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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7DF1D it is the complementary color #1820E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7DF1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7DF1D shade: #ECDF18, #FDF12B, #FFFF3E, #FFFF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7DF1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7DF1D shade: #E7DF1D, #D6CD0A, #C5BB00, #B4A900 and #A39700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7DF1D shade: #E7DF1C, #E7A81C, #E7721C, #E73B1C and #E71C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7DF1D shade: #E7DF1C, #B8E71C, #82E71C, #4BE71C and #1CE724

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7DF1D shade matches the following richer shades: #E7DF1C and #FBF108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7DF1D shade: #E7DF1C, #D3CC31, #BEBA45, #AAA759 and #96946D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7DF1D shade: #E7711C, #E7A71C, #E7DD1C, #BBE71C and #85E71C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7DF1D shade: #A09B10, #C6BF14, #E7DF1C, #EBE442 and #EFE967

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7DF1D shade: #E7DF1D, #1CE73B and #8C1CE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7DF1D shade: #E7DF1D, #1CE7DD and #DD1CE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7DF1D shade: #E7DF1D, #1CE73B, #1C26E7 and #E71CC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7DF1D shade: #E7DF1D, #1CE777, #1C26E7 and #E71C8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 87 / 9

HEX #E7DF1D

RGB 231 223 29

HSL 57.62, 0.81%, 0.51%

LAB 86.92, -15.76, 82.9

 

Complementary color

CMYK 89 / 86 / 0 / 11

HEX #1820E2

RGB 24 32 226

HSL 237.62, 0.81%, 0.49%

LAB 31.16, 64.64, -93.32

 

CMYK 0 / 6 / 90 / 7

HEX #ECDF18

RGB 236 223 24

HSL 56.32, 0.85%, 0.51%

LAB 87.33, -13.74, 84.21

 

CMYK 0 / 5 / 83 / 1

HEX #FDF12B

RGB 253 241 43

HSL 56.57, 0.98%, 0.58%

LAB 93.44, -15.07, 86.14

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3E

RGB 255 255 62

HSL 60, 1%, 0.62%

LAB 97.28, -20.42, 84.68

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 3 / 87 / 9

HEX #E7DF1D

RGB 231 223 29

HSL 57.62, 0.81%, 0.51%

LAB 86.92, -15.76, 82.9

 

CMYK 0 / 4 / 95 / 16

HEX #D6CD0A

RGB 214 205 10

HSL 57.35, 0.91%, 0.44%

LAB 80.73, -14.34, 80.09

 

CMYK 0 / 5 / 100 / 23

HEX #C5BB00

RGB 197 187 0

HSL 56.95, 1%, 0.39%

LAB 74.45, -12.71, 75.83

 

CMYK 0 / 6 / 100 / 29

HEX #B4A900

RGB 180 169 0

HSL 56.33, 1%, 0.35%

LAB 68.08, -10.95, 70.54

 

CMYK 0 / 7 / 100 / 36

HEX #A39700

RGB 163 151 0

HSL 55.58, 1%, 0.32%

LAB 61.58, -9.13, 65.16

 

CMYK 0 / 3 / 88 / 9

HEX #E7DF1C

RGB 231 223 28

HSL 57.64, 0.81%, 0.51%

LAB 86.92, -15.78, 83.07

 

CMYK 0 / 27 / 88 / 9

HEX #E7A81C

RGB 231 168 28

HSL 41.38, 0.81%, 0.51%

LAB 72.94, 12.48, 72.05

 

CMYK 0 / 51 / 88 / 9

HEX #E7721C

RGB 231 114 28

HSL 25.42, 0.81%, 0.51%

LAB 60.88, 40.76, 62.63

 

CMYK 0 / 74 / 88 / 9

HEX #E73B1C

RGB 231 59 28

HSL 9.16, 0.81%, 0.51%

LAB 52.06, 64.08, 55.84

 

CMYK 0 / 88 / 88 / 9

HEX #E71C1C

RGB 231 28 28

HSL 0, 0.81%, 0.51%

LAB 49.38, 71.66, 53.8

 

CMYK 0 / 3 / 88 / 9

HEX #E7DF1C

RGB 231 223 28

HSL 57.64, 0.81%, 0.51%

LAB 86.92, -15.78, 83.07

 

CMYK 20 / 0 / 88 / 9

HEX #B8E71C

RGB 184 231 28

HSL 73.89, 0.81%, 0.51%

LAB 85.72, -38.75, 80.69

 

CMYK 44 / 0 / 88 / 9

HEX #82E71C

RGB 130 231 28

HSL 89.85, 0.81%, 0.51%

LAB 82.9, -57.99, 77.21

 

CMYK 68 / 0 / 88 / 9

HEX #4BE71C

RGB 75 231 28

HSL 106.11, 0.81%, 0.51%

LAB 81.14, -72.03, 75.01

 

CMYK 88 / 0 / 84 / 9

HEX #1CE724

RGB 28 231 36

HSL 122.36, 0.81%, 0.51%

LAB 80.47, -77.79, 72.56

 

CMYK 0 / 3 / 88 / 9

HEX #E7DF1C

RGB 231 223 28

HSL 57.64, 0.81%, 0.51%

LAB 86.92, -15.78, 83.07

 

CMYK 0 / 4 / 97 / 2

HEX #FBF108

RGB 251 241 8

HSL 57.53, 0.97%, 0.51%

LAB 93.21, -16.44, 90.88

 

CMYK 0 / 3 / 88 / 9

HEX #E7DF1C

RGB 231 223 28

HSL 57.64, 0.81%, 0.51%

LAB 86.92, -15.78, 83.07

 

CMYK 0 / 3 / 77 / 17

HEX #D3CC31

RGB 211 204 49

HSL 57.41, 0.65%, 0.51%

LAB 80.32, -14.24, 71.88

 

CMYK 0 / 2 / 64 / 25

HEX #BEBA45

RGB 190 186 69

HSL 58.02, 0.48%, 0.51%

LAB 73.87, -13.07, 57.73

 

CMYK 0 / 2 / 48 / 33

HEX #AAA759

RGB 170 167 89

HSL 57.78, 0.32%, 0.51%

LAB 67.21, -10.09, 40.45

 

CMYK 0 / 1 / 27 / 41

HEX #96946D

RGB 150 148 109

HSL 57.07, 0.16%, 0.51%

LAB 60.58, -5.8, 20.95

 

CMYK 0 / 51 / 88 / 9

HEX #E7711C

RGB 231 113 28

HSL 25.12, 0.81%, 0.51%

LAB 60.68, 41.26, 62.47

 

CMYK 0 / 28 / 88 / 9

HEX #E7A71C

RGB 231 167 28

HSL 41.08, 0.81%, 0.51%

LAB 72.7, 13.01, 71.86

 

CMYK 0 / 4 / 88 / 9

HEX #E7DD1C

RGB 231 221 28

HSL 57.04, 0.81%, 0.51%

LAB 86.4, -14.8, 82.66

 

CMYK 19 / 0 / 88 / 9

HEX #BBE71C

RGB 187 231 28

HSL 73, 0.81%, 0.51%

LAB 85.91, -37.57, 80.92

 

CMYK 42 / 0 / 88 / 9

HEX #85E71C

RGB 133 231 28

HSL 88.97, 0.81%, 0.51%

LAB 83.03, -57.04, 77.37

 

CMYK 0 / 3 / 90 / 37

HEX #A09B10

RGB 160 155 16

HSL 57.92, 0.82%, 0.35%

LAB 62.47, -12.36, 63.3

 

CMYK 0 / 4 / 90 / 22

HEX #C6BF14

RGB 198 191 20

HSL 57.64, 0.82%, 0.43%

LAB 75.65, -14.06, 74.37

 

CMYK 0 / 3 / 88 / 9

HEX #E7DF1C

RGB 231 223 28

HSL 57.64, 0.81%, 0.51%

LAB 86.92, -15.78, 83.07

 

CMYK 0 / 3 / 72 / 8

HEX #EBE442

RGB 235 228 66

HSL 57.51, 0.81%, 0.59%

LAB 88.71, -15.4, 74.92

 

CMYK 0 / 3 / 57 / 6

HEX #EFE967

RGB 239 233 103

HSL 57.35, 0.81%, 0.67%

LAB 90.6, -14.09, 62.53

 

CMYK 0 / 3 / 87 / 9

HEX #E7DF1D

RGB 231 223 29

HSL 57.62, 0.81%, 0.51%

LAB 86.92, -15.76, 82.9

 

CMYK 88 / 0 / 74 / 9

HEX #1CE73B

RGB 28 231 59

HSL 129.16, 0.81%, 0.51%

LAB 80.58, -76.45, 66.29

 

CMYK 39 / 88 / 0 / 9

HEX #8C1CE7

RGB 140 28 231

HSL 273.1, 0.81%, 0.51%

LAB 41.49, 75.31, -78.75

 

CMYK 0 / 3 / 87 / 9

HEX #E7DF1D

RGB 231 223 29

HSL 57.62, 0.81%, 0.51%

LAB 86.92, -15.76, 82.9

 

CMYK 88 / 0 / 4 / 9

HEX #1CE7DD

RGB 28 231 221

HSL 177.04, 0.81%, 0.51%

LAB 83.24, -46.61, -8.06

 

CMYK 4 / 88 / 0 / 9

HEX #DD1CE7

RGB 221 28 231

HSL 297.04, 0.81%, 0.51%

LAB 54, 86.99, -57.88

 

CMYK 0 / 3 / 87 / 9

HEX #E7DF1D

RGB 231 223 29

HSL 57.62, 0.81%, 0.51%

LAB 86.92, -15.76, 82.9

 

CMYK 88 / 0 / 74 / 9

HEX #1CE73B

RGB 28 231 59

HSL 129.16, 0.81%, 0.51%

LAB 80.58, -76.45, 66.29

 

CMYK 88 / 84 / 0 / 9

HEX #1C26E7

RGB 28 38 231

HSL 237.04, 0.81%, 0.51%

LAB 32.71, 63.79, -93.6

 

CMYK 0 / 88 / 13 / 9

HEX #E71CC8

RGB 231 28 200

HSL 309.16, 0.81%, 0.51%

LAB 54.02, 84.4, -40.07

 

CMYK 0 / 3 / 87 / 9

HEX #E7DF1D

RGB 231 223 29

HSL 57.62, 0.81%, 0.51%

LAB 86.92, -15.76, 82.9

 

CMYK 88 / 0 / 48 / 9

HEX #1CE777

RGB 28 231 119

HSL 146.9, 0.81%, 0.51%

LAB 81.14, -69.5, 41.71

 

CMYK 88 / 84 / 0 / 9

HEX #1C26E7

RGB 28 38 231

HSL 237.04, 0.81%, 0.51%

LAB 32.71, 63.79, -93.6

 

CMYK 0 / 88 / 39 / 9

HEX #E71C8C

RGB 231 28 140

HSL 326.9, 0.81%, 0.51%

LAB 51.51, 77.68, -8.64

 

Description

Color code: HEX #E7DF1D | qconv.com Color code: HEX #E7DF1D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 223 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 223 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 87 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 87% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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