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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7ED2B00 it is the complementary color #1812D400. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7ED2B00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7ED2B00 shade: #ECED2600, #FDFF3900, #FFFF4C00, #FFFF5F00 and #FFFF7200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7ED2B00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7ED2B00 shade: #E7ED2B00, #D6DB1800, #C5C90500, #B4B70000 and #A3A50000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7ED2B00 shade: #E7ED2C, #EDBF2C, #ED8B2C, #ED572C and #ED2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7ED2B00 shade: #E7ED2C, #B3ED2C, #7FED2C, #4BED2C and #2CED41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7ED2B00 shade matches the following richer shades: #E7ED2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7ED2B00 shade: #E7ED2C, #D5DA3E, #C4C851, #B2B564 and #A1A276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7ED2B00 shade: #ED892C, #EDBC2C, #E9ED2C, #B6ED2C and #83ED2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7ED2B00 shade: #B1B610, #D6DC13, #E7ED2C, #EBF052 and #EFF378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7ED2B00 shade: #E7ED2B, #2CED56 and #A32CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7ED2B00 shade: #E7ED2B, #2CE9ED and #ED2CE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7ED2B00 shade: #E7ED2B, #2CED56, #2F2CED and #ED2CC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7ED2B00 shade: #E7ED2B, #2CED8F, #2F2CED and #ED2C89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #E7ED2B00

RGBA 231 237 43 0

HSLA 61.86, 0.84%, 0.55%, 0

LABA 90.66, -22.23, 83.11, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #1812D400

RGBA 24 18 212 0

HSLA 241.86, 0.84%, 0.45%, 0

LABA 27.79, 65.35, -90.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ECED2600

RGBA 236 237 38 0

HSLA 60.3, 0.85%, 0.54%, 0

LABA 91.03, -20.29, 84.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FDFF3900

RGBA 253 255 57 0

HSLA 60.61, 1%, 0.61%, 0

LABA 97.1, -21.4, 85.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFF4C00

RGBA 255 255 76 0

HSLA 60, 1%, 0.65%, 0

LABA 97.35, -19.85, 80.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFF5F00

RGBA 255 255 95 0

HSLA 60, 1%, 0.69%, 0

LABA 97.47, -18.87, 73.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFF7200

RGBA 255 255 114 0

HSLA 60, 1%, 0.72%, 0

LABA 97.63, -17.63, 66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7ED2B00

RGBA 231 237 43 0

HSLA 61.86, 0.84%, 0.55%, 0

LABA 90.66, -22.23, 83.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6DB1800

RGBA 214 219 24 0

HSLA 61.54, 0.8%, 0.48%, 0

LABA 84.5, -21.04, 81.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C5C90500

RGBA 197 201 5 0

HSLA 61.22, 0.95%, 0.4%, 0

LABA 78.26, -19.68, 78.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4B70000

RGBA 180 183 0 0

HSLA 60.98, 1%, 0.36%, 0

LABA 71.94, -18.11, 73.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3A50000

RGBA 163 165 0 0

HSLA 60.73, 1%, 0.32%, 0

LABA 65.51, -16.45, 68.01, 0

 

CMYK 3 / 0 / 81 / 7

HEX #E7ED2C

RGB 231 237 44

HSL 61.87, 0.84%, 0.55%

LAB 90.66, -22.2, 82.88

 

CMYK 0 / 19 / 81 / 7

HEX #EDBF2C

RGB 237 191 44

HSL 45.7, 0.84%, 0.55%

LAB 79.3, 3.37, 73.36

 

CMYK 0 / 41 / 81 / 7

HEX #ED8B2C

RGB 237 139 44

HSL 29.53, 0.84%, 0.55%

LAB 67.01, 30.75, 62.61

 

CMYK 0 / 63 / 81 / 7

HEX #ED572C

RGB 237 87 44

HSL 13.37, 0.84%, 0.55%

LAB 57.08, 55.88, 53.6

 

CMYK 0 / 81 / 81 / 7

HEX #ED2C2C

RGB 237 44 44

HSL 0, 0.84%, 0.55%

LAB 51.82, 70.36, 48.68

 

CMYK 3 / 0 / 81 / 7

HEX #E7ED2C

RGB 231 237 44

HSL 61.87, 0.84%, 0.55%

LAB 90.66, -22.2, 82.88

 

CMYK 24 / 0 / 81 / 7

HEX #B3ED2C

RGB 179 237 44

HSL 78.03, 0.84%, 0.55%

LAB 87.16, -42.84, 78.48

 

CMYK 46 / 0 / 81 / 7

HEX #7FED2C

RGB 127 237 44

HSL 94.2, 0.84%, 0.55%

LAB 84.62, -60.6, 75.26

 

CMYK 68 / 0 / 81 / 7

HEX #4BED2C

RGB 75 237 44

HSL 110.36, 0.84%, 0.55%

LAB 83.04, -73.23, 73.24

 

CMYK 81 / 0 / 73 / 7

HEX #2CED41

RGB 44 237 65

HSL 126.53, 0.84%, 0.55%

LAB 82.64, -76.33, 66.39

 

CMYK 3 / 0 / 81 / 7

HEX #E7ED2C

RGB 231 237 44

HSL 61.87, 0.84%, 0.55%

LAB 90.66, -22.2, 82.88

 

CMYK 3 / 0 / 81 / 7

HEX #E7ED2C

RGB 231 237 44

HSL 61.87, 0.84%, 0.55%

LAB 90.66, -22.2, 82.88

 

CMYK 2 / 0 / 72 / 15

HEX #D5DA3E

RGB 213 218 62

HSL 61.92, 0.68%, 0.55%

LAB 84.3, -19.78, 71.45

 

CMYK 2 / 0 / 60 / 22

HEX #C4C851

RGB 196 200 81

HSL 62.02, 0.52%, 0.55%

LAB 78.25, -16.83, 57.47

 

CMYK 2 / 0 / 45 / 29

HEX #B2B564

RGB 178 181 100

HSL 62.22, 0.35%, 0.55%

LAB 71.85, -12.97, 40.73

 

CMYK 1 / 0 / 27 / 36

HEX #A1A276

RGB 161 162 118

HSL 61.36, 0.19%, 0.55%

LAB 65.53, -7.68, 22.84

 

CMYK 0 / 42 / 81 / 7

HEX #ED892C

RGB 237 137 44

HSL 28.91, 0.84%, 0.55%

LAB 66.58, 31.8, 62.22

 

CMYK 0 / 21 / 81 / 7

HEX #EDBC2C

RGB 237 188 44

HSL 44.77, 0.84%, 0.55%

LAB 78.55, 4.93, 72.71

 

CMYK 2 / 0 / 81 / 7

HEX #E9ED2C

RGB 233 237 44

HSL 61.24, 0.84%, 0.55%

LAB 90.81, -21.38, 83.07

 

CMYK 23 / 0 / 81 / 7

HEX #B6ED2C

RGB 182 237 44

HSL 77.1, 0.84%, 0.55%

LAB 87.34, -41.71, 78.71

 

CMYK 45 / 0 / 81 / 7

HEX #83ED2C

RGB 131 237 44

HSL 92.95, 0.84%, 0.55%

LAB 84.78, -59.39, 75.46

 

CMYK 3 / 0 / 91 / 29

HEX #B1B610

RGB 177 182 16

HSL 61.81, 0.84%, 0.39%

LAB 71.45, -18.7, 70.97

 

CMYK 3 / 0 / 91 / 14

HEX #D6DC13

RGB 214 220 19

HSL 61.79, 0.84%, 0.47%

LAB 84.76, -21.61, 82.15

 

CMYK 3 / 0 / 81 / 7

HEX #E7ED2C

RGB 231 237 44

HSL 61.87, 0.84%, 0.55%

LAB 90.66, -22.2, 82.88

 

CMYK 2 / 0 / 66 / 6

HEX #EBF052

RGB 235 240 82

HSL 61.9, 0.84%, 0.63%

LAB 91.95, -20.44, 72.41

 

CMYK 2 / 0 / 51 / 5

HEX #EFF378

RGB 239 243 120

HSL 61.95, 0.84%, 0.71%

LAB 93.37, -17.66, 58.13

 

CMYK 3 / 0 / 82 / 7

HEX #E7ED2B

RGB 231 237 43

HSL 61.86, 0.84%, 0.55%

LAB 90.66, -22.23, 83.11

 

CMYK 81 / 0 / 64 / 7

HEX #2CED56

RGB 44 237 86

HSL 133.06, 0.84%, 0.55%

LAB 82.79, -74.41, 58.59

 

CMYK 31 / 81 / 0 / 7

HEX #A32CED

RGB 163 44 237

HSL 276.99, 0.84%, 0.55%

LAB 46.58, 75.5, -73.69

 

CMYK 3 / 0 / 82 / 7

HEX #E7ED2B

RGB 231 237 43

HSL 61.86, 0.84%, 0.55%

LAB 90.66, -22.23, 83.11

 

CMYK 81 / 2 / 0 / 7

HEX #2CE9ED

RGB 44 233 237

HSL 181.24, 0.84%, 0.55%

LAB 84.45, -41.93, -14.69

 

CMYK 0 / 81 / 2 / 7

HEX #ED2CE9

RGB 237 44 233

HSL 301.24, 0.84%, 0.55%

LAB 57.74, 87.21, -52.87

 

CMYK 3 / 0 / 82 / 7

HEX #E7ED2B

RGB 231 237 43

HSL 61.86, 0.84%, 0.55%

LAB 90.66, -22.23, 83.11

 

CMYK 81 / 0 / 64 / 7

HEX #2CED56

RGB 44 237 86

HSL 133.06, 0.84%, 0.55%

LAB 82.79, -74.41, 58.59

 

CMYK 80 / 81 / 0 / 7

HEX #2F2CED

RGB 47 44 237

HSL 240.93, 0.84%, 0.55%

LAB 35.04, 63.67, -93.1

 

CMYK 0 / 81 / 18 / 7

HEX #ED2CC3

RGB 237 44 195

HSL 313.06, 0.84%, 0.55%

LAB 55.83, 82.02, -34.27

 

CMYK 3 / 0 / 82 / 7

HEX #E7ED2B

RGB 231 237 43

HSL 61.86, 0.84%, 0.55%

LAB 90.66, -22.23, 83.11

 

CMYK 81 / 0 / 40 / 7

HEX #2CED8F

RGB 44 237 143

HSL 150.78, 0.84%, 0.55%

LAB 83.49, -66.13, 32.91

 

CMYK 80 / 81 / 0 / 7

HEX #2F2CED

RGB 47 44 237

HSL 240.93, 0.84%, 0.55%

LAB 35.04, 63.67, -93.1

 

CMYK 0 / 81 / 42 / 7

HEX #ED2C89

RGB 237 44 137

HSL 331.09, 0.84%, 0.55%

LAB 53.61, 75.7, -3.6

 

Description

Color code: HEX #E7ED2B00 | qconv.com Color code: HEX #E7ED2B00 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 237 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 237 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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