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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E859AA it is the complementary color #17A655. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E859AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E859AA shade: #ED59A5, #FE6BB8, #FF7DCB, #FF8FDE and #FFA1F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E859AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E859AA shade: #E859AA, #D74797, #C63584, #B52371 and #A4115E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E859AA shade: #E859AA, #E85984, #E8595D and #E85959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E859AA shade: #E859AA, #E859D1, #D959E8, #B359E8 and #8C59E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E859AA shade matches the following richer shades: #E859AA and #F84AAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E859AA shade: #E859AA, #D968A8, #CA77A6, #BB87A4 and #AB96A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E859AA shade: #DA59E8, #E859D0, #E859AA, #E85984 and #E8595E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E859AA shade: #D21D83, #E33598, #E859AA, #ED7DBD and #F2A2CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E859AA shade: #E859AA, #E8B459 and #59E4E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E859AA shade: #E859AA, #AAE859 and #59AAE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E859AA shade: #E859AA, #E8B459, #59E897 and #598EE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E859AA shade: #E859AA, #E8DF59, #59E897 and #5963E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

Complementary color

CMYK 86 / 0 / 49 / 35

HEX #17A655

RGB 23 166 85

HSL 146.01, 0.76%, 0.37%

LAB 59.99, -53.61, 32.04

 

CMYK 0 / 62 / 30 / 7

HEX #ED59A5

RGB 237 89 165

HSL 329.19, 0.8%, 0.64%

LAB 59.77, 63.95, -10.9

 

CMYK 0 / 58 / 28 / 0

HEX #FE6BB8

RGB 254 107 184

HSL 328.57, 0.99%, 0.71%

LAB 65.79, 63.58, -12.49

 

CMYK 0 / 51 / 20 / 0

HEX #FF7DCB

RGB 255 125 203

HSL 324, 1%, 0.75%

LAB 69.64, 58.24, -17.34

 

CMYK 0 / 44 / 13 / 0

HEX #FF8FDE

RGB 255 143 222

HSL 317.68, 1%, 0.78%

LAB 73.66, 52.34, -21.75

 

CMYK 0 / 37 / 5 / 0

HEX #FFA1F1

RGB 255 161 241

HSL 308.94, 1%, 0.82%

LAB 77.93, 46.35, -25.59

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 0 / 67 / 30 / 16

HEX #D74797

RGB 215 71 151

HSL 326.67, 0.64%, 0.56%

LAB 53.15, 63.23, -13.01

 

CMYK 0 / 73 / 33 / 22

HEX #C63584

RGB 198 53 132

HSL 327.31, 0.58%, 0.49%

LAB 47.26, 62.88, -10.81

 

CMYK 0 / 81 / 38 / 29

HEX #B52371

RGB 181 35 113

HSL 327.95, 0.68%, 0.42%

LAB 41.56, 61.83, -8

 

CMYK 0 / 90 / 43 / 36

HEX #A4115E

RGB 164 17 94

HSL 328.57, 0.81%, 0.35%

LAB 36.18, 59.7, -4.36

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 0 / 62 / 43 / 9

HEX #E85984

RGB 232 89 132

HSL 341.96, 0.76%, 0.63%

LAB 58.01, 58.85, 5.65

 

CMYK 0 / 62 / 60 / 9

HEX #E8595D

RGB 232 89 93

HSL 358.32, 0.76%, 0.63%

LAB 57.16, 55.63, 27.28

 

CMYK 0 / 62 / 62 / 9

HEX #E85959

RGB 232 89 89

HSL 0, 0.76%, 0.63%

LAB 57.1, 55.37, 29.49

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 0 / 62 / 10 / 9

HEX #E859D1

RGB 232 89 209

HSL 309.65, 0.76%, 0.63%

LAB 60.7, 68.57, -34.73

 

CMYK 6 / 62 / 0 / 9

HEX #D959E8

RGB 217 89 232

HSL 293.71, 0.76%, 0.63%

LAB 59.64, 68.67, -49.48

 

CMYK 23 / 62 / 0 / 9

HEX #B359E8

RGB 179 89 232

HSL 277.76, 0.76%, 0.63%

LAB 54.61, 59.83, -57.79

 

CMYK 40 / 62 / 0 / 9

HEX #8C59E8

RGB 140 89 232

HSL 261.4, 0.76%, 0.63%

LAB 50.15, 51.29, -65.2

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 0 / 70 / 31 / 3

HEX #F84AAC

RGB 248 74 172

HSL 326.21, 0.93%, 0.63%

LAB 59.74, 73.39, -14.82

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 0 / 52 / 23 / 15

HEX #D968A8

RGB 217 104 168

HSL 326.02, 0.6%, 0.63%

LAB 59.42, 51.59, -13.46

 

CMYK 0 / 41 / 18 / 21

HEX #CA77A6

RGB 202 119 166

HSL 326.02, 0.44%, 0.63%

LAB 60.34, 38.76, -11.12

 

CMYK 0 / 28 / 12 / 27

HEX #BB87A4

RGB 187 135 164

HSL 326.54, 0.28%, 0.63%

LAB 62.15, 24.45, -7.46

 

CMYK 0 / 12 / 5 / 33

HEX #AB96A2

RGB 171 150 162

HSL 325.71, 0.11%, 0.63%

LAB 64.23, 9.91, -3.43

 

CMYK 6 / 62 / 0 / 9

HEX #DA59E8

RGB 218 89 232

HSL 294.13, 0.76%, 0.63%

LAB 59.78, 68.91, -49.25

 

CMYK 0 / 62 / 10 / 9

HEX #E859D0

RGB 232 89 208

HSL 310.07, 0.76%, 0.63%

LAB 60.65, 68.42, -34.23

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 0 / 62 / 43 / 9

HEX #E85984

RGB 232 89 132

HSL 341.96, 0.76%, 0.63%

LAB 58.01, 58.85, 5.65

 

CMYK 0 / 62 / 59 / 9

HEX #E8595E

RGB 232 89 94

HSL 357.9, 0.76%, 0.63%

LAB 57.18, 55.7, 26.72

 

CMYK 0 / 86 / 38 / 18

HEX #D21D83

RGB 210 29 131

HSL 326.19, 0.76%, 0.47%

LAB 47.26, 71.92, -9.98

 

CMYK 0 / 77 / 33 / 11

HEX #E33598

RGB 227 53 152

HSL 325.86, 0.76%, 0.55%

LAB 53.11, 72.46, -13.48

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 0 / 47 / 20 / 7

HEX #ED7DBD

RGB 237 125 189

HSL 325.71, 0.76%, 0.71%

LAB 66.78, 50.65, -14.05

 

CMYK 0 / 33 / 14 / 5

HEX #F2A2CF

RGB 242 162 207

HSL 326.25, 0.75%, 0.79%

LAB 75.59, 36.03, -10.77

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 0 / 22 / 62 / 9

HEX #E8B459

RGB 232 180 89

HSL 38.18, 0.76%, 0.63%

LAB 76.39, 9.15, 52.67

 

CMYK 62 / 2 / 0 / 9

HEX #59E4E8

RGB 89 228 232

HSL 181.68, 0.76%, 0.63%

LAB 83.67, -35.84, -13.13

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 27 / 0 / 62 / 9

HEX #AAE859

RGB 170 232 89

HSL 86.01, 0.76%, 0.63%

LAB 85.49, -41.42, 61.51

 

CMYK 62 / 27 / 0 / 9

HEX #59AAE8

RGB 89 170 232

HSL 206.01, 0.76%, 0.63%

LAB 67.05, -6.34, -38.54

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 0 / 22 / 62 / 9

HEX #E8B459

RGB 232 180 89

HSL 38.18, 0.76%, 0.63%

LAB 76.39, 9.15, 52.67

 

CMYK 62 / 0 / 35 / 9

HEX #59E897

RGB 89 232 151

HSL 146.01, 0.76%, 0.63%

LAB 82.95, -56.36, 28.3

 

CMYK 62 / 39 / 0 / 9

HEX #598EE8

RGB 89 142 232

HSL 217.76, 0.76%, 0.63%

LAB 59.25, 9.76, -50.82

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 0 / 4 / 62 / 9

HEX #E8DF59

RGB 232 223 89

HSL 56.22, 0.76%, 0.63%

LAB 87.32, -12.94, 64.73

 

CMYK 62 / 0 / 35 / 9

HEX #59E897

RGB 89 232 151

HSL 146.01, 0.76%, 0.63%

LAB 82.95, -56.36, 28.3

 

CMYK 62 / 57 / 0 / 9

HEX #5963E8

RGB 89 99 232

HSL 235.8, 0.76%, 0.63%

LAB 48.1, 35.95, -68.73

 

Description

Color code: HEX #E859AA | qconv.com Color code: HEX #E859AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 89 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 89 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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