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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E82CE2 it is the complementary color #17D31D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E82CE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E82CE2 shade: #ED2CDD, #FE3EF0, #FF50FF, #FF62FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E82CE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E82CE2 shade: #E82CE2, #D71ACF, #C608BC, #B500A9 and #A40096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E82CE2 shade: #E82CE2, #E82CAF, #E82C7C, #E82C4A and #E82C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E82CE2 shade: #E82CE2, #BB2CE8, #882CE8, #562CE8 and #2C2CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E82CE2 shade matches the following richer shades: #E82CE2 and #FB19F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E82CE2 shade: #E82CE2, #D53FD0, #C252BE, #AF65AC and #9C789A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E82CE2 shade: #872CE8, #B92CE8, #E82CE4, #E82CB2 and #E82C80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E82CE2 shade: #AE13A9, #D317CD, #E82CE2, #EC51E7 and #F076EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E82CE2 shade: #E82CE2, #E8552C and #2CE8A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E82CE2 shade: #E82CE2, #E4E82C and #2CE4E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E82CE2 shade: #E82CE2, #E8552C, #2CE82F and #2CBFE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E82CE2 shade: #E82CE2, #E88D2C, #2CE82F and #2C87E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 3 / 9

HEX #E82CE2

RGB 232 44 226

HSL 301.91, 0.8%, 0.54%

LAB 56.53, 85.27, -50.9

 

Complementary color

CMYK 89 / 0 / 86 / 17

HEX #17D31D

RGB 23 211 29

HSL 121.91, 0.8%, 0.46%

LAB 74.1, -72.91, 68.39

 

CMYK 0 / 81 / 7 / 7

HEX #ED2CDD

RGB 237 44 221

HSL 304.97, 0.84%, 0.55%

LAB 57.1, 85.49, -47.12

 

CMYK 0 / 76 / 6 / 0

HEX #FE3EF0

RGB 254 62 240

HSL 304.38, 0.99%, 0.62%

LAB 62.34, 87.19, -49.3

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 81 / 3 / 9

HEX #E82CE2

RGB 232 44 226

HSL 301.91, 0.8%, 0.54%

LAB 56.53, 85.27, -50.9

 

CMYK 0 / 88 / 4 / 16

HEX #D71ACF

RGB 215 26 207

HSL 302.54, 0.78%, 0.47%

LAB 51.49, 82.73, -48.29

 

CMYK 0 / 96 / 5 / 22

HEX #C608BC

RGB 198 8 188

HSL 303.16, 0.92%, 0.4%

LAB 46.72, 79.1, -45.03

 

CMYK 0 / 100 / 7 / 29

HEX #B500A9

RGB 181 0 169

HSL 303.98, 1%, 0.35%

LAB 42.29, 74.23, -41.05

 

CMYK 0 / 100 / 9 / 36

HEX #A40096

RGB 164 0 150

HSL 305.12, 1%, 0.32%

LAB 38.01, 68.57, -36.59

 

CMYK 0 / 81 / 3 / 9

HEX #E82CE2

RGB 232 44 226

HSL 301.91, 0.8%, 0.54%

LAB 56.53, 85.27, -50.9

 

CMYK 0 / 81 / 25 / 9

HEX #E82CAF

RGB 232 44 175

HSL 318.19, 0.8%, 0.54%

LAB 54.08, 78.51, -25.45

 

CMYK 0 / 81 / 47 / 9

HEX #E82C7C

RGB 232 44 124

HSL 334.47, 0.8%, 0.54%

LAB 52.3, 73.35, 2.18

 

CMYK 0 / 81 / 68 / 9

HEX #E82C4A

RGB 232 44 74

HSL 350.43, 0.8%, 0.54%

LAB 51.21, 70.09, 30.85

 

CMYK 0 / 81 / 81 / 9

HEX #E82C2C

RGB 232 44 44

HSL 0, 0.8%, 0.54%

LAB 50.85, 68.98, 47.41

 

CMYK 0 / 81 / 3 / 9

HEX #E82CE2

RGB 232 44 226

HSL 301.91, 0.8%, 0.54%

LAB 56.53, 85.27, -50.9

 

CMYK 19 / 81 / 0 / 9

HEX #BB2CE8

RGB 187 44 232

HSL 285.64, 0.8%, 0.54%

LAB 49.73, 78.32, -65.6

 

CMYK 41 / 81 / 0 / 9

HEX #882CE8

RGB 136 44 232

HSL 269.36, 0.8%, 0.54%

LAB 42.55, 70.59, -77.6

 

CMYK 63 / 81 / 0 / 9

HEX #562CE8

RGB 86 44 232

HSL 253.4, 0.8%, 0.54%

LAB 37.13, 64.91, -86.73

 

CMYK 81 / 81 / 0 / 9

HEX #2C2CE8

RGB 44 44 232

HSL 240, 0.8%, 0.54%

LAB 34.32, 62.05, -91.47

 

CMYK 0 / 81 / 3 / 9

HEX #E82CE2

RGB 232 44 226

HSL 301.91, 0.8%, 0.54%

LAB 56.53, 85.27, -50.9

 

CMYK 0 / 90 / 3 / 2

HEX #FB19F3

RGB 251 25 243

HSL 302.12, 0.97%, 0.54%

LAB 59.59, 94.1, -55.37

 

CMYK 0 / 81 / 3 / 9

HEX #E82CE2

RGB 232 44 226

HSL 301.91, 0.8%, 0.54%

LAB 56.53, 85.27, -50.9

 

CMYK 0 / 70 / 2 / 16

HEX #D53FD0

RGB 213 63 208

HSL 302, 0.64%, 0.54%

LAB 54.3, 73.57, -44.42

 

CMYK 0 / 58 / 2 / 24

HEX #C252BE

RGB 194 82 190

HSL 302.14, 0.48%, 0.54%

LAB 53.19, 58.64, -36.02

 

CMYK 0 / 42 / 2 / 31

HEX #AF65AC

RGB 175 101 172

HSL 302.43, 0.32%, 0.54%

LAB 53.38, 40.52, -25.49

 

CMYK 0 / 23 / 1 / 39

HEX #9C789A

RGB 156 120 154

HSL 303.33, 0.15%, 0.54%

LAB 54.9, 20.04, -12.9

 

CMYK 42 / 81 / 0 / 9

HEX #872CE8

RGB 135 44 232

HSL 269.04, 0.8%, 0.54%

LAB 42.43, 70.46, -77.81

 

CMYK 20 / 81 / 0 / 9

HEX #B92CE8

RGB 185 44 232

HSL 285, 0.8%, 0.54%

LAB 49.43, 77.99, -66.1

 

CMYK 0 / 81 / 2 / 9

HEX #E82CE4

RGB 232 44 228

HSL 301.28, 0.8%, 0.54%

LAB 56.64, 85.56, -51.85

 

CMYK 0 / 81 / 23 / 9

HEX #E82CB2

RGB 232 44 178

HSL 317.23, 0.8%, 0.54%

LAB 54.21, 78.86, -27.01

 

CMYK 0 / 81 / 45 / 9

HEX #E82C80

RGB 232 44 128

HSL 333.19, 0.8%, 0.54%

LAB 52.42, 73.69, -0.07

 

CMYK 0 / 89 / 3 / 32

HEX #AE13A9

RGB 174 19 169

HSL 301.94, 0.8%, 0.38%

LAB 41.73, 70.86, -42.01

 

CMYK 0 / 89 / 3 / 17

HEX #D317CD

RGB 211 23 205

HSL 301.91, 0.8%, 0.46%

LAB 50.53, 82.17, -48.69

 

CMYK 0 / 81 / 3 / 9

HEX #E82CE2

RGB 232 44 226

HSL 301.91, 0.8%, 0.54%

LAB 56.53, 85.27, -50.9

 

CMYK 0 / 66 / 2 / 7

HEX #EC51E7

RGB 236 81 231

HSL 301.94, 0.8%, 0.62%

LAB 61.21, 76.03, -46.26

 

CMYK 0 / 51 / 2 / 6

HEX #F076EC

RGB 240 118 236

HSL 301.97, 0.8%, 0.7%

LAB 67.68, 62.32, -38.84

 

CMYK 0 / 81 / 3 / 9

HEX #E82CE2

RGB 232 44 226

HSL 301.91, 0.8%, 0.54%

LAB 56.53, 85.27, -50.9

 

CMYK 0 / 63 / 81 / 9

HEX #E8552C

RGB 232 85 44

HSL 13.09, 0.8%, 0.54%

LAB 55.92, 55.01, 52.22

 

CMYK 81 / 0 / 31 / 9

HEX #2CE8A0

RGB 44 232 160

HSL 157.02, 0.8%, 0.54%

LAB 82.26, -60.98, 22.59

 

CMYK 0 / 81 / 3 / 9

HEX #E82CE2

RGB 232 44 226

HSL 301.91, 0.8%, 0.54%

LAB 56.53, 85.27, -50.9

 

CMYK 2 / 0 / 81 / 9

HEX #E4E82C

RGB 228 232 44

HSL 61.28, 0.8%, 0.54%

LAB 89.11, -21.04, 81.46

 

CMYK 81 / 2 / 0 / 9

HEX #2CE4E8

RGB 44 228 232

HSL 181.28, 0.8%, 0.54%

LAB 82.83, -41.13, -14.47

 

CMYK 0 / 81 / 3 / 9

HEX #E82CE2

RGB 232 44 226

HSL 301.91, 0.8%, 0.54%

LAB 56.53, 85.27, -50.9

 

CMYK 0 / 63 / 81 / 9

HEX #E8552C

RGB 232 85 44

HSL 13.09, 0.8%, 0.54%

LAB 55.92, 55.01, 52.22

 

CMYK 81 / 0 / 80 / 9

HEX #2CE82F

RGB 44 232 47

HSL 120.96, 0.8%, 0.54%

LAB 80.99, -76.09, 70.36

 

CMYK 81 / 18 / 0 / 9

HEX #2CBFE8

RGB 44 191 232

HSL 193.09, 0.8%, 0.54%

LAB 71.98, -23.45, -30.99

 

CMYK 0 / 81 / 3 / 9

HEX #E82CE2

RGB 232 44 226

HSL 301.91, 0.8%, 0.54%

LAB 56.53, 85.27, -50.9

 

CMYK 0 / 39 / 81 / 9

HEX #E88D2C

RGB 232 141 44

HSL 30.96, 0.8%, 0.54%

LAB 66.81, 27.64, 62.18

 

CMYK 81 / 0 / 80 / 9

HEX #2CE82F

RGB 44 232 47

HSL 120.96, 0.8%, 0.54%

LAB 80.99, -76.09, 70.36

 

CMYK 81 / 42 / 0 / 9

HEX #2C87E8

RGB 44 135 232

HSL 210.96, 0.8%, 0.54%

LAB 55.78, 7.82, -56.45

 

Description

Color code: HEX #E82CE2 | qconv.com Color code: HEX #E82CE2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 44 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 44 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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