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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7CCDF it is the complementary color #183320. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7CCDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7CCDF shade: #ECCCDA, #FDDEED and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7CCDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7CCDF shade: #E7CCDF, #D6BACC, #C5A8B9, #B496A6 and #A38493

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7CCDF shade: #E6CADE, #E6CAD6, #E6CACF and #E6CACA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7CCDF shade: #E6CADE, #E6CAE5, #DFCAE6, #D8CAE6 and #D0CAE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7CCDF shade matches the following richer shades: #E6CADE, #ECC4E0, #F2BEE3 and #F9B8E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7CCDF shade: #E6CADE, #E0D1DB, #DAD7D9, #D3DDD6 and #CDE3D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7CCDF shade: #DFCAE6, #E6CAE6, #E6CADE, #E6CAD7 and #E6CAD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7CCDF shade: #CC92BB, #D9AECC, #E6CADE and #F3E7EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7CCDF shade: #E7CCDF, #E6D8CA and #CAE6E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7CCDF shade: #E7CCDF, #DEE6CA and #CADEE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7CCDF shade: #E7CCDF, #E6D8CA, #CAE6D2 and #CAD9E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7CCDF shade: #E7CCDF, #E6E0CA, #CAE6D2 and #CAD0E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 3 / 9

HEX #E7CCDF

RGB 231 204 223

HSL 317.78, 0.36%, 0.85%

LAB 84.74, 12.67, -5.93

 

Complementary color

CMYK 53 / 0 / 37 / 80

HEX #183320

RGB 24 51 32

HSL 137.78, 0.36%, 0.15%

LAB 18.65, -15.57, 8.94

 

CMYK 0 / 14 / 8 / 7

HEX #ECCCDA

RGB 236 204 218

HSL 333.75, 0.46%, 0.86%

LAB 85.04, 13.52, -2.78

 

CMYK 0 / 12 / 6 / 1

HEX #FDDEED

RGB 253 222 237

HSL 330.97, 0.89%, 0.93%

LAB 91.34, 13.14, -3.38

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 12 / 3 / 9

HEX #E7CCDF

RGB 231 204 223

HSL 317.78, 0.36%, 0.85%

LAB 84.74, 12.67, -5.93

 

CMYK 0 / 13 / 5 / 16

HEX #D6BACC

RGB 214 186 204

HSL 321.43, 0.25%, 0.78%

LAB 78.33, 13.05, -5.37

 

CMYK 0 / 15 / 6 / 23

HEX #C5A8B9

RGB 197 168 185

HSL 324.83, 0.2%, 0.72%

LAB 71.81, 13.46, -4.79

 

CMYK 0 / 17 / 8 / 29

HEX #B496A6

RGB 180 150 166

HSL 328, 0.17%, 0.65%

LAB 65.18, 13.91, -4.18

 

CMYK 0 / 19 / 10 / 36

HEX #A38493

RGB 163 132 147

HSL 330.97, 0.14%, 0.58%

LAB 58.41, 14.4, -3.55

 

CMYK 0 / 12 / 3 / 10

HEX #E6CADE

RGB 230 202 222

HSL 317.14, 0.36%, 0.85%

LAB 84.14, 13.21, -6.29

 

CMYK 0 / 12 / 7 / 10

HEX #E6CAD6

RGB 230 202 214

HSL 334.29, 0.36%, 0.85%

LAB 83.92, 11.81, -2.35

 

CMYK 0 / 12 / 10 / 10

HEX #E6CACF

RGB 230 202 207

HSL 349.29, 0.36%, 0.85%

LAB 83.74, 10.63, 1.12

 

CMYK 0 / 12 / 12 / 10

HEX #E6CACA

RGB 230 202 202

HSL 0, 0.36%, 0.85%

LAB 83.61, 9.81, 3.6

 

CMYK 0 / 12 / 3 / 10

HEX #E6CADE

RGB 230 202 222

HSL 317.14, 0.36%, 0.85%

LAB 84.14, 13.21, -6.29

 

CMYK 0 / 12 / 0 / 10

HEX #E6CAE5

RGB 230 202 229

HSL 302.14, 0.36%, 0.85%

LAB 84.34, 14.47, -9.73

 

CMYK 3 / 12 / 0 / 10

HEX #DFCAE6

RGB 223 202 230

HSL 285, 0.36%, 0.85%

LAB 83.78, 12.31, -11.16

 

CMYK 6 / 12 / 0 / 10

HEX #D8CAE6

RGB 216 202 230

HSL 270, 0.36%, 0.85%

LAB 83.21, 10, -12.08

 

CMYK 10 / 12 / 0 / 10

HEX #D0CAE6

RGB 208 202 230

HSL 252.86, 0.36%, 0.85%

LAB 82.57, 7.38, -13.09

 

CMYK 0 / 12 / 3 / 10

HEX #E6CADE

RGB 230 202 222

HSL 317.14, 0.36%, 0.85%

LAB 84.14, 13.21, -6.29

 

CMYK 0 / 17 / 5 / 7

HEX #ECC4E0

RGB 236 196 224

HSL 318, 0.51%, 0.85%

LAB 83.28, 18.79, -8.58

 

CMYK 0 / 21 / 6 / 5

HEX #F2BEE3

RGB 242 190 227

HSL 317.31, 0.67%, 0.85%

LAB 82.51, 24.52, -11.27

 

CMYK 0 / 26 / 8 / 2

HEX #F9B8E5

RGB 249 184 229

HSL 318.46, 0.84%, 0.85%

LAB 81.88, 30.39, -13.22

 

CMYK 0 / 12 / 3 / 10

HEX #E6CADE

RGB 230 202 222

HSL 317.14, 0.36%, 0.85%

LAB 84.14, 13.21, -6.29

 

CMYK 0 / 7 / 2 / 12

HEX #E0D1DB

RGB 224 209 219

HSL 320, 0.19%, 0.85%

LAB 85.28, 6.93, -3.07

 

CMYK 0 / 1 / 0 / 15

HEX #DAD7D9

RGB 218 215 217

HSL 320, 0.04%, 0.85%

LAB 86.26, 1.39, -0.63

 

CMYK 5 / 0 / 3 / 13

HEX #D3DDD6

RGB 211 221 214

HSL 138, 0.13%, 0.85%

LAB 87.2, -4.64, 2.26

 

CMYK 10 / 0 / 7 / 11

HEX #CDE3D4

RGB 205 227 212

HSL 139.09, 0.28%, 0.85%

LAB 88.29, -10.08, 4.84

 

CMYK 3 / 12 / 0 / 10

HEX #DFCAE6

RGB 223 202 230

HSL 285, 0.36%, 0.85%

LAB 83.78, 12.31, -11.16

 

CMYK 0 / 12 / 0 / 10

HEX #E6CAE6

RGB 230 202 230

HSL 300, 0.36%, 0.85%

LAB 84.37, 14.65, -10.22

 

CMYK 0 / 12 / 3 / 10

HEX #E6CADE

RGB 230 202 222

HSL 317.14, 0.36%, 0.85%

LAB 84.14, 13.21, -6.29

 

CMYK 0 / 12 / 7 / 10

HEX #E6CAD7

RGB 230 202 215

HSL 332.14, 0.36%, 0.85%

LAB 83.95, 11.99, -2.84

 

CMYK 0 / 12 / 10 / 10

HEX #E6CAD0

RGB 230 202 208

HSL 347.14, 0.36%, 0.85%

LAB 83.77, 10.8, 0.62

 

CMYK 0 / 28 / 8 / 20

HEX #CC92BB

RGB 204 146 187

HSL 317.59, 0.36%, 0.69%

LAB 67.26, 28.33, -12.6

 

CMYK 0 / 20 / 6 / 15

HEX #D9AECC

RGB 217 174 204

HSL 318.14, 0.36%, 0.77%

LAB 75.69, 20.56, -9.26

 

CMYK 0 / 12 / 3 / 10

HEX #E6CADE

RGB 230 202 222

HSL 317.14, 0.36%, 0.85%

LAB 84.14, 13.21, -6.29

 

CMYK 0 / 5 / 2 / 5

HEX #F3E7EF

RGB 243 231 239

HSL 320, 0.33%, 0.93%

LAB 92.77, 5.45, -2.43

 

CMYK 0 / 12 / 3 / 9

HEX #E7CCDF

RGB 231 204 223

HSL 317.78, 0.36%, 0.85%

LAB 84.74, 12.67, -5.93

 

CMYK 0 / 6 / 12 / 10

HEX #E6D8CA

RGB 230 216 202

HSL 30, 0.36%, 0.85%

LAB 87.09, 2.49, 8.62

 

CMYK 12 / 0 / 1 / 10

HEX #CAE6E3

RGB 202 230 227

HSL 173.57, 0.36%, 0.85%

LAB 89.25, -9.74, -1.66

 

CMYK 0 / 12 / 3 / 9

HEX #E7CCDF

RGB 231 204 223

HSL 317.78, 0.36%, 0.85%

LAB 84.74, 12.67, -5.93

 

CMYK 3 / 0 / 12 / 10

HEX #DEE6CA

RGB 222 230 202

HSL 77.14, 0.36%, 0.85%

LAB 90.04, -7.51, 12.73

 

CMYK 12 / 3 / 0 / 10

HEX #CADEE6

RGB 202 222 230

HSL 197.14, 0.36%, 0.85%

LAB 87.25, -5.06, -6.19

HEX #CADEE6

CMYK 0 / 12 / 3 / 9

HEX #E7CCDF

RGB 231 204 223

HSL 317.78, 0.36%, 0.85%

LAB 84.74, 12.67, -5.93

 

CMYK 0 / 6 / 12 / 10

HEX #E6D8CA

RGB 230 216 202

HSL 30, 0.36%, 0.85%

LAB 87.09, 2.49, 8.62

 

CMYK 12 / 0 / 9 / 10

HEX #CAE6D2

RGB 202 230 210

HSL 137.14, 0.36%, 0.85%

LAB 88.83, -12.95, 6.64

 

CMYK 12 / 6 / 0 / 10

HEX #CAD9E6

RGB 202 217 230

HSL 207.86, 0.36%, 0.85%

LAB 85.95, -2.46, -8.1

 

CMYK 0 / 12 / 3 / 9

HEX #E7CCDF

RGB 231 204 223

HSL 317.78, 0.36%, 0.85%

LAB 84.74, 12.67, -5.93

 

CMYK 0 / 3 / 12 / 10

HEX #E6E0CA

RGB 230 224 202

HSL 47.14, 0.36%, 0.85%

LAB 89.11, -1.64, 11.49

 

CMYK 12 / 0 / 9 / 10

HEX #CAE6D2

RGB 202 230 210

HSL 137.14, 0.36%, 0.85%

LAB 88.83, -12.95, 6.64

 

CMYK 12 / 10 / 0 / 10

HEX #CAD0E6

RGB 202 208 230

HSL 227.14, 0.36%, 0.85%

LAB 83.64, 2.25, -11.54

 

Description

Color code: HEX #E7CCDF | qconv.com Color code: HEX #E7CCDF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 204 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 204 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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