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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7C756 it is the complementary color #1838A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7C756. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7C756 shade: #ECC751, #FDD964, #FFEB77, #FFFD8A and #FFFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7C756. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7C756 shade: #E7C756, #D6B543, #C5A330, #B4911D and #A37F0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7C756 shade: #E7C755, #E7A055, #E77855 and #E75555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7C756 shade: #E7C755, #E0E755, #B8E755, #91E755 and #6AE755

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7C756 shade matches the following richer shades: #E7C755 and #F6CF46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7C756 shade: #E7C755, #D7BE65, #C7B575, #B8AC84 and #A8A494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7C756 shade: #E77755, #E79E55, #E7C555, #E2E755 and #BBE755

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7C756 shade: #CCA61D, #E2BB31, #E7C755, #ECD37A and #F1DF9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7C756 shade: #E7C756, #5AE755 and #8B55E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7C756 shade: #E7C756, #55E7C5 and #C555E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7C756 shade: #E7C756, #5AE755, #5577E7 and #E255E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7C756 shade: #E7C756, #55E77C, #5577E7 and #E755C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 63 / 9

HEX #E7C756

RGB 231 199 86

HSL 46.76, 0.75%, 0.62%

LAB 81.02, -1.39, 59.17

 

Complementary color

CMYK 86 / 67 / 0 / 34

HEX #1838A9

RGB 24 56 169

HSL 226.76, 0.75%, 0.38%

LAB 29.13, 32.99, -63.26

 

CMYK 0 / 16 / 66 / 7

HEX #ECC751

RGB 236 199 81

HSL 45.68, 0.8%, 0.62%

LAB 81.44, 0.4, 61.92

 

CMYK 0 / 14 / 60 / 1

HEX #FDD964

RGB 253 217 100

HSL 45.88, 0.97%, 0.69%

LAB 87.69, -0.59, 60.93

 

CMYK 0 / 8 / 53 / 0

HEX #FFEB77

RGB 255 235 119

HSL 51.18, 1%, 0.73%

LAB 92.58, -7.46, 57.98

 

CMYK 0 / 1 / 46 / 0

HEX #FFFD8A

RGB 255 253 138

HSL 58.97, 1%, 0.77%

LAB 97.37, -14.7, 54.9

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 14 / 63 / 9

HEX #E7C756

RGB 231 199 86

HSL 46.76, 0.75%, 0.62%

LAB 81.02, -1.39, 59.17

 

CMYK 0 / 15 / 69 / 16

HEX #D6B543

RGB 214 181 67

HSL 46.53, 0.64%, 0.55%

LAB 74.67, -0.33, 60.06

 

CMYK 0 / 17 / 76 / 23

HEX #C5A330

RGB 197 163 48

HSL 46.31, 0.61%, 0.48%

LAB 68.23, 0.91, 60.58

 

CMYK 0 / 19 / 84 / 29

HEX #B4911D

RGB 180 145 29

HSL 46.09, 0.72%, 0.41%

LAB 61.69, 2.39, 60.36

 

CMYK 0 / 22 / 94 / 36

HEX #A37F0A

RGB 163 127 10

HSL 45.88, 0.88%, 0.34%

LAB 55.06, 4.15, 58.77

 

CMYK 0 / 14 / 63 / 9

HEX #E7C755

RGB 231 199 85

HSL 46.85, 0.75%, 0.62%

LAB 81.01, -1.45, 59.6

 

CMYK 0 / 31 / 63 / 9

HEX #E7A055

RGB 231 160 85

HSL 30.82, 0.75%, 0.62%

LAB 71.41, 19.09, 48.89

 

CMYK 0 / 48 / 63 / 9

HEX #E77855

RGB 231 120 85

HSL 14.38, 0.75%, 0.62%

LAB 62.57, 40.07, 38.49

 

CMYK 0 / 63 / 63 / 9

HEX #E75555

RGB 231 85 85

HSL 0, 0.75%, 0.62%

LAB 56.23, 56.5, 30.66

 

CMYK 0 / 14 / 63 / 9

HEX #E7C755

RGB 231 199 85

HSL 46.85, 0.75%, 0.62%

LAB 81.01, -1.45, 59.6

 

CMYK 3 / 0 / 63 / 9

HEX #E0E755

RGB 224 231 85

HSL 62.88, 0.75%, 0.62%

LAB 88.76, -20.36, 67.7

 

CMYK 20 / 0 / 63 / 9

HEX #B8E755

RGB 184 231 85

HSL 79.32, 0.75%, 0.62%

LAB 86.01, -36.1, 63.94

 

CMYK 37 / 0 / 63 / 9

HEX #91E755

RGB 145 231 85

HSL 95.34, 0.75%, 0.62%

LAB 83.88, -49.99, 61.02

 

CMYK 54 / 0 / 63 / 9

HEX #6AE755

RGB 106 231 85

HSL 111.37, 0.75%, 0.62%

LAB 82.31, -61.45, 58.85

 

CMYK 0 / 14 / 63 / 9

HEX #E7C755

RGB 231 199 85

HSL 46.85, 0.75%, 0.62%

LAB 81.01, -1.45, 59.6

 

CMYK 0 / 16 / 72 / 4

HEX #F6CF46

RGB 246 207 70

HSL 46.7, 0.91%, 0.62%

LAB 84.31, -0.08, 69.57

 

CMYK 0 / 14 / 63 / 9

HEX #E7C755

RGB 231 199 85

HSL 46.85, 0.75%, 0.62%

LAB 81.01, -1.45, 59.6

 

CMYK 0 / 12 / 53 / 16

HEX #D7BE65

RGB 215 190 101

HSL 46.84, 0.59%, 0.62%

LAB 77.41, -2.29, 47.7

 

CMYK 0 / 9 / 41 / 22

HEX #C7B575

RGB 199 181 117

HSL 46.83, 0.42%, 0.62%

LAB 73.85, -2.6, 34.92

 

CMYK 0 / 7 / 28 / 28

HEX #B8AC84

RGB 184 172 132

HSL 46.15, 0.27%, 0.62%

LAB 70.43, -1.99, 22.17

 

CMYK 0 / 2 / 12 / 34

HEX #A8A494

RGB 168 164 148

HSL 48, 0.1%, 0.62%

LAB 67.29, -1.4, 8.81

 

CMYK 0 / 48 / 63 / 9

HEX #E77755

RGB 231 119 85

HSL 13.97, 0.75%, 0.62%

LAB 62.37, 40.57, 38.24

 

CMYK 0 / 32 / 63 / 9

HEX #E79E55

RGB 231 158 85

HSL 30, 0.75%, 0.62%

LAB 70.94, 20.15, 48.35

 

CMYK 0 / 15 / 63 / 9

HEX #E7C555

RGB 231 197 85

HSL 46.03, 0.75%, 0.62%

LAB 80.5, -0.42, 59.05

 

CMYK 2 / 0 / 63 / 9

HEX #E2E755

RGB 226 231 85

HSL 62.05, 0.75%, 0.62%

LAB 88.91, -19.55, 67.9

 

CMYK 19 / 0 / 63 / 9

HEX #BBE755

RGB 187 231 85

HSL 78.08, 0.75%, 0.62%

LAB 86.19, -34.96, 64.2

 

CMYK 0 / 19 / 86 / 20

HEX #CCA61D

RGB 204 166 29

HSL 46.97, 0.75%, 0.46%

LAB 69.61, 1.77, 67.95

 

CMYK 0 / 17 / 78 / 11

HEX #E2BB31

RGB 226 187 49

HSL 46.78, 0.75%, 0.54%

LAB 77.24, 0.89, 69.6

 

CMYK 0 / 14 / 63 / 9

HEX #E7C755

RGB 231 199 85

HSL 46.85, 0.75%, 0.62%

LAB 81.01, -1.45, 59.6

 

CMYK 0 / 11 / 48 / 7

HEX #ECD37A

RGB 236 211 122

HSL 46.84, 0.75%, 0.7%

LAB 84.91, -2.72, 46.97

 

CMYK 0 / 7 / 34 / 5

HEX #F1DF9E

RGB 241 223 158

HSL 46.99, 0.75%, 0.78%

LAB 88.9, -3.13, 34.13

 

CMYK 0 / 14 / 63 / 9

HEX #E7C756

RGB 231 199 86

HSL 46.76, 0.75%, 0.62%

LAB 81.02, -1.39, 59.17

 

CMYK 61 / 0 / 63 / 9

HEX #5AE755

RGB 90 231 85

HSL 117.95, 0.75%, 0.62%

LAB 81.83, -65.24, 58.18

 

CMYK 40 / 63 / 0 / 9

HEX #8B55E7

RGB 139 85 231

HSL 262.19, 0.75%, 0.62%

LAB 49.2, 52.93, -66.19

 

CMYK 0 / 14 / 63 / 9

HEX #E7C756

RGB 231 199 86

HSL 46.76, 0.75%, 0.62%

LAB 81.02, -1.39, 59.17

 

CMYK 63 / 0 / 15 / 9

HEX #55E7C5

RGB 85 231 197

HSL 166.03, 0.75%, 0.62%

LAB 83.5, -46.85, 5.1

 

CMYK 15 / 63 / 0 / 9

HEX #C555E7

RGB 197 85 231

HSL 286.03, 0.75%, 0.62%

LAB 56.22, 65.55, -54.52

 

CMYK 0 / 14 / 63 / 9

HEX #E7C756

RGB 231 199 86

HSL 46.76, 0.75%, 0.62%

LAB 81.02, -1.39, 59.17

 

CMYK 61 / 0 / 63 / 9

HEX #5AE755

RGB 90 231 85

HSL 117.95, 0.75%, 0.62%

LAB 81.83, -65.24, 58.18

 

CMYK 63 / 48 / 0 / 9

HEX #5577E7

RGB 85 119 231

HSL 226.03, 0.75%, 0.62%

LAB 52.83, 22.66, -60.53

 

CMYK 2 / 63 / 0 / 9

HEX #E255E7

RGB 226 85 231

HSL 297.95, 0.75%, 0.62%

LAB 60.28, 72.22, -47.82

 

CMYK 0 / 14 / 63 / 9

HEX #E7C756

RGB 231 199 86

HSL 46.76, 0.75%, 0.62%

LAB 81.02, -1.39, 59.17

 

CMYK 63 / 0 / 46 / 9

HEX #55E77C

RGB 85 231 124

HSL 136.03, 0.75%, 0.62%

LAB 82.13, -61.34, 40.72

 

CMYK 63 / 48 / 0 / 9

HEX #5577E7

RGB 85 119 231

HSL 226.03, 0.75%, 0.62%

LAB 52.83, 22.66, -60.53

 

CMYK 0 / 63 / 17 / 9

HEX #E755C0

RGB 231 85 192

HSL 316.03, 0.75%, 0.62%

LAB 59.24, 67.43, -27.33

 

Description

Color code: HEX #E7C756 | qconv.com Color code: HEX #E7C756 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 199 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 199 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 63 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 63% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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