 0.65%

LAB 62.88, 67.68, -41.44

 

CMYK 2 / 0 / 57 / 9

HEX #E3E763

RGB 227 231 99

HSL 61.82, 0.73%, 0.65%

LAB 89.1, -18.22, 62.33

 

CMYK 57 / 2 / 0 / 9

HEX #63E3E7

RGB 99 227 231

HSL 181.82, 0.73%, 0.65%

LAB 83.63, -33.95, -12.63

 

CMYK 0 / 58 / 2 / 9

HEX #E862E3

RGB 232 98 227

HSL 302.24, 0.74%, 0.65%

LAB 62.88, 67.68, -41.44

 

CMYK 0 / 44 / 57 / 9

HEX #E78263

RGB 231 130 99

HSL 14.09, 0.73%, 0.65%

LAB 64.85, 35.92, 33.71

 

CMYK 57 / 0 / 55 / 9

HEX #63E768

RGB 99 231 104

HSL 122.27, 0.73%, 0.65%

LAB 82.27, -61.09, 50.46

 

CMYK 57 / 13 / 0 / 9

HEX #63C8E7

RGB 99 200 231

HSL 194.09, 0.73%, 0.65%

LAB 75.9, -20.75, -24.3

 

CMYK 0 / 58 / 2 / 9

HEX #E862E3

RGB 232 98 227

HSL 302.24, 0.74%, 0.65%

LAB 62.88, 67.68, -41.44

 

CMYK 0 / 26 / 57 / 9

HEX #E7AA63

RGB 231 170 99

HSL 32.27, 0.73%, 0.65%

LAB 73.96, 14.75, 44.94

 

CMYK 57 / 0 / 55 / 9

HEX #63E768

RGB 99 231 104

HSL 122.27, 0.73%, 0.65%

LAB 82.27, -61.09, 50.46

 

CMYK 57 / 30 / 0 / 9

HEX #63A1E7

RGB 99 161 231

HSL 211.82, 0.73%, 0.65%

LAB 64.89, 0.3, -41.33

 

Description

Color code: HEX #E862E3 | qconv.com Color code: HEX #E862E3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 98 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 98 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 2 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 2% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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