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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E84547 it is the complementary color #17BAB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E84547. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E84547 shade: #ED4542, #FE5755, #FF6968, #FF7B7B and #FF8D8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E84547. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E84547 shade: #E84547, #D73334, #C62121, #B50F0E and #A40000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E84547 shade: #E84547 and #E84545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E84547 shade: #E84547, #E84573, #E8459F, #E845CB and #D945E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E84547 shade matches the following richer shades: #E84547 and #F93436

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E84547 shade: #E84547, #D75657, #C66768, #B57878 and #A48989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E84547 shade: #E8459F, #E84573, #E84548, #E86E45 and #E89945

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E84547 shade: #C2181A, #E32023, #E84547, #ED6A6B and #F18E90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E84547 shade: #E84547, #CAE845 and #4589E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E84547 shade: #E84547, #48E845 and #4548E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E84547 shade: #E84547, #CAE845, #45E8E5 and #6345E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E84547 shade: #E84547, #99E845, #45E8E5 and #9445E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 69 / 9

HEX #E84547

RGB 232 69 71

HSL 359.26, 0.78%, 0.59%

LAB 53.89, 62.35, 35.84

 

Complementary color

CMYK 88 / 0 / 1 / 27

HEX #17BAB8

RGB 23 186 184

HSL 179.26, 0.78%, 0.41%

LAB 68.58, -37.65, -9.93

 

CMYK 0 / 71 / 72 / 7

HEX #ED4542

RGB 237 69 66

HSL 1.05, 0.83%, 0.59%

LAB 54.71, 63.66, 39.86

 

CMYK 0 / 66 / 67 / 0

HEX #FE5755

RGB 254 87 85

HSL 0.71, 0.99%, 0.66%

LAB 60.38, 63.13, 36.64

 

CMYK 0 / 59 / 59 / 0

HEX #FF6968

RGB 255 105 104

HSL 0.4, 1%, 0.7%

LAB 63.64, 57.06, 30.1

 

CMYK 0 / 52 / 52 / 0

HEX #FF7B7B

RGB 255 123 123

HSL 0, 1%, 0.74%

LAB 67.17, 50.19, 24.08

 

CMYK 0 / 45 / 44 / 0

HEX #FF8D8E

RGB 255 141 142

HSL 359.47, 1%, 0.78%

LAB 71.05, 43.06, 18.78

 

CMYK 0 / 70 / 69 / 9

HEX #E84547

RGB 232 69 71

HSL 359.26, 0.78%, 0.59%

LAB 53.89, 62.35, 35.84

 

CMYK 0 / 76 / 76 / 16

HEX #D73334

RGB 215 51 52

HSL 359.63, 0.67%, 0.52%

LAB 48.34, 62.46, 39.45

 

CMYK 0 / 83 / 83 / 22

HEX #C62121

RGB 198 33 33

HSL 0, 0.71%, 0.45%

LAB 43.07, 61.9, 43.4

 

CMYK 0 / 92 / 92 / 29

HEX #B50F0E

RGB 181 15 14

HSL 0.36, 0.86%, 0.38%

LAB 38.19, 60.32, 46.96

 

CMYK 0 / 100 / 100 / 36

HEX #A40000

RGB 164 0 0

HSL 0, 1%, 0.32%

LAB 33.76, 57.57, 47.96

 

CMYK 0 / 70 / 69 / 9

HEX #E84547

RGB 232 69 71

HSL 359.26, 0.78%, 0.59%

LAB 53.89, 62.35, 35.84

 

CMYK 0 / 70 / 70 / 9

HEX #E84545

RGB 232 69 69

HSL 0, 0.78%, 0.59%

LAB 53.86, 62.25, 36.95

 

CMYK 0 / 70 / 69 / 9

HEX #E84547

RGB 232 69 71

HSL 359.26, 0.78%, 0.59%

LAB 53.89, 62.35, 35.84

 

CMYK 0 / 70 / 50 / 9

HEX #E84573

RGB 232 69 115

HSL 343.07, 0.78%, 0.59%

LAB 54.71, 65.17, 11.02

 

CMYK 0 / 70 / 31 / 9

HEX #E8459F

RGB 232 69 159

HSL 326.87, 0.78%, 0.59%

LAB 56, 69.47, -13.15

 

CMYK 0 / 70 / 13 / 9

HEX #E845CB

RGB 232 69 203

HSL 310.67, 0.78%, 0.59%

LAB 57.77, 75.1, -35.88

 

CMYK 6 / 70 / 0 / 9

HEX #D945E8

RGB 217 69 232

HSL 294.48, 0.78%, 0.59%

LAB 56.91, 76.31, -53.81

 

CMYK 0 / 70 / 69 / 9

HEX #E84547

RGB 232 69 71

HSL 359.26, 0.78%, 0.59%

LAB 53.89, 62.35, 35.84

 

CMYK 0 / 79 / 78 / 2

HEX #F93436

RGB 249 52 54

HSL 359.39, 0.94%, 0.59%

LAB 54.93, 71.94, 47.28

 

CMYK 0 / 70 / 69 / 9

HEX #E84547

RGB 232 69 71

HSL 359.26, 0.78%, 0.59%

LAB 53.89, 62.35, 35.84

 

CMYK 0 / 60 / 60 / 16

HEX #D75657

RGB 215 86 87

HSL 359.53, 0.62%, 0.59%

LAB 53.8, 50.8, 25.87

 

CMYK 0 / 48 / 47 / 22

HEX #C66768

RGB 198 103 104

HSL 359.37, 0.45%, 0.59%

LAB 54.77, 37.79, 16.77

 

CMYK 0 / 34 / 34 / 29

HEX #B57878

RGB 181 120 120

HSL 0, 0.29%, 0.59%

LAB 56.7, 23.89, 9.82

 

CMYK 0 / 16 / 16 / 36

HEX #A48989

RGB 164 137 137

HSL 0, 0.13%, 0.59%

LAB 59.52, 10.22, 3.82

 

CMYK 0 / 70 / 31 / 9

HEX #E8459F

RGB 232 69 159

HSL 326.87, 0.78%, 0.59%

LAB 56, 69.47, -13.15

 

CMYK 0 / 70 / 50 / 9

HEX #E84573

RGB 232 69 115

HSL 343.07, 0.78%, 0.59%

LAB 54.71, 65.17, 11.02

 

CMYK 0 / 70 / 69 / 9

HEX #E84548

RGB 232 69 72

HSL 358.9, 0.78%, 0.59%

LAB 53.9, 62.39, 35.29

 

CMYK 0 / 53 / 70 / 9

HEX #E86E45

RGB 232 110 69

HSL 15.09, 0.78%, 0.59%

LAB 60.55, 44.52, 44.63

 

CMYK 0 / 34 / 70 / 9

HEX #E89945

RGB 232 153 69

HSL 30.92, 0.78%, 0.59%

LAB 69.73, 22.3, 54.63

 

CMYK 0 / 88 / 87 / 24

HEX #C2181A

RGB 194 24 26

HSL 359.29, 0.78%, 0.43%

LAB 41.53, 62.53, 45.28

 

CMYK 0 / 86 / 85 / 11

HEX #E32023

RGB 227 32 35

HSL 359.08, 0.78%, 0.51%

LAB 48.87, 70.04, 49.78

 

CMYK 0 / 70 / 69 / 9

HEX #E84547

RGB 232 69 71

HSL 359.26, 0.78%, 0.59%

LAB 53.89, 62.35, 35.84

 

CMYK 0 / 55 / 55 / 7

HEX #ED6A6B

RGB 237 106 107

HSL 359.54, 0.78%, 0.67%

LAB 61.11, 50.67, 24.57

 

CMYK 0 / 41 / 40 / 5

HEX #F18E90

RGB 241 142 144

HSL 358.79, 0.78%, 0.75%

LAB 69.51, 37.67, 15.26

 

CMYK 0 / 70 / 69 / 9

HEX #E84547

RGB 232 69 71

HSL 359.26, 0.78%, 0.59%

LAB 53.89, 62.35, 35.84

 

CMYK 13 / 0 / 70 / 9

HEX #CAE845

RGB 202 232 69

HSL 71.04, 0.78%, 0.59%

LAB 87.34, -30.58, 71.73

 

CMYK 70 / 41 / 0 / 9

HEX #4589E8

RGB 69 137 232

HSL 214.97, 0.78%, 0.59%

LAB 57.06, 9.52, -54.36

 

CMYK 0 / 70 / 69 / 9

HEX #E84547

RGB 232 69 71

HSL 359.26, 0.78%, 0.59%

LAB 53.89, 62.35, 35.84

 

CMYK 69 / 0 / 70 / 9

HEX #48E845

RGB 72 232 69

HSL 118.9, 0.78%, 0.59%

LAB 81.58, -70.58, 64.03

 

CMYK 70 / 69 / 0 / 9

HEX #4548E8

RGB 69 72 232

HSL 238.9, 0.78%, 0.59%

LAB 40.78, 49.34, -80.75

 

CMYK 0 / 70 / 69 / 9

HEX #E84547

RGB 232 69 71

HSL 359.26, 0.78%, 0.59%

LAB 53.89, 62.35, 35.84

 

CMYK 13 / 0 / 70 / 9

HEX #CAE845

RGB 202 232 69

HSL 71.04, 0.78%, 0.59%

LAB 87.34, -30.58, 71.73

 

CMYK 70 / 0 / 1 / 9

HEX #45E8E5

RGB 69 232 229

HSL 178.9, 0.78%, 0.59%

LAB 84.3, -41.31, -10.66

 

CMYK 57 / 70 / 0 / 9

HEX #6345E8

RGB 99 69 232

HSL 251.04, 0.78%, 0.59%

LAB 42.36, 54.69, -78.06

 

CMYK 0 / 70 / 69 / 9

HEX #E84547

RGB 232 69 71

HSL 359.26, 0.78%, 0.59%

LAB 53.89, 62.35, 35.84

 

CMYK 34 / 0 / 70 / 9

HEX #99E845

RGB 153 232 69

HSL 89.08, 0.78%, 0.59%

LAB 84.44, -48.89, 67.87

 

CMYK 70 / 0 / 1 / 9

HEX #45E8E5

RGB 69 232 229

HSL 178.9, 0.78%, 0.59%

LAB 84.3, -41.31, -10.66

 

CMYK 36 / 70 / 0 / 9

HEX #9445E8

RGB 148 69 232

HSL 269.08, 0.78%, 0.59%

LAB 47.47, 62.68, -69.51

 

Description

Color code: HEX #E84547 | qconv.com Color code: HEX #E84547 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 69 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 69 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 69 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 69% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - rentIT - the eventIT...
Link: http://rentit.hu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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