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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7C0EA it is the complementary color #183F15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7C0EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7C0EA shade: #ECC0E5, #FDD2F8, #FFE4FF, #FFF6FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7C0EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7C0EA shade: #E7C0EA, #D6AED7, #C59CC4, #B48AB1 and #A3789E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7C0EA shade: #E8C2EB, #EBC2E3, #EBC2D8, #EBC2CD and #EBC2C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7C0EA shade: #E8C2EB, #DDC2EB, #D2C2EB, #C7C2EB and #C2C2EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7C0EA shade matches the following richer shades: #E8C2EB, #EDBBF1, #F3B5F8 and #F9AEFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7C0EA shade: #E8C2EB, #E2C8E4, #DCCFDD, #D7D6D7 and #D1DCD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7C0EA shade: #D1C2EB, #DCC2EB, #E7C2EB, #EBC2E3 and #EBC2D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7C0EA shade: #D084D6, #DCA3E0, #E8C2EB, #F3E1F5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7C0EA shade: #E7C0EA, #EBC7C2 and #C2EBD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7C0EA shade: #E7C0EA, #EBE7C2 and #C2EBE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7C0EA shade: #E7C0EA, #EBC7C2, #C5EBC2 and #C2E6EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7C0EA shade: #E7C0EA, #EBD3C2, #C5EBC2 and #C2DAEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 18 / 0 / 8

HEX #E7C0EA

RGB 231 192 234

HSL 295.71, 0.5%, 0.84%

LAB 82.18, 21.04, -15.62

 

Complementary color

CMYK 62 / 0 / 67 / 75

HEX #183F15

RGB 24 63 21

HSL 115.71, 0.5%, 0.16%

LAB 23.01, -23.75, 21.28

 

CMYK 0 / 19 / 3 / 7

HEX #ECC0E5

RGB 236 192 229

HSL 309.55, 0.54%, 0.84%

LAB 82.48, 21.79, -12.45

 

CMYK 0 / 17 / 2 / 1

HEX #FDD2F8

RGB 253 210 248

HSL 306.98, 0.91%, 0.91%

LAB 88.81, 21.31, -12.93

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 1 / 18 / 0 / 8

HEX #E7C0EA

RGB 231 192 234

HSL 295.71, 0.5%, 0.84%

LAB 82.18, 21.04, -15.62

 

CMYK 0 / 19 / 0 / 16

HEX #D6AED7

RGB 214 174 215

HSL 298.54, 0.34%, 0.76%

LAB 75.75, 21.54, -15.2

 

CMYK 0 / 21 / 1 / 23

HEX #C59CC4

RGB 197 156 196

HSL 301.46, 0.26%, 0.69%

LAB 69.21, 22.07, -14.76

 

CMYK 0 / 23 / 2 / 29

HEX #B48AB1

RGB 180 138 177

HSL 304.29, 0.22%, 0.62%

LAB 62.55, 22.66, -14.31

 

CMYK 0 / 26 / 3 / 36

HEX #A3789E

RGB 163 120 158

HSL 306.98, 0.19%, 0.55%

LAB 55.77, 23.29, -13.83

 

CMYK 1 / 17 / 0 / 8

HEX #E8C2EB

RGB 232 194 235

HSL 295.61, 0.51%, 0.84%

LAB 82.77, 20.49, -15.25

 

CMYK 0 / 17 / 3 / 8

HEX #EBC2E3

RGB 235 194 227

HSL 311.71, 0.51%, 0.84%

LAB 82.8, 20.04, -10.91

 

CMYK 0 / 17 / 8 / 8

HEX #EBC2D8

RGB 235 194 216

HSL 327.8, 0.51%, 0.84%

LAB 82.49, 18.13, -5.48

 

CMYK 0 / 17 / 13 / 8

HEX #EBC2CD

RGB 235 194 205

HSL 343.9, 0.51%, 0.84%

LAB 82.19, 16.31, -0.02

 

CMYK 0 / 17 / 17 / 8

HEX #EBC2C2

RGB 235 194 194

HSL 0, 0.51%, 0.84%

LAB 81.91, 14.57, 5.48

 

CMYK 1 / 17 / 0 / 8

HEX #E8C2EB

RGB 232 194 235

HSL 295.61, 0.51%, 0.84%

LAB 82.77, 20.49, -15.25

 

CMYK 6 / 17 / 0 / 8

HEX #DDC2EB

RGB 221 194 235

HSL 279.51, 0.51%, 0.84%

LAB 81.81, 16.88, -16.8

 

CMYK 11 / 17 / 0 / 8

HEX #D2C2EB

RGB 210 194 235

HSL 263.41, 0.51%, 0.84%

LAB 80.9, 13.32, -18.27

 

CMYK 15 / 17 / 0 / 8

HEX #C7C2EB

RGB 199 194 235

HSL 247.32, 0.51%, 0.84%

LAB 80.02, 9.81, -19.67

 

CMYK 17 / 17 / 0 / 8

HEX #C2C2EB

RGB 194 194 235

HSL 240, 0.51%, 0.84%

LAB 79.64, 8.24, -20.28

 

CMYK 1 / 17 / 0 / 8

HEX #E8C2EB

RGB 232 194 235

HSL 295.61, 0.51%, 0.84%

LAB 82.77, 20.49, -15.25

 

CMYK 2 / 22 / 0 / 5

HEX #EDBBF1

RGB 237 187 241

HSL 295.56, 0.66%, 0.84%

LAB 81.78, 26.97, -19.92

 

CMYK 2 / 27 / 0 / 3

HEX #F3B5F8

RGB 243 181 248

HSL 295.52, 0.83%, 0.84%

LAB 81.23, 33.38, -24.45

 

CMYK 2 / 31 / 0 / 0

HEX #F9AEFE

RGB 249 174 254

HSL 296.25, 0.98%, 0.84%

LAB 80.5, 40.05, -28.73

 

CMYK 1 / 17 / 0 / 8

HEX #E8C2EB

RGB 232 194 235

HSL 295.61, 0.51%, 0.84%

LAB 82.77, 20.49, -15.25

 

CMYK 1 / 12 / 0 / 11

HEX #E2C8E4

RGB 226 200 228

HSL 295.71, 0.34%, 0.84%

LAB 83.48, 14, -10.51

 

CMYK 0 / 6 / 0 / 13

HEX #DCCFDD

RGB 220 207 221

HSL 295.71, 0.17%, 0.84%

LAB 84.52, 6.99, -5.3

 

CMYK 0 / 0 / 0 / 16

HEX #D7D6D7

RGB 215 214 215

HSL 300, 0.01%, 0.84%

LAB 85.73, 0.53, -0.38

 

CMYK 5 / 0 / 5 / 14

HEX #D1DCD0

RGB 209 220 208

HSL 115, 0.15%, 0.84%

LAB 86.65, -5.88, 4.6

 

CMYK 11 / 17 / 0 / 8

HEX #D1C2EB

RGB 209 194 235

HSL 261.95, 0.51%, 0.84%

LAB 80.81, 12.99, -18.4

 

CMYK 6 / 17 / 0 / 8

HEX #DCC2EB

RGB 220 194 235

HSL 278.05, 0.51%, 0.84%

LAB 81.73, 16.55, -16.93

 

CMYK 2 / 17 / 0 / 8

HEX #E7C2EB

RGB 231 194 235

HSL 294.15, 0.51%, 0.84%

LAB 82.68, 20.16, -15.4

 

CMYK 0 / 17 / 3 / 8

HEX #EBC2E3

RGB 235 194 227

HSL 311.71, 0.51%, 0.84%

LAB 82.8, 20.04, -10.91

 

CMYK 0 / 17 / 8 / 8

HEX #EBC2D8

RGB 235 194 216

HSL 327.8, 0.51%, 0.84%

LAB 82.49, 18.13, -5.48

 

CMYK 3 / 38 / 0 / 16

HEX #D084D6

RGB 208 132 214

HSL 295.61, 0.5%, 0.68%

LAB 65.57, 42.12, -30.22

 

CMYK 2 / 27 / 0 / 12

HEX #DCA3E0

RGB 220 163 224

HSL 296.07, 0.5%, 0.76%

LAB 74.06, 31.16, -22.61

 

CMYK 1 / 17 / 0 / 8

HEX #E8C2EB

RGB 232 194 235

HSL 295.61, 0.51%, 0.84%

LAB 82.77, 20.49, -15.25

 

CMYK 1 / 8 / 0 / 4

HEX #F3E1F5

RGB 243 225 245

HSL 294, 0.5%, 0.92%

LAB 91.46, 9.62, -7.49

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 1 / 18 / 0 / 8

HEX #E7C0EA

RGB 231 192 234

HSL 295.71, 0.5%, 0.84%

LAB 82.18, 21.04, -15.62

 

CMYK 0 / 15 / 17 / 8

HEX #EBC7C2

RGB 235 199 194

HSL 7.32, 0.51%, 0.84%

LAB 83.13, 11.93, 7.23

 

CMYK 17 / 0 / 9 / 8

HEX #C2EBD7

RGB 194 235 215

HSL 150.73, 0.51%, 0.84%

LAB 89.76, -17.12, 5.3

 

CMYK 1 / 18 / 0 / 8

HEX #E7C0EA

RGB 231 192 234

HSL 295.71, 0.5%, 0.84%

LAB 82.18, 21.04, -15.62

 

CMYK 0 / 2 / 17 / 8

HEX #EBE7C2

RGB 235 231 194

HSL 54.15, 0.51%, 0.84%

LAB 91.1, -4.65, 18.53

 

CMYK 17 / 0 / 2 / 8

HEX #C2EBE7

RGB 194 235 231

HSL 174.15, 0.51%, 0.84%

LAB 90.16, -13.99, -2.48

 

CMYK 1 / 18 / 0 / 8

HEX #E7C0EA

RGB 231 192 234

HSL 295.71, 0.5%, 0.84%

LAB 82.18, 21.04, -15.62

 

CMYK 0 / 15 / 17 / 8

HEX #EBC7C2

RGB 235 199 194

HSL 7.32, 0.51%, 0.84%

LAB 83.13, 11.93, 7.23

 

CMYK 16 / 0 / 17 / 8

HEX #C5EBC2

RGB 197 235 194

HSL 115.61, 0.51%, 0.84%

LAB 89.48, -19.92, 15.86

 

CMYK 17 / 2 / 0 / 8

HEX #C2E6EB

RGB 194 230 235

HSL 187.32, 0.51%, 0.84%

LAB 88.95, -10.64, -6.36

 

CMYK 1 / 18 / 0 / 8

HEX #E7C0EA

RGB 231 192 234

HSL 295.71, 0.5%, 0.84%

LAB 82.18, 21.04, -15.62

 

CMYK 0 / 10 / 17 / 8

HEX #EBD3C2

RGB 235 211 194

HSL 24.88, 0.51%, 0.84%

LAB 86.08, 5.64, 11.44

 

CMYK 16 / 0 / 17 / 8

HEX #C5EBC2

RGB 197 235 194

HSL 115.61, 0.51%, 0.84%

LAB 89.48, -19.92, 15.86

 

CMYK 17 / 7 / 0 / 8

HEX #C2DAEB

RGB 194 218 235

HSL 204.88, 0.51%, 0.84%

LAB 85.81, -4.48, -11.02

 

Description

Color code: HEX #E7C0EA | qconv.com Color code: HEX #E7C0EA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 192 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 192 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 18 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 18% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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