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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8291C it is the complementary color #17D6E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8291C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8291C shade: #ED2917, #FE3B2A, #FF4D3D, #FF5F50 and #FF7163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8291C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8291C shade: #E8291C, #D71709, #C60500, #B50000 and #A40000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8291C shade: #E9291C and #E91C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8291C shade: #E9291C, #E9601C, #E9971C, #E9CE1C and #CBE91C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8291C shade matches the following richer shades: #E9291C and #FD1707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8291C shade: #E9291C, #D43A30, #C04C44, #AC5E58 and #986F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8291C shade: #E91C7F, #E91C48, #E9261C, #E95C1C and #E9931C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8291C shade: #A21910, #C71F14, #E9291C, #EC4C41 and #F06F67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8291C shade: #E8291C, #B5E91C and #1C63E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8291C shade: #E8291C, #1CE926 and #261CE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8291C shade: #E8291C, #B5E91C, #1CDEE9 and #4F1CE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8291C shade: #E8291C, #78E91C, #1CDEE9 and #8C1CE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 88 / 9

HEX #E8291C

RGB 232 41 28

HSL 3.82, 0.82%, 0.51%

LAB 50.48, 69.35, 54.72

 

Complementary color

CMYK 90 / 6 / 0 / 11

HEX #17D6E3

RGB 23 214 227

HSL 183.82, 0.82%, 0.49%

LAB 78.36, -37.52, -18.57

 

CMYK 0 / 83 / 90 / 7

HEX #ED2917

RGB 237 41 23

HSL 5.05, 0.86%, 0.51%

LAB 51.44, 70.64, 57.86

 

CMYK 0 / 77 / 83 / 0

HEX #FE3B2A

RGB 254 59 42

HSL 4.81, 0.99%, 0.58%

LAB 56.45, 71.11, 55.09

 

CMYK 0 / 70 / 76 / 0

HEX #FF4D3D

RGB 255 77 61

HSL 4.95, 1%, 0.62%

LAB 58.89, 66.15, 48.05

 

CMYK 0 / 63 / 69 / 0

HEX #FF5F50

RGB 255 95 80

HSL 5.14, 1%, 0.66%

LAB 61.67, 59.97, 41

 

CMYK 0 / 56 / 61 / 0

HEX #FF7163

RGB 255 113 99

HSL 5.38, 1%, 0.69%

LAB 64.94, 53.12, 34.55

 

CMYK 0 / 82 / 88 / 9

HEX #E8291C

RGB 232 41 28

HSL 3.82, 0.82%, 0.51%

LAB 50.48, 69.35, 54.72

 

CMYK 0 / 89 / 96 / 16

HEX #D71709

RGB 215 23 9

HSL 4.08, 0.92%, 0.44%

LAB 45.74, 68.06, 56.73

 

CMYK 0 / 97 / 100 / 22

HEX #C60500

RGB 198 5 0

HSL 1.52, 1%, 0.39%

LAB 41.4, 65.72, 55.62

 

CMYK 0 / 100 / 100 / 29

HEX #B50000

RGB 181 0 0

HSL 0, 1%, 0.35%

LAB 37.52, 61.93, 51.94

 

CMYK 0 / 100 / 100 / 36

HEX #A40000

RGB 164 0 0

HSL 0, 1%, 0.32%

LAB 33.76, 57.57, 47.96

 

CMYK 0 / 82 / 88 / 9

HEX #E9291C

RGB 233 41 28

HSL 3.8, 0.82%, 0.51%

LAB 50.68, 69.62, 54.96

 

CMYK 0 / 88 / 88 / 9

HEX #E91C1C

RGB 233 28 28

HSL 0, 0.82%, 0.51%

LAB 49.78, 72.18, 54.28

 

CMYK 0 / 82 / 88 / 9

HEX #E9291C

RGB 233 41 28

HSL 3.8, 0.82%, 0.51%

LAB 50.68, 69.62, 54.96

 

CMYK 0 / 59 / 88 / 9

HEX #E9601C

RGB 233 96 28

HSL 19.9, 0.82%, 0.51%

LAB 57.82, 50.14, 60.4

 

CMYK 0 / 35 / 88 / 9

HEX #E9971C

RGB 233 151 28

HSL 36, 0.82%, 0.51%

LAB 69.14, 22.36, 69.17

 

CMYK 0 / 12 / 88 / 9

HEX #E9CE1C

RGB 233 206 28

HSL 52.1, 0.82%, 0.51%

LAB 82.67, -6.44, 79.79

 

CMYK 13 / 0 / 88 / 9

HEX #CBE91C

RGB 203 233 28

HSL 68.78, 0.82%, 0.51%

LAB 87.51, -32.12, 82.66

 

CMYK 0 / 82 / 88 / 9

HEX #E9291C

RGB 233 41 28

HSL 3.8, 0.82%, 0.51%

LAB 50.68, 69.62, 54.96

 

CMYK 0 / 91 / 97 / 1

HEX #FD1707

RGB 253 23 7

HSL 3.9, 0.98%, 0.51%

LAB 53.5, 77.75, 65.36

 

CMYK 0 / 82 / 88 / 9

HEX #E9291C

RGB 233 41 28

HSL 3.8, 0.82%, 0.51%

LAB 50.68, 69.62, 54.96

 

CMYK 0 / 73 / 77 / 17

HEX #D43A30

RGB 212 58 48

HSL 3.66, 0.66%, 0.51%

LAB 48.56, 59.11, 41.73

 

CMYK 0 / 60 / 65 / 25

HEX #C04C44

RGB 192 76 68

HSL 3.87, 0.5%, 0.51%

LAB 48, 46.06, 28.82

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E58

RGB 172 94 88

HSL 4.29, 0.34%, 0.51%

LAB 48.86, 31, 17.55

 

CMYK 0 / 27 / 29 / 40

HEX #986F6C

RGB 152 111 108

HSL 4.09, 0.18%, 0.51%

LAB 50.84, 15.81, 8.06

 

CMYK 0 / 88 / 45 / 9

HEX #E91C7F

RGB 233 28 127

HSL 331.02, 0.82%, 0.51%

LAB 51.48, 76.99, -0.81

 

CMYK 0 / 88 / 69 / 9

HEX #E91C48

RGB 233 28 72

HSL 347.12, 0.82%, 0.51%

LAB 50.24, 73.5, 30.9

 

CMYK 0 / 84 / 88 / 9

HEX #E9261C

RGB 233 38 28

HSL 2.93, 0.82%, 0.51%

LAB 50.44, 70.29, 54.78

 

CMYK 0 / 61 / 88 / 9

HEX #E95C1C

RGB 233 92 28

HSL 18.73, 0.82%, 0.51%

LAB 57.14, 51.94, 59.88

 

CMYK 0 / 37 / 88 / 9

HEX #E9931C

RGB 233 147 28

HSL 34.83, 0.82%, 0.51%

LAB 68.22, 24.48, 68.46

 

CMYK 0 / 85 / 90 / 36

HEX #A21910

RGB 162 25 16

HSL 3.7, 0.82%, 0.35%

LAB 34.83, 53.14, 41.86

 

CMYK 0 / 84 / 90 / 22

HEX #C71F14

RGB 199 31 20

HSL 3.69, 0.82%, 0.43%

LAB 43.02, 62.37, 49.61

 

CMYK 0 / 82 / 88 / 9

HEX #E9291C

RGB 233 41 28

HSL 3.8, 0.82%, 0.51%

LAB 50.68, 69.62, 54.96

 

CMYK 0 / 68 / 72 / 7

HEX #EC4C41

RGB 236 76 65

HSL 3.86, 0.82%, 0.59%

LAB 55.47, 60.72, 41.21

 

CMYK 0 / 54 / 57 / 6

HEX #F06F67

RGB 240 111 103

HSL 3.5, 0.82%, 0.67%

LAB 62.4, 49.05, 28.61

 

CMYK 0 / 82 / 88 / 9

HEX #E8291C

RGB 232 41 28

HSL 3.82, 0.82%, 0.51%

LAB 50.48, 69.35, 54.72

 

CMYK 22 / 0 / 88 / 9

HEX #B5E91C

RGB 181 233 28

HSL 75.22, 0.82%, 0.51%

LAB 86.1, -40.79, 80.93

 

CMYK 88 / 58 / 0 / 9

HEX #1C63E9

RGB 28 99 233

HSL 219.22, 0.82%, 0.51%

LAB 45.71, 29.66, -73.29

 

CMYK 0 / 82 / 88 / 9

HEX #E8291C

RGB 232 41 28

HSL 3.82, 0.82%, 0.51%

LAB 50.48, 69.35, 54.72

 

CMYK 88 / 0 / 84 / 9

HEX #1CE926

RGB 28 233 38

HSL 122.93, 0.82%, 0.51%

LAB 81.11, -78.25, 72.67

 

CMYK 84 / 88 / 0 / 9

HEX #261CE9

RGB 38 28 233

HSL 242.93, 0.82%, 0.51%

LAB 32.09, 68.34, -95.75

 

CMYK 0 / 82 / 88 / 9

HEX #E8291C

RGB 232 41 28

HSL 3.82, 0.82%, 0.51%

LAB 50.48, 69.35, 54.72

 

CMYK 22 / 0 / 88 / 9

HEX #B5E91C

RGB 181 233 28

HSL 75.22, 0.82%, 0.51%

LAB 86.1, -40.79, 80.93

 

CMYK 88 / 5 / 0 / 9

HEX #1CDEE9

RGB 28 222 233

HSL 183.22, 0.82%, 0.51%

LAB 80.95, -39.13, -17.86

 

CMYK 66 / 88 / 0 / 9

HEX #4F1CE9

RGB 79 28 233

HSL 254.93, 0.82%, 0.51%

LAB 34.75, 70.2, -91.25

 

CMYK 0 / 82 / 88 / 9

HEX #E8291C

RGB 232 41 28

HSL 3.82, 0.82%, 0.51%

LAB 50.48, 69.35, 54.72

 

CMYK 48 / 0 / 88 / 9

HEX #78E91C

RGB 120 233 28

HSL 93.07, 0.82%, 0.51%

LAB 83.1, -61.77, 77.21

 

CMYK 88 / 5 / 0 / 9

HEX #1CDEE9

RGB 28 222 233

HSL 183.22, 0.82%, 0.51%

LAB 80.95, -39.13, -17.86

 

CMYK 40 / 88 / 0 / 9

HEX #8C1CE9

RGB 140 28 233

HSL 272.78, 0.82%, 0.51%

LAB 41.67, 75.73, -79.59

 

Description

Color code: HEX #E8291C | qconv.com Color code: HEX #E8291C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 41 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 41 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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