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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7DBD500 it is the complementary color #18242A00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7DBD500. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7DBD500 shade: #ECDBD000, #FDEDE300 and #FFFFF600

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7DBD500. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7DBD500 shade: #E7DBD500, #D6C9C200, #C5B7AF00, #B4A59C00 and #A3938900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7DBD500 shade: #E7DBD5, #E7D6D5 and #E7D5D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7DBD500 shade: #E7DBD5, #E7E0D5, #E7E5D5, #E4E7D5 and #DFE7D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7DBD500 shade matches the following richer shades: #E7DBD5, #ECD9D0, #F2D7CA, #F7D6C5 and #FCD4BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7DBD500 shade: #E7DBD5, #E1DDDA, #DCDEE0, #D7E0E5 and #D1E2EA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7DBD500 shade: #E7D5D8, #E7D6D5, #E7DBD5, #E7E0D5 and #E7E4D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7DBD500 shade: #C9AEA1, #D8C4BB, #E7DBD5, #F6F1EF and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7DBD500 shade: #E7DBD5, #DDE7D5 and #D5D6E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7DBD500 shade: #E7DBD5, #D5E7DB and #DBD5E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7DBD500 shade: #E7DBD5, #DDE7D5, #D5E1E7 and #DED5E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7DBD500 shade: #E7DBD5, #D8E7D5, #D5E1E7 and #E4D5E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #E7DBD500

RGBA 231 219 213 0

HSLA 20, 0.27%, 0.87%, 0

LABA 88.19, 3.09, 4.4, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #18242A00

RGBA 24 36 42 0

HSLA 200, 0.27%, 0.13%, 0

LABA 13.37, -3.29, -5.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ECDBD000

RGBA 236 219 208 0

HSLA 23.57, 0.42%, 0.87%, 0

LABA 88.47, 4.02, 7.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FDEDE300

RGBA 253 237 227 0

HSLA 23.08, 0.87%, 0.94%, 0

LABA 94.74, 3.76, 6.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFF600

RGBA 255 255 246 0

HSLA 60, 1%, 0.98%, 0

LABA 99.78, -1.54, 4.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7DBD500

RGBA 231 219 213 0

HSLA 20, 0.27%, 0.87%, 0

LABA 88.19, 3.09, 4.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6C9C200

RGBA 214 201 194 0

HSLA 21, 0.2%, 0.8%, 0

LABA 81.82, 3.33, 5.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C5B7AF00

RGBA 197 183 175 0

HSLA 21.82, 0.16%, 0.73%, 0

LABA 75.35, 3.6, 5.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4A59C00

RGBA 180 165 156 0

HSLA 22.5, 0.14%, 0.66%, 0

LABA 68.76, 3.89, 6.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3938900

RGBA 163 147 137 0

HSLA 23.08, 0.12%, 0.59%, 0

LABA 62.05, 4.22, 7.44, 0

 

CMYK 0 / 5 / 8 / 9

HEX #E7DBD5

RGB 231 219 213

HSL 20, 0.27%, 0.87%

LAB 88.19, 3.09, 4.4

 

CMYK 0 / 7 / 8 / 9

HEX #E7D6D5

RGB 231 214 213

HSL 3.33, 0.27%, 0.87%

LAB 86.94, 5.69, 2.6

 

CMYK 0 / 8 / 8 / 9

HEX #E7D5D5

RGB 231 213 213

HSL 0, 0.27%, 0.87%

LAB 86.69, 6.21, 2.24

 

CMYK 0 / 5 / 8 / 9

HEX #E7DBD5

RGB 231 219 213

HSL 20, 0.27%, 0.87%

LAB 88.19, 3.09, 4.4

 

CMYK 0 / 3 / 8 / 9

HEX #E7E0D5

RGB 231 224 213

HSL 36.67, 0.27%, 0.87%

LAB 89.44, 0.5, 6.21

 

CMYK 0 / 1 / 8 / 9

HEX #E7E5D5

RGB 231 229 213

HSL 53.33, 0.27%, 0.87%

LAB 90.7, -2.07, 8.03

 

CMYK 1 / 0 / 8 / 9

HEX #E4E7D5

RGB 228 231 213

HSL 70, 0.27%, 0.87%

LAB 90.98, -4.13, 8.4

 

CMYK 3 / 0 / 8 / 9

HEX #DFE7D5

RGB 223 231 213

HSL 86.67, 0.27%, 0.87%

LAB 90.62, -5.85, 7.83

 

CMYK 0 / 5 / 8 / 9

HEX #E7DBD5

RGB 231 219 213

HSL 20, 0.27%, 0.87%

LAB 88.19, 3.09, 4.4

 

CMYK 0 / 8 / 12 / 7

HEX #ECD9D0

RGB 236 217 208

HSL 19.29, 0.42%, 0.87%

LAB 87.97, 5.06, 6.78

 

CMYK 0 / 11 / 17 / 5

HEX #F2D7CA

RGB 242 215 202

HSL 19.5, 0.61%, 0.87%

LAB 87.84, 7.3, 9.82

 

CMYK 0 / 13 / 20 / 3

HEX #F7D6C5

RGB 247 214 197

HSL 20.4, 0.76%, 0.87%

LAB 87.92, 8.88, 12.62

 

CMYK 0 / 16 / 24 / 1

HEX #FCD4BF

RGB 252 212 191

HSL 20.66, 0.91%, 0.87%

LAB 87.75, 10.89, 15.6

 

CMYK 0 / 5 / 8 / 9

HEX #E7DBD5

RGB 231 219 213

HSL 20, 0.27%, 0.87%

LAB 88.19, 3.09, 4.4

 

CMYK 0 / 2 / 3 / 12

HEX #E1DDDA

RGB 225 221 218

HSL 25.71, 0.1%, 0.87%

LAB 88.34, 0.83, 1.94

 

CMYK 2 / 1 / 0 / 12

HEX #DCDEE0

RGB 220 222 224

HSL 210, 0.06%, 0.87%

LAB 88.37, -0.31, -1.22

HEX #DCDEE0

CMYK 6 / 2 / 0 / 10

HEX #D7E0E5

RGB 215 224 229

HSL 201.43, 0.21%, 0.87%

LAB 88.65, -2.07, -3.49

HEX #D7E0E5

CMYK 11 / 3 / 0 / 8

HEX #D1E2EA

RGB 209 226 234

HSL 199.2, 0.37%, 0.87%

LAB 88.87, -4.08, -5.84

HEX #D1E2EA

CMYK 0 / 8 / 6 / 9

HEX #E7D5D8

RGB 231 213 216

HSL 350, 0.27%, 0.87%

LAB 86.77, 6.72, 0.76

 

CMYK 0 / 7 / 8 / 9

HEX #E7D6D5

RGB 231 214 213

HSL 3.33, 0.27%, 0.87%

LAB 86.94, 5.69, 2.6

 

CMYK 0 / 5 / 8 / 9

HEX #E7DBD5

RGB 231 219 213

HSL 20, 0.27%, 0.87%

LAB 88.19, 3.09, 4.4

 

CMYK 0 / 3 / 8 / 9

HEX #E7E0D5

RGB 231 224 213

HSL 36.67, 0.27%, 0.87%

LAB 89.44, 0.5, 6.21

 

CMYK 0 / 1 / 8 / 9

HEX #E7E4D5

RGB 231 228 213

HSL 50, 0.27%, 0.87%

LAB 90.45, -1.55, 7.67

 

CMYK 0 / 13 / 20 / 21

HEX #C9AEA1

RGB 201 174 161

HSL 19.5, 0.27%, 0.71%

LAB 73.06, 7.68, 10.26

 

CMYK 0 / 9 / 13 / 15

HEX #D8C4BB

RGB 216 196 187

HSL 18.62, 0.27%, 0.79%

LAB 80.55, 5.54, 7.06

 

CMYK 0 / 5 / 8 / 9

HEX #E7DBD5

RGB 231 219 213

HSL 20, 0.27%, 0.87%

LAB 88.19, 3.09, 4.4

 

CMYK 0 / 2 / 3 / 4

HEX #F6F1EF

RGB 246 241 239

HSL 17.14, 0.28%, 0.95%

LAB 95.47, 1.33, 1.54

 

CMYK 0 / 5 / 8 / 9

HEX #E7DBD5

RGB 231 219 213

HSL 20, 0.27%, 0.87%

LAB 88.19, 3.09, 4.4

 

CMYK 4 / 0 / 8 / 9

HEX #DDE7D5

RGB 221 231 213

HSL 93.33, 0.27%, 0.87%

LAB 90.47, -6.53, 7.6

 

CMYK 8 / 7 / 0 / 9

HEX #D5D6E7

RGB 213 214 231

HSL 236.67, 0.27%, 0.87%

LAB 86.01, 2.86, -8.46

 

CMYK 0 / 5 / 8 / 9

HEX #E7DBD5

RGB 231 219 213

HSL 20, 0.27%, 0.87%

LAB 88.19, 3.09, 4.4

 

CMYK 8 / 0 / 5 / 9

HEX #D5E7DB

RGB 213 231 219

HSL 140, 0.27%, 0.87%

LAB 90.05, -8.17, 3.78

 

CMYK 5 / 8 / 0 / 9

HEX #DBD5E7

RGB 219 213 231

HSL 260, 0.27%, 0.87%

LAB 86.22, 5.36, -8.1

 

CMYK 0 / 5 / 8 / 9

HEX #E7DBD5

RGB 231 219 213

HSL 20, 0.27%, 0.87%

LAB 88.19, 3.09, 4.4

 

CMYK 4 / 0 / 8 / 9

HEX #DDE7D5

RGB 221 231 213

HSL 93.33, 0.27%, 0.87%

LAB 90.47, -6.53, 7.6

 

CMYK 8 / 3 / 0 / 9

HEX #D5E1E7

RGB 213 225 231

HSL 200, 0.27%, 0.87%

LAB 88.81, -2.86, -4.32

 

CMYK 4 / 8 / 0 / 9

HEX #DED5E7

RGB 222 213 231

HSL 270, 0.27%, 0.87%

LAB 86.45, 6.35, -7.73

 

CMYK 0 / 5 / 8 / 9

HEX #E7DBD5

RGB 231 219 213

HSL 20, 0.27%, 0.87%

LAB 88.19, 3.09, 4.4

 

CMYK 6 / 0 / 8 / 9

HEX #D8E7D5

RGB 216 231 213

HSL 110, 0.27%, 0.87%

LAB 90.12, -8.23, 7.04

 

CMYK 8 / 3 / 0 / 9

HEX #D5E1E7

RGB 213 225 231

HSL 200, 0.27%, 0.87%

LAB 88.81, -2.86, -4.32

 

CMYK 1 / 8 / 0 / 9

HEX #E4D5E7

RGB 228 213 231

HSL 290, 0.27%, 0.87%

LAB 86.92, 8.35, -6.98

 

Description

Color code: HEX #E7DBD500 | qconv.com Color code: HEX #E7DBD500 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 219 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 219 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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