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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7FBCF it is the complementary color #180430. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7FBCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7FBCF shade: #ECFBCA, #FDFFDD, #FFFFF0 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7FBCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7FBCF shade: #E7FBCF, #D6E9BC, #C5D7A9, #B4C596 and #A3B383

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7FBCF shade: #E7FBD0, #F3FBD0, #FBF7D0, #FBECD0 and #FBE0D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7FBCF shade: #E7FBD0, #DCFBD0, #D0FBD0, #D0FBDB and #D0FBE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7FBCF shade matches the following richer shades: #E7FBD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7FBCF shade: #E7FBD0, #E7F7D4, #E7F3D8, #E6EFDC and #E6EBE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7FBCF shade: #FBF8D0, #F3FBD0, #E8FBD0, #DCFBD0 and #D1FBD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7FBCF shade: #C1F583, #D4F8AA, #E7FBD0, #FBFEF6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7FBCF shade: #E7FBCF, #D0FBEC and #FBD0F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7FBCF shade: #E7FBCF, #D0E8FB and #FBD0E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7FBCF shade: #E7FBCF, #D0FBEC, #E3D0FB and #FBD0DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7FBCF shade: #E7FBCF, #D0FBF9, #E3D0FB and #FBD0D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 18 / 2

HEX #E7FBCF

RGB 231 251 207

HSL 87.27, 0.85%, 0.9%

LAB 96.2, -14.07, 18.92

 

Complementary color

CMYK 50 / 92 / 0 / 81

HEX #180430

RGB 24 4 48

HSL 267.27, 0.85%, 0.1%

LAB 4.47, 19.62, -24.04

 

CMYK 6 / 0 / 20 / 2

HEX #ECFBCA

RGB 236 251 202

HSL 78.37, 0.86%, 0.89%

LAB 96.45, -13.1, 21.87

 

CMYK 1 / 0 / 13 / 0

HEX #FDFFDD

RGB 253 255 221

HSL 63.53, 1%, 0.93%

LAB 99.07, -6.26, 16.04

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 8 / 0 / 18 / 2

HEX #E7FBCF

RGB 231 251 207

HSL 87.27, 0.85%, 0.9%

LAB 96.2, -14.07, 18.92

 

CMYK 8 / 0 / 19 / 9

HEX #D6E9BC

RGB 214 233 188

HSL 85.33, 0.51%, 0.83%

LAB 89.95, -14.05, 19.8

 

CMYK 8 / 0 / 21 / 16

HEX #C5D7A9

RGB 197 215 169

HSL 83.48, 0.37%, 0.75%

LAB 83.62, -14.03, 20.72

 

CMYK 9 / 0 / 24 / 23

HEX #B4C596

RGB 180 197 150

HSL 81.7, 0.29%, 0.68%

LAB 77.18, -14.01, 21.7

 

CMYK 9 / 0 / 27 / 30

HEX #A3B383

RGB 163 179 131

HSL 80, 0.24%, 0.61%

LAB 70.64, -13.97, 22.72

 

CMYK 8 / 0 / 17 / 2

HEX #E7FBD0

RGB 231 251 208

HSL 87.91, 0.84%, 0.9%

LAB 96.22, -13.92, 18.44

 

CMYK 3 / 0 / 17 / 2

HEX #F3FBD0

RGB 243 251 208

HSL 71.16, 0.84%, 0.9%

LAB 97.07, -9.74, 19.75

 

CMYK 0 / 2 / 17 / 2

HEX #FBF7D0

RGB 251 247 208

HSL 54.42, 0.84%, 0.9%

LAB 96.65, -4.92, 19.26

 

CMYK 0 / 6 / 17 / 2

HEX #FBECD0

RGB 251 236 208

HSL 39.07, 0.84%, 0.9%

LAB 93.91, 0.63, 15.4

 

CMYK 0 / 11 / 17 / 2

HEX #FBE0D0

RGB 251 224 208

HSL 22.33, 0.84%, 0.9%

LAB 90.95, 6.77, 11.21

 

CMYK 8 / 0 / 17 / 2

HEX #E7FBD0

RGB 231 251 208

HSL 87.91, 0.84%, 0.9%

LAB 96.22, -13.92, 18.44

 

CMYK 12 / 0 / 17 / 2

HEX #DCFBD0

RGB 220 251 208

HSL 103.26, 0.84%, 0.9%

LAB 95.48, -17.67, 17.3

 

CMYK 17 / 0 / 17 / 2

HEX #D0FBD0

RGB 208 251 208

HSL 120, 0.84%, 0.9%

LAB 94.72, -21.67, 16.12

 

CMYK 17 / 0 / 13 / 2

HEX #D0FBDB

RGB 208 251 219

HSL 135.35, 0.84%, 0.9%

LAB 94.96, -19.76, 10.8

 

CMYK 17 / 0 / 8 / 2

HEX #D0FBE7

RGB 208 251 231

HSL 152.09, 0.84%, 0.9%

LAB 95.23, -17.56, 5.01

 

CMYK 8 / 0 / 17 / 2

HEX #E7FBD0

RGB 231 251 208

HSL 87.91, 0.84%, 0.9%

LAB 96.22, -13.92, 18.44

 

CMYK 8 / 0 / 17 / 2

HEX #E7FBD0

RGB 231 251 208

HSL 87.91, 0.84%, 0.9%

LAB 96.22, -13.92, 18.44

 

CMYK 6 / 0 / 14 / 3

HEX #E7F7D4

RGB 231 247 212

HSL 87.43, 0.69%, 0.9%

LAB 95.27, -11.3, 15.06

 

CMYK 5 / 0 / 11 / 5

HEX #E7F3D8

RGB 231 243 216

HSL 86.67, 0.53%, 0.9%

LAB 94.33, -8.66, 11.66

 

CMYK 4 / 0 / 8 / 6

HEX #E6EFDC

RGB 230 239 220

HSL 88.42, 0.37%, 0.9%

LAB 93.33, -6.32, 8.15

 

CMYK 2 / 0 / 5 / 8

HEX #E6EBE0

RGB 230 235 224

HSL 87.27, 0.22%, 0.9%

LAB 92.41, -3.61, 4.74

 

CMYK 0 / 1 / 17 / 2

HEX #FBF8D0

RGB 251 248 208

HSL 55.81, 0.84%, 0.9%

LAB 96.9, -5.42, 19.61

 

CMYK 3 / 0 / 17 / 2

HEX #F3FBD0

RGB 243 251 208

HSL 71.16, 0.84%, 0.9%

LAB 97.07, -9.74, 19.75

 

CMYK 8 / 0 / 17 / 2

HEX #E8FBD0

RGB 232 251 208

HSL 86.51, 0.84%, 0.9%

LAB 96.29, -13.57, 18.55

 

CMYK 12 / 0 / 17 / 2

HEX #DCFBD0

RGB 220 251 208

HSL 103.26, 0.84%, 0.9%

LAB 95.48, -17.67, 17.3

 

CMYK 17 / 0 / 17 / 2

HEX #D1FBD0

RGB 209 251 208

HSL 118.6, 0.84%, 0.9%

LAB 94.78, -21.34, 16.21

 

CMYK 21 / 0 / 47 / 4

HEX #C1F583

RGB 193 245 131

HSL 87.37, 0.85%, 0.74%

LAB 90.91, -34.91, 49.32

 

CMYK 15 / 0 / 31 / 3

HEX #D4F8AA

RGB 212 248 170

HSL 87.69, 0.85%, 0.82%

LAB 93.47, -24.7, 33.75

 

CMYK 8 / 0 / 17 / 2

HEX #E7FBD0

RGB 231 251 208

HSL 87.91, 0.84%, 0.9%

LAB 96.22, -13.92, 18.44

 

CMYK 1 / 0 / 3 / 0

HEX #FBFEF6

RGB 251 254 246

HSL 82.5, 0.8%, 0.98%

LAB 99.24, -2.38, 3.46

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 8 / 0 / 18 / 2

HEX #E7FBCF

RGB 231 251 207

HSL 87.27, 0.85%, 0.9%

LAB 96.2, -14.07, 18.92

 

CMYK 17 / 0 / 6 / 2

HEX #D0FBEC

RGB 208 251 236

HSL 159.07, 0.84%, 0.9%

LAB 95.35, -16.61, 2.61

 

CMYK 0 / 17 / 1 / 2

HEX #FBD0F9

RGB 251 208 249

HSL 302.79, 0.84%, 0.9%

LAB 88.19, 21.88, -14.39

 

CMYK 8 / 0 / 18 / 2

HEX #E7FBCF

RGB 231 251 207

HSL 87.27, 0.85%, 0.9%

LAB 96.2, -14.07, 18.92

 

CMYK 17 / 8 / 0 / 2

HEX #D0E8FB

RGB 208 232 251

HSL 206.51, 0.84%, 0.9%

LAB 90.82, -4.04, -11.86

 

CMYK 0 / 17 / 8 / 2

HEX #FBD0E8

RGB 251 208 232

HSL 326.51, 0.84%, 0.9%

LAB 87.7, 18.93, -6.14

 

CMYK 8 / 0 / 18 / 2

HEX #E7FBCF

RGB 231 251 207

HSL 87.27, 0.85%, 0.9%

LAB 96.2, -14.07, 18.92

 

CMYK 17 / 0 / 6 / 2

HEX #D0FBEC

RGB 208 251 236

HSL 159.07, 0.84%, 0.9%

LAB 95.35, -16.61, 2.61

 

CMYK 10 / 17 / 0 / 2

HEX #E3D0FB

RGB 227 208 251

HSL 266.51, 0.84%, 0.9%

LAB 86.21, 14.49, -18.63

 

CMYK 0 / 17 / 11 / 2

HEX #FBD0DF

RGB 251 208 223

HSL 339.07, 0.84%, 0.9%

LAB 87.46, 17.44, -1.73

 

CMYK 8 / 0 / 18 / 2

HEX #E7FBCF

RGB 231 251 207

HSL 87.27, 0.85%, 0.9%

LAB 96.2, -14.07, 18.92

 

CMYK 17 / 0 / 1 / 2

HEX #D0FBF9

RGB 208 251 249

HSL 177.21, 0.84%, 0.9%

LAB 95.68, -14.06, -3.62

 

CMYK 10 / 17 / 0 / 2

HEX #E3D0FB

RGB 227 208 251

HSL 266.51, 0.84%, 0.9%

LAB 86.21, 14.49, -18.63

 

CMYK 0 / 17 / 16 / 2

HEX #FBD0D2

RGB 251 208 210

HSL 357.21, 0.84%, 0.9%

LAB 87.13, 15.39, 4.68

 

Description

Color code: HEX #E7FBCF | qconv.com Color code: HEX #E7FBCF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 251 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 251 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 18 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 18% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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