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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E84D48 it is the complementary color #17B2B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E84D48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E84D48 shade: #ED4D43, #FE5F56, #FF7169, #FF837C and #FF958F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E84D48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E84D48 shade: #E84D48, #D73B35, #C62922, #B5170F and #A40500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E84D48 shade: #E94E49 and #E94949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E84D48 shade: #E94E49, #E97949, #E9A449, #E9CF49 and #D7E949

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E84D48 shade matches the following richer shades: #E94E49 and #F93F39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E84D48 shade: #E94E49, #D85E5A, #C86D6A, #B77D7B and #A78C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E84D48 shade: #E9499C, #E94971, #E94C49, #E97749 and #E9A149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E84D48 shade: #C71E19, #E42B25, #E94E49, #ED726E and #F29693

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E84D48 shade: #E84D48, #C6E949 and #4986E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E84D48 shade: #E84D48, #49E94C and #4C49E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E84D48 shade: #E84D48, #C6E949, #49E6E9 and #6C49E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E84D48 shade: #E84D48, #96E949, #49E6E9 and #9C49E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 69 / 9

HEX #E84D48

RGB 232 77 72

HSL 1.88, 0.78%, 0.6%

LAB 55, 59.38, 36.6

 

Complementary color

CMYK 87 / 3 / 0 / 28

HEX #17B2B7

RGB 23 178 183

HSL 181.88, 0.78%, 0.4%

LAB 66.09, -34.25, -13.1

 

CMYK 0 / 68 / 72 / 7

HEX #ED4D43

RGB 237 77 67

HSL 3.53, 0.83%, 0.6%

LAB 55.8, 60.75, 40.55

 

CMYK 0 / 63 / 66 / 0

HEX #FE5F56

RGB 254 95 86

HSL 3.21, 0.99%, 0.67%

LAB 61.59, 59.94, 37.56

 

CMYK 0 / 56 / 59 / 0

HEX #FF7169

RGB 255 113 105

HSL 3.2, 1%, 0.71%

LAB 65.03, 53.52, 31.34

 

CMYK 0 / 49 / 51 / 0

HEX #FF837C

RGB 255 131 124

HSL 3.21, 1%, 0.74%

LAB 68.71, 46.38, 25.59

 

CMYK 0 / 42 / 44 / 0

HEX #FF958F

RGB 255 149 143

HSL 3.21, 1%, 0.78%

LAB 72.72, 39.1, 20.52

 

CMYK 0 / 67 / 69 / 9

HEX #E84D48

RGB 232 77 72

HSL 1.88, 0.78%, 0.6%

LAB 55, 59.38, 36.6

 

CMYK 0 / 73 / 75 / 16

HEX #D73B35

RGB 215 59 53

HSL 2.22, 0.67%, 0.53%

LAB 49.29, 59.87, 39.93

 

CMYK 0 / 79 / 83 / 22

HEX #C62922

RGB 198 41 34

HSL 2.56, 0.71%, 0.45%

LAB 43.81, 59.85, 43.57

 

CMYK 0 / 87 / 92 / 29

HEX #B5170F

RGB 181 23 15

HSL 2.89, 0.85%, 0.38%

LAB 38.67, 58.97, 46.88

 

CMYK 0 / 97 / 100 / 36

HEX #A40500

RGB 164 5 0

HSL 1.83, 1%, 0.32%

LAB 33.99, 56.92, 48.09

 

CMYK 0 / 67 / 69 / 9

HEX #E94E49

RGB 233 78 73

HSL 1.88, 0.78%, 0.6%

LAB 55.33, 59.35, 36.47

 

CMYK 0 / 69 / 69 / 9

HEX #E94949

RGB 233 73 73

HSL 0, 0.78%, 0.6%

LAB 54.63, 61.28, 35.63

 

CMYK 0 / 67 / 69 / 9

HEX #E94E49

RGB 233 78 73

HSL 1.88, 0.78%, 0.6%

LAB 55.33, 59.35, 36.47

 

CMYK 0 / 48 / 69 / 9

HEX #E97949

RGB 233 121 73

HSL 18, 0.78%, 0.6%

LAB 62.91, 39.63, 45.27

 

CMYK 0 / 30 / 69 / 9

HEX #E9A449

RGB 233 164 73

HSL 34.13, 0.78%, 0.6%

LAB 72.47, 17.08, 55.76

 

CMYK 0 / 11 / 69 / 9

HEX #E9CF49

RGB 233 207 73

HSL 50.25, 0.78%, 0.6%

LAB 83.14, -5.39, 66.86

 

CMYK 8 / 0 / 69 / 9

HEX #D7E949

RGB 215 233 73

HSL 66.75, 0.78%, 0.6%

LAB 88.55, -25.64, 71.81

 

CMYK 0 / 67 / 69 / 9

HEX #E94E49

RGB 233 78 73

HSL 1.88, 0.78%, 0.6%

LAB 55.33, 59.35, 36.47

 

CMYK 0 / 75 / 77 / 2

HEX #F93F39

RGB 249 63 57

HSL 1.88, 0.94%, 0.6%

LAB 56.08, 68.89, 46.88

 

CMYK 0 / 67 / 69 / 9

HEX #E94E49

RGB 233 78 73

HSL 1.88, 0.78%, 0.6%

LAB 55.33, 59.35, 36.47

 

CMYK 0 / 56 / 58 / 15

HEX #D85E5A

RGB 216 94 90

HSL 1.9, 0.62%, 0.6%

LAB 55.42, 47.66, 26.26

 

CMYK 0 / 46 / 47 / 22

HEX #C86D6A

RGB 200 109 106

HSL 1.91, 0.46%, 0.6%

LAB 56.34, 35.61, 17.81

 

CMYK 0 / 32 / 33 / 28

HEX #B77D7B

RGB 183 125 123

HSL 2, 0.29%, 0.6%

LAB 58.19, 22.28, 10.23

 

CMYK 0 / 16 / 17 / 35

HEX #A78C8B

RGB 167 140 139

HSL 2.14, 0.14%, 0.6%

LAB 60.64, 10.01, 4.33

 

CMYK 0 / 69 / 33 / 9

HEX #E9499C

RGB 233 73 156

HSL 328.88, 0.78%, 0.6%

LAB 56.57, 67.98, -10.51

 

CMYK 0 / 69 / 52 / 9

HEX #E94971

RGB 233 73 113

HSL 345, 0.78%, 0.6%

LAB 55.36, 63.85, 13.14

 

CMYK 0 / 67 / 69 / 9

HEX #E94C49

RGB 233 76 73

HSL 1.13, 0.78%, 0.6%

LAB 55.05, 60.14, 36.13

 

CMYK 0 / 49 / 69 / 9

HEX #E97749

RGB 233 119 73

HSL 17.25, 0.78%, 0.6%

LAB 62.51, 40.64, 44.81

 

CMYK 0 / 31 / 69 / 9

HEX #E9A149

RGB 233 161 73

HSL 33, 0.78%, 0.6%

LAB 71.75, 18.68, 55

 

CMYK 0 / 85 / 87 / 22

HEX #C71E19

RGB 199 30 25

HSL 1.72, 0.78%, 0.44%

LAB 42.97, 62.67, 47.36

 

CMYK 0 / 81 / 84 / 11

HEX #E42B25

RGB 228 43 37

HSL 1.88, 0.78%, 0.52%

LAB 49.92, 67.95, 49.81

 

CMYK 0 / 67 / 69 / 9

HEX #E94E49

RGB 233 78 73

HSL 1.88, 0.78%, 0.6%

LAB 55.33, 59.35, 36.47

 

CMYK 0 / 52 / 54 / 7

HEX #ED726E

RGB 237 114 110

HSL 1.89, 0.78%, 0.68%

LAB 62.65, 47.08, 24.9

 

CMYK 0 / 38 / 39 / 5

HEX #F29693

RGB 242 150 147

HSL 1.89, 0.79%, 0.76%

LAB 71.42, 34.21, 16.26

 

CMYK 0 / 67 / 69 / 9

HEX #E84D48

RGB 232 77 72

HSL 1.88, 0.78%, 0.6%

LAB 55, 59.38, 36.6

 

CMYK 15 / 0 / 69 / 9

HEX #C6E949

RGB 198 233 73

HSL 73.13, 0.78%, 0.6%

LAB 87.37, -32.39, 70.24

 

CMYK 69 / 42 / 0 / 9

HEX #4986E9

RGB 73 134 233

HSL 217.13, 0.78%, 0.6%

LAB 56.44, 12.27, -55.9

 

CMYK 0 / 67 / 69 / 9

HEX #E84D48

RGB 232 77 72

HSL 1.88, 0.78%, 0.6%

LAB 55, 59.38, 36.6

 

CMYK 69 / 0 / 67 / 9

HEX #49E94C

RGB 73 233 76

HSL 121.13, 0.78%, 0.6%

LAB 81.96, -70.12, 61.81

 

CMYK 67 / 69 / 0 / 9

HEX #4C49E9

RGB 76 73 233

HSL 241.13, 0.78%, 0.6%

LAB 41.51, 49.87, -80.1

 

CMYK 0 / 67 / 69 / 9

HEX #E84D48

RGB 232 77 72

HSL 1.88, 0.78%, 0.6%

LAB 55, 59.38, 36.6

 

CMYK 15 / 0 / 69 / 9

HEX #C6E949

RGB 198 233 73

HSL 73.13, 0.78%, 0.6%

LAB 87.37, -32.39, 70.24

 

CMYK 69 / 1 / 0 / 9

HEX #49E6E9

RGB 73 230 233

HSL 181.13, 0.78%, 0.6%

LAB 83.91, -38.79, -13.34

 

CMYK 54 / 69 / 0 / 9

HEX #6C49E9

RGB 108 73 233

HSL 253.13, 0.78%, 0.6%

LAB 44, 54.2, -75.92

 

CMYK 0 / 67 / 69 / 9

HEX #E84D48

RGB 232 77 72

HSL 1.88, 0.78%, 0.6%

LAB 55, 59.38, 36.6

 

CMYK 36 / 0 / 69 / 9

HEX #96E949

RGB 150 233 73

HSL 91.13, 0.78%, 0.6%

LAB 84.61, -50.06, 66.55

 

CMYK 69 / 1 / 0 / 9

HEX #49E6E9

RGB 73 230 233

HSL 181.13, 0.78%, 0.6%

LAB 83.91, -38.79, -13.34

 

CMYK 33 / 69 / 0 / 9

HEX #9C49E9

RGB 156 73 233

HSL 271.13, 0.78%, 0.6%

LAB 49.15, 62.62, -67.3

 

Description

Color code: HEX #E84D48 | qconv.com Color code: HEX #E84D48 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 77 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 77 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 69 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 69% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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