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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E830D1 it is the complementary color #17CF2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E830D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E830D1 shade: #ED30CC, #FE42DF, #FF54F2, #FF66FF and #FF78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E830D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E830D1 shade: #E830D1, #D71EBE, #C60CAB, #B50098 and #A40085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E830D1 shade: #E830D1, #E830A0, #E8306E, #E8303D and #E83030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E830D1 shade: #E830D1, #CD30E8, #9C30E8, #6A30E8 and #3930E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E830D1 shade matches the following richer shades: #E830D1 and #FB1EDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E830D1 shade: #E830D1, #D543C3, #C356B5, #B068A7 and #9E7B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E830D1 shade: #9C30E8, #CD30E8, #E830D3, #E830A2 and #E83071

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E830D1 shade: #B2149E, #D718BF, #E830D1, #EC56D9 and #F07BE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E830D1 shade: #E830D1, #E86B30 and #30E8B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E830D1 shade: #E830D1, #D3E830 and #30D3E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E830D1 shade: #E830D1, #E86B30, #30E846 and #30AEE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E830D1 shade: #E830D1, #E8A230, #30E846 and #3077E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 10 / 9

HEX #E830D1

RGB 232 48 209

HSL 307.5, 0.8%, 0.55%

LAB 55.96, 81.95, -42.16

 

Complementary color

CMYK 89 / 0 / 78 / 19

HEX #17CF2E

RGB 23 207 46

HSL 127.5, 0.8%, 0.45%

LAB 72.9, -70.87, 62.88

 

CMYK 0 / 80 / 14 / 7

HEX #ED30CC

RGB 237 48 204

HSL 310.48, 0.84%, 0.56%

LAB 56.56, 82.28, -38.29

 

CMYK 0 / 74 / 12 / 0

HEX #FE42DF

RGB 254 66 223

HSL 309.89, 0.99%, 0.63%

LAB 61.91, 83.71, -40.48

 

CMYK 0 / 67 / 5 / 0

HEX #FF54F2

RGB 255 84 242

HSL 304.56, 1%, 0.66%

LAB 64.97, 80.94, -46.25

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 79 / 10 / 9

HEX #E830D1

RGB 232 48 209

HSL 307.5, 0.8%, 0.55%

LAB 55.96, 81.95, -42.16

 

CMYK 0 / 86 / 12 / 16

HEX #D71EBE

RGB 215 30 190

HSL 308.11, 0.76%, 0.48%

LAB 50.8, 79.72, -39.55

 

CMYK 0 / 94 / 14 / 22

HEX #C60CAB

RGB 198 12 171

HSL 308.71, 0.89%, 0.41%

LAB 45.92, 76.43, -36.29

 

CMYK 0 / 100 / 16 / 29

HEX #B50098

RGB 181 0 152

HSL 309.61, 1%, 0.35%

LAB 41.36, 71.93, -32.3

 

CMYK 0 / 100 / 19 / 36

HEX #A40085

RGB 164 0 133

HSL 311.34, 1%, 0.32%

LAB 37.09, 66.28, -27.6

 

CMYK 0 / 79 / 10 / 9

HEX #E830D1

RGB 232 48 209

HSL 307.5, 0.8%, 0.55%

LAB 55.96, 81.95, -42.16

 

CMYK 0 / 79 / 31 / 9

HEX #E830A0

RGB 232 48 160

HSL 323.48, 0.8%, 0.55%

LAB 53.82, 75.85, -17.04

 

CMYK 0 / 79 / 53 / 9

HEX #E8306E

RGB 232 48 110

HSL 339.78, 0.8%, 0.55%

LAB 52.28, 71.26, 10.6

 

CMYK 0 / 79 / 74 / 9

HEX #E8303D

RGB 232 48 61

HSL 355.76, 0.8%, 0.55%

LAB 51.39, 68.52, 38.65

 

CMYK 0 / 79 / 79 / 9

HEX #E83030

RGB 232 48 48

HSL 0, 0.8%, 0.55%

LAB 51.25, 68.07, 45.69

 

CMYK 0 / 79 / 10 / 9

HEX #E830D1

RGB 232 48 209

HSL 307.5, 0.8%, 0.55%

LAB 55.96, 81.95, -42.16

 

CMYK 12 / 79 / 0 / 9

HEX #CD30E8

RGB 205 48 232

HSL 291.2, 0.8%, 0.55%

LAB 52.86, 80.36, -60.4

 

CMYK 33 / 79 / 0 / 9

HEX #9C30E8

RGB 156 48 232

HSL 275.22, 0.8%, 0.55%

LAB 45.65, 72.18, -72.44

 

CMYK 54 / 79 / 0 / 9

HEX #6A30E8

RGB 106 48 232

HSL 258.91, 0.8%, 0.55%

LAB 39.59, 65.36, -82.6

 

CMYK 75 / 79 / 0 / 9

HEX #3930E8

RGB 57 48 232

HSL 242.93, 0.8%, 0.55%

LAB 35.62, 60.93, -89.3

 

CMYK 0 / 79 / 10 / 9

HEX #E830D1

RGB 232 48 209

HSL 307.5, 0.8%, 0.55%

LAB 55.96, 81.95, -42.16

 

CMYK 0 / 88 / 11 / 2

HEX #FB1EDF

RGB 251 30 223

HSL 307.6, 0.97%, 0.55%

LAB 58.76, 90.78, -45.48

 

CMYK 0 / 79 / 10 / 9

HEX #E830D1

RGB 232 48 209

HSL 307.5, 0.8%, 0.55%

LAB 55.96, 81.95, -42.16

 

CMYK 0 / 69 / 8 / 16

HEX #D543C3

RGB 213 67 195

HSL 307.4, 0.63%, 0.55%

LAB 54.13, 70.19, -37.22

 

CMYK 0 / 56 / 7 / 24

HEX #C356B5

RGB 195 86 181

HSL 307.71, 0.48%, 0.55%

LAB 53.59, 55.57, -30.17

 

CMYK 0 / 41 / 5 / 31

HEX #B068A7

RGB 176 104 167

HSL 307.5, 0.31%, 0.55%

LAB 53.94, 38.31, -21.71

 

CMYK 0 / 22 / 3 / 38

HEX #9E7B99

RGB 158 123 153

HSL 308.57, 0.15%, 0.55%

LAB 55.82, 18.84, -10.92

 

CMYK 33 / 79 / 0 / 9

HEX #9C30E8

RGB 156 48 232

HSL 275.22, 0.8%, 0.55%

LAB 45.65, 72.18, -72.44

 

CMYK 12 / 79 / 0 / 9

HEX #CD30E8

RGB 205 48 232

HSL 291.2, 0.8%, 0.55%

LAB 52.86, 80.36, -60.4

 

CMYK 0 / 79 / 9 / 9

HEX #E830D3

RGB 232 48 211

HSL 306.85, 0.8%, 0.55%

LAB 56.06, 82.22, -43.14

 

CMYK 0 / 79 / 30 / 9

HEX #E830A2

RGB 232 48 162

HSL 322.83, 0.8%, 0.55%

LAB 53.9, 76.07, -18.1

 

CMYK 0 / 79 / 51 / 9

HEX #E83071

RGB 232 48 113

HSL 338.8, 0.8%, 0.55%

LAB 52.36, 71.48, 8.9

 

CMYK 0 / 89 / 11 / 30

HEX #B2149E

RGB 178 20 158

HSL 307.59, 0.8%, 0.39%

LAB 41.9, 69.87, -35.12

 

CMYK 0 / 89 / 11 / 16

HEX #D718BF

RGB 215 24 191

HSL 307.54, 0.8%, 0.47%

LAB 50.53, 80.8, -40.56

 

CMYK 0 / 79 / 10 / 9

HEX #E830D1

RGB 232 48 209

HSL 307.5, 0.8%, 0.55%

LAB 55.96, 81.95, -42.16

 

CMYK 0 / 64 / 8 / 7

HEX #EC56D9

RGB 236 86 217

HSL 307.6, 0.8%, 0.63%

LAB 61.22, 71.98, -38.39

 

CMYK 0 / 49 / 6 / 6

HEX #F07BE2

RGB 240 123 226

HSL 307.18, 0.8%, 0.71%

LAB 68.15, 58.28, -32.57

 

CMYK 0 / 79 / 10 / 9

HEX #E830D1

RGB 232 48 209

HSL 307.5, 0.8%, 0.55%

LAB 55.96, 81.95, -42.16

 

CMYK 0 / 54 / 79 / 9

HEX #E86B30

RGB 232 107 48

HSL 19.24, 0.8%, 0.55%

LAB 59.78, 45.11, 54.05

 

CMYK 79 / 0 / 22 / 9

HEX #30E8B4

RGB 48 232 180

HSL 163.04, 0.8%, 0.55%

LAB 82.72, -56.16, 12.82

 

CMYK 0 / 79 / 10 / 9

HEX #E830D1

RGB 232 48 209

HSL 307.5, 0.8%, 0.55%

LAB 55.96, 81.95, -42.16

 

CMYK 9 / 0 / 79 / 9

HEX #D3E830

RGB 211 232 48

HSL 66.85, 0.8%, 0.55%

LAB 87.86, -27.87, 78.89

 

CMYK 79 / 9 / 0 / 9

HEX #30D3E8

RGB 48 211 232

HSL 186.85, 0.8%, 0.55%

LAB 77.9, -32.95, -21.91

 

CMYK 0 / 79 / 10 / 9

HEX #E830D1

RGB 232 48 209

HSL 307.5, 0.8%, 0.55%

LAB 55.96, 81.95, -42.16

 

CMYK 0 / 54 / 79 / 9

HEX #E86B30

RGB 232 107 48

HSL 19.24, 0.8%, 0.55%

LAB 59.78, 45.11, 54.05

 

CMYK 79 / 0 / 70 / 9

HEX #30E846

RGB 48 232 70

HSL 127.17, 0.8%, 0.55%

LAB 81.17, -74.01, 63.12

 

CMYK 79 / 25 / 0 / 9

HEX #30AEE8

RGB 48 174 232

HSL 198.91, 0.8%, 0.55%

LAB 67.07, -14.19, -38.59

 

CMYK 0 / 79 / 10 / 9

HEX #E830D1

RGB 232 48 209

HSL 307.5, 0.8%, 0.55%

LAB 55.96, 81.95, -42.16

 

CMYK 0 / 30 / 79 / 9

HEX #E8A230

RGB 232 162 48

HSL 37.17, 0.8%, 0.55%

LAB 71.7, 16.63, 65.15

 

CMYK 79 / 0 / 70 / 9

HEX #30E846

RGB 48 232 70

HSL 127.17, 0.8%, 0.55%

LAB 81.17, -74.01, 63.12

 

CMYK 79 / 49 / 0 / 9

HEX #3077E8

RGB 48 119 232

HSL 216.85, 0.8%, 0.55%

LAB 51.44, 18.08, -63.41

 

Description

Color code: HEX #E830D1 | qconv.com Color code: HEX #E830D1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 48 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 48 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 10 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 10% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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