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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E80F4D it is the complementary color #17F0B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E80F4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E80F4D shade: #ED0F48, #FE215B, #FF336E, #FF4581 and #FF5794

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E80F4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E80F4D shade: #E80F4D, #D7003A, #C60027, #B50014 and #A40001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E80F4D shade: #E60F4C, #E60F12 and #E60F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E80F4D shade: #E60F4C, #E60F86, #E60FC0, #D20FE6 and #980FE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E80F4D shade matches the following richer shades: #E60F4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E80F4D shade: #E60F4C, #D22255, #BF365D, #AB4A66 and #975E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E80F4D shade: #E60FC2, #E60F89, #E60F4F, #E60F16 and #E6410F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E80F4D shade: #990A33, #BF0C3F, #E60F4C, #F22C65 and #F45381

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E80F4D shade: #E80F4D, #E6D10F and #0FA5E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E80F4D shade: #E80F4D, #4FE60F and #0F4FE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E80F4D shade: #E80F4D, #E6D10F, #0FE6A5 and #0F24E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E80F4D shade: #E80F4D, #BBE60F, #0FE6A5 and #3A0FE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 67 / 9

HEX #E80F4D

RGB 232 15 77

HSL 342.86, 0.88%, 0.48%

LAB 49.54, 75.18, 26.96

 

Complementary color

CMYK 90 / 0 / 26 / 6

HEX #17F0B2

RGB 23 240 178

HSL 162.86, 0.88%, 0.52%

LAB 84.85, -61.42, 16.83

 

CMYK 0 / 94 / 70 / 7

HEX #ED0F48

RGB 237 15 72

HSL 344.59, 0.88%, 0.49%

LAB 50.47, 76.15, 31.36

 

CMYK 0 / 87 / 64 / 0

HEX #FE215B

RGB 254 33 91

HSL 344.25, 0.99%, 0.56%

LAB 54.98, 78.78, 26.4

 

CMYK 0 / 80 / 57 / 0

HEX #FF336E

RGB 255 51 110

HSL 342.65, 1%, 0.6%

LAB 56.83, 76.44, 17.58

 

CMYK 0 / 73 / 49 / 0

HEX #FF4581

RGB 255 69 129

HSL 340.65, 1%, 0.64%

LAB 59.07, 72.74, 9.45

 

CMYK 0 / 66 / 42 / 0

HEX #FF5794

RGB 255 87 148

HSL 338.21, 1%, 0.67%

LAB 61.84, 68.1, 2.33

 

CMYK 0 / 94 / 67 / 9

HEX #E80F4D

RGB 232 15 77

HSL 342.86, 0.88%, 0.48%

LAB 49.54, 75.18, 26.96

 

CMYK 0 / 100 / 73 / 16

HEX #D7003A

RGB 215 0 58

HSL 343.81, 1%, 0.42%

LAB 45.29, 71.59, 32.5

 

CMYK 0 / 100 / 80 / 22

HEX #C60027

RGB 198 0 39

HSL 348.18, 1%, 0.39%

LAB 41.46, 66.85, 38.53

 

CMYK 0 / 100 / 89 / 29

HEX #B50014

RGB 181 0 20

HSL 353.37, 1%, 0.35%

LAB 37.62, 62.18, 43.9

 

CMYK 0 / 100 / 99 / 36

HEX #A40001

RGB 164 0 1

HSL 359.63, 1%, 0.32%

LAB 33.76, 57.59, 47.55

 

CMYK 0 / 93 / 67 / 10

HEX #E60F4C

RGB 230 15 76

HSL 342.98, 0.88%, 0.48%

LAB 49.11, 74.65, 26.94

 

CMYK 0 / 93 / 92 / 10

HEX #E60F12

RGB 230 15 18

HSL 359.16, 0.88%, 0.48%

LAB 48.52, 73, 57.11

 

CMYK 0 / 93 / 93 / 10

HEX #E60F0F

RGB 230 15 15

HSL 0, 0.88%, 0.48%

LAB 48.51, 72.97, 58.12

 

CMYK 0 / 93 / 67 / 10

HEX #E60F4C

RGB 230 15 76

HSL 342.98, 0.88%, 0.48%

LAB 49.11, 74.65, 26.94

 

CMYK 0 / 93 / 42 / 10

HEX #E60F86

RGB 230 15 134

HSL 326.79, 0.88%, 0.48%

LAB 50.55, 78.57, -6.47

 

CMYK 0 / 93 / 17 / 10

HEX #E60FC0

RGB 230 15 192

HSL 310.6, 0.88%, 0.48%

LAB 52.92, 84.74, -37.19

 

CMYK 9 / 93 / 0 / 10

HEX #D20FE6

RGB 210 15 230

HSL 294.42, 0.88%, 0.48%

LAB 51.56, 86.68, -61.33

 

CMYK 34 / 93 / 0 / 10

HEX #980FE6

RGB 152 15 230

HSL 278.23, 0.88%, 0.48%

LAB 42.35, 78.78, -76.7

 

CMYK 0 / 93 / 67 / 10

HEX #E60F4C

RGB 230 15 76

HSL 342.98, 0.88%, 0.48%

LAB 49.11, 74.65, 26.94

 

CMYK 0 / 93 / 67 / 10

HEX #E60F4C

RGB 230 15 76

HSL 342.98, 0.88%, 0.48%

LAB 49.11, 74.65, 26.94

 

CMYK 0 / 84 / 60 / 18

HEX #D22255

RGB 210 34 85

HSL 342.61, 0.72%, 0.48%

LAB 46.31, 67.2, 16.99

 

CMYK 0 / 72 / 51 / 25

HEX #BF365D

RGB 191 54 93

HSL 342.92, 0.56%, 0.48%

LAB 44.95, 56.71, 9.6

 

CMYK 0 / 57 / 40 / 33

HEX #AB4A66

RGB 171 74 102

HSL 342.68, 0.4%, 0.48%

LAB 44.96, 42.55, 3.61

 

CMYK 0 / 38 / 27 / 41

HEX #975E6E

RGB 151 94 110

HSL 343.16, 0.23%, 0.48%

LAB 46.59, 25.5, 0.75

 

CMYK 0 / 93 / 16 / 10

HEX #E60FC2

RGB 230 15 194

HSL 310.05, 0.88%, 0.48%

LAB 53.01, 84.99, -38.2

 

CMYK 0 / 93 / 40 / 10

HEX #E60F89

RGB 230 15 137

HSL 325.95, 0.88%, 0.48%

LAB 50.65, 78.83, -8.14

 

CMYK 0 / 93 / 66 / 10

HEX #E60F4F

RGB 230 15 79

HSL 342.14, 0.88%, 0.48%

LAB 49.17, 74.8, 25.18

 

CMYK 0 / 93 / 90 / 10

HEX #E60F16

RGB 230 15 22

HSL 358.05, 0.88%, 0.48%

LAB 48.54, 73.05, 55.62

 

CMYK 0 / 72 / 93 / 10

HEX #E6410F

RGB 230 65 15

HSL 13.95, 0.88%, 0.48%

LAB 52.55, 61.57, 60.52

 

CMYK 0 / 93 / 67 / 40

HEX #990A33

RGB 153 10 51

HSL 342.8, 0.88%, 0.32%

LAB 32.32, 54.79, 17.97

 

CMYK 0 / 94 / 67 / 25

HEX #BF0C3F

RGB 191 12 63

HSL 342.91, 0.88%, 0.4%

LAB 40.73, 64.83, 22.68

 

CMYK 0 / 93 / 67 / 10

HEX #E60F4C

RGB 230 15 76

HSL 342.98, 0.88%, 0.48%

LAB 49.11, 74.65, 26.94

 

CMYK 0 / 82 / 58 / 5

HEX #F22C65

RGB 242 44 101

HSL 342.73, 0.88%, 0.56%

LAB 53.62, 74.2, 18.18

 

CMYK 0 / 66 / 47 / 4

HEX #F45381

RGB 244 83 129

HSL 342.86, 0.88%, 0.64%

LAB 58.98, 64.67, 9.06

 

CMYK 0 / 94 / 67 / 9

HEX #E80F4D

RGB 232 15 77

HSL 342.86, 0.88%, 0.48%

LAB 49.54, 75.18, 26.96

 

CMYK 0 / 9 / 93 / 10

HEX #E6D10F

RGB 230 209 15

HSL 54.14, 0.88%, 0.48%

LAB 83.16, -9.43, 82

 

CMYK 93 / 28 / 0 / 10

HEX #0FA5E6

RGB 15 165 230

HSL 198.14, 0.88%, 0.48%

LAB 63.94, -12.12, -42.43

 

CMYK 0 / 94 / 67 / 9

HEX #E80F4D

RGB 232 15 77

HSL 342.86, 0.88%, 0.48%

LAB 49.54, 75.18, 26.96

 

CMYK 66 / 0 / 93 / 10

HEX #4FE60F

RGB 79 230 15

HSL 102.14, 0.88%, 0.48%

LAB 80.9, -71.26, 76.72

 

CMYK 93 / 66 / 0 / 10

HEX #0F4FE6

RGB 15 79 230

HSL 222.14, 0.88%, 0.48%

LAB 40.26, 40.74, -80.54

 

CMYK 0 / 94 / 67 / 9

HEX #E80F4D

RGB 232 15 77

HSL 342.86, 0.88%, 0.48%

LAB 49.54, 75.18, 26.96

 

CMYK 0 / 9 / 93 / 10

HEX #E6D10F

RGB 230 209 15

HSL 54.14, 0.88%, 0.48%

LAB 83.16, -9.43, 82

 

CMYK 93 / 0 / 28 / 10

HEX #0FE6A5

RGB 15 230 165

HSL 161.86, 0.88%, 0.48%

LAB 81.52, -60.98, 18.93

 

CMYK 93 / 84 / 0 / 10

HEX #0F24E6

RGB 15 36 230

HSL 234.14, 0.88%, 0.48%

LAB 31.98, 64.05, -94.24

 

CMYK 0 / 94 / 67 / 9

HEX #E80F4D

RGB 232 15 77

HSL 342.86, 0.88%, 0.48%

LAB 49.54, 75.18, 26.96

 

CMYK 19 / 0 / 93 / 10

HEX #BBE60F

RGB 187 230 15

HSL 72, 0.88%, 0.48%

LAB 85.6, -37.36, 82.46

 

CMYK 93 / 0 / 28 / 10

HEX #0FE6A5

RGB 15 230 165

HSL 161.86, 0.88%, 0.48%

LAB 81.52, -60.98, 18.93

 

CMYK 75 / 93 / 0 / 10

HEX #3A0FE6

RGB 58 15 230

HSL 252, 0.88%, 0.48%

LAB 31.7, 71.6, -94.66

 

Description

Color code: HEX #E80F4D | qconv.com Color code: HEX #E80F4D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 15 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 15 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 67 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 67% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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