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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7BA85 it is the complementary color #18457A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7BA85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7BA85 shade: #ECBA80, #FDCC93, #FFDEA6, #FFF0B9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7BA85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7BA85 shade: #E7BA85, #D6A872, #C5965F, #B4844C and #A37239

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7BA85 shade: #E7B984, #E79E84 and #E78484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7BA85 shade: #E7B984, #E7D484, #DFE784, #C4E784 and #A9E784

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7BA85 shade matches the following richer shades: #E7B984, #F3BA78 and #FFBB6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7BA85 shade: #E7B984, #DBB88F, #CFB79B, #C3B6A7 and #B7B5B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7BA85 shade: #E78484, #E79E84, #E7B884, #E7D384 and #E0E784

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7BA85 shade: #D9923F, #E0A661, #E7B984, #EDCDA6 and #F4E0C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7BA85 shade: #E7BA85, #9EE784 and #9184E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7BA85 shade: #E7BA85, #84E7B8 and #B884E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7BA85 shade: #E7BA85, #9EE784, #84B2E7 and #CC84E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7BA85 shade: #E7BA85, #84E787, #84B2E7 and #E784E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 42 / 9

HEX #E7BA85

RGB 231 186 133

HSL 32.45, 0.67%, 0.71%

LAB 78.35, 9.36, 32.97

 

Complementary color

CMYK 80 / 43 / 0 / 52

HEX #18457A

RGB 24 69 122

HSL 212.45, 0.67%, 0.29%

LAB 29.05, 5.12, -34.54

 

CMYK 0 / 21 / 46 / 7

HEX #ECBA80

RGB 236 186 128

HSL 32.22, 0.74%, 0.71%

LAB 78.76, 10.85, 36.21

 

CMYK 0 / 19 / 42 / 1

HEX #FDCC93

RGB 253 204 147

HSL 32.26, 0.96%, 0.78%

LAB 85.09, 10.09, 34.94

 

CMYK 0 / 13 / 35 / 0

HEX #FFDEA6

RGB 255 222 166

HSL 37.75, 1%, 0.83%

LAB 89.98, 3.68, 31.7

 

CMYK 0 / 6 / 27 / 0

HEX #FFF0B9

RGB 255 240 185

HSL 47.14, 1%, 0.86%

LAB 94.77, -3.12, 28.46

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 19 / 42 / 9

HEX #E7BA85

RGB 231 186 133

HSL 32.45, 0.67%, 0.71%

LAB 78.35, 9.36, 32.97

 

CMYK 0 / 21 / 47 / 16

HEX #D6A872

RGB 214 168 114

HSL 32.4, 0.55%, 0.64%

LAB 71.9, 10.14, 34.27

 

CMYK 0 / 24 / 52 / 23

HEX #C5965F

RGB 197 150 95

HSL 32.35, 0.47%, 0.57%

LAB 65.36, 11.05, 35.65

 

CMYK 0 / 27 / 58 / 29

HEX #B4844C

RGB 180 132 76

HSL 32.31, 0.41%, 0.5%

LAB 58.72, 12.11, 37.11

 

CMYK 0 / 30 / 65 / 36

HEX #A37239

RGB 163 114 57

HSL 32.26, 0.48%, 0.43%

LAB 51.97, 13.37, 38.62

 

CMYK 0 / 20 / 43 / 9

HEX #E7B984

RGB 231 185 132

HSL 32.12, 0.67%, 0.71%

LAB 78.08, 9.78, 33.15

 

CMYK 0 / 32 / 43 / 9

HEX #E79E84

RGB 231 158 132

HSL 15.76, 0.67%, 0.71%

LAB 71.63, 24.15, 24.59

 

CMYK 0 / 43 / 43 / 9

HEX #E78484

RGB 231 132 132

HSL 0, 0.67%, 0.71%

LAB 65.87, 37.87, 16.72

 

CMYK 0 / 20 / 43 / 9

HEX #E7B984

RGB 231 185 132

HSL 32.12, 0.67%, 0.71%

LAB 78.08, 9.78, 33.15

 

CMYK 0 / 8 / 43 / 9

HEX #E7D484

RGB 231 212 132

HSL 48.48, 0.67%, 0.71%

LAB 84.86, -4.27, 41.88

 

CMYK 3 / 0 / 43 / 9

HEX #DFE784

RGB 223 231 132

HSL 64.85, 0.67%, 0.71%

LAB 89.16, -16.93, 47.13

 

CMYK 15 / 0 / 43 / 9

HEX #C4E784

RGB 196 231 132

HSL 81.21, 0.67%, 0.71%

LAB 87.27, -27.19, 44.36

 

CMYK 27 / 0 / 43 / 9

HEX #A9E784

RGB 169 231 132

HSL 97.58, 0.67%, 0.71%

LAB 85.63, -36.87, 41.95

 

CMYK 0 / 20 / 43 / 9

HEX #E7B984

RGB 231 185 132

HSL 32.12, 0.67%, 0.71%

LAB 78.08, 9.78, 33.15

 

CMYK 0 / 23 / 51 / 5

HEX #F3BA78

RGB 243 186 120

HSL 32.2, 0.84%, 0.71%

LAB 79.34, 12.91, 41.21

 

CMYK 0 / 27 / 58 / 0

HEX #FFBB6C

RGB 255 187 108

HSL 32.24, 1%, 0.71%

LAB 80.67, 16.27, 49.13

 

CMYK 0 / 20 / 43 / 9

HEX #E7B984

RGB 231 185 132

HSL 32.12, 0.67%, 0.71%

LAB 78.08, 9.78, 33.15

 

CMYK 0 / 16 / 35 / 14

HEX #DBB88F

RGB 219 184 143

HSL 32.37, 0.51%, 0.71%

LAB 76.87, 6.8, 25.53

 

CMYK 0 / 12 / 25 / 19

HEX #CFB79B

RGB 207 183 155

HSL 32.31, 0.35%, 0.71%

LAB 75.76, 4.25, 17.39

 

CMYK 0 / 7 / 14 / 24

HEX #C3B6A7

RGB 195 182 167

HSL 32.14, 0.19%, 0.71%

LAB 74.73, 2.08, 9.29

 

CMYK 0 / 1 / 2 / 28

HEX #B7B5B3

RGB 183 181 179

HSL 30, 0.03%, 0.71%

LAB 73.78, 0.34, 1.26

 

CMYK 0 / 43 / 43 / 9

HEX #E78484

RGB 231 132 132

HSL 0, 0.67%, 0.71%

LAB 65.87, 37.87, 16.72

 

CMYK 0 / 32 / 43 / 9

HEX #E79E84

RGB 231 158 132

HSL 15.76, 0.67%, 0.71%

LAB 71.63, 24.15, 24.59

 

CMYK 0 / 20 / 43 / 9

HEX #E7B884

RGB 231 184 132

HSL 31.52, 0.67%, 0.71%

LAB 77.84, 10.31, 32.83

 

CMYK 0 / 9 / 43 / 9

HEX #E7D384

RGB 231 211 132

HSL 47.88, 0.67%, 0.71%

LAB 84.61, -3.76, 41.55

 

CMYK 3 / 0 / 43 / 9

HEX #E0E784

RGB 224 231 132

HSL 64.24, 0.67%, 0.71%

LAB 89.24, -16.54, 47.24

 

CMYK 0 / 33 / 71 / 15

HEX #D9923F

RGB 217 146 63

HSL 32.34, 0.67%, 0.55%

LAB 66.27, 19.45, 53.16

 

CMYK 0 / 26 / 57 / 12

HEX #E0A661

RGB 224 166 97

HSL 32.6, 0.67%, 0.63%

LAB 72.22, 13.83, 43.68

 

CMYK 0 / 20 / 43 / 9

HEX #E7B984

RGB 231 185 132

HSL 32.12, 0.67%, 0.71%

LAB 78.08, 9.78, 33.15

 

CMYK 0 / 14 / 30 / 7

HEX #EDCDA6

RGB 237 205 166

HSL 32.96, 0.66%, 0.79%

LAB 84.18, 5.59, 23.58

 

CMYK 0 / 8 / 18 / 4

HEX #F4E0C8

RGB 244 224 200

HSL 32.73, 0.67%, 0.87%

LAB 90.19, 3.06, 14.23

 

CMYK 0 / 19 / 42 / 9

HEX #E7BA85

RGB 231 186 133

HSL 32.45, 0.67%, 0.71%

LAB 78.35, 9.36, 32.97

 

CMYK 32 / 0 / 43 / 9

HEX #9EE784

RGB 158 231 132

HSL 104.24, 0.67%, 0.71%

LAB 85.04, -40.58, 41.07

 

CMYK 37 / 43 / 0 / 9

HEX #9184E7

RGB 145 132 231

HSL 247.88, 0.67%, 0.71%

LAB 60.15, 27.92, -48.61

 

CMYK 0 / 19 / 42 / 9

HEX #E7BA85

RGB 231 186 133

HSL 32.45, 0.67%, 0.71%

LAB 78.35, 9.36, 32.97

 

CMYK 43 / 0 / 20 / 9

HEX #84E7B8

RGB 132 231 184

HSL 151.52, 0.67%, 0.71%

LAB 84.75, -39.6, 13.92

 

CMYK 20 / 43 / 0 / 9

HEX #B884E7

RGB 184 132 231

HSL 271.52, 0.67%, 0.71%

LAB 63.72, 38.54, -42.74

 

CMYK 0 / 19 / 42 / 9

HEX #E7BA85

RGB 231 186 133

HSL 32.45, 0.67%, 0.71%

LAB 78.35, 9.36, 32.97

 

CMYK 32 / 0 / 43 / 9

HEX #9EE784

RGB 158 231 132

HSL 104.24, 0.67%, 0.71%

LAB 85.04, -40.58, 41.07

 

CMYK 43 / 23 / 0 / 9

HEX #84B2E7

RGB 132 178 231

HSL 212.12, 0.67%, 0.71%

LAB 71.23, -1.71, -31.36

 

CMYK 12 / 43 / 0 / 9

HEX #CC84E7

RGB 204 132 231

HSL 283.64, 0.67%, 0.71%

LAB 65.83, 44.27, -39.28

 

CMYK 0 / 19 / 42 / 9

HEX #E7BA85

RGB 231 186 133

HSL 32.45, 0.67%, 0.71%

LAB 78.35, 9.36, 32.97

 

CMYK 43 / 0 / 42 / 9

HEX #84E787

RGB 132 231 135

HSL 121.82, 0.67%, 0.71%

LAB 83.86, -48.21, 37.84

 

CMYK 43 / 23 / 0 / 9

HEX #84B2E7

RGB 132 178 231

HSL 212.12, 0.67%, 0.71%

LAB 71.23, -1.71, -31.36

 

CMYK 0 / 43 / 2 / 9

HEX #E784E3

RGB 231 132 227

HSL 302.42, 0.67%, 0.71%

LAB 68.78, 51.41, -32.25

 

Description

Color code: HEX #E7BA85 | qconv.com Color code: HEX #E7BA85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 186 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 186 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 42 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 42% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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