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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7912E it is the complementary color #186ED1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7912E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7912E shade: #EC9129, #FDA33C, #FFB54F, #FFC762 and #FFD975

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7912E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7912E shade: #E7912E, #D67F1B, #C56D08, #B45B00 and #A34900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7912E shade: #E6902D, #E65E2D and #E62D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7912E shade: #E6902D, #E6C22D, #D9E62D, #A7E62D and #75E62D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7912E shade matches the following richer shades: #E6902D and #F9921A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7912E shade: #E6902D, #D38F40, #C08E53, #AD8C66 and #9A8B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7912E shade: #E62D2D, #E65E2D, #E6902D, #E6C12D and #DAE62D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7912E shade: #AD6614, #D27C19, #E6902D, #EBA452 and #EFB777

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7912E shade: #E7912E, #5EE62D and #462DE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7912E shade: #E7912E, #2DE690 and #902DE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7912E shade: #E7912E, #5EE62D, #2D84E6 and #B52DE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7912E shade: #E7912E, #2DE633, #2D84E6 and #E62DE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 80 / 9

HEX #E7912E

RGB 231 145 46

HSL 32.11, 0.79%, 0.54%

LAB 67.6, 25.18, 62.11

 

Complementary color

CMYK 89 / 47 / 0 / 18

HEX #186ED1

RGB 24 110 209

HSL 212.11, 0.79%, 0.46%

LAB 46.91, 13.08, -57.73

 

CMYK 0 / 39 / 83 / 7

HEX #EC9129

RGB 236 145 41

HSL 32, 0.84%, 0.54%

LAB 68.2, 27.11, 64.67

 

CMYK 0 / 36 / 76 / 1

HEX #FDA33C

RGB 253 163 60

HSL 32.02, 0.98%, 0.61%

LAB 74.45, 25.33, 64.06

 

CMYK 0 / 29 / 69 / 0

HEX #FFB54F

RGB 255 181 79

HSL 34.77, 1%, 0.65%

LAB 78.97, 17.6, 60.74

 

CMYK 0 / 22 / 62 / 0

HEX #FFC762

RGB 255 199 98

HSL 38.6, 1%, 0.69%

LAB 83.44, 9.34, 57.1

 

CMYK 0 / 15 / 54 / 0

HEX #FFD975

RGB 255 217 117

HSL 43.48, 1%, 0.73%

LAB 88.05, 1.45, 53.58

 

CMYK 0 / 37 / 80 / 9

HEX #E7912E

RGB 231 145 46

HSL 32.11, 0.79%, 0.54%

LAB 67.6, 25.18, 62.11

 

CMYK 0 / 41 / 87 / 16

HEX #D67F1B

RGB 214 127 27

HSL 32.09, 0.78%, 0.47%

LAB 61.27, 27.09, 62.23

 

CMYK 0 / 45 / 96 / 23

HEX #C56D08

RGB 197 109 8

HSL 32.06, 0.92%, 0.4%

LAB 54.89, 29.24, 60.95

 

CMYK 0 / 49 / 100 / 29

HEX #B45B00

RGB 180 91 0

HSL 30.33, 1%, 0.35%

LAB 48.49, 31.61, 57.32

 

CMYK 0 / 55 / 100 / 36

HEX #A34900

RGB 163 73 0

HSL 26.87, 1%, 0.32%

LAB 42.08, 34.03, 52.18

 

CMYK 0 / 37 / 80 / 10

HEX #E6902D

RGB 230 144 45

HSL 32.11, 0.79%, 0.54%

LAB 67.25, 25.25, 62.11

 

CMYK 0 / 59 / 80 / 10

HEX #E65E2D

RGB 230 94 45

HSL 15.89, 0.79%, 0.54%

LAB 57.09, 50.39, 52.74

 

CMYK 0 / 80 / 80 / 10

HEX #E62D2D

RGB 230 45 45

HSL 0, 0.79%, 0.54%

LAB 50.56, 68.21, 46.47

 

CMYK 0 / 37 / 80 / 10

HEX #E6902D

RGB 230 144 45

HSL 32.11, 0.79%, 0.54%

LAB 67.25, 25.25, 62.11

 

CMYK 0 / 16 / 80 / 10

HEX #E6C22D

RGB 230 194 45

HSL 48.32, 0.79%, 0.54%

LAB 79.38, -1.15, 72.88

 

CMYK 6 / 0 / 80 / 10

HEX #D9E62D

RGB 217 230 45

HSL 64.22, 0.79%, 0.54%

LAB 87.74, -24.58, 79.72

 

CMYK 27 / 0 / 80 / 10

HEX #A7E62D

RGB 167 230 45

HSL 80.43, 0.79%, 0.54%

LAB 84.48, -44.27, 75.6

 

CMYK 49 / 0 / 80 / 10

HEX #75E62D

RGB 117 230 45

HSL 96.65, 0.79%, 0.54%

LAB 82.14, -60.92, 72.61

 

CMYK 0 / 37 / 80 / 10

HEX #E6902D

RGB 230 144 45

HSL 32.11, 0.79%, 0.54%

LAB 67.25, 25.25, 62.11

 

CMYK 0 / 41 / 90 / 2

HEX #F9921A

RGB 249 146 26

HSL 32.29, 0.95%, 0.54%

LAB 70.02, 31.61, 71.21

 

CMYK 0 / 37 / 80 / 10

HEX #E6902D

RGB 230 144 45

HSL 32.11, 0.79%, 0.54%

LAB 67.25, 25.25, 62.11

 

CMYK 0 / 32 / 70 / 17

HEX #D38F40

RGB 211 143 64

HSL 32.24, 0.63%, 0.54%

LAB 64.85, 18.57, 51

 

CMYK 0 / 26 / 57 / 25

HEX #C08E53

RGB 192 142 83

HSL 32.48, 0.46%, 0.54%

LAB 62.66, 12.29, 38.51

 

CMYK 0 / 19 / 41 / 32

HEX #AD8C66

RGB 173 140 102

HSL 32.11, 0.3%, 0.54%

LAB 60.43, 7.22, 25.01

 

CMYK 0 / 10 / 21 / 40

HEX #9A8B79

RGB 154 139 121

HSL 32.73, 0.14%, 0.54%

LAB 58.71, 2.59, 11.67

 

CMYK 0 / 80 / 80 / 10

HEX #E62D2D

RGB 230 45 45

HSL 0, 0.79%, 0.54%

LAB 50.56, 68.21, 46.47

 

CMYK 0 / 59 / 80 / 10

HEX #E65E2D

RGB 230 94 45

HSL 15.89, 0.79%, 0.54%

LAB 57.09, 50.39, 52.74

 

CMYK 0 / 37 / 80 / 10

HEX #E6902D

RGB 230 144 45

HSL 32.11, 0.79%, 0.54%

LAB 67.25, 25.25, 62.11

 

CMYK 0 / 16 / 80 / 10

HEX #E6C12D

RGB 230 193 45

HSL 48, 0.79%, 0.54%

LAB 79.13, -0.64, 72.66

 

CMYK 5 / 0 / 80 / 10

HEX #DAE62D

RGB 218 230 45

HSL 63.89, 0.79%, 0.54%

LAB 87.82, -24.17, 79.81

 

CMYK 0 / 41 / 88 / 32

HEX #AD6614

RGB 173 102 20

HSL 32.16, 0.79%, 0.38%

LAB 50.02, 22.93, 53.06

 

CMYK 0 / 41 / 88 / 18

HEX #D27C19

RGB 210 124 25

HSL 32.11, 0.79%, 0.46%

LAB 60.06, 26.97, 61.63

 

CMYK 0 / 37 / 80 / 10

HEX #E6902D

RGB 230 144 45

HSL 32.11, 0.79%, 0.54%

LAB 67.25, 25.25, 62.11

 

CMYK 0 / 30 / 65 / 8

HEX #EBA452

RGB 235 164 82

HSL 32.16, 0.79%, 0.62%

LAB 72.77, 18.43, 52

 

CMYK 0 / 23 / 50 / 6

HEX #EFB777

RGB 239 183 119

HSL 32, 0.79%, 0.7%

LAB 78.2, 12.79, 40.2

 

CMYK 0 / 37 / 80 / 9

HEX #E7912E

RGB 231 145 46

HSL 32.11, 0.79%, 0.54%

LAB 67.6, 25.18, 62.11

 

CMYK 59 / 0 / 80 / 10

HEX #5EE62D

RGB 94 230 45

HSL 104.11, 0.79%, 0.54%

LAB 81.38, -66.96, 71.63

 

CMYK 70 / 80 / 0 / 10

HEX #462DE6

RGB 70 45 230

HSL 248.11, 0.79%, 0.54%

LAB 35.78, 62.61, -87.87

 

CMYK 0 / 37 / 80 / 9

HEX #E7912E

RGB 231 145 46

HSL 32.11, 0.79%, 0.54%

LAB 67.6, 25.18, 62.11

 

CMYK 80 / 0 / 37 / 10

HEX #2DE690

RGB 45 230 144

HSL 152.11, 0.79%, 0.54%

LAB 81.38, -63.38, 29.61

 

CMYK 37 / 80 / 0 / 10

HEX #902DE6

RGB 144 45 230

HSL 272.11, 0.79%, 0.54%

LAB 43.54, 70.94, -74.81

 

CMYK 0 / 37 / 80 / 9

HEX #E7912E

RGB 231 145 46

HSL 32.11, 0.79%, 0.54%

LAB 67.6, 25.18, 62.11

 

CMYK 59 / 0 / 80 / 10

HEX #5EE62D

RGB 94 230 45

HSL 104.11, 0.79%, 0.54%

LAB 81.38, -66.96, 71.63

 

CMYK 80 / 43 / 0 / 10

HEX #2D84E6

RGB 45 132 230

HSL 211.78, 0.79%, 0.54%

LAB 54.84, 9, -56.83

 

CMYK 21 / 80 / 0 / 10

HEX #B52DE6

RGB 181 45 230

HSL 284.11, 0.79%, 0.54%

LAB 48.78, 76.69, -66.05

 

CMYK 0 / 37 / 80 / 9

HEX #E7912E

RGB 231 145 46

HSL 32.11, 0.79%, 0.54%

LAB 67.6, 25.18, 62.11

 

CMYK 80 / 0 / 78 / 10

HEX #2DE633

RGB 45 230 51

HSL 121.95, 0.79%, 0.54%

LAB 80.4, -75.17, 68.67

 

CMYK 80 / 43 / 0 / 10

HEX #2D84E6

RGB 45 132 230

HSL 211.78, 0.79%, 0.54%

LAB 54.84, 9, -56.83

 

CMYK 0 / 80 / 3 / 10

HEX #E62DE0

RGB 230 45 224

HSL 301.95, 0.79%, 0.54%

LAB 56.17, 84.39, -50.37

 

Description

Color code: HEX #E7912E | qconv.com Color code: HEX #E7912E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 145 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 145 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 80 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 80% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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