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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8230F it is the complementary color #17DCF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8230F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8230F shade: #ED230A, #FE351D, #FF4730, #FF5943 and #FF6B56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8230F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8230F shade: #E8230F, #D71100, #C60000, #B50000 and #A40000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8230F shade: #E6230F and #E60F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8230F shade: #E6230F, #E65D0F, #E6970F, #E6D10F and #C1E60F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8230F shade matches the following richer shades: #E6230F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8230F shade: #E6230F, #D23322, #BF4336, #AB534A and #97635E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8230F shade: #E60F70, #E60F36, #E6210F, #E65A0F and #E6940F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8230F shade: #99170A, #BF1D0C, #E6230F, #F23F2C and #F46253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8230F shade: #E8230F, #A9E60F and #0F53E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8230F shade: #E8230F, #0FE621 and #210FE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8230F shade: #E8230F, #A9E60F, #0FD4E6 and #4C0FE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8230F shade: #E8230F, #68E60F, #0FD4E6 and #8C0FE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 94 / 9

HEX #E8230F

RGB 232 35 15

HSL 5.53, 0.88%, 0.48%

LAB 49.97, 70.47, 59.17

 

Complementary color

CMYK 90 / 8 / 0 / 6

HEX #17DCF0

RGB 23 220 240

HSL 185.53, 0.88%, 0.52%

LAB 80.55, -36.31, -22.18

 

CMYK 0 / 85 / 96 / 7

HEX #ED230A

RGB 237 35 10

HSL 6.61, 0.92%, 0.48%

LAB 50.95, 71.76, 61.6

 

CMYK 0 / 79 / 89 / 0

HEX #FE351D

RGB 254 53 29

HSL 6.4, 0.99%, 0.55%

LAB 55.79, 72.5, 60.16

 

CMYK 0 / 72 / 81 / 0

HEX #FF4730

RGB 255 71 48

HSL 6.67, 1%, 0.59%

LAB 58.02, 67.83, 53.73

 

CMYK 0 / 65 / 74 / 0

HEX #FF5943

RGB 255 89 67

HSL 7.02, 1%, 0.63%

LAB 60.61, 61.84, 46.76

 

CMYK 0 / 58 / 66 / 0

HEX #FF6B56

RGB 255 107 86

HSL 7.46, 1%, 0.67%

LAB 63.71, 55.08, 40.16

 

CMYK 0 / 85 / 94 / 9

HEX #E8230F

RGB 232 35 15

HSL 5.53, 0.88%, 0.48%

LAB 49.97, 70.47, 59.17

 

CMYK 0 / 92 / 100 / 16

HEX #D71100

RGB 215 17 0

HSL 4.74, 1%, 0.42%

LAB 45.43, 68.82, 59.29

 

CMYK 0 / 100 / 100 / 22

HEX #C60000

RGB 198 0 0

HSL 0, 1%, 0.39%

LAB 41.23, 66.22, 55.56

 

CMYK 0 / 100 / 100 / 29

HEX #B50000

RGB 181 0 0

HSL 0, 1%, 0.35%

LAB 37.52, 61.93, 51.94

 

CMYK 0 / 100 / 100 / 36

HEX #A40000

RGB 164 0 0

HSL 0, 1%, 0.32%

LAB 33.76, 57.57, 47.96

 

CMYK 0 / 85 / 93 / 10

HEX #E6230F

RGB 230 35 15

HSL 5.58, 0.88%, 0.48%

LAB 49.57, 69.93, 58.73

 

CMYK 0 / 93 / 93 / 10

HEX #E60F0F

RGB 230 15 15

HSL 0, 0.88%, 0.48%

LAB 48.51, 72.97, 58.12

 

CMYK 0 / 85 / 93 / 10

HEX #E6230F

RGB 230 35 15

HSL 5.58, 0.88%, 0.48%

LAB 49.57, 69.93, 58.73

 

CMYK 0 / 60 / 93 / 10

HEX #E65D0F

RGB 230 93 15

HSL 21.77, 0.88%, 0.48%

LAB 56.77, 50.22, 63.19

 

CMYK 0 / 34 / 93 / 10

HEX #E6970F

RGB 230 151 15

HSL 37.95, 0.88%, 0.48%

LAB 68.74, 20.88, 71.42

 

CMYK 0 / 9 / 93 / 10

HEX #E6D10F

RGB 230 209 15

HSL 54.14, 0.88%, 0.48%

LAB 83.16, -9.43, 82

 

CMYK 16 / 0 / 93 / 10

HEX #C1E60F

RGB 193 230 15

HSL 70.33, 0.88%, 0.48%

LAB 85.99, -34.97, 82.93

 

CMYK 0 / 85 / 93 / 10

HEX #E6230F

RGB 230 35 15

HSL 5.58, 0.88%, 0.48%

LAB 49.57, 69.93, 58.73

 

CMYK 0 / 85 / 93 / 10

HEX #E6230F

RGB 230 35 15

HSL 5.58, 0.88%, 0.48%

LAB 49.57, 69.93, 58.73

 

CMYK 0 / 76 / 84 / 18

HEX #D23322

RGB 210 51 34

HSL 5.8, 0.72%, 0.48%

LAB 47.22, 60.41, 47.54

 

CMYK 0 / 65 / 72 / 25

HEX #BF4336

RGB 191 67 54

HSL 5.69, 0.56%, 0.48%

LAB 46.12, 48.97, 34.63

 

CMYK 0 / 51 / 57 / 33

HEX #AB534A

RGB 171 83 74

HSL 5.57, 0.4%, 0.48%

LAB 46.09, 35.21, 22.17

 

CMYK 0 / 34 / 38 / 41

HEX #97635E

RGB 151 99 94

HSL 5.26, 0.23%, 0.48%

LAB 47.38, 20.41, 11.5

 

CMYK 0 / 93 / 51 / 10

HEX #E60F70

RGB 230 15 112

HSL 332.93, 0.88%, 0.48%

LAB 49.9, 76.8, 5.96

 

CMYK 0 / 93 / 77 / 10

HEX #E60F36

RGB 230 15 54

HSL 349.12, 0.88%, 0.48%

LAB 48.8, 73.78, 39.67

 

CMYK 0 / 86 / 93 / 10

HEX #E6210F

RGB 230 33 15

HSL 5.02, 0.88%, 0.48%

LAB 49.43, 70.33, 58.65

 

CMYK 0 / 61 / 93 / 10

HEX #E65A0F

RGB 230 90 15

HSL 20.93, 0.88%, 0.48%

LAB 56.26, 51.56, 62.86

 

CMYK 0 / 36 / 93 / 10

HEX #E6940F

RGB 230 148 15

HSL 37.12, 0.88%, 0.48%

LAB 68.05, 22.48, 70.93

 

CMYK 0 / 85 / 93 / 40

HEX #99170A

RGB 153 23 10

HSL 5.45, 0.88%, 0.32%

LAB 32.72, 50.88, 42.03

 

CMYK 0 / 85 / 94 / 25

HEX #BF1D0C

RGB 191 29 12

HSL 5.7, 0.88%, 0.4%

LAB 41.19, 60.46, 50.64

 

CMYK 0 / 85 / 93 / 10

HEX #E6230F

RGB 230 35 15

HSL 5.58, 0.88%, 0.48%

LAB 49.57, 69.93, 58.73

 

CMYK 0 / 74 / 82 / 5

HEX #F23F2C

RGB 242 63 44

HSL 5.76, 0.88%, 0.56%

LAB 54.67, 66.45, 51.69

 

CMYK 0 / 60 / 66 / 4

HEX #F46253

RGB 244 98 83

HSL 5.59, 0.88%, 0.64%

LAB 60.42, 55.14, 37.43

 

CMYK 0 / 85 / 94 / 9

HEX #E8230F

RGB 232 35 15

HSL 5.53, 0.88%, 0.48%

LAB 49.97, 70.47, 59.17

 

CMYK 27 / 0 / 93 / 10

HEX #A9E60F

RGB 169 230 15

HSL 77.02, 0.88%, 0.48%

LAB 84.52, -44.3, 81.15

 

CMYK 93 / 64 / 0 / 10

HEX #0F53E6

RGB 15 83 230

HSL 221.02, 0.88%, 0.48%

LAB 41.22, 38.21, -78.96

 

CMYK 0 / 85 / 94 / 9

HEX #E8230F

RGB 232 35 15

HSL 5.53, 0.88%, 0.48%

LAB 49.97, 70.47, 59.17

 

CMYK 93 / 0 / 86 / 10

HEX #0FE621

RGB 15 230 33

HSL 125.02, 0.88%, 0.48%

LAB 80.07, -78.39, 72.81

 

CMYK 86 / 93 / 0 / 10

HEX #210FE6

RGB 33 15 230

HSL 245.02, 0.88%, 0.48%

LAB 30.35, 70.91, -96.96

 

CMYK 0 / 85 / 94 / 9

HEX #E8230F

RGB 232 35 15

HSL 5.53, 0.88%, 0.48%

LAB 49.97, 70.47, 59.17

 

CMYK 27 / 0 / 93 / 10

HEX #A9E60F

RGB 169 230 15

HSL 77.02, 0.88%, 0.48%

LAB 84.52, -44.3, 81.15

 

CMYK 93 / 8 / 0 / 10

HEX #0FD4E6

RGB 15 212 230

HSL 185.02, 0.88%, 0.48%

LAB 77.82, -35.97, -21

 

CMYK 67 / 93 / 0 / 10

HEX #4C0FE6

RGB 76 15 230

HSL 257.02, 0.88%, 0.48%

LAB 33.12, 72.38, -92.27

 

CMYK 0 / 85 / 94 / 9

HEX #E8230F

RGB 232 35 15

HSL 5.53, 0.88%, 0.48%

LAB 49.97, 70.47, 59.17

 

CMYK 55 / 0 / 93 / 10

HEX #68E60F

RGB 104 230 15

HSL 95.16, 0.88%, 0.48%

LAB 81.6, -65.45, 77.59

 

CMYK 93 / 8 / 0 / 10

HEX #0FD4E6

RGB 15 212 230

HSL 185.02, 0.88%, 0.48%

LAB 77.82, -35.97, -21

 

CMYK 39 / 93 / 0 / 10

HEX #8C0FE6

RGB 140 15 230

HSL 274.88, 0.88%, 0.48%

LAB 40.62, 77.44, -79.61

 

Description

Color code: HEX #E8230F | qconv.com Color code: HEX #E8230F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 35 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 35 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 94 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 94% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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