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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E862B0 it is the complementary color #179D4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E862B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E862B0 shade: #ED62AB, #FE74BE, #FF86D1, #FF98E4 and #FFAAF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E862B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E862B0 shade: #E862B0, #D7509D, #C63E8A, #B52C77 and #A41A64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E862B0 shade: #E763B0, #E7638C, #E76369 and #E76363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E862B0 shade: #E763B0, #E763D4, #D763E7, #B463E7 and #9063E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E862B0 shade matches the following richer shades: #E763B0 and #F655B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E862B0 shade: #E763B0, #D972AE, #CA80AB, #BC8FA9 and #AE9DA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E862B0 shade: #D863E7, #E763D3, #E763B0, #E7638D and #E7636A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E862B0 shade: #D8208B, #E23F9E, #E763B0, #ED87C2 and #F2ABD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E862B0 shade: #E862B0, #E7B563 and #63E5E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E862B0 shade: #E862B0, #B0E763 and #63B0E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E862B0 shade: #E862B0, #E7B563, #63E79A and #6396E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E862B0 shade: #E862B0, #E7DC63, #63E79A and #636EE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 24 / 9

HEX #E862B0

RGB 232 98 176

HSL 325.07, 0.74%, 0.65%

LAB 60.8, 60.03, -15.75

 

Complementary color

CMYK 85 / 0 / 50 / 38

HEX #179D4F

RGB 23 157 79

HSL 145.07, 0.74%, 0.35%

LAB 56.94, -51.46, 31.31

 

CMYK 0 / 59 / 28 / 7

HEX #ED62AB

RGB 237 98 171

HSL 328.49, 0.79%, 0.66%

LAB 61.38, 60.86, -11.95

 

CMYK 0 / 54 / 25 / 0

HEX #FE74BE

RGB 254 116 190

HSL 327.83, 0.99%, 0.73%

LAB 67.49, 60.34, -13.32

 

CMYK 0 / 47 / 18 / 0

HEX #FF86D1

RGB 255 134 209

HSL 322.81, 1%, 0.76%

LAB 71.5, 54.79, -17.87

 

CMYK 0 / 40 / 11 / 0

HEX #FF98E4

RGB 255 152 228

HSL 315.73, 1%, 0.8%

LAB 75.65, 48.78, -22.01

 

CMYK 0 / 33 / 3 / 0

HEX #FFAAF7

RGB 255 170 247

HSL 305.65, 1%, 0.83%

LAB 80.02, 42.74, -25.64

 

CMYK 0 / 58 / 24 / 9

HEX #E862B0

RGB 232 98 176

HSL 325.07, 0.74%, 0.65%

LAB 60.8, 60.03, -15.75

 

CMYK 0 / 63 / 27 / 16

HEX #D7509D

RGB 215 80 157

HSL 325.78, 0.63%, 0.58%

LAB 54.68, 60.37, -14.25

 

CMYK 0 / 69 / 30 / 22

HEX #C63E8A

RGB 198 62 138

HSL 326.47, 0.54%, 0.51%

LAB 48.62, 60.38, -12.38

 

CMYK 0 / 76 / 34 / 29

HEX #B52C77

RGB 181 44 119

HSL 327.15, 0.61%, 0.44%

LAB 42.7, 59.86, -10.02

 

CMYK 0 / 84 / 39 / 36

HEX #A41A64

RGB 164 26 100

HSL 327.83, 0.73%, 0.37%

LAB 37.02, 58.47, -6.94

 

CMYK 0 / 57 / 24 / 9

HEX #E763B0

RGB 231 99 176

HSL 325, 0.73%, 0.65%

LAB 60.82, 59.29, -15.74

 

CMYK 0 / 57 / 39 / 9

HEX #E7638C

RGB 231 99 140

HSL 341.36, 0.73%, 0.65%

LAB 59.71, 54.94, 3.42

 

CMYK 0 / 57 / 55 / 9

HEX #E76369

RGB 231 99 105

HSL 357.27, 0.73%, 0.65%

LAB 58.91, 51.69, 22.62

 

CMYK 0 / 57 / 57 / 9

HEX #E76363

RGB 231 99 99

HSL 0, 0.73%, 0.65%

LAB 58.8, 51.24, 25.93

 

CMYK 0 / 57 / 24 / 9

HEX #E763B0

RGB 231 99 176

HSL 325, 0.73%, 0.65%

LAB 60.82, 59.29, -15.74

 

CMYK 0 / 57 / 8 / 9

HEX #E763D4

RGB 231 99 212

HSL 308.64, 0.73%, 0.65%

LAB 62.22, 64.56, -34.06

 

CMYK 7 / 57 / 0 / 9

HEX #D763E7

RGB 215 99 231

HSL 292.73, 0.73%, 0.65%

LAB 60.91, 63.65, -46.93

 

CMYK 22 / 57 / 0 / 9

HEX #B463E7

RGB 180 99 231

HSL 276.82, 0.73%, 0.65%

LAB 56.48, 54.97, -54.23

 

CMYK 38 / 57 / 0 / 9

HEX #9063E7

RGB 144 99 231

HSL 260.45, 0.73%, 0.65%

LAB 52.53, 46.49, -60.78

 

CMYK 0 / 57 / 24 / 9

HEX #E763B0

RGB 231 99 176

HSL 325, 0.73%, 0.65%

LAB 60.82, 59.29, -15.74

 

CMYK 0 / 65 / 28 / 4

HEX #F655B2

RGB 246 85 178

HSL 325.34, 0.9%, 0.65%

LAB 61.05, 69.6, -16.33

 

CMYK 0 / 57 / 24 / 9

HEX #E763B0

RGB 231 99 176

HSL 325, 0.73%, 0.65%

LAB 60.82, 59.29, -15.74

 

CMYK 0 / 47 / 20 / 15

HEX #D972AE

RGB 217 114 174

HSL 325.05, 0.58%, 0.65%

LAB 61.52, 47.53, -13.74

 

CMYK 0 / 37 / 15 / 21

HEX #CA80AB

RGB 202 128 171

HSL 325.14, 0.41%, 0.65%

LAB 62.45, 34.74, -10.81

 

CMYK 0 / 24 / 10 / 26

HEX #BC8FA9

RGB 188 143 169

HSL 325.33, 0.25%, 0.65%

LAB 64.32, 21.22, -7.05

 

CMYK 0 / 10 / 4 / 32

HEX #AE9DA7

RGB 174 157 167

HSL 324.71, 0.09%, 0.65%

LAB 66.45, 8.02, -2.94

 

CMYK 6 / 57 / 0 / 9

HEX #D863E7

RGB 216 99 231

HSL 293.18, 0.73%, 0.65%

LAB 61.04, 63.9, -46.71

 

CMYK 0 / 57 / 9 / 9

HEX #E763D3

RGB 231 99 211

HSL 309.09, 0.73%, 0.65%

LAB 62.18, 64.4, -33.56

 

CMYK 0 / 57 / 24 / 9

HEX #E763B0

RGB 231 99 176

HSL 325, 0.73%, 0.65%

LAB 60.82, 59.29, -15.74

 

CMYK 0 / 57 / 39 / 9

HEX #E7638D

RGB 231 99 141

HSL 340.91, 0.73%, 0.65%

LAB 59.74, 55.05, 2.88

 

CMYK 0 / 57 / 54 / 9

HEX #E7636A

RGB 231 99 106

HSL 356.82, 0.73%, 0.65%

LAB 58.93, 51.77, 22.07

 

CMYK 0 / 85 / 36 / 15

HEX #D8208B

RGB 216 32 139

HSL 325.11, 0.74%, 0.49%

LAB 48.88, 73.52, -12.28

 

CMYK 0 / 72 / 30 / 11

HEX #E23F9E

RGB 226 63 158

HSL 325.03, 0.74%, 0.57%

LAB 54.23, 69.82, -15.34

 

CMYK 0 / 57 / 24 / 9

HEX #E763B0

RGB 231 99 176

HSL 325, 0.73%, 0.65%

LAB 60.82, 59.29, -15.74

 

CMYK 0 / 43 / 18 / 7

HEX #ED87C2

RGB 237 135 194

HSL 325.29, 0.74%, 0.73%

LAB 68.92, 46.37, -13.64

 

CMYK 0 / 29 / 12 / 5

HEX #F2ABD4

RGB 242 171 212

HSL 325.35, 0.73%, 0.81%

LAB 77.73, 32.09, -10.3

 

CMYK 0 / 58 / 24 / 9

HEX #E862B0

RGB 232 98 176

HSL 325.07, 0.74%, 0.65%

LAB 60.8, 60.03, -15.75

 

CMYK 0 / 22 / 57 / 9

HEX #E7B563

RGB 231 181 99

HSL 37.27, 0.73%, 0.65%

LAB 76.64, 8.92, 48.14

 

CMYK 57 / 1 / 0 / 9

HEX #63E5E7

RGB 99 229 231

HSL 180.91, 0.73%, 0.65%

LAB 84.21, -34.89, -11.77

 

CMYK 0 / 58 / 24 / 9

HEX #E862B0

RGB 232 98 176

HSL 325.07, 0.74%, 0.65%

LAB 60.8, 60.03, -15.75

 

CMYK 24 / 0 / 57 / 9

HEX #B0E763

RGB 176 231 99

HSL 85, 0.73%, 0.65%

LAB 85.65, -37.94, 57.5

 

CMYK 57 / 24 / 0 / 9

HEX #63B0E7

RGB 99 176 231

HSL 205, 0.73%, 0.65%

LAB 69.09, -8.07, -34.78

 

CMYK 0 / 58 / 24 / 9

HEX #E862B0

RGB 232 98 176

HSL 325.07, 0.74%, 0.65%

LAB 60.8, 60.03, -15.75

 

CMYK 0 / 22 / 57 / 9

HEX #E7B563

RGB 231 181 99

HSL 37.27, 0.73%, 0.65%

LAB 76.64, 8.92, 48.14

 

CMYK 57 / 0 / 33 / 9

HEX #63E79A

RGB 99 231 154

HSL 145, 0.73%, 0.65%

LAB 82.99, -53.37, 26.86

 

CMYK 57 / 35 / 0 / 9

HEX #6396E7

RGB 99 150 231

HSL 216.82, 0.73%, 0.65%

LAB 61.86, 6.63, -46.11

 

CMYK 0 / 58 / 24 / 9

HEX #E862B0

RGB 232 98 176

HSL 325.07, 0.74%, 0.65%

LAB 60.8, 60.03, -15.75

 

CMYK 0 / 5 / 57 / 9

HEX #E7DC63

RGB 231 220 99

HSL 55, 0.73%, 0.65%

LAB 86.54, -11.17, 59.56

 

CMYK 57 / 0 / 33 / 9

HEX #63E79A

RGB 99 231 154

HSL 145, 0.73%, 0.65%

LAB 82.99, -53.37, 26.86

 

CMYK 57 / 52 / 0 / 9

HEX #636EE7

RGB 99 110 231

HSL 235, 0.73%, 0.65%

LAB 51.35, 30.67, -62.87

 

Description

Color code: HEX #E862B0 | qconv.com Color code: HEX #E862B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 98 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 98 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 24 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 24% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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