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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7DF88 it is the complementary color #182077. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7DF88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7DF88 shade: #ECDF83, #FDF196, #FFFFA9, #FFFFBC and #FFFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7DF88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7DF88 shade: #E7DF88, #D6CD75, #C5BB62, #B4A94F and #A3973C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7DF88 shade: #E7DF88, #E7C588, #E7AC88, #E79388 and #E78888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7DF88 shade: #E7DF88, #D5E788, #BCE788, #A2E788 and #89E788

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7DF88 shade matches the following richer shades: #E7DF88, #F2E87D and #FEF271

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7DF88 shade: #E7DF88, #DBD594, #D0CCA0, #C4C2AB and #B9B8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7DF88 shade: #E7AB88, #E7C488, #E7DD88, #D7E788 and #BEE788

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7DF88 shade: #D9CC44, #E0D566, #E7DF88, #EEE8AB and #F5F1CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7DF88 shade: #E7DF88, #88E792 and #B888E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7DF88 shade: #E7DF88, #88E7DD and #DD88E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7DF88 shade: #E7DF88, #88E792, #8892E7 and #E788DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7DF88 shade: #E7DF88, #88E7AE, #8892E7 and #E788C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 41 / 9

HEX #E7DF88

RGB 231 223 136

HSL 54.95, 0.66%, 0.72%

LAB 87.75, -9.43, 43.54

 

Complementary color

CMYK 80 / 73 / 0 / 53

HEX #182077

RGB 24 32 119

HSL 234.95, 0.66%, 0.28%

LAB 18.18, 29.75, -50.26

 

CMYK 0 / 6 / 44 / 7

HEX #ECDF83

RGB 236 223 131

HSL 52.57, 0.73%, 0.72%

LAB 88.09, -7.96, 46.51

 

CMYK 0 / 5 / 41 / 1

HEX #FDF196

RGB 253 241 150

HSL 53.01, 0.96%, 0.79%

LAB 94.31, -8.42, 45.33

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 0 / 3 / 41 / 9

HEX #E7DF88

RGB 231 223 136

HSL 54.95, 0.66%, 0.72%

LAB 87.75, -9.43, 43.54

 

CMYK 0 / 4 / 45 / 16

HEX #D6CD75

RGB 214 205 117

HSL 54.43, 0.54%, 0.65%

LAB 81.43, -8.98, 44.72

 

CMYK 0 / 5 / 50 / 23

HEX #C5BB62

RGB 197 187 98

HSL 53.94, 0.46%, 0.58%

LAB 75.01, -8.44, 45.92

 

CMYK 0 / 6 / 56 / 29

HEX #B4A94F

RGB 180 169 79

HSL 53.47, 0.4%, 0.51%

LAB 68.49, -7.79, 47.09

 

CMYK 0 / 7 / 63 / 36

HEX #A3973C

RGB 163 151 60

HSL 53.01, 0.46%, 0.44%

LAB 61.87, -7, 48.14

 

CMYK 0 / 3 / 41 / 9

HEX #E7DF88

RGB 231 223 136

HSL 54.95, 0.66%, 0.72%

LAB 87.75, -9.43, 43.54

 

CMYK 0 / 15 / 41 / 9

HEX #E7C588

RGB 231 197 136

HSL 38.53, 0.66%, 0.72%

LAB 81.13, 3.9, 35.04

 

CMYK 0 / 26 / 41 / 9

HEX #E7AC88

RGB 231 172 136

HSL 22.74, 0.66%, 0.72%

LAB 75, 17.11, 26.95

 

CMYK 0 / 36 / 41 / 9

HEX #E79388

RGB 231 147 136

HSL 6.95, 0.66%, 0.72%

LAB 69.21, 30.43, 19.09

 

CMYK 0 / 41 / 41 / 9

HEX #E78888

RGB 231 136 136

HSL 0, 0.66%, 0.72%

LAB 66.81, 36.22, 15.77

 

CMYK 0 / 3 / 41 / 9

HEX #E7DF88

RGB 231 223 136

HSL 54.95, 0.66%, 0.72%

LAB 87.75, -9.43, 43.54

 

CMYK 8 / 0 / 41 / 9

HEX #D5E788

RGB 213 231 136

HSL 71.37, 0.66%, 0.72%

LAB 88.48, -20.35, 44.18

 

CMYK 19 / 0 / 41 / 9

HEX #BCE788

RGB 188 231 136

HSL 87.16, 0.66%, 0.72%

LAB 86.81, -29.65, 41.71

 

CMYK 30 / 0 / 41 / 9

HEX #A2E788

RGB 162 231 136

HSL 103.58, 0.66%, 0.72%

LAB 85.31, -38.72, 39.48

 

CMYK 41 / 0 / 41 / 9

HEX #89E788

RGB 137 231 136

HSL 119.37, 0.66%, 0.72%

LAB 84.09, -46.61, 37.68

 

CMYK 0 / 3 / 41 / 9

HEX #E7DF88

RGB 231 223 136

HSL 54.95, 0.66%, 0.72%

LAB 87.75, -9.43, 43.54

 

CMYK 0 / 4 / 48 / 5

HEX #F2E87D

RGB 242 232 125

HSL 54.87, 0.82%, 0.72%

LAB 90.81, -10.64, 52.83

 

CMYK 0 / 5 / 56 / 0

HEX #FEF271

RGB 254 242 113

HSL 54.89, 0.99%, 0.72%

LAB 94.21, -11.78, 62.55

 

CMYK 0 / 3 / 41 / 9

HEX #E7DF88

RGB 231 223 136

HSL 54.95, 0.66%, 0.72%

LAB 87.75, -9.43, 43.54

 

CMYK 0 / 3 / 32 / 14

HEX #DBD594

RGB 219 213 148

HSL 54.93, 0.5%, 0.72%

LAB 84.37, -7.69, 32.93

 

CMYK 0 / 2 / 23 / 18

HEX #D0CCA0

RGB 208 204 160

HSL 55, 0.34%, 0.72%

LAB 81.37, -5.69, 22.48

 

CMYK 0 / 1 / 13 / 23

HEX #C4C2AB

RGB 196 194 171

HSL 55.2, 0.17%, 0.72%

LAB 78.03, -3.27, 11.82

 

CMYK 0 / 1 / 1 / 27

HEX #B9B8B7

RGB 185 184 183

HSL 30, 0.01%, 0.72%

LAB 74.83, 0.17, 0.62

 

CMYK 0 / 26 / 41 / 9

HEX #E7AB88

RGB 231 171 136

HSL 22.11, 0.66%, 0.72%

LAB 74.76, 17.64, 26.63

 

CMYK 0 / 15 / 41 / 9

HEX #E7C488

RGB 231 196 136

HSL 37.89, 0.66%, 0.72%

LAB 80.88, 4.42, 34.72

 

CMYK 0 / 4 / 41 / 9

HEX #E7DD88

RGB 231 221 136

HSL 53.68, 0.66%, 0.72%

LAB 87.23, -8.42, 42.88

 

CMYK 7 / 0 / 41 / 9

HEX #D7E788

RGB 215 231 136

HSL 70.11, 0.66%, 0.72%

LAB 88.63, -19.59, 44.39

 

CMYK 18 / 0 / 41 / 9

HEX #BEE788

RGB 190 231 136

HSL 85.89, 0.66%, 0.72%

LAB 86.94, -28.92, 41.9

 

CMYK 0 / 6 / 69 / 15

HEX #D9CC44

RGB 217 204 68

HSL 54.77, 0.66%, 0.56%

LAB 80.94, -10.86, 66.11

 

CMYK 0 / 5 / 54 / 12

HEX #E0D566

RGB 224 213 102

HSL 54.59, 0.66%, 0.64%

LAB 84.17, -10.29, 55.35

 

CMYK 0 / 3 / 41 / 9

HEX #E7DF88

RGB 231 223 136

HSL 54.95, 0.66%, 0.72%

LAB 87.75, -9.43, 43.54

 

CMYK 0 / 3 / 28 / 7

HEX #EEE8AB

RGB 238 232 171

HSL 54.63, 0.66%, 0.8%

LAB 91.16, -7.22, 30.48

 

CMYK 0 / 2 / 16 / 4

HEX #F5F1CD

RGB 245 241 205

HSL 54, 0.67%, 0.88%

LAB 94.62, -4.48, 17.89

 

CMYK 0 / 3 / 41 / 9

HEX #E7DF88

RGB 231 223 136

HSL 54.95, 0.66%, 0.72%

LAB 87.75, -9.43, 43.54

 

CMYK 41 / 0 / 37 / 9

HEX #88E792

RGB 136 231 146

HSL 126.32, 0.66%, 0.72%

LAB 84.21, -45.37, 32.8

 

CMYK 20 / 41 / 0 / 9

HEX #B888E7

RGB 184 136 231

HSL 270.32, 0.66%, 0.72%

LAB 64.62, 36.33, -41.33

 

CMYK 0 / 3 / 41 / 9

HEX #E7DF88

RGB 231 223 136

HSL 54.95, 0.66%, 0.72%

LAB 87.75, -9.43, 43.54

 

CMYK 41 / 0 / 4 / 9

HEX #88E7DD

RGB 136 231 221

HSL 173.68, 0.66%, 0.72%

LAB 85.81, -30.47, -3.97

 

CMYK 4 / 41 / 0 / 9

HEX #DD88E7

RGB 221 136 231

HSL 293.68, 0.66%, 0.72%

LAB 68.57, 47.14, -34.87

 

CMYK 0 / 3 / 41 / 9

HEX #E7DF88

RGB 231 223 136

HSL 54.95, 0.66%, 0.72%

LAB 87.75, -9.43, 43.54

 

CMYK 41 / 0 / 37 / 9

HEX #88E792

RGB 136 231 146

HSL 126.32, 0.66%, 0.72%

LAB 84.21, -45.37, 32.8

 

CMYK 41 / 37 / 0 / 9

HEX #8892E7

RGB 136 146 231

HSL 233.68, 0.66%, 0.72%

LAB 62.98, 17.46, -44.19

 

CMYK 0 / 41 / 4 / 9

HEX #E788DD

RGB 231 136 221

HSL 306.32, 0.66%, 0.72%

LAB 69.34, 48.33, -28.07

 

CMYK 0 / 3 / 41 / 9

HEX #E7DF88

RGB 231 223 136

HSL 54.95, 0.66%, 0.72%

LAB 87.75, -9.43, 43.54

 

CMYK 41 / 0 / 25 / 9

HEX #88E7AE

RGB 136 231 174

HSL 144, 0.66%, 0.72%

LAB 84.71, -40.49, 19.1

 

CMYK 41 / 37 / 0 / 9

HEX #8892E7

RGB 136 146 231

HSL 233.68, 0.66%, 0.72%

LAB 62.98, 17.46, -44.19

 

CMYK 0 / 41 / 16 / 9

HEX #E788C1

RGB 231 136 193

HSL 324, 0.66%, 0.72%

LAB 68.35, 43.75, -14.01

 

Description

Color code: HEX #E7DF88 | qconv.com Color code: HEX #E7DF88 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 223 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 223 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 41 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 41% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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