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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E80ECE it is the complementary color #17F131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E80ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E80ECE shade: #ED0EC9, #FE20DC, #FF32EF, #FF44FF and #FF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E80ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E80ECE shade: #E80ECE, #D700BB, #C600A8, #B50095 and #A40082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E80ECE shade: #E70DCD, #E70D93, #E70D58, #E70D1D and #E70D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E80ECE shade: #E70DCD, #C70DE7, #8C0DE7, #510DE7 and #160DE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E80ECE shade matches the following richer shades: #E70DCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E80ECE shade: #E70DCD, #D421BE, #C035AF, #AC49A0 and #985D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E80ECE shade: #8D0DE7, #C70DE7, #E70DCE, #E70D94 and #E70D5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E80ECE shade: #990988, #C00BAB, #E70DCD, #F32BDB and #F552E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E80ECE shade: #E80ECE, #E7520D and #0DE7AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E80ECE shade: #E80ECE, #CEE70D and #0DCEE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E80ECE shade: #E80ECE, #E7520D, #0DE727 and #0DA2E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E80ECE shade: #E80ECE, #E7940D, #0DE727 and #0D61E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 11 / 9

HEX #E80ECE

RGB 232 14 206

HSL 307.16, 0.89%, 0.48%

LAB 53.95, 86.97, -43.62

 

Complementary color

CMYK 90 / 0 / 80 / 5

HEX #17F131

RGB 23 241 49

HSL 127.16, 0.89%, 0.52%

LAB 83.61, -80.2, 72.2

 

CMYK 0 / 94 / 15 / 7

HEX #ED0EC9

RGB 237 14 201

HSL 309.69, 0.89%, 0.49%

LAB 54.59, 87.22, -39.67

 

CMYK 0 / 87 / 13 / 0

HEX #FE20DC

RGB 254 32 220

HSL 309.19, 0.99%, 0.56%

LAB 59.22, 90.66, -43.01

 

CMYK 0 / 80 / 6 / 0

HEX #FF32EF

RGB 255 50 239

HSL 304.68, 1%, 0.6%

LAB 61.46, 90.13, -50.14

 

CMYK 0 / 73 / 0 / 0

HEX #FF44FF

RGB 255 68 255

HSL 300, 1%, 0.63%

LAB 63.85, 87.96, -55.22

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 94 / 11 / 9

HEX #E80ECE

RGB 232 14 206

HSL 307.16, 0.89%, 0.48%

LAB 53.95, 86.97, -43.62

 

CMYK 0 / 100 / 13 / 16

HEX #D700BB

RGB 215 0 187

HSL 307.81, 1%, 0.42%

LAB 49.54, 82.57, -39.79

 

CMYK 0 / 100 / 15 / 22

HEX #C600A8

RGB 198 0 168

HSL 309.09, 1%, 0.39%

LAB 45.4, 77.1, -35.32

 

CMYK 0 / 100 / 18 / 29

HEX #B50095

RGB 181 0 149

HSL 310.61, 1%, 0.35%

LAB 41.21, 71.55, -30.72

 

CMYK 0 / 100 / 21 / 36

HEX #A40082

RGB 164 0 130

HSL 312.44, 1%, 0.32%

LAB 36.94, 65.9, -25.97

 

CMYK 0 / 94 / 11 / 9

HEX #E70DCD

RGB 231 13 205

HSL 307.16, 0.89%, 0.48%

LAB 53.69, 86.75, -43.46

 

CMYK 0 / 94 / 36 / 9

HEX #E70D93

RGB 231 13 147

HSL 323.12, 0.89%, 0.48%

LAB 51.13, 80.15, -13.41

 

CMYK 0 / 94 / 62 / 9

HEX #E70D58

RGB 231 13 88

HSL 339.36, 0.89%, 0.48%

LAB 49.47, 75.69, 20.12

 

CMYK 0 / 94 / 87 / 9

HEX #E70D1D

RGB 231 13 29

HSL 355.6, 0.89%, 0.48%

LAB 48.72, 73.6, 52.84

 

CMYK 0 / 94 / 94 / 9

HEX #E70D0D

RGB 231 13 13

HSL 0, 0.89%, 0.48%

LAB 48.64, 73.4, 58.92

 

CMYK 0 / 94 / 11 / 9

HEX #E70DCD

RGB 231 13 205

HSL 307.16, 0.89%, 0.48%

LAB 53.69, 86.75, -43.46

 

CMYK 14 / 94 / 0 / 9

HEX #C70DE7

RGB 199 13 231

HSL 291.19, 0.89%, 0.48%

LAB 49.74, 85.38, -64.93

 

CMYK 39 / 94 / 0 / 9

HEX #8C0DE7

RGB 140 13 231

HSL 274.95, 0.89%, 0.48%

LAB 40.63, 77.91, -80.17

 

CMYK 65 / 94 / 0 / 9

HEX #510DE7

RGB 81 13 231

HSL 258.72, 0.89%, 0.48%

LAB 33.58, 73.23, -92.06

 

CMYK 90 / 94 / 0 / 9

HEX #160DE7

RGB 22 13 231

HSL 242.48, 0.89%, 0.48%

LAB 29.98, 71.4, -98.15

 

CMYK 0 / 94 / 11 / 9

HEX #E70DCD

RGB 231 13 205

HSL 307.16, 0.89%, 0.48%

LAB 53.69, 86.75, -43.46

 

CMYK 0 / 94 / 11 / 9

HEX #E70DCD

RGB 231 13 205

HSL 307.16, 0.89%, 0.48%

LAB 53.69, 86.75, -43.46

 

CMYK 0 / 84 / 10 / 17

HEX #D421BE

RGB 212 33 190

HSL 307.37, 0.73%, 0.48%

LAB 50.46, 78.6, -40.13

 

CMYK 0 / 72 / 9 / 25

HEX #C035AF

RGB 192 53 175

HSL 307.34, 0.57%, 0.48%

LAB 48.07, 67.09, -35.34

 

CMYK 0 / 58 / 7 / 33

HEX #AC49A0

RGB 172 73 160

HSL 307.27, 0.4%, 0.48%

LAB 47.07, 51.63, -28.27

 

CMYK 0 / 39 / 5 / 40

HEX #985D91

RGB 152 93 145

HSL 307.12, 0.24%, 0.48%

LAB 47.69, 32.37, -18.62

 

CMYK 39 / 94 / 0 / 9

HEX #8D0DE7

RGB 141 13 231

HSL 275.23, 0.89%, 0.48%

LAB 40.77, 78.01, -79.94

 

CMYK 14 / 94 / 0 / 9

HEX #C70DE7

RGB 199 13 231

HSL 291.19, 0.89%, 0.48%

LAB 49.74, 85.38, -64.93

 

CMYK 0 / 94 / 11 / 9

HEX #E70DCE

RGB 231 13 206

HSL 306.88, 0.89%, 0.48%

LAB 53.74, 86.88, -43.96

 

CMYK 0 / 94 / 36 / 9

HEX #E70D94

RGB 231 13 148

HSL 322.84, 0.89%, 0.48%

LAB 51.17, 80.25, -13.95

 

CMYK 0 / 94 / 61 / 9

HEX #E70D5A

RGB 231 13 90

HSL 338.81, 0.89%, 0.48%

LAB 49.51, 75.8, 18.95

 

CMYK 0 / 94 / 11 / 40

HEX #990988

RGB 153 9 136

HSL 307.08, 0.89%, 0.32%

LAB 35.49, 63.48, -32.12

 

CMYK 0 / 94 / 11 / 25

HEX #C00BAB

RGB 192 11 171

HSL 306.96, 0.89%, 0.4%

LAB 44.78, 75.42, -38.16

 

CMYK 0 / 94 / 11 / 9

HEX #E70DCD

RGB 231 13 205

HSL 307.16, 0.89%, 0.48%

LAB 53.69, 86.75, -43.46

 

CMYK 0 / 82 / 10 / 5

HEX #F32BDB

RGB 243 43 219

HSL 307.2, 0.89%, 0.56%

LAB 57.94, 86.57, -44.6

 

CMYK 0 / 67 / 8 / 4

HEX #F552E2

RGB 245 82 226

HSL 306.99, 0.89%, 0.64%

LAB 62.46, 76.97, -41.41

 

CMYK 0 / 94 / 11 / 9

HEX #E80ECE

RGB 232 14 206

HSL 307.16, 0.89%, 0.48%

LAB 53.95, 86.97, -43.62

 

CMYK 0 / 65 / 94 / 9

HEX #E7520D

RGB 231 82 13

HSL 18.99, 0.89%, 0.48%

LAB 55.13, 55.33, 62.69

 

CMYK 94 / 0 / 26 / 9

HEX #0DE7AA

RGB 13 231 170

HSL 163.21, 0.89%, 0.48%

LAB 81.91, -60.29, 16.88

 

CMYK 0 / 94 / 11 / 9

HEX #E80ECE

RGB 232 14 206

HSL 307.16, 0.89%, 0.48%

LAB 53.95, 86.97, -43.62

 

CMYK 11 / 0 / 94 / 9

HEX #CEE70D

RGB 206 231 13

HSL 66.88, 0.89%, 0.48%

LAB 87.15, -30.21, 84.41

 

CMYK 94 / 11 / 0 / 9

HEX #0DCEE7

RGB 13 206 231

HSL 186.88, 0.89%, 0.48%

LAB 76.07, -32.88, -24.2

 

CMYK 0 / 94 / 11 / 9

HEX #E80ECE

RGB 232 14 206

HSL 307.16, 0.89%, 0.48%

LAB 53.95, 86.97, -43.62

 

CMYK 0 / 65 / 94 / 9

HEX #E7520D

RGB 231 82 13

HSL 18.99, 0.89%, 0.48%

LAB 55.13, 55.33, 62.69

 

CMYK 94 / 0 / 83 / 9

HEX #0DE727

RGB 13 231 39

HSL 127.16, 0.89%, 0.48%

LAB 80.4, -78.47, 71.77

 

CMYK 94 / 30 / 0 / 9

HEX #0DA2E7

RGB 13 162 231

HSL 198.99, 0.89%, 0.48%

LAB 63.09, -10.17, -44.31

 

CMYK 0 / 94 / 11 / 9

HEX #E80ECE

RGB 232 14 206

HSL 307.16, 0.89%, 0.48%

LAB 53.95, 86.97, -43.62

 

CMYK 0 / 36 / 94 / 9

HEX #E7940D

RGB 231 148 13

HSL 37.16, 0.89%, 0.48%

LAB 68.17, 22.88, 71.39

 

CMYK 94 / 0 / 83 / 9

HEX #0DE727

RGB 13 231 39

HSL 127.16, 0.89%, 0.48%

LAB 80.4, -78.47, 71.77

 

CMYK 94 / 58 / 0 / 9

HEX #0D61E7

RGB 13 97 231

HSL 216.88, 0.89%, 0.48%

LAB 44.81, 29.56, -73.64

 

Description

Color code: HEX #E80ECE | qconv.com Color code: HEX #E80ECE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 14 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 14 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 11 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 11% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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