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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7DF42 it is the complementary color #1820BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7DF42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7DF42 shade: #ECDF3D, #FDF150, #FFFF63, #FFFF76 and #FFFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7DF42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7DF42 shade: #E7DF42, #D6CD2F, #C5BB1C, #B4A909 and #A39700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7DF42 shade: #E6DE41, #E6B141, #E68541, #E65841 and #E64141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7DF42 shade: #E6DE41, #C1E641, #95E641, #68E641 and #41E646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7DF42 shade matches the following richer shades: #E6DE41 and #F7EE30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7DF42 shade: #E6DE41, #D5CE52, #C3BF64, #B2AF75 and #A19F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7DF42 shade: #E68641, #E6B241, #E6DE41, #C2E641 and #96E641

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7DF42 shade: #BCB418, #E1D71D, #E6DE41, #EBE465 and #EFEA8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7DF42 shade: #E7DF42, #41E65A and #9C41E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7DF42 shade: #E7DF42, #41E6DE and #DE41E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7DF42 shade: #E7DF42, #41E65A, #4149E6 and #E641CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7DF42 shade: #E7DF42, #41E68B, #4149E6 and #E6419C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 71 / 9

HEX #E7DF42

RGB 231 223 66

HSL 57.09, 0.77%, 0.58%

LAB 87.07, -14.59, 73.25

 

Complementary color

CMYK 87 / 83 / 0 / 26

HEX #1820BD

RGB 24 32 189

HSL 237.09, 0.77%, 0.42%

LAB 26.45, 53.68, -79.61

 

CMYK 0 / 6 / 74 / 7

HEX #ECDF3D

RGB 236 223 61

HSL 55.54, 0.82%, 0.58%

LAB 87.46, -12.72, 75.43

 

CMYK 0 / 5 / 68 / 1

HEX #FDF150

RGB 253 241 80

HSL 55.84, 0.98%, 0.65%

LAB 93.61, -13.71, 75.29

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 3 / 71 / 9

HEX #E7DF42

RGB 231 223 66

HSL 57.09, 0.77%, 0.58%

LAB 87.07, -14.59, 73.25

 

CMYK 0 / 4 / 78 / 16

HEX #D6CD2F

RGB 214 205 47

HSL 56.77, 0.67%, 0.51%

LAB 80.83, -13.54, 73.03

 

CMYK 0 / 5 / 86 / 23

HEX #C5BB1C

RGB 197 187 28

HSL 56.45, 0.75%, 0.44%

LAB 74.51, -12.3, 71.91

 

CMYK 0 / 6 / 95 / 29

HEX #B4A909

RGB 180 169 9

HSL 56.14, 0.9%, 0.37%

LAB 68.09, -10.84, 69.44

 

CMYK 0 / 7 / 100 / 36

HEX #A39700

RGB 163 151 0

HSL 55.58, 1%, 0.32%

LAB 61.58, -9.13, 65.16

 

CMYK 0 / 3 / 72 / 10

HEX #E6DE41

RGB 230 222 65

HSL 57.09, 0.77%, 0.58%

LAB 86.73, -14.56, 73.23

 

CMYK 0 / 23 / 72 / 10

HEX #E6B141

RGB 230 177 65

HSL 40.73, 0.77%, 0.58%

LAB 75.23, 8.52, 61.96

 

CMYK 0 / 42 / 72 / 10

HEX #E68541

RGB 230 133 65

HSL 24.73, 0.77%, 0.58%

LAB 64.95, 31.85, 51.33

 

CMYK 0 / 62 / 72 / 10

HEX #E65841

RGB 230 88 65

HSL 8.36, 0.77%, 0.58%

LAB 56.27, 53.82, 41.85

 

CMYK 0 / 72 / 72 / 10

HEX #E64141

RGB 230 65 65

HSL 0, 0.77%, 0.58%

LAB 52.93, 62.88, 38.04

 

CMYK 0 / 3 / 72 / 10

HEX #E6DE41

RGB 230 222 65

HSL 57.09, 0.77%, 0.58%

LAB 86.73, -14.56, 73.23

 

CMYK 16 / 0 / 72 / 10

HEX #C1E641

RGB 193 230 65

HSL 73.45, 0.77%, 0.58%

LAB 86.16, -33.41, 71.75

 

CMYK 35 / 0 / 72 / 10

HEX #95E641

RGB 149 230 65

HSL 89.45, 0.77%, 0.58%

LAB 83.63, -49.69, 68.4

 

CMYK 55 / 0 / 72 / 10

HEX #68E641

RGB 104 230 65

HSL 105.82, 0.77%, 0.58%

LAB 81.79, -63.28, 65.95

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 0 / 3 / 72 / 10

HEX #E6DE41

RGB 230 222 65

HSL 57.09, 0.77%, 0.58%

LAB 86.73, -14.56, 73.23

 

CMYK 0 / 4 / 81 / 3

HEX #F7EE30

RGB 247 238 48

HSL 57.29, 0.93%, 0.58%

LAB 92.19, -15.96, 83.72

 

CMYK 0 / 3 / 72 / 10

HEX #E6DE41

RGB 230 222 65

HSL 57.09, 0.77%, 0.58%

LAB 86.73, -14.56, 73.23

 

CMYK 0 / 3 / 62 / 16

HEX #D5CE52

RGB 213 206 82

HSL 56.79, 0.61%, 0.58%

LAB 81.24, -12.73, 60.67

 

CMYK 0 / 2 / 49 / 24

HEX #C3BF64

RGB 195 191 100

HSL 57.47, 0.44%, 0.58%

LAB 75.94, -11.15, 46.02

 

CMYK 0 / 2 / 34 / 30

HEX #B2AF75

RGB 178 175 117

HSL 57.05, 0.28%, 0.58%

LAB 70.46, -7.92, 30.17

 

CMYK 0 / 1 / 17 / 37

HEX #A19F86

RGB 161 159 134

HSL 55.56, 0.13%, 0.58%

LAB 65.04, -3.66, 13.33

 

CMYK 0 / 42 / 72 / 10

HEX #E68641

RGB 230 134 65

HSL 25.09, 0.77%, 0.58%

LAB 65.16, 31.33, 51.57

 

CMYK 0 / 23 / 72 / 10

HEX #E6B241

RGB 230 178 65

HSL 41.09, 0.77%, 0.58%

LAB 75.48, 7.99, 62.21

 

CMYK 0 / 3 / 72 / 10

HEX #E6DE41

RGB 230 222 65

HSL 57.09, 0.77%, 0.58%

LAB 86.73, -14.56, 73.23

 

CMYK 16 / 0 / 72 / 10

HEX #C2E641

RGB 194 230 65

HSL 73.09, 0.77%, 0.58%

LAB 86.23, -33.02, 71.83

 

CMYK 35 / 0 / 72 / 10

HEX #96E641

RGB 150 230 65

HSL 89.09, 0.77%, 0.58%

LAB 83.68, -49.35, 68.47

 

CMYK 0 / 4 / 87 / 26

HEX #BCB418

RGB 188 180 24

HSL 57.07, 0.77%, 0.42%

LAB 71.83, -12.74, 70.25

 

CMYK 0 / 4 / 87 / 12

HEX #E1D71D

RGB 225 215 29

HSL 56.94, 0.77%, 0.5%

LAB 84.33, -14.35, 80.62

 

CMYK 0 / 3 / 72 / 10

HEX #E6DE41

RGB 230 222 65

HSL 57.09, 0.77%, 0.58%

LAB 86.73, -14.56, 73.23

 

CMYK 0 / 3 / 57 / 8

HEX #EBE465

RGB 235 228 101

HSL 56.87, 0.77%, 0.66%

LAB 88.96, -13.38, 61.48

 

CMYK 0 / 2 / 42 / 6

HEX #EFEA8A

RGB 239 234 138

HSL 57.03, 0.76%, 0.74%

LAB 91.25, -11.59, 47.09

 

CMYK 0 / 3 / 71 / 9

HEX #E7DF42

RGB 231 223 66

HSL 57.09, 0.77%, 0.58%

LAB 87.07, -14.59, 73.25

 

CMYK 72 / 0 / 61 / 10

HEX #41E65A

RGB 65 230 90

HSL 129.09, 0.77%, 0.58%

LAB 80.99, -69.07, 54.97

 

CMYK 32 / 72 / 0 / 10

HEX #9C41E6

RGB 156 65 230

HSL 273.09, 0.77%, 0.58%

LAB 47.7, 65.41, -67.95

 

CMYK 0 / 3 / 71 / 9

HEX #E7DF42

RGB 231 223 66

HSL 57.09, 0.77%, 0.58%

LAB 87.07, -14.59, 73.25

 

CMYK 72 / 0 / 3 / 10

HEX #41E6DE

RGB 65 230 222

HSL 177.09, 0.77%, 0.58%

LAB 83.44, -42.82, -8.24

 

CMYK 3 / 72 / 0 / 10

HEX #DE41E6

RGB 222 65 230

HSL 297.09, 0.77%, 0.58%

LAB 57.1, 78.33, -52.35

 

CMYK 0 / 3 / 71 / 9

HEX #E7DF42

RGB 231 223 66

HSL 57.09, 0.77%, 0.58%

LAB 87.07, -14.59, 73.25

 

CMYK 72 / 0 / 61 / 10

HEX #41E65A

RGB 65 230 90

HSL 129.09, 0.77%, 0.58%

LAB 80.99, -69.07, 54.97

 

CMYK 72 / 68 / 0 / 10

HEX #4149E6

RGB 65 73 230

HSL 237.09, 0.77%, 0.58%

LAB 40.58, 47.69, -79.95

 

CMYK 0 / 72 / 11 / 10

HEX #E641CD

RGB 230 65 205

HSL 309.09, 0.77%, 0.58%

LAB 57.09, 76.23, -38.13

 

CMYK 0 / 3 / 71 / 9

HEX #E7DF42

RGB 231 223 66

HSL 57.09, 0.77%, 0.58%

LAB 87.07, -14.59, 73.25

 

CMYK 72 / 0 / 40 / 10

HEX #41E68B

RGB 65 230 139

HSL 146.91, 0.77%, 0.58%

LAB 81.61, -61.88, 32.51

 

CMYK 72 / 68 / 0 / 10

HEX #4149E6

RGB 65 73 230

HSL 237.09, 0.77%, 0.58%

LAB 40.58, 47.69, -79.95

 

CMYK 0 / 72 / 32 / 10

HEX #E6419C

RGB 230 65 156

HSL 326.91, 0.77%, 0.58%

LAB 55.08, 69.96, -12.82

 

Description

Color code: HEX #E7DF42 | qconv.com Color code: HEX #E7DF42 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 223 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 223 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 71 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 71% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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