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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E78ED9 it is the complementary color #187126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E78ED9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E78ED9 shade: #EC8ED4, #FDA0E7, #FFB2FA, #FFC4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E78ED9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E78ED9 shade: #E78ED9, #D67CC6, #C56AB3, #B458A0 and #A3468D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E78ED9 shade: #E78DD9, #E78DC1, #E78DA9, #E78D90 and #E78D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E78ED9 shade: #E78DD9, #DD8DE7, #C58DE7, #AD8DE7 and #948DE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E78ED9 shade matches the following richer shades: #E78DD9, #F282E0 and #FD77E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E78ED9 shade: #E78DD9, #DC99D1, #D1A4CA, #C5AFC2 and #BABABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E78ED9 shade: #C58DE7, #DC8DE7, #E78DD9, #E78DC2 and #E78DAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E78ED9 shade: #D849C2, #E06BCD, #E78DD9, #EEAFE4 and #F5D1F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E78ED9 shade: #E78ED9, #E7AD8D and #8DE7D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E78ED9 shade: #E78ED9, #D9E78D and #8DD9E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E78ED9 shade: #E78ED9, #E7AD8D, #8DE79B and #8DC8E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E78ED9 shade: #E78ED9, #E7C88D, #8DE79B and #8DADE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 6 / 9

HEX #E78ED9

RGB 231 142 217

HSL 309.44, 0.65%, 0.73%

LAB 70.42, 44.55, -24.21

 

Complementary color

CMYK 79 / 0 / 66 / 56

HEX #187126

RGB 24 113 38

HSL 129.44, 0.65%, 0.27%

LAB 41.44, -41.77, 33.52

 

CMYK 0 / 40 / 10 / 7

HEX #EC8ED4

RGB 236 142 212

HSL 315.32, 0.71%, 0.74%

LAB 70.82, 45.29, -20.77

 

CMYK 0 / 37 / 9 / 1

HEX #FDA0E7

RGB 253 160 231

HSL 314.19, 0.96%, 0.81%

LAB 77.16, 44.56, -21.38

 

CMYK 0 / 30 / 2 / 0

HEX #FFB2FA

RGB 255 178 250

HSL 303.9, 1%, 0.85%

LAB 81.84, 39.11, -24.48

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 39 / 6 / 9

HEX #E78ED9

RGB 231 142 217

HSL 309.44, 0.65%, 0.73%

LAB 70.42, 44.55, -24.21

 

CMYK 0 / 42 / 7 / 16

HEX #D67CC6

RGB 214 124 198

HSL 310.67, 0.52%, 0.66%

LAB 63.99, 45.3, -23.63

 

CMYK 0 / 46 / 9 / 23

HEX #C56AB3

RGB 197 106 179

HSL 311.87, 0.44%, 0.59%

LAB 57.49, 46.03, -22.97

 

CMYK 0 / 51 / 11 / 29

HEX #B458A0

RGB 180 88 160

HSL 313.04, 0.38%, 0.53%

LAB 50.94, 46.72, -22.18

 

CMYK 0 / 57 / 13 / 36

HEX #A3468D

RGB 163 70 141

HSL 314.19, 0.4%, 0.46%

LAB 44.36, 47.29, -21.2

 

CMYK 0 / 39 / 6 / 9

HEX #E78DD9

RGB 231 141 217

HSL 309.33, 0.65%, 0.73%

LAB 70.21, 45.07, -24.53

 

CMYK 0 / 39 / 16 / 9

HEX #E78DC1

RGB 231 141 193

HSL 325.33, 0.65%, 0.73%

LAB 69.39, 41.15, -12.45

 

CMYK 0 / 39 / 27 / 9

HEX #E78DA9

RGB 231 141 169

HSL 341.33, 0.65%, 0.73%

LAB 68.68, 37.65, -0.08

 

CMYK 0 / 39 / 38 / 9

HEX #E78D90

RGB 231 141 144

HSL 358, 0.65%, 0.73%

LAB 68.06, 34.5, 13.04

 

CMYK 0 / 39 / 39 / 9

HEX #E78D8D

RGB 231 141 141

HSL 0, 0.65%, 0.73%

LAB 67.99, 34.16, 14.62

 

CMYK 0 / 39 / 6 / 9

HEX #E78DD9

RGB 231 141 217

HSL 309.33, 0.65%, 0.73%

LAB 70.21, 45.07, -24.53

 

CMYK 4 / 39 / 0 / 9

HEX #DD8DE7

RGB 221 141 231

HSL 293.33, 0.65%, 0.73%

LAB 69.61, 44.53, -33.27

 

CMYK 15 / 39 / 0 / 9

HEX #C58DE7

RGB 197 141 231

HSL 277.33, 0.65%, 0.73%

LAB 67.04, 37.37, -37.45

 

CMYK 25 / 39 / 0 / 9

HEX #AD8DE7

RGB 173 141 231

HSL 261.33, 0.65%, 0.73%

LAB 64.73, 30.39, -41.24

 

CMYK 36 / 39 / 0 / 9

HEX #948DE7

RGB 148 141 231

HSL 244.67, 0.65%, 0.73%

LAB 62.6, 23.49, -44.72

 

CMYK 0 / 39 / 6 / 9

HEX #E78DD9

RGB 231 141 217

HSL 309.33, 0.65%, 0.73%

LAB 70.21, 45.07, -24.53

 

CMYK 0 / 46 / 7 / 5

HEX #F282E0

RGB 242 130 224

HSL 309.64, 0.81%, 0.73%

LAB 69.63, 55.14, -29.17

 

CMYK 0 / 53 / 8 / 1

HEX #FD77E8

RGB 253 119 232

HSL 309.4, 0.97%, 0.73%

LAB 69.4, 64.76, -33.83

 

CMYK 0 / 39 / 6 / 9

HEX #E78DD9

RGB 231 141 217

HSL 309.33, 0.65%, 0.73%

LAB 70.21, 45.07, -24.53

 

CMYK 0 / 30 / 5 / 14

HEX #DC99D1

RGB 220 153 209

HSL 309.85, 0.49%, 0.73%

LAB 71.28, 33.8, -18.59

 

CMYK 0 / 22 / 3 / 18

HEX #D1A4CA

RGB 209 164 202

HSL 309.33, 0.33%, 0.73%

LAB 72.48, 22.89, -13.04

 

CMYK 0 / 11 / 2 / 23

HEX #C5AFC2

RGB 197 175 194

HSL 308.18, 0.16%, 0.73%

LAB 73.82, 11.27, -6.76

 

CMYK 0 / 0 / 0 / 27

HEX #BABABA

RGB 186 186 186

HSL 0, 0%, 0.73%

LAB 75.51, 0, -0.01

 

CMYK 15 / 39 / 0 / 9

HEX #C58DE7

RGB 197 141 231

HSL 277.33, 0.65%, 0.73%

LAB 67.04, 37.37, -37.45

 

CMYK 5 / 39 / 0 / 9

HEX #DC8DE7

RGB 220 141 231

HSL 292.67, 0.65%, 0.73%

LAB 69.49, 44.23, -33.45

 

CMYK 0 / 39 / 6 / 9

HEX #E78DD9

RGB 231 141 217

HSL 309.33, 0.65%, 0.73%

LAB 70.21, 45.07, -24.53

 

CMYK 0 / 39 / 16 / 9

HEX #E78DC2

RGB 231 141 194

HSL 324.67, 0.65%, 0.73%

LAB 69.42, 41.31, -12.96

 

CMYK 0 / 39 / 26 / 9

HEX #E78DAA

RGB 231 141 170

HSL 340.67, 0.65%, 0.73%

LAB 68.71, 37.79, -0.6

 

CMYK 0 / 66 / 10 / 15

HEX #D849C2

RGB 216 73 194

HSL 309.23, 0.65%, 0.57%

LAB 55.34, 68.57, -34.72

 

CMYK 0 / 52 / 8 / 12

HEX #E06BCD

RGB 224 107 205

HSL 309.74, 0.65%, 0.65%

LAB 62.31, 57.88, -30.05

 

CMYK 0 / 39 / 6 / 9

HEX #E78DD9

RGB 231 141 217

HSL 309.33, 0.65%, 0.73%

LAB 70.21, 45.07, -24.53

 

CMYK 0 / 26 / 4 / 7

HEX #EEAFE4

RGB 238 175 228

HSL 309.52, 0.65%, 0.81%

LAB 78.72, 31.33, -17.54

 

CMYK 0 / 15 / 2 / 4

HEX #F5D1F0

RGB 245 209 240

HSL 308.33, 0.64%, 0.89%

LAB 87.63, 17.77, -10.53

 

CMYK 0 / 39 / 6 / 9

HEX #E78ED9

RGB 231 142 217

HSL 309.44, 0.65%, 0.73%

LAB 70.42, 44.55, -24.21

 

CMYK 0 / 25 / 39 / 9

HEX #E7AD8D

RGB 231 173 141

HSL 21.33, 0.65%, 0.73%

LAB 75.33, 17.13, 24.71

 

CMYK 39 / 0 / 10 / 9

HEX #8DE7D1

RGB 141 231 209

HSL 165.33, 0.65%, 0.73%

LAB 85.71, -31.94, 2.23

 

CMYK 0 / 39 / 6 / 9

HEX #E78ED9

RGB 231 142 217

HSL 309.44, 0.65%, 0.73%

LAB 70.42, 44.55, -24.21

 

CMYK 6 / 0 / 39 / 9

HEX #D9E78D

RGB 217 231 141

HSL 69.33, 0.65%, 0.73%

LAB 88.84, -18.27, 42.23

 

CMYK 39 / 6 / 0 / 9

HEX #8DD9E7

RGB 141 217 231

HSL 189.33, 0.65%, 0.73%

LAB 82.41, -19.96, -14.29

 

CMYK 0 / 39 / 6 / 9

HEX #E78ED9

RGB 231 142 217

HSL 309.44, 0.65%, 0.73%

LAB 70.42, 44.55, -24.21

 

CMYK 0 / 25 / 39 / 9

HEX #E7AD8D

RGB 231 173 141

HSL 21.33, 0.65%, 0.73%

LAB 75.33, 17.13, 24.71

 

CMYK 39 / 0 / 33 / 9

HEX #8DE79B

RGB 141 231 155

HSL 129.33, 0.65%, 0.73%

LAB 84.58, -42.45, 28.76

 

CMYK 39 / 13 / 0 / 9

HEX #8DC8E7

RGB 141 200 231

HSL 200.67, 0.65%, 0.73%

LAB 77.72, -11.23, -21.37

 

CMYK 0 / 39 / 6 / 9

HEX #E78ED9

RGB 231 142 217

HSL 309.44, 0.65%, 0.73%

LAB 70.42, 44.55, -24.21

 

CMYK 0 / 13 / 39 / 9

HEX #E7C88D

RGB 231 200 141

HSL 39.33, 0.65%, 0.73%

LAB 81.96, 2.88, 33.55

 

CMYK 39 / 0 / 33 / 9

HEX #8DE79B

RGB 141 231 155

HSL 129.33, 0.65%, 0.73%

LAB 84.58, -42.45, 28.76

 

CMYK 39 / 25 / 0 / 9

HEX #8DADE7

RGB 141 173 231

HSL 218.67, 0.65%, 0.73%

LAB 70.4, 3.38, -32.59

 

Description

Color code: HEX #E78ED9 | qconv.com Color code: HEX #E78ED9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 142 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 142 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 6% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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