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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E795AA it is the complementary color #186A55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E795AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E795AA shade: #EC95A5, #FDA7B8, #FFB9CB, #FFCBDE and #FFDDF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E795AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E795AA shade: #E795AA, #D68397, #C57184, #B45F71 and #A34D5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E795AA shade: #E797AC and #E79797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E795AA shade: #E797AC, #E797C1, #E797D7, #E297E7 and #CD97E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E795AA shade matches the following richer shades: #E797AC, #F28DA7 and #FC82A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E795AA shade: #E797AC, #DDA1B1, #D3ACB6, #C8B6BB and #BEC0C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E795AA shade: #E797D7, #E797C2, #E797AD, #E79797 and #E7AD97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E795AA shade: #D85476, #E07591, #E797AC, #EFB9C7 and #F7DAE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E795AA shade: #E795AA, #E7E297 and #97CDE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E795AA shade: #E795AA, #ADE797 and #97ADE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E795AA shade: #E795AA, #E7E297, #97E7D2 and #979CE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E795AA shade: #E795AA, #D5E797, #97E7D2 and #AA97E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 26 / 9

HEX #E795AA

RGB 231 149 170

HSL 344.63, 0.63%, 0.75%

LAB 70.45, 33.58, 1.93

 

Complementary color

CMYK 77 / 0 / 20 / 58

HEX #186A55

RGB 24 106 85

HSL 164.63, 0.63%, 0.25%

LAB 39.85, -29.44, 4.95

 

CMYK 0 / 37 / 30 / 7

HEX #EC95A5

RGB 236 149 165

HSL 348.97, 0.7%, 0.75%

LAB 70.9, 34.71, 5.45

 

CMYK 0 / 34 / 27 / 1

HEX #FDA7B8

RGB 253 167 184

HSL 348.14, 0.96%, 0.82%

LAB 77.27, 33.88, 4.42

 

CMYK 0 / 27 / 20 / 0

HEX #FFB9CB

RGB 255 185 203

HSL 344.57, 1%, 0.86%

LAB 81.98, 27.82, 0.99

 

CMYK 0 / 20 / 13 / 0

HEX #FFCBDE

RGB 255 203 222

HSL 338.08, 1%, 0.9%

LAB 86.63, 21.28, -2.38

 

CMYK 0 / 13 / 5 / 0

HEX #FFDDF1

RGB 255 221 241

HSL 324.71, 1%, 0.93%

LAB 91.38, 15.02, -5.4

 

CMYK 0 / 35 / 26 / 9

HEX #E795AA

RGB 231 149 170

HSL 344.63, 0.63%, 0.75%

LAB 70.45, 33.58, 1.93

 

CMYK 0 / 39 / 29 / 16

HEX #D68397

RGB 214 131 151

HSL 345.54, 0.5%, 0.68%

LAB 63.97, 34.43, 2.97

 

CMYK 0 / 43 / 33 / 23

HEX #C57184

RGB 197 113 132

HSL 346.43, 0.42%, 0.61%

LAB 57.41, 35.33, 4.14

 

CMYK 0 / 47 / 37 / 29

HEX #B45F71

RGB 180 95 113

HSL 347.29, 0.36%, 0.54%

LAB 50.78, 36.29, 5.49

 

CMYK 0 / 53 / 42 / 36

HEX #A34D5E

RGB 163 77 94

HSL 348.14, 0.36%, 0.47%

LAB 44.09, 37.27, 7.11

 

CMYK 0 / 35 / 26 / 9

HEX #E797AC

RGB 231 151 172

HSL 344.25, 0.63%, 0.75%

LAB 70.94, 32.8, 1.54

 

CMYK 0 / 35 / 35 / 9

HEX #E79797

RGB 231 151 151

HSL 0, 0.63%, 0.75%

LAB 70.42, 30.05, 12.47

 

CMYK 0 / 35 / 26 / 9

HEX #E797AC

RGB 231 151 172

HSL 344.25, 0.63%, 0.75%

LAB 70.94, 32.8, 1.54

 

CMYK 0 / 35 / 16 / 9

HEX #E797C1

RGB 231 151 193

HSL 328.5, 0.63%, 0.75%

LAB 71.54, 35.9, -9.24

 

CMYK 0 / 35 / 7 / 9

HEX #E797D7

RGB 231 151 215

HSL 312, 0.63%, 0.75%

LAB 72.25, 39.51, -20.32

 

CMYK 2 / 35 / 0 / 9

HEX #E297E7

RGB 226 151 231

HSL 296.25, 0.63%, 0.75%

LAB 72.28, 40.79, -29.1

 

CMYK 11 / 35 / 0 / 9

HEX #CD97E7

RGB 205 151 231

HSL 280.5, 0.63%, 0.75%

LAB 70.09, 34.32, -32.65

 

CMYK 0 / 35 / 26 / 9

HEX #E797AC

RGB 231 151 172

HSL 344.25, 0.63%, 0.75%

LAB 70.94, 32.8, 1.54

 

CMYK 0 / 42 / 31 / 5

HEX #F28DA7

RGB 242 141 167

HSL 344.55, 0.8%, 0.75%

LAB 69.98, 41.26, 3.09

 

CMYK 0 / 48 / 36 / 1

HEX #FC82A2

RGB 252 130 162

HSL 344.26, 0.95%, 0.75%

LAB 68.95, 49.62, 4.57

 

CMYK 0 / 35 / 26 / 9

HEX #E797AC

RGB 231 151 172

HSL 344.25, 0.63%, 0.75%

LAB 70.94, 32.8, 1.54

 

CMYK 0 / 27 / 20 / 13

HEX #DDA1B1

RGB 221 161 177

HSL 344, 0.47%, 0.75%

LAB 72.25, 24.57, 0.55

 

CMYK 0 / 18 / 14 / 17

HEX #D3ACB6

RGB 211 172 182

HSL 344.62, 0.31%, 0.75%

LAB 74.02, 15.78, 0.25

 

CMYK 0 / 9 / 7 / 22

HEX #C8B6BB

RGB 200 182 187

HSL 343.33, 0.14%, 0.75%

LAB 75.65, 7.27, -0.22

 

CMYK 1 / 0 / 0 / 25

HEX #BEC0C0

RGB 190 192 192

HSL 180, 0.02%, 0.75%

LAB 77.55, -0.69, -0.25

 

CMYK 0 / 35 / 7 / 9

HEX #E797D7

RGB 231 151 215

HSL 312, 0.63%, 0.75%

LAB 72.25, 39.51, -20.32

 

CMYK 0 / 35 / 16 / 9

HEX #E797C2

RGB 231 151 194

HSL 327.75, 0.63%, 0.75%

LAB 71.57, 36.06, -9.75

 

CMYK 0 / 35 / 25 / 9

HEX #E797AD

RGB 231 151 173

HSL 343.5, 0.63%, 0.75%

LAB 70.97, 32.94, 1.02

 

CMYK 0 / 35 / 35 / 9

HEX #E79797

RGB 231 151 151

HSL 0, 0.63%, 0.75%

LAB 70.42, 30.05, 12.47

 

CMYK 0 / 25 / 35 / 9

HEX #E7AD97

RGB 231 173 151

HSL 16.5, 0.63%, 0.75%

LAB 75.52, 18.31, 19.58

 

CMYK 0 / 61 / 45 / 15

HEX #D85476

RGB 216 84 118

HSL 344.55, 0.63%, 0.59%

LAB 54.29, 54.59, 8.26

 

CMYK 0 / 48 / 35 / 12

HEX #E07591

RGB 224 117 145

HSL 344.3, 0.63%, 0.67%

LAB 62.18, 44.49, 3.97

 

CMYK 0 / 35 / 26 / 9

HEX #E797AC

RGB 231 151 172

HSL 344.25, 0.63%, 0.75%

LAB 70.94, 32.8, 1.54

 

CMYK 0 / 23 / 17 / 6

HEX #EFB9C7

RGB 239 185 199

HSL 344.44, 0.63%, 0.83%

LAB 80.28, 21.55, 0.46

 

CMYK 0 / 12 / 9 / 3

HEX #F7DAE2

RGB 247 218 226

HSL 343.45, 0.64%, 0.91%

LAB 89.58, 11.32, -0.25

 

CMYK 0 / 35 / 26 / 9

HEX #E795AA

RGB 231 149 170

HSL 344.63, 0.63%, 0.75%

LAB 70.45, 33.58, 1.93

 

CMYK 0 / 2 / 35 / 9

HEX #E7E297

RGB 231 226 151

HSL 56.25, 0.63%, 0.75%

LAB 88.74, -9.29, 37.32

 

CMYK 35 / 11 / 0 / 9

HEX #97CDE7

RGB 151 205 231

HSL 199.5, 0.63%, 0.75%

LAB 79.62, -11.19, -18.44

 

CMYK 0 / 35 / 26 / 9

HEX #E795AA

RGB 231 149 170

HSL 344.63, 0.63%, 0.75%

LAB 70.45, 33.58, 1.93

 

CMYK 25 / 0 / 35 / 9

HEX #ADE797

RGB 173 231 151

HSL 103.5, 0.63%, 0.75%

LAB 86.14, -32.92, 33.17

 

CMYK 35 / 25 / 0 / 9

HEX #97ADE7

RGB 151 173 231

HSL 223.5, 0.63%, 0.75%

LAB 71.03, 6.09, -31.56

 

CMYK 0 / 35 / 26 / 9

HEX #E795AA

RGB 231 149 170

HSL 344.63, 0.63%, 0.75%

LAB 70.45, 33.58, 1.93

 

CMYK 0 / 2 / 35 / 9

HEX #E7E297

RGB 231 226 151

HSL 56.25, 0.63%, 0.75%

LAB 88.74, -9.29, 37.32

 

CMYK 35 / 0 / 9 / 9

HEX #97E7D2

RGB 151 231 210

HSL 164.25, 0.63%, 0.75%

LAB 86.2, -29.04, 2.46

 

CMYK 35 / 32 / 0 / 9

HEX #979CE7

RGB 151 156 231

HSL 236.25, 0.63%, 0.75%

LAB 66.62, 15.68, -38.42

 

CMYK 0 / 35 / 26 / 9

HEX #E795AA

RGB 231 149 170

HSL 344.63, 0.63%, 0.75%

LAB 70.45, 33.58, 1.93

 

CMYK 8 / 0 / 35 / 9

HEX #D5E797

RGB 213 231 151

HSL 73.5, 0.63%, 0.75%

LAB 88.7, -18.59, 37.01

 

CMYK 35 / 0 / 9 / 9

HEX #97E7D2

RGB 151 231 210

HSL 164.25, 0.63%, 0.75%

LAB 86.2, -29.04, 2.46

 

CMYK 26 / 35 / 0 / 9

HEX #AA97E7

RGB 170 151 231

HSL 254.25, 0.63%, 0.75%

LAB 66.86, 23.88, -37.92

 

Description

Color code: HEX #E795AA | qconv.com Color code: HEX #E795AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 149 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 149 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 26 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 26% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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