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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E82C5E it is the complementary color #17D3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E82C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E82C5E shade: #ED2C59, #FE3E6C, #FF507F, #FF6292 and #FF74A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E82C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E82C5E shade: #E82C5E, #D71A4B, #C60838, #B50025 and #A40012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E82C5E shade: #E82C5E and #E82C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E82C5E shade: #E82C5E, #E82C90, #E82CC3, #D92CE8 and #A72CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E82C5E shade matches the following richer shades: #E82C5E and #FB1955

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E82C5E shade: #E82C5E, #D53F67, #C25270, #AF6578 and #9C7881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E82C5E shade: #E82CC2, #E82C90, #E82C5E, #E82C2C and #E85E2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E82C5E shade: #AE133C, #D31749, #E82C5E, #EC517A and #F07696

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E82C5E shade: #E82C5E, #E8DB2C and #2CA9E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E82C5E shade: #E82C5E, #5EE82C and #2C5EE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E82C5E shade: #E82C5E, #E8DB2C, #2CE8B5 and #2C38E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E82C5E shade: #E82C5E, #BCE82C, #2CE8B5 and #582CE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

Complementary color

CMYK 89 / 0 / 24 / 17

HEX #17D3A1

RGB 23 211 161

HSL 164.04, 0.8%, 0.46%

LAB 75.66, -54.37, 12.85

 

CMYK 0 / 81 / 62 / 7

HEX #ED2C59

RGB 237 44 89

HSL 346.01, 0.84%, 0.55%

LAB 52.43, 72.19, 23.63

 

CMYK 0 / 76 / 57 / 0

HEX #FE3E6C

RGB 254 62 108

HSL 345.63, 0.99%, 0.62%

LAB 57.65, 73.09, 19.85

 

CMYK 0 / 69 / 50 / 0

HEX #FF507F

RGB 255 80 127

HSL 343.89, 1%, 0.66%

LAB 60.36, 68.85, 12.45

 

CMYK 0 / 62 / 43 / 0

HEX #FF6292

RGB 255 98 146

HSL 341.66, 1%, 0.69%

LAB 63.4, 63.51, 5.74

 

CMYK 0 / 55 / 35 / 0

HEX #FF74A5

RGB 255 116 165

HSL 338.85, 1%, 0.73%

LAB 66.88, 57.6, -0.08

 

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

CMYK 0 / 88 / 65 / 16

HEX #D71A4B

RGB 215 26 75

HSL 344.44, 0.78%, 0.47%

LAB 46.57, 69.46, 23.69

 

CMYK 0 / 96 / 72 / 22

HEX #C60838

RGB 198 8 56

HSL 344.84, 0.92%, 0.4%

LAB 41.95, 66.66, 28.88

 

CMYK 0 / 100 / 80 / 29

HEX #B50025

RGB 181 0 37

HSL 347.73, 1%, 0.35%

LAB 37.77, 62.59, 34.74

 

CMYK 0 / 100 / 89 / 36

HEX #A40012

RGB 164 0 18

HSL 353.41, 1%, 0.32%

LAB 33.85, 57.83, 40.34

 

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

CMYK 0 / 81 / 81 / 9

HEX #E82C2C

RGB 232 44 44

HSL 0, 0.8%, 0.54%

LAB 50.85, 68.98, 47.41

 

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

CMYK 0 / 81 / 38 / 9

HEX #E82C90

RGB 232 44 144

HSL 328.09, 0.8%, 0.54%

LAB 52.92, 75.16, -8.91

 

CMYK 0 / 81 / 16 / 9

HEX #E82CC3

RGB 232 44 195

HSL 311.81, 0.8%, 0.54%

LAB 54.97, 80.99, -35.69

 

CMYK 6 / 81 / 0 / 9

HEX #D92CE8

RGB 217 44 232

HSL 295.21, 0.8%, 0.54%

LAB 54.43, 83.46, -57.79

 

CMYK 28 / 81 / 0 / 9

HEX #A72CE8

RGB 167 44 232

HSL 279.26, 0.8%, 0.54%

LAB 46.77, 75.11, -70.54

 

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

CMYK 0 / 90 / 66 / 2

HEX #FB1955

RGB 251 25 85

HSL 344.07, 0.97%, 0.54%

LAB 53.88, 78.94, 28.44

 

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

CMYK 0 / 70 / 52 / 16

HEX #D53F67

RGB 213 63 103

HSL 344, 0.64%, 0.54%

LAB 50.31, 60.8, 11.57

 

CMYK 0 / 58 / 42 / 24

HEX #C25270

RGB 194 82 112

HSL 343.93, 0.48%, 0.54%

LAB 50.3, 47.65, 5.68

 

CMYK 0 / 42 / 31 / 31

HEX #AF6578

RGB 175 101 120

HSL 344.59, 0.32%, 0.54%

LAB 51.58, 32.11, 2.4

 

CMYK 0 / 23 / 17 / 39

HEX #9C7881

RGB 156 120 129

HSL 345, 0.15%, 0.54%

LAB 54.12, 15.5, 0.51

 

CMYK 0 / 81 / 16 / 9

HEX #E82CC2

RGB 232 44 194

HSL 312.13, 0.8%, 0.54%

LAB 54.92, 80.86, -35.18

 

CMYK 0 / 81 / 38 / 9

HEX #E82C90

RGB 232 44 144

HSL 328.09, 0.8%, 0.54%

LAB 52.92, 75.16, -8.91

 

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

CMYK 0 / 81 / 81 / 9

HEX #E82C2C

RGB 232 44 44

HSL 0, 0.8%, 0.54%

LAB 50.85, 68.98, 47.41

 

CMYK 0 / 59 / 81 / 9

HEX #E85E2C

RGB 232 94 44

HSL 15.96, 0.8%, 0.54%

LAB 57.41, 51.07, 53.61

 

CMYK 0 / 89 / 66 / 32

HEX #AE133C

RGB 174 19 60

HSL 344.13, 0.8%, 0.38%

LAB 37.46, 59.34, 19.67

 

CMYK 0 / 89 / 65 / 17

HEX #D31749

RGB 211 23 73

HSL 344.04, 0.8%, 0.46%

LAB 45.56, 68.84, 23.45

 

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

CMYK 0 / 66 / 48 / 7

HEX #EC517A

RGB 236 81 122

HSL 344.13, 0.8%, 0.62%

LAB 57.19, 62.44, 10.46

 

CMYK 0 / 51 / 38 / 6

HEX #F07696

RGB 240 118 150

HSL 344.26, 0.8%, 0.7%

LAB 64.71, 50.05, 5.04

 

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

CMYK 0 / 6 / 81 / 9

HEX #E8DB2C

RGB 232 219 44

HSL 55.85, 0.8%, 0.54%

LAB 86.01, -13.01, 78.94

 

CMYK 81 / 27 / 0 / 9

HEX #2CA9E8

RGB 44 169 232

HSL 200.11, 0.8%, 0.54%

LAB 65.54, -11.84, -40.98

 

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

CMYK 59 / 0 / 81 / 9

HEX #5EE82C

RGB 94 232 44

HSL 104.04, 0.8%, 0.54%

LAB 81.99, -67.68, 72.45

 

CMYK 81 / 59 / 0 / 9

HEX #2C5EE8

RGB 44 94 232

HSL 224.04, 0.8%, 0.54%

LAB 44.75, 33.56, -74.27

 

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

CMYK 0 / 6 / 81 / 9

HEX #E8DB2C

RGB 232 219 44

HSL 55.85, 0.8%, 0.54%

LAB 86.01, -13.01, 78.94

 

CMYK 81 / 0 / 22 / 9

HEX #2CE8B5

RGB 44 232 181

HSL 163.72, 0.8%, 0.54%

LAB 82.69, -56.29, 12.25

 

CMYK 81 / 76 / 0 / 9

HEX #2C38E8

RGB 44 56 232

HSL 236.17, 0.8%, 0.54%

LAB 36.35, 56.18, -88.1

 

CMYK 0 / 81 / 59 / 9

HEX #E82C5E

RGB 232 44 94

HSL 344.04, 0.8%, 0.54%

LAB 51.57, 71.18, 19.31

 

CMYK 19 / 0 / 81 / 9

HEX #BCE82C

RGB 188 232 44

HSL 74.04, 0.8%, 0.54%

LAB 86.3, -37.18, 77.94

 

CMYK 81 / 0 / 22 / 9

HEX #2CE8B5

RGB 44 232 181

HSL 163.72, 0.8%, 0.54%

LAB 82.69, -56.29, 12.25

 

CMYK 62 / 81 / 0 / 9

HEX #582CE8

RGB 88 44 232

HSL 254.04, 0.8%, 0.54%

LAB 37.3, 65.1, -86.43

 

Description

Color code: HEX #E82C5E | qconv.com Color code: HEX #E82C5E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 44 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 44 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 59 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 59% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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