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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E84653 it is the complementary color #17B9AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E84653. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E84653 shade: #ED464E, #FE5861, #FF6A74, #FF7C87 and #FF8E9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E84653. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E84653 shade: #E84653, #D73440, #C6222D, #B5101A and #A40007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E84653 shade: #E84552 and #E84545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E84653 shade: #E84552, #E8457E, #E845AA, #E845D6 and #CE45E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E84653 shade matches the following richer shades: #E84552 and #F93444

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E84653 shade: #E84552, #D75660, #C6676E, #B5787D and #A4898B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E84653 shade: #E845A9, #E8457E, #E84552, #E86345 and #E88E45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E84653 shade: #C21826, #E32030, #E84552, #ED6A74 and #F18E96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E84653 shade: #E84653, #D5E845 and #4594E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E84653 shade: #E84653, #52E845 and #4552E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E84653 shade: #E84653, #D5E845, #45E8DA and #5845E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E84653 shade: #E84653, #A4E845, #45E8DA and #8945E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 64 / 9

HEX #E84653

RGB 232 70 83

HSL 355.19, 0.78%, 0.59%

LAB 54.2, 62.61, 29.29

 

Complementary color

CMYK 88 / 0 / 7 / 27

HEX #17B9AC

RGB 23 185 172

HSL 175.19, 0.78%, 0.41%

LAB 67.92, -40.72, -4.3

 

CMYK 0 / 70 / 67 / 7

HEX #ED464E

RGB 237 70 78

HSL 357.13, 0.82%, 0.6%

LAB 55.01, 63.86, 33.39

 

CMYK 0 / 65 / 62 / 0

HEX #FE5861

RGB 254 88 97

HSL 356.75, 0.99%, 0.67%

LAB 60.71, 63.41, 30.26

 

CMYK 0 / 58 / 55 / 0

HEX #FF6A74

RGB 255 106 116

HSL 355.97, 1%, 0.71%

LAB 64.02, 57.48, 23.81

 

CMYK 0 / 51 / 47 / 0

HEX #FF7C87

RGB 255 124 135

HSL 354.96, 1%, 0.74%

LAB 67.59, 50.76, 17.92

 

CMYK 0 / 44 / 40 / 0

HEX #FF8E9A

RGB 255 142 154

HSL 353.63, 1%, 0.78%

LAB 71.51, 43.81, 12.76

 

CMYK 0 / 70 / 64 / 9

HEX #E84653

RGB 232 70 83

HSL 355.19, 0.78%, 0.59%

LAB 54.2, 62.61, 29.29

 

CMYK 0 / 76 / 70 / 16

HEX #D73440

RGB 215 52 64

HSL 355.58, 0.67%, 0.52%

LAB 48.6, 62.64, 32.84

 

CMYK 0 / 83 / 77 / 22

HEX #C6222D

RGB 198 34 45

HSL 355.98, 0.71%, 0.45%

LAB 43.27, 62.02, 36.98

 

CMYK 0 / 91 / 86 / 29

HEX #B5101A

RGB 181 16 26

HSL 356.36, 0.84%, 0.39%

LAB 38.32, 60.39, 41.46

 

CMYK 0 / 100 / 96 / 36

HEX #A40007

RGB 164 0 7

HSL 357.44, 1%, 0.32%

LAB 33.79, 57.66, 45.12

 

CMYK 0 / 70 / 65 / 9

HEX #E84552

RGB 232 69 82

HSL 355.21, 0.78%, 0.59%

LAB 54.05, 62.91, 29.69

 

CMYK 0 / 70 / 70 / 9

HEX #E84545

RGB 232 69 69

HSL 0, 0.78%, 0.59%

LAB 53.86, 62.25, 36.95

 

CMYK 0 / 70 / 65 / 9

HEX #E84552

RGB 232 69 82

HSL 355.21, 0.78%, 0.59%

LAB 54.05, 62.91, 29.69

 

CMYK 0 / 70 / 46 / 9

HEX #E8457E

RGB 232 69 126

HSL 339.02, 0.78%, 0.59%

LAB 54.99, 66.11, 4.86

 

CMYK 0 / 70 / 27 / 9

HEX #E845AA

RGB 232 69 170

HSL 322.82, 0.78%, 0.59%

LAB 56.4, 70.76, -18.97

 

CMYK 0 / 70 / 8 / 9

HEX #E845D6

RGB 232 69 214

HSL 306.63, 0.78%, 0.59%

LAB 58.29, 76.69, -41.33

 

CMYK 11 / 70 / 0 / 9

HEX #CE45E8

RGB 206 69 232

HSL 290.43, 0.78%, 0.59%

LAB 55.28, 74.03, -56.51

 

CMYK 0 / 70 / 65 / 9

HEX #E84552

RGB 232 69 82

HSL 355.21, 0.78%, 0.59%

LAB 54.05, 62.91, 29.69

 

CMYK 0 / 79 / 73 / 2

HEX #F93444

RGB 249 52 68

HSL 355.13, 0.94%, 0.59%

LAB 55.09, 72.42, 39.74

 

CMYK 0 / 70 / 65 / 9

HEX #E84552

RGB 232 69 82

HSL 355.21, 0.78%, 0.59%

LAB 54.05, 62.91, 29.69

 

CMYK 0 / 60 / 55 / 16

HEX #D75660

RGB 215 86 96

HSL 355.35, 0.62%, 0.59%

LAB 53.97, 51.46, 20.82

 

CMYK 0 / 48 / 44 / 22

HEX #C6676E

RGB 198 103 110

HSL 355.58, 0.45%, 0.59%

LAB 54.9, 38.4, 13.44

 

CMYK 0 / 34 / 31 / 29

HEX #B5787D

RGB 181 120 125

HSL 355.08, 0.29%, 0.59%

LAB 56.82, 24.56, 7.09

 

CMYK 0 / 16 / 15 / 36

HEX #A4898B

RGB 164 137 139

HSL 355.56, 0.13%, 0.59%

LAB 59.57, 10.55, 2.75

 

CMYK 0 / 70 / 27 / 9

HEX #E845A9

RGB 232 69 169

HSL 323.19, 0.78%, 0.59%

LAB 56.36, 70.64, -18.45

 

CMYK 0 / 70 / 46 / 9

HEX #E8457E

RGB 232 69 126

HSL 339.02, 0.78%, 0.59%

LAB 54.99, 66.11, 4.86

 

CMYK 0 / 70 / 65 / 9

HEX #E84552

RGB 232 69 82

HSL 355.21, 0.78%, 0.59%

LAB 54.05, 62.91, 29.69

 

CMYK 0 / 57 / 70 / 9

HEX #E86345

RGB 232 99 69

HSL 11.04, 0.78%, 0.59%

LAB 58.52, 49.76, 42.33

 

CMYK 0 / 39 / 70 / 9

HEX #E88E45

RGB 232 142 69

HSL 26.87, 0.78%, 0.59%

LAB 67.23, 28.13, 51.96

 

CMYK 0 / 88 / 80 / 24

HEX #C21826

RGB 194 24 38

HSL 355.06, 0.78%, 0.43%

LAB 41.63, 62.83, 39.01

 

CMYK 0 / 86 / 79 / 11

HEX #E32030

RGB 227 32 48

HSL 355.08, 0.78%, 0.51%

LAB 48.98, 70.37, 43.07

 

CMYK 0 / 70 / 65 / 9

HEX #E84552

RGB 232 69 82

HSL 355.21, 0.78%, 0.59%

LAB 54.05, 62.91, 29.69

 

CMYK 0 / 55 / 51 / 7

HEX #ED6A74

RGB 237 106 116

HSL 355.42, 0.78%, 0.67%

LAB 61.28, 51.4, 19.65

 

CMYK 0 / 41 / 38 / 5

HEX #F18E96

RGB 241 142 150

HSL 355.15, 0.78%, 0.75%

LAB 69.65, 38.34, 12.1

 

CMYK 0 / 70 / 64 / 9

HEX #E84653

RGB 232 70 83

HSL 355.19, 0.78%, 0.59%

LAB 54.2, 62.61, 29.29

 

CMYK 8 / 0 / 70 / 9

HEX #D5E845

RGB 213 232 69

HSL 66.99, 0.78%, 0.59%

LAB 88.11, -26.18, 72.74

 

CMYK 70 / 36 / 0 / 9

HEX #4594E8

RGB 69 148 232

HSL 210.92, 0.78%, 0.59%

LAB 60.13, 2.98, -49.47

 

CMYK 0 / 70 / 64 / 9

HEX #E84653

RGB 232 70 83

HSL 355.19, 0.78%, 0.59%

LAB 54.2, 62.61, 29.29

 

CMYK 65 / 0 / 70 / 9

HEX #52E845

RGB 82 232 69

HSL 115.21, 0.78%, 0.59%

LAB 81.8, -68.7, 64.34

 

CMYK 70 / 65 / 0 / 9

HEX #4552E8

RGB 69 82 232

HSL 235.21, 0.78%, 0.59%

LAB 42.95, 43.47, -77.18

 

CMYK 0 / 70 / 64 / 9

HEX #E84653

RGB 232 70 83

HSL 355.19, 0.78%, 0.59%

LAB 54.2, 62.61, 29.29

 

CMYK 8 / 0 / 70 / 9

HEX #D5E845

RGB 213 232 69

HSL 66.99, 0.78%, 0.59%

LAB 88.11, -26.18, 72.74

 

CMYK 70 / 0 / 6 / 9

HEX #45E8DA

RGB 69 232 218

HSL 174.85, 0.78%, 0.59%

LAB 83.99, -44.29, -5.31

 

CMYK 62 / 70 / 0 / 9

HEX #5845E8

RGB 88 69 232

HSL 246.99, 0.78%, 0.59%

LAB 41.46, 53.22, -79.57

 

CMYK 0 / 70 / 64 / 9

HEX #E84653

RGB 232 70 83

HSL 355.19, 0.78%, 0.59%

LAB 54.2, 62.61, 29.29

 

CMYK 29 / 0 / 70 / 9

HEX #A4E845

RGB 164 232 69

HSL 85.03, 0.78%, 0.59%

LAB 85.01, -45.02, 68.64

 

CMYK 70 / 0 / 6 / 9

HEX #45E8DA

RGB 69 232 218

HSL 174.85, 0.78%, 0.59%

LAB 83.99, -44.29, -5.31

 

CMYK 41 / 70 / 0 / 9

HEX #8945E8

RGB 137 69 232

HSL 265.03, 0.78%, 0.59%

LAB 46.18, 60.71, -71.67

 

Description

Color code: HEX #E84653 | qconv.com Color code: HEX #E84653 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 70 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 70 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 64 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 64% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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