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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E85F39 it is the complementary color #17A0C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E85F39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E85F39 shade: #ED5F34, #FE7147, #FF835A, #FF956D and #FFA780

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E85F39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E85F39 shade: #E85F39, #D74D26, #C63B13, #B52900 and #A41700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E85F39 shade: #E8603B and #E83B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E85F39 shade: #E8603B, #E88F3B, #E8BE3B, #E3E83B and #B5E83B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E85F39 shade matches the following richer shades: #E8603B and #FA5629

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E85F39 shade: #E8603B, #D66A4C, #C4745E, #B37E70 and #A18882

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E85F39 shade: #E83B72, #E83B43, #E8603B, #E88E3B and #E8BD3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E85F39 shade: #BA3A16, #DF451A, #E8603B, #EC7E60 and #F19C85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E85F39 shade: #E85F39, #A0E83B and #3B5AE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E85F39 shade: #E85F39, #3BE860 and #603BE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E85F39 shade: #E85F39, #A0E83B, #3BC2E8 and #833BE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E85F39 shade: #E85F39, #6CE83B, #3BC2E8 and #B73BE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 75 / 9

HEX #E85F39

RGB 232 95 57

HSL 13.03, 0.79%, 0.57%

LAB 57.69, 51.07, 47.66

 

Complementary color

CMYK 88 / 19 / 0 / 22

HEX #17A0C6

RGB 23 160 198

HSL 193.03, 0.79%, 0.43%

LAB 61.13, -20.37, -29.03

 

CMYK 0 / 60 / 78 / 7

HEX #ED5F34

RGB 237 95 52

HSL 13.95, 0.84%, 0.57%

LAB 58.45, 52.66, 51.16

 

CMYK 0 / 56 / 72 / 0

HEX #FE7147

RGB 254 113 71

HSL 13.77, 0.99%, 0.64%

LAB 64.43, 51.25, 48.83

 

CMYK 0 / 49 / 65 / 0

HEX #FF835A

RGB 255 131 90

HSL 14.91, 1%, 0.68%

LAB 68.19, 43.95, 43.37

 

CMYK 0 / 42 / 57 / 0

HEX #FF956D

RGB 255 149 109

HSL 16.44, 1%, 0.71%

LAB 72.13, 36.13, 38.17

 

CMYK 0 / 35 / 50 / 0

HEX #FFA780

RGB 255 167 128

HSL 18.43, 1%, 0.75%

LAB 76.35, 28.36, 33.49

 

CMYK 0 / 59 / 75 / 9

HEX #E85F39

RGB 232 95 57

HSL 13.03, 0.79%, 0.57%

LAB 57.69, 51.07, 47.66

 

CMYK 0 / 64 / 82 / 16

HEX #D74D26

RGB 215 77 38

HSL 13.22, 0.7%, 0.5%

LAB 51.72, 52.39, 50.06

 

CMYK 0 / 70 / 90 / 22

HEX #C63B13

RGB 198 59 19

HSL 13.41, 0.82%, 0.43%

LAB 45.88, 53.5, 51.97

 

CMYK 0 / 77 / 100 / 29

HEX #B52900

RGB 181 41 0

HSL 13.59, 1%, 0.35%

LAB 40.26, 54.14, 53.04

 

CMYK 0 / 86 / 100 / 36

HEX #A41700

RGB 164 23 0

HSL 8.41, 1%, 0.32%

LAB 35.01, 53.96, 48.66

 

CMYK 0 / 59 / 75 / 9

HEX #E8603B

RGB 232 96 59

HSL 12.83, 0.79%, 0.57%

LAB 57.88, 50.69, 46.85

 

CMYK 0 / 75 / 75 / 9

HEX #E83B3B

RGB 232 59 59

HSL 0, 0.79%, 0.57%

LAB 52.51, 65.23, 41.03

 

CMYK 0 / 59 / 75 / 9

HEX #E8603B

RGB 232 96 59

HSL 12.83, 0.79%, 0.57%

LAB 57.88, 50.69, 46.85

 

CMYK 0 / 38 / 75 / 9

HEX #E88F3B

RGB 232 143 59

HSL 29.13, 0.79%, 0.57%

LAB 67.36, 27.14, 56.65

 

CMYK 0 / 18 / 75 / 9

HEX #E8BE3B

RGB 232 190 59

HSL 45.43, 0.79%, 0.57%

LAB 78.64, 2.29, 67.67

 

CMYK 2 / 0 / 75 / 9

HEX #E3E83B

RGB 227 232 59

HSL 61.73, 0.79%, 0.57%

LAB 89.09, -20.93, 77.31

 

CMYK 22 / 0 / 75 / 9

HEX #B5E83B

RGB 181 232 59

HSL 77.69, 0.79%, 0.57%

LAB 85.93, -39.26, 73.22

 

CMYK 0 / 59 / 75 / 9

HEX #E8603B

RGB 232 96 59

HSL 12.83, 0.79%, 0.57%

LAB 57.88, 50.69, 46.85

 

CMYK 0 / 66 / 84 / 2

HEX #FA5629

RGB 250 86 41

HSL 12.92, 0.95%, 0.57%

LAB 59.1, 60.57, 57.57

 

CMYK 0 / 59 / 75 / 9

HEX #E8603B

RGB 232 96 59

HSL 12.83, 0.79%, 0.57%

LAB 57.88, 50.69, 46.85

 

CMYK 0 / 50 / 64 / 16

HEX #D66A4C

RGB 214 106 76

HSL 13.04, 0.63%, 0.57%

LAB 57.2, 40.09, 36.31

 

CMYK 0 / 41 / 52 / 23

HEX #C4745E

RGB 196 116 94

HSL 12.94, 0.46%, 0.57%

LAB 57.11, 29.16, 25.62

 

CMYK 0 / 30 / 37 / 30

HEX #B37E70

RGB 179 126 112

HSL 12.54, 0.31%, 0.57%

LAB 57.73, 18.72, 15.83

 

CMYK 0 / 16 / 19 / 37

HEX #A18882

RGB 161 136 130

HSL 11.61, 0.14%, 0.57%

LAB 58.79, 8.47, 6.73

 

CMYK 0 / 75 / 51 / 9

HEX #E83B72

RGB 232 59 114

HSL 340.92, 0.79%, 0.57%

LAB 53.49, 68.42, 9.9

 

CMYK 0 / 75 / 71 / 9

HEX #E83B43

RGB 232 59 67

HSL 357.23, 0.79%, 0.57%

LAB 52.61, 65.56, 36.62

 

CMYK 0 / 59 / 75 / 9

HEX #E8603B

RGB 232 96 59

HSL 12.83, 0.79%, 0.57%

LAB 57.88, 50.69, 46.85

 

CMYK 0 / 39 / 75 / 9

HEX #E88E3B

RGB 232 142 59

HSL 28.79, 0.79%, 0.57%

LAB 67.14, 27.67, 56.42

 

CMYK 0 / 19 / 75 / 9

HEX #E8BD3B

RGB 232 189 59

HSL 45.09, 0.79%, 0.57%

LAB 78.38, 2.81, 67.43

 

CMYK 0 / 69 / 88 / 27

HEX #BA3A16

RGB 186 58 22

HSL 13.17, 0.79%, 0.41%

LAB 43.54, 49.92, 48.06

 

CMYK 0 / 69 / 88 / 13

HEX #DF451A

RGB 223 69 26

HSL 13.1, 0.79%, 0.49%

LAB 51.86, 58.02, 55.83

 

CMYK 0 / 59 / 75 / 9

HEX #E8603B

RGB 232 96 59

HSL 12.83, 0.79%, 0.57%

LAB 57.88, 50.69, 46.85

 

CMYK 0 / 47 / 59 / 7

HEX #EC7E60

RGB 236 126 96

HSL 12.86, 0.79%, 0.65%

LAB 64.64, 39.67, 35.23

 

CMYK 0 / 35 / 45 / 5

HEX #F19C85

RGB 241 156 133

HSL 12.78, 0.79%, 0.73%

LAB 72.34, 29.19, 25.2

 

CMYK 0 / 59 / 75 / 9

HEX #E85F39

RGB 232 95 57

HSL 13.03, 0.79%, 0.57%

LAB 57.69, 51.07, 47.66

 

CMYK 31 / 0 / 75 / 9

HEX #A0E83B

RGB 160 232 59

HSL 84.97, 0.79%, 0.57%

LAB 84.74, -47.02, 71.67

 

CMYK 75 / 61 / 0 / 9

HEX #3B5AE8

RGB 59 90 232

HSL 229.25, 0.79%, 0.57%

LAB 44.33, 37.47, -74.94

 

CMYK 0 / 59 / 75 / 9

HEX #E85F39

RGB 232 95 57

HSL 13.03, 0.79%, 0.57%

LAB 57.69, 51.07, 47.66

 

CMYK 75 / 0 / 59 / 9

HEX #3BE860

RGB 59 232 96

HSL 132.83, 0.79%, 0.57%

LAB 81.56, -69.9, 52.98

 

CMYK 59 / 75 / 0 / 9

HEX #603BE8

RGB 96 59 232

HSL 252.83, 0.79%, 0.57%

LAB 40.31, 59.32, -81.44

 

CMYK 0 / 59 / 75 / 9

HEX #E85F39

RGB 232 95 57

HSL 13.03, 0.79%, 0.57%

LAB 57.69, 51.07, 47.66

 

CMYK 31 / 0 / 75 / 9

HEX #A0E83B

RGB 160 232 59

HSL 84.97, 0.79%, 0.57%

LAB 84.74, -47.02, 71.67

 

CMYK 75 / 16 / 0 / 9

HEX #3BC2E8

RGB 59 194 232

HSL 193.18, 0.79%, 0.57%

LAB 73.11, -23.49, -29.21

 

CMYK 44 / 75 / 0 / 9

HEX #833BE8

RGB 131 59 232

HSL 264.97, 0.79%, 0.57%

LAB 43.91, 64.18, -75.39

 

CMYK 0 / 59 / 75 / 9

HEX #E85F39

RGB 232 95 57

HSL 13.03, 0.79%, 0.57%

LAB 57.69, 51.07, 47.66

 

CMYK 53 / 0 / 75 / 9

HEX #6CE83B

RGB 108 232 59

HSL 103.01, 0.79%, 0.57%

LAB 82.5, -63.35, 68.72

 

CMYK 75 / 16 / 0 / 9

HEX #3BC2E8

RGB 59 194 232

HSL 193.18, 0.79%, 0.57%

LAB 73.11, -23.49, -29.21

 

CMYK 21 / 75 / 0 / 9

HEX #B73BE8

RGB 183 59 232

HSL 283.01, 0.79%, 0.57%

LAB 50.71, 73.06, -64.04

 

Description

Color code: HEX #E85F39 | qconv.com Color code: HEX #E85F39 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 95 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 95 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 75 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 75% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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