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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E850BC it is the complementary color #17AF43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E850BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E850BC shade: #ED50B7, #FE62CA, #FF74DD, #FF86F0 and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E850BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E850BC shade: #E850BC, #D73EA9, #C62C96, #B51A83 and #A40870

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E850BC shade: #E84FBC, #E84F92, #E84F69 and #E84F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E850BC shade: #E84FBC, #E84FE5, #C24FE8, #994FE8 and #6F4FE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E850BC shade matches the following richer shades: #E84FBC and #F83FC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E850BC shade: #E84FBC, #D85FB5, #C86FAE, #B87FA7 and #A88FA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E850BC shade: #C24FE8, #E84FE6, #E84FBD, #E84F94 and #E84F6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E850BC shade: #CA1A97, #E32AAE, #E84FBC, #ED73CA and #F298D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E850BC shade: #E850BC, #E8994F and #4FE8D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E850BC shade: #E850BC, #BDE84F and #4FBDE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E850BC shade: #E850BC, #E8994F, #4FE87A and #4F9EE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E850BC shade: #E850BC, #E8C74F, #4FE87A and #4F70E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 19 / 9

HEX #E850BC

RGB 232 80 188

HSL 317.37, 0.77%, 0.61%

LAB 58.53, 69.09, -26.12

 

Complementary color

CMYK 87 / 0 / 62 / 31

HEX #17AF43

RGB 23 175 67

HSL 137.37, 0.77%, 0.39%

LAB 62.72, -59.27, 44.11

 

CMYK 0 / 66 / 23 / 7

HEX #ED50B7

RGB 237 80 183

HSL 320.64, 0.81%, 0.62%

LAB 59.12, 69.73, -22.27

 

CMYK 0 / 61 / 20 / 0

HEX #FE62CA

RGB 254 98 202

HSL 320, 0.99%, 0.69%

LAB 65.02, 69.7, -23.83

 

CMYK 0 / 55 / 13 / 0

HEX #FF74DD

RGB 255 116 221

HSL 314.68, 1%, 0.73%

LAB 68.73, 64.98, -28.75

 

CMYK 0 / 47 / 6 / 0

HEX #FF86F0

RGB 255 134 240

HSL 307.44, 1%, 0.76%

LAB 72.63, 59.61, -33.2

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 66 / 19 / 9

HEX #E850BC

RGB 232 80 188

HSL 317.37, 0.77%, 0.61%

LAB 58.53, 69.09, -26.12

 

CMYK 0 / 71 / 21 / 16

HEX #D73EA9

RGB 215 62 169

HSL 318.04, 0.66%, 0.54%

LAB 52.68, 68.74, -24.34

 

CMYK 0 / 78 / 24 / 22

HEX #C62C96

RGB 198 44 150

HSL 318.7, 0.64%, 0.47%

LAB 46.99, 67.78, -22.09

 

CMYK 0 / 86 / 28 / 29

HEX #B51A83

RGB 181 26 131

HSL 319.35, 0.75%, 0.41%

LAB 41.53, 65.93, -19.2

 

CMYK 0 / 95 / 32 / 36

HEX #A40870

RGB 164 8 112

HSL 320, 0.91%, 0.34%

LAB 36.43, 62.82, -15.46

 

CMYK 0 / 66 / 19 / 9

HEX #E84FBC

RGB 232 79 188

HSL 317.25, 0.77%, 0.61%

LAB 58.39, 69.47, -26.33

 

CMYK 0 / 66 / 37 / 9

HEX #E84F92

RGB 232 79 146

HSL 333.73, 0.77%, 0.61%

LAB 56.9, 64.36, -4.17

 

CMYK 0 / 66 / 55 / 9

HEX #E84F69

RGB 232 79 105

HSL 349.8, 0.77%, 0.61%

LAB 55.85, 60.63, 18.53

 

CMYK 0 / 66 / 66 / 9

HEX #E84F4F

RGB 232 79 79

HSL 0, 0.77%, 0.61%

LAB 55.39, 58.95, 33.09

 

CMYK 0 / 66 / 19 / 9

HEX #E84FBC

RGB 232 79 188

HSL 317.25, 0.77%, 0.61%

LAB 58.39, 69.47, -26.33

 

CMYK 0 / 66 / 1 / 9

HEX #E84FE5

RGB 232 79 229

HSL 301.18, 0.77%, 0.61%

LAB 60.25, 75.54, -46.69

 

CMYK 16 / 66 / 0 / 9

HEX #C24FE8

RGB 194 79 232

HSL 285.1, 0.77%, 0.61%

LAB 54.96, 67.63, -57.13

 

CMYK 34 / 66 / 0 / 9

HEX #994FE8

RGB 153 79 232

HSL 269.02, 0.77%, 0.61%

LAB 49.73, 59, -65.82

 

CMYK 52 / 66 / 0 / 9

HEX #6F4FE8

RGB 111 79 232

HSL 252.55, 0.77%, 0.61%

LAB 45.36, 51.2, -73.12

 

CMYK 0 / 66 / 19 / 9

HEX #E84FBC

RGB 232 79 188

HSL 317.25, 0.77%, 0.61%

LAB 58.39, 69.47, -26.33

 

CMYK 0 / 75 / 21 / 3

HEX #F83FC3

RGB 248 63 195

HSL 317.19, 0.93%, 0.61%

LAB 59.39, 79.58, -28.6

 

CMYK 0 / 66 / 19 / 9

HEX #E84FBC

RGB 232 79 188

HSL 317.25, 0.77%, 0.61%

LAB 58.39, 69.47, -26.33

 

CMYK 0 / 56 / 16 / 15

HEX #D85FB5

RGB 216 95 181

HSL 317.36, 0.61%, 0.61%

LAB 58.15, 57.41, -22.89

 

CMYK 0 / 45 / 13 / 22

HEX #C86FAE

RGB 200 111 174

HSL 317.53, 0.45%, 0.61%

LAB 58.7, 43.57, -18.22

 

CMYK 0 / 31 / 9 / 28

HEX #B87FA7

RGB 184 127 167

HSL 317.89, 0.29%, 0.61%

LAB 60.03, 28.36, -12.37

 

CMYK 0 / 15 / 4 / 34

HEX #A88FA1

RGB 168 143 161

HSL 316.8, 0.13%, 0.61%

LAB 62.12, 12.57, -6.01

 

CMYK 16 / 66 / 0 / 9

HEX #C24FE8

RGB 194 79 232

HSL 285.1, 0.77%, 0.61%

LAB 54.96, 67.63, -57.13

 

CMYK 0 / 66 / 1 / 9

HEX #E84FE6

RGB 232 79 230

HSL 300.78, 0.77%, 0.61%

LAB 60.3, 75.7, -47.17

 

CMYK 0 / 66 / 19 / 9

HEX #E84FBD

RGB 232 79 189

HSL 316.86, 0.77%, 0.61%

LAB 58.44, 69.6, -26.84

 

CMYK 0 / 66 / 36 / 9

HEX #E84F94

RGB 232 79 148

HSL 332.94, 0.77%, 0.61%

LAB 56.96, 64.58, -5.26

 

CMYK 0 / 66 / 54 / 9

HEX #E84F6B

RGB 232 79 107

HSL 349.02, 0.77%, 0.61%

LAB 55.9, 60.78, 17.41

 

CMYK 0 / 87 / 25 / 21

HEX #CA1A97

RGB 202 26 151

HSL 317.39, 0.77%, 0.45%

LAB 46.35, 72.85, -23.61

 

CMYK 0 / 81 / 23 / 11

HEX #E32AAE

RGB 227 42 174

HSL 317.19, 0.77%, 0.53%

LAB 53, 77.75, -26.62

 

CMYK 0 / 66 / 19 / 9

HEX #E84FBC

RGB 232 79 188

HSL 317.25, 0.77%, 0.61%

LAB 58.39, 69.47, -26.33

 

CMYK 0 / 51 / 15 / 7

HEX #ED73CA

RGB 237 115 202

HSL 317.21, 0.77%, 0.69%

LAB 65.38, 57.41, -23.49

 

CMYK 0 / 37 / 11 / 5

HEX #F298D8

RGB 242 152 216

HSL 317.33, 0.78%, 0.77%

LAB 73.73, 42.71, -18.49

 

CMYK 0 / 66 / 19 / 9

HEX #E850BC

RGB 232 80 188

HSL 317.37, 0.77%, 0.61%

LAB 58.53, 69.09, -26.12

 

CMYK 0 / 34 / 66 / 9

HEX #E8994F

RGB 232 153 79

HSL 29.02, 0.77%, 0.61%

LAB 69.83, 22.85, 50.04

 

CMYK 66 / 0 / 8 / 9

HEX #4FE8D6

RGB 79 232 214

HSL 172.94, 0.77%, 0.61%

LAB 84.09, -43.97, -3.03

 

CMYK 0 / 66 / 19 / 9

HEX #E850BC

RGB 232 80 188

HSL 317.37, 0.77%, 0.61%

LAB 58.53, 69.09, -26.12

 

CMYK 19 / 0 / 66 / 9

HEX #BDE84F

RGB 189 232 79

HSL 76.86, 0.77%, 0.61%

LAB 86.55, -35.06, 66.98

 

CMYK 66 / 19 / 0 / 9

HEX #4FBDE8

RGB 79 189 232

HSL 196.86, 0.77%, 0.61%

LAB 72.15, -18.24, -30.65

 

CMYK 0 / 66 / 19 / 9

HEX #E850BC

RGB 232 80 188

HSL 317.37, 0.77%, 0.61%

LAB 58.53, 69.09, -26.12

 

CMYK 0 / 34 / 66 / 9

HEX #E8994F

RGB 232 153 79

HSL 29.02, 0.77%, 0.61%

LAB 69.83, 22.85, 50.04

 

CMYK 66 / 0 / 47 / 9

HEX #4FE87A

RGB 79 232 122

HSL 136.86, 0.77%, 0.61%

LAB 82.26, -63.14, 41.83

 

CMYK 66 / 32 / 0 / 9

HEX #4F9EE8

RGB 79 158 232

HSL 209.02, 0.77%, 0.61%

LAB 63.3, -1.29, -44.45

 

CMYK 0 / 66 / 19 / 9

HEX #E850BC

RGB 232 80 188

HSL 317.37, 0.77%, 0.61%

LAB 58.53, 69.09, -26.12

 

CMYK 0 / 14 / 66 / 9

HEX #E8C74F

RGB 232 199 79

HSL 47.06, 0.77%, 0.61%

LAB 81.05, -1.39, 62.24

 

CMYK 66 / 0 / 47 / 9

HEX #4FE87A

RGB 79 232 122

HSL 136.86, 0.77%, 0.61%

LAB 82.26, -63.14, 41.83

 

CMYK 66 / 52 / 0 / 9

HEX #4F70E8

RGB 79 112 232

HSL 227.06, 0.77%, 0.61%

LAB 50.78, 26.36, -64.42

 

Description

Color code: HEX #E850BC | qconv.com Color code: HEX #E850BC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 80 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 80 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 19% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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